*From To Sathish*-Sathish's new movie Info & Pics pg20! - Page 120

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spain thumbnail
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Posted: 10 years ago

Your story and your reviews are really good, Satish...and it's always a pleasure to read a new chapter from you.

I've watched a few Tamil movies recently...but I didn't like most of them.Gautam Menon's "Yennai Arindhaal" was boring...lots of gun shots, gangs, the fearless police officer...the same old, same old characters...and Ajith looks old (but handsome!) too. Heroines Anushka and Trisha...over make-up and over drama by trying to act shy and feminine as the typical Gautam Menon heroine.Okay, Trisha was tolerable...Anushka was irritating.If they had to make the heroine look as a poised mother of a 6 year old girl, I would've rather liked Devayani to play the mother character...because I could easily see Ajith falling for her without her putting any effort.I liked the companionship Ajith shared with the little girl and their spiritual journey together. I slept before the end of the movie though. I still don't know what happens in the end. I guess he lives on as everyone else dies?!
Shankar's "I" was a waste of time...the movie was all hype, big budget, big locations, bigger costumes with no storyline.

"Darling" was a funny horror movie...I was squeezing my eyes shut NOT out of fear, but because I couldn't stop laughing. Decent debut by G.V.Prakash.

SJ Surya's "Isai" is about the downfall of Illaiyaraja and his music career as AR Rahman took over the industry by storm in the 90s. Satyaraj played his role really well. SJ Surya...now how can there be an SJ Surya movie without the camera lens focusing on a woman's midriff as her saree moves in slow motion? How can he share any scenes with the heroine without using those double-meaning dialogues? Again, I slept off before I could finish the movie. But in retrospect, I understood why SJ Surya and Simbu share a great friendship...they have the same wavelength when it comes to women.

Edited by spain - 10 years ago
spain thumbnail
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Posted: 10 years ago
Here is a movie I liked better than the recent Tamil movies I saw...but I heard it failed at the box office.
Shamitabh
Starring: Dhanush, Amitabh Bachchan and Akshara Hassan
Plot: The story is loosely based on the 80s ego clash between Mike Mohan and his dubbing artiste SN Surendar, which eventually led to their career downfall.
Dhanush plays the role of a mute wannabe actor, who needs a voice to help him become a successful hero in the movie industry. Akshara helps him and they find a hero in Amitabh's baritone voice, who is a drunkard living in the graveyard. How they work together to achieve success...who takes and deserves credit for that success, the aftermath, the bitterness, the jealousy, the bruised ego, and the downfall form the rest of the story.
Acting: Dhanush is really good in the intense scenes. He is so quick to change his expressions so many times within a short time-frame...that he leaves you speechless with his performance. Of course, he uses his unconventional looks to his advantage in the Bollywood industry. He is a talented actor and all my North Indian friends are crazy about him. And he makes you feel proud to be a Tamilian too.
Amitabh has also given a good performance...he keeps re-inventing himself and the audience can never get bored of him. I just found his drunkard character a bit too irritating and repetitive. Akshara doesn't have much to do, but she seems quite comfortable sharing screen space with two big actors. She is like the little baby of the film who tries to reconcile the two egos of two big men.
Favourite dialogue: Many were there. Some were quite profound. Some were tongue-in-the-cheek. Some were just shocking. I liked the bit when Akshara takes Amitabh and Dhanush to a school classroom (after they fight with each other on the ground) and teaches them the ABCDs of life. "A is for ALONE. No one can live in this world alone! B is for BIG. No one here is bigger than the other! C is for **** which is what both of you are! D is for DEATH. No one wins this race because all of us will die one day. E is for EGO. Each of us think only we can make it. F is for FINISHED. If you let your ego win, it will destroy you and you will be finished! G is for GIVING. You are here to give..not to take. H is for HELP. When you cannot do it on your own, you need help. S is for...and then Dhanush and Amitabh look at each other and say together "SORRY" and they smile at each other. Then Amitabh looks at Akshara and says to her U is for "U need to shut up now"!😆
Favourite scene: The Rekha moment. Rekha comes as a brief guest role where she plays herself and gives the best actor award to Dhanush on stage. He thanks her and she is pleasantly surprised to hear Amitabh's voice coming from his mouth...OMG, that look of hidden love on her face when she hears Amitabh's voice was palpable! Of course, everyone in the theatre got excited too. Amitabh-Rekha will forever remain the epitome of silent mysterious love (much to Jaya Bachchan's irritation!)
Favourite songs: Piddly sung by Amitabh, Sha Sha Mi Mi and Ishq-E-Fillum...I couldn't get this songs out of my head for a while after watching the movie. I liked them more than Harris Jayaraj's "Yennai Arinthaal". Of course, music is by Illaiyaraja.
While leaving the theatre: You feel like walking up to your worst enemy and giving them a big hug.
Despite everything, why it failed: The second half became too self-indulgent and repetitive. If Balki had given the story to his wife and asked her to direct it, I think it might have done better. "English Vinglish" was told in a simple but heart-touching way.
After watching the movie:
I made time to watch "Mouna Ragam" again. It's amazing how even after nearly 30 years of its release, this movie is as fresh as the morning dew!
Mohan who played the loving, patient husband who is rejected by Revathy was probably every girl's secret dream life-partner. But of course, people appreciated Karthik's guest appearance more.
When I watched the movie again, I realised it's hard to imagine anyone else playing that husband character except Mohan. He played the subdued role really well. I also realised I couldn't imagine Mohan speaking those classic dialogues without SN Surendar's voice!!
It's sad that things turned sour between the two in real life.
This is what "Shamitabh" is all about.
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Posted: 10 years ago
Actually raghuvaran could have played that role of mohan with more class and more subtle expressions and reactions but mohan suited that role very well for he had a charm which i dont think raghuvaran had,although he had the title of a great actor which mohan never had.but then great actors are not needed for great stories like ordinary actors need great stories.

