Blast from the Past Thread #25 Extn ** Khushi, I... ** P 119, Ep 274 - Page 25

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Posted: 11 years ago

Originally posted by: Katelyn

@Sohara

I enjoyed reading your take of episode-252. You beautifully conveyed Khushi's sadness, loneliness and that terrible feelings that nothing will ever be right again. I feel horrible for her too when she lost the will. I have to say the bit about Shyam being Laxmi's boyfriend is funny. 😆 Love the visuals and the vm! Thanks for sharing!! 🤗


Thanks Kate for reading.
Khushi's pain is unbearable. Sanaya emoted the sad Khushi very well.
oh yeah, Laxmi was hurt cause Shyam left her and went after Khushi. That's why she took a revenge.😆😆
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Posted: 11 years ago

Originally posted by: Horizon

Aap aa gaye??...

All of a sudden there is that familiar gust of wind.. ..he chimed into their vicinity.. on to that chaise along with those harmonic piano notes. He turned to the side...lazily zipped lips...sleep ridden eyes...yet an unmistakable desire and longing not to let go of her sight in front of him...reveling in every of her essence.

A poet said "ek kami thi Tajmahal me .. hum ne teri tasweer laga di" (there is a dearth in Tajmahal.. I hung your picture there!) .. that was felt many a times when this man set his eyes on her in sheer admiration, love. It barely lasted a couple of brief seconds here.. but was enough to speak of his endless yearning...

"Aap aa gaye"? she screamed in ecstatic joy...reluctant to dismiss the sight in front of her as a mere imagination. She has been listless and wistful... to have him around her.. with her...a faraway mirage turning into a soul soaking elixir...

ironically, couple of months from this day, the night of Rakhsha bandhan, he would thoroughly tremble her with a gaze filled with unbridled passion from the very same chaise ..in the same attire. Perhaps dreams DO come true.. if they are as utterly genuine and soulful as Khushi's!


Stupendous what you wrote.
Khushi's longing, her desire to see him literally deranging her. her mind was kind of groggy always seeking to see that handsome man in front of her.
He sure was watching her with yearning eyes later. Good observation by you. But did this thing ever came to your mind that why he didn't make love to her on that night? he became so horny in the hut, in dirty clothes, 😆 but why he didn't consummate on that night?
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Posted: 11 years ago
@Indi,
thanks for reading my 252.
My state is worse than Khushi, cause i'm missing my sexy boy and terribly hurt for Khushi as the laad governor left her.
I didn't PM my last few takes. But I updated my index.
Tonight I'm gonna PM you all.
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Posted: 11 years ago

Originally posted by: ArshiHamesha


This is cute Rhea and so is your thought about your Hero..😊 on the ramp


beautiful edit.
You were bored? I wish I had some time to get bored.
And thanks for reading my 252. I've been trying hard to catch up.
Yeah Laxmi was Shyam's girl friend.😆😆 Didn't you notice when Shyam was gone. Laxmi also left raizada house!
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Posted: 11 years ago

Originally posted by: wiwy

@ Soha Eps 251

Superb writing Soha my pretty😃.👏 Every detail so beautifully etched and delved into.⭐️ Lovely gifs and edits. The poem and VM were so touching. Poor Khushi she was trying in so many ways to make herself heard but Arnav was contemptuous everytime. But he could never really push her out of the place she had occupied in his heart much to his chargin. The airport scene was beautifully written Soha. Did Khushi have a premonition that something would happen to Arnav?

I cant get over this edit of yours. My heart is dhak dhaking to see him sleep like that.❤️ I love the angle at which his ear juts out and runs down sharply at the corner.🤢 Thanks deary!😉🤗


Thank you my lovely for reading.
The airport scene touched my heart so much that every time I watch i cry. this episode was shown on Monday in rerun. And I cried again watching it in our 80" screen.
The man...uff why he is too gorgeous! In this pic I kissed him on his lips .☺️

Did you notice the top gif I posted?
I don't know who made it, but it's a magical gif and I never saw such gif before. the person who made it must be very talented.
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Posted: 11 years ago
@Faiqa~
Thanks for reading my 251
Loved all of your comment.
I'm glad that you enjoyed the poetry.

Disagree, as it is transition, a leap , a separation of ASR and Arnav which he will learned and acknowledged ...he will be Arnav for his loved ones and ASR for other world...a beautiful concept
It absolutely made sense and I agree with you completely. But for Khushi he was not ASR any more, he became her Arnav.
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Posted: 11 years ago
Episode 260

Watched 260 yesterday. Sat down to write about it today. Had a blank mind which seems to have forgotten what it saw yesterday. Kept getting distracted and reading previous threads. Now back again and trying to type. Is it just me or there was not much memorable? No highs, no lows, a slightly disjointed flow. I guess they tried to build the suspense. Sadly it did not work for me.
Or maybe after giving us an extraordinary few minutes in 258, revealing a kidnapping and an ASR held at gun point and running around a poolside in 259 the creators perhaps decided they had done enough and decided 260 could be a passable episode.

