Theater in your life - Page 4

Originally posted by: Hamlet53

hi sammy ,finally got to read your relevant post.. enjoyed the section of the dance enactment and the significance.. viplav and dhani were immediate identification with the deities ..however raja 's bit was totally a figment of his sick imagination. shalu was a pathetic excuse for a wife..one figure who invokes pathos in her. Enjoyed the reference to the floral ornaments too..very befitting dhani ,who is natural ,innocent and unaffected..both husband and wife are discovering there is no easy way to beat evil..the bottom line is persistence in their faith ,love ,and familial loyalities.. thanks for the post ..sammy befitting title.. you know what Shakespeare says..."all the world's is a stage.. men and women ,merely players.."..
much love and thanks for another profound post much love hammie

Hi Hammie

Sorry for late reply


Thank you dear for your time to read ... and comment ..


@ bold it is very true

Originally posted by: pearl100

Hello Samantha...very well written dear...woah what an in depth analysis 👏 the way still water runs deep so does your analysis...You are right may be there is chance of DT' and durgaji's truth to come out in the open...hopefully they get tripurari back...I love the way you point out the positive,negative and the corrective aspects in details.

Dhani and viplav love is tied by a string of purity while raja's and shalu's is by the string of gold.No wonder the saying is apt for them all that glitters is not gold. Kanak and raja's amma are connected by the same string...which separates both viplav and dhani apart from them.

Saam and dand has been applied...it will end up with bhed with the avasthi's intentions out in the open loud and clear.

Hi Swathi

Thank you dear for stepping in to read and comment ...

@ bold it is very true