After the huge success of mouna raagam,mani ratnam after a few years wanted to make anjali with mohan for he was going through a bad patch or should i say the end of his career,but mohan said no prabhu for i will not let somebody steal my thunder again,.well mani waited ,waited and finally anjali was made with raghuvaran who stood tall even among great performances of revathi,prabhu and shamili

Karthik went to great success after mouna raagam but stuck to the same kind of acting and well soon drugs and women brought an end to him.

I havent watched any new tamil films,well they suck big time and they are following the trend of rajini and his formula films though with more fights,gloss and glamor and with none of rajini's class and mass.


I went back and watched Talaash,3 idiots and taare zameen par to see how aamir copes with scenes and have stuck to reading and writing and pining for good films.be well.
spain thumbnail
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Posted: 10 years ago
Oh, I forgot to mention that I saw "Lingaa" too...
but it had no real charm, despite being a Rajni movie.
Movie was a huge financial loss too.

Yes, you're right about Raghuvaran.
For some reason, I've always imagined him to play the loving but possessive, insecure, short-tempered, jealous husband role. I liked him a lot in "Thotta Chinungi"...where he was at his wit's end to keep his wife Revathy away from her good-looking, flirtatious friend Karthik! It was so funny to watch and yet I could feel his character's frustration too. I also found him funny and sweet in his brief confrontations with Madhavan in "Run".
He really was a gifted actor.

Moving on, none of the new films are good to watch these days.
But I still believe good film roles will soon come your way.
Meanwhile, I hope your upcoming release "Valiyavan" will do well at the box-office and your role in the movie will be a memorable one too.
Wish you all the very best for it!

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Posted: 10 years ago
CHAPTER 18

The word Pandya is derived from the Tamil word "Pandu" meaning very old.The Pandyan or Pandian dynasty was an ancient Tamil dynasty, one of the three Tamil dynasties, the other two being the Chola and the Chera. The Pandya King, along with Chera King and Chola King, together were called as Three Crowned Kings of Tamilakam. The dynasty ruled parts of South India from around 600 BCE (Early Pandyan Kingdom) to first half of 17th century CE. They initially ruled their country Pandya Nadu from Korkai, a seaport on the southernmost tip of the Indian Peninsula, and in later times moved to Madurai. Fish being their flag, Pandyas were experts in water management, agriculture(mostly near river banks) and fisheries and they were eminent sailors and sea traders too. Pandyan was well known since ancient times, with contacts, even diplomatic, reaching the Roman Empire. The Pandyan empire was home to temples including Meenakshi Amman Temple in Madurai, and Nellaiappar Temple built on the bank of the river Thamirabarani in Tirunelveli. The Pandya kings were called either Jatavarman or Maravarman Pandyan. From being Jains in their early ages, they became Shaivaits after some centuries of rule

According to the Epic Mahabharatha the legendary Malayadwaja Pandya, who sided with the Pandavas and took part in the Kurukshetra War of the Mahabharata, is described as follows in Karna Parva "Although knowing that the shafts (arrows) of the high souled son of Drona employed in shooting were really inexhaustible, yet Pandya, that bull among men, cut them all into pieces".

Malayadwaja Pandya and his queen Kanchanamala had one daughter Thataathagai alias Meenakshi who succeeded her father and reigned the kingdom successfully. The Madurai Meenakshi Amman temple was built after her. The city of Madurai was built around this temple. It is also notable that the etymology of the name Meenakshi came from two Tamil words Meen(Fish) and Akshi(Eye) which collectively means 'Fish Eyed'




Late 12th century

Like the Jews, who wandered the world for years in exile and without land, so did the Pandyans wander far from Madurai,their homeland after their king Vira pandyan was defeated by the great Aditya karikala chola and banished to Ceylon now called sri lanka.

The Cholas had now been dominant in south India for over 300 years and it reminded many of the Pandyan historians of their times under the Kalabhras, when they had lorded over them between the 3rd and 6th century and it had taken a mighty hero in the form of Kadungon pandyan to defeat the kalabhras along with the help of pallava king simhavishnu.The people of the land prayed for a hero to save them and redeem their lost pride which lay under the feet of the chola empire.

The famous and ancient Pandyan kingdom now lay under the rule of the mighty emperor Kulothunga Chola III of the Chola dynasty.Sadayavarman Kulasekaran was the king but in title only and he and the people of the kingdom knew where the real power lay but sadly there was not much anybody could do about it for the Chola empire was at its peak of power and glory at the hands of Kulothunga Chola III.

Many stayed back in their land, especially the poor and those for whom it mattered not who ruled them as it was the same story under every king. For those poor but hardy souls, eaking a living was work and war enough and so they plodded on relying only on mother earth, the sun,the monsoon rains and their own strength.

It is the same today for it matters not who or which party is in power in chennai and delhi for one has to work to survive and in the end that is what matters for poor and hard working people. Matters of politics and affairs of the state are left to the wise or so called wise and most hard working people just get on with their work and duties. for them sunrise means work and sunset means to lie on a mat and fall asleep. They sleep well, work hard and live but can the same be said about the rich. Do they sleep well in their soft beds and sheets of silk and satin.


malarnthum malaratha paathi malar pola valarum vizhi vanname
vanthu vidinthum vidiyatha kaalai pozhuthaga vilaintha kalai anname
nathiyil vilaiyadi kodiyil thalai seevi nadantha ilam thendrale
valar pothigai malar thondri madurai nagar kandu pozhintha tamizh mandrame

PASAMALAR

Avini was born to Nannan and ponni in a small village called Kurunji,outside madurai which was then called KOODAL,sometime during the late 12th century A.D. or C.E. Nannan was a farmer and he toiled and scraped a living on a small piece of land which had been in their family for generations.He and his wife lived in a small hut under a neem tree next to their land as did many others around them. The village survived maybe because more than money, the villager traded with each other the produce from their land and most tried to cultivate something different from what the neighbouring lands produced. Most of the villages in the times survived like this and the only time they met people from outside was when outsiders mostly the messengers from their king came to collect what they could collect and sadly they came many a time to also collect able bodied men and youngsters to wage wars. Funnily, this is what the germans did under hitler and the russians did under stalin. Time travels but the practices of men and wars remain the same.


The birth of Avini was a great event and everybody in the village had been waiting for the arrival of new life in the village of kurunji for it was a village of widows and old men and ponni became pregnant in her forties when most women had already finished with their child bearing phase and it was even more of a surprise for nannan was twenty years older than ponni and nobody thought they would be having sex or well that is how they clucked their tongues, smirked and raised their eyebrows when ponni's stomach started showing the swell of motherhood.But most of the villagers rather than dwell on hows and whys of the sex lives of the couple, welcomed and waited with bated breath for the arrival of a new child.

Avini was born in the month of july when summer had retreated and the monsoon rains came with the promise of better times. But hope and joy turned to gloom when it was found that the newborn was a girl and blind in both eyes. Yet the people of the village rallied around nannan and ponni and blessed the new arrival and left gifts that they could manage, like baskets of vegetables and fruits. The women were the ones who were most happy for though avini was blind she had a sweet voice and her cries touched the souls of the women for it reminded them of all their sons who had died in battles and their daughters who were all married and settled in nearby villages.

The village of kurunji had a population of about 80 and 50 of them were above 60.The oldest of them was Appanar iyya, who was nearly 90 years old and he was regarded their leader and as the person to go to whenever there rose a problem or debate. Unlike any of them, who had rarely crossed the boundaries of the village, Appanar iyya had been a sailor once in his younger days but that was long ago. Nowadays he spent most of his time roaming the forest and sometimes disappeared for many days. It was rumored that many a time he was found sitting alone talking to himself or talking loudly to trees and to thin air.
But Appanar iyya came to see the new child and holding her gently it was he gave her the name AVINI.

He chuckled when the baby held tightly to his fingers and looked at nannan and ponni and said ' I sense something about this child, something beautiful, so give her your best and treat her kindly. Being blind is maybe a blessing for all those who are blessed with sight, do not always use that sight for the greater good of this land and there is not much good happening that should be seen with our eyes. Too many wars and too much death and sometimes i wish i had been blind too, so that i would have been spared from witnessing all those killings in the many wars our clan had to fight.'


Avini grew up quickly and her parents and the people of the village realised that she was a very brave child and also had an uncanny sense of things and surroundings around her and even eerier sense of judgement. She sat on appanar iyya's lap as he listened to the villager's problems and whispered in his ears when she found someone lying by hearing their voices when they stated their case and problems. Her blindness had somehow reworked the circuits of her brain and it seemed to be performing at a higher level than normal beings. Yet the god of sight shunned her and she lived her life in the dark, although she knew day and night by the warmth and the cold and by the caws and cackles of birds and animals in the village.


"Part of the problem with the word 'disabilities' is that it immediately suggests an inability to see or hear or walk or do other things that many of us take for granted. But what of people who can't feel? Or talk about their feelings? Or manage their feelings in constructive ways? What of people who aren't able to form close and strong relationships? And people who cannot find fulfillment in their lives, or those who have lost hope, who live in disappointment and bitterness and find in life no joy, no love? These, it seems to me, are the real disabilities." Fred Rogers, The World According to Mister Rogers: Important Things to Remember



Happy woman's day

Edited by s.satishkumar - 10 years ago
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Posted: 10 years ago
The song of Avini and Azhagan which i write here in prose and in chapters is the song of yours humbly who to this day stands near the window in search of his parents.I stand near the window at 5ft 10 inches and yet i stand as a five year old,two feet tall aching,seeking and yearning that one day what i lost will come back and the wheel of time will turn and everything will be all right.

My songs,my stories and my thoughts which translate as articles are my every step that i have taken away on a path that has divided and separated me from my parents.

But my legs are strong,my shoulders are broad,my arms lift huge weights in the gym and yet inside my soul is soft and listens to others and their songs of pain and plight.

I know now that only when you feel pain can you understand others pain and feel for others sufferings.
spain thumbnail
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Posted: 10 years ago

Since yesterday, when Raghuvaran's name was mentioned...I've been trying to remember a song from his movie that I really like a lot when I was a child.

No doubt he is a talented actor and of all his roles, I liked him the most in the movie "Thotta Chinungi" which is probably 20 years old now.
Anyway, Thotta Chinungi is the Tamil name for the "Touch-Me-Not" plant, otherwise known as the "humble plant" or the "shameful plant" because of its leaves' tendency to fold inward when touched or shaken.
It denotes sensitivity and the plant has many ayurvedic home uses including treatment of cancer and snake bite.
I finally found this song after many years from "Thotta Chinungi" and it was like discovering a long, lost treasure!
I would like to dedicate this song to all the sensitive, sweet and very special souls out there.
It's a beautiful song with meaningful lyrics.
[YOUTUBE]https://www.youtube.com/watch?v=weHdvba9o5g[/YOUTUBE]
And yes, Happy Women's Day to everyone!
I'm not sure what it means anymore, because if it is a day to show appreciation to women then there needs to be a "Happy Men's Day" too, don't you think?
It is quite obvious that there is still a lot of tension and inequality and that's why voices are spoken out on this day.
Nothing much has changed though.
Delhi still has at least 5 rape cases happening every day for the past 2 months of this year!! And we are in 2015 now.
I'm sharing another one of my favourite childhood songs from the year 1990.
It's 25 years old, but the lyrics are very relevant to today's age as well.
It's a fun, filmi, romantic song of Rajnikanth-Juhi Chawla in the super flop movie "Nattukku Oru Nallavan"...
loved SPB's voice modulation from a drunk rogue to how he swiftly changes his tone to suit into Rajni's superstar image.
I think this movie came when Rajnikanth was at his peak of superstardom and my god, he looks incredibly handsome and stylish in that police costume!
No actor who has worn a police suit in the last 25 years could have looked as smart as Rajnikanth does in the song.
I think I had a major childhood crush on him back then...
and this song reminds me why.
Enjoy and Happy Women's Day to everyone!
[YOUTUBE]http://www.youtube.com/watch?v=F6D0Bs7v4Bg[/YOUTUBE]
nithya_IF thumbnail
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Posted: 10 years ago
Friends,

This thread has crossed 150 pages.. So have created a new thread .. Lets continue our journey of writings with Satish there..

*From To Sathish* - Thread 3

Nithya
IF Tamil Section Dev. Team Member

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