They did try to bring in detectives. But really does the business tycoon's wife have to go by autorikshaw to some god forsaken gali's detective agency when her Arnavji is missing. Shouldn't she join hands with his competent secretary (Aman is his secretary, right?) and hire the CIA, FBI, Sherlock Homes at the very least?

And amongst all this why waste time on masala mama and Taj mahal and Delhi, Aagra at all? They could have shown Gupta House and had some track from there. Or just some screen space of those characters to fill up the blank spaces in the 20 mins.

Oh do I hear you say we have the James bond mamiji helping bhith inbhestigationiya, but really a man is missing. No idea of his whereabouts. Can we laugh it off?

Laughter.. reminds me of the cunning, smirking Shyamji. Why does he have to always be at the right place at the right time? He gets the paper Khushi encircled on. And does Khushi have to be this lost in worry to not keep up any appearances in front of Shyamji of all the people? She grabbed the paper and said she needs to read it. How extremely convincing! (And I hope you can catch my voice dripping in sardonic sarcasm.. Aah a certain man can make sarcasm look witty and funny.. guess who?) And this is coming from the girl who can make plans of suicides which can make estranged lovers meet. She is worried, I get it. I sympathize. She wretchedly misses Arnavji. Trust me when I say, I do completely empathize. That does not mean you don't remain clever enough to keep appearances in front of a man you sure know is a villain.

Villain.. Again he is in her room. This time she tries to walk out. Again I felt her reaction was not strong enough. And really I wanted to scream when she burst into tears in front of Shyam. Her precious secret, her love for Arnavji. One she doesn't share with di, Payal and out in display in front of an outsider. Someone she does not trust. One who definitely only means harm. She tells no one about her feelings and then does not fight to protect it from his evil eyes. I tried to argue with myself saying it shows she loses control where Arnavji is concerned. Everything instinctive powerful between her heart and the man it madly beats for. Couldn't win the argument against myself. uh huh.. She had to be strong. You cannot go sobbing in front of the bad guys, Just not done.

When Shyam held her hand, she didn't even try to slap him. This is the girl who threw tea on laad governor. This time I think it is not the writers spoiling Khushi's character I think it was simply aimless meandering in the episodes. Sometimes it feels like they are trying out stuff and have no real idea what should work. The hard hitting refreshing narrative of IPK sadly lacking. Its not just that the hero who brings so much to the show is gone it is just that there is no inspiration on the creatives side to do something nice. Because really when they get that inspiration look what all they can give us. The talent is all there so I wonder why it was not correctly exploited.

The black gloved hand.. I swear by suspense thrillers.. mystery books by favourite.. this ploy was okay considering that, but again I did not feel the rush. And this is the first time I was watching the whole episode. I don't know what is going to happen in the 20 minutes since it is my first watch. When Shyam took the newspaper I was worried and quite vested on the outcome. Saw how Khushi took the paper back, saw her reach not a stylish fancy detective office, but a caricature of detective agency and I started to lose interest. Saw the gloved hand and thought okay.. too cheesy..Saw Khushi and Shyam's scene and how she handled it and was tempted to go watch something that has Arnav in it.

Realized anyway only few minutes of the episode left so continued. And mami walked into her room. Again if she is worried about Arnav and Khushi seems to think he is missing shouldn't mami have confronted that immediately? Why this round about wanna be detective play? I felt like the seriousness was getting lost by mami's antics at this point. If she wants to help she should have had a sense of urgency. If Khushi wanted help she needed to be a little more resourceful. Because hiring the agency is expensive she has second thoughts? It is Arnavji. You want him back. We want him back. Sell a few bangles. Ask us for our bangles. All of us will pitch in to bring him back as soon as possible.

The sweet part.. mamiji asks her what did Arnav bitwa say on the phone.. and immediately Khushi's mind flitted to how special the phone call really was. But now she protects the private personal feeling.. he loves her.. it is not to be said out loud. it is not to be made fun of. not undermine by sharing. not demean by ignoring.. it remains echoing within her.. making her radiant even when everything else around her is bizarrely messed up.. You get busy with important stuff, responsibilities and then sharp, hard hitting reminder.. a call from him.. he said.. Main thik hun..yet you know with conviction that everything is not all right.. and how do you know this? because he also said.. in the very same phone call.. khushi I love you.. And so she tells mamiji the only sensible thing she can.. that he didn't really say anything important. That makes me circle back with indignation to my thoughts from earlier. She could control her tears in front of mamiji, but had no control over her emotions in front of Shyamji. I ask you Khushi, why?
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Posted: 11 years ago

Originally posted by: aarwen


You know what got me thinking about this idea was that running around the pool scene.. and also you did want to see him in a proper masala commercial film, right? haha I think since I made the video I myself have watched it a dozen times or more already in all my excitement. Tempted to make a post of all my VMs on the main forum too, but I feel safe and secure here in our choti si dundiya..

He does look a greek god.. and Khushi's state always makes it all the more dreamy.. Thanks a lot for liking Indi di and not finding it bizarre..


@Indi, my hero! haww...he is my hero OK? 😃

@Rhea, enjoyed the VM. I commented in your post in the main forum. Though i'm not a fan of this kind of songs. But liked it with my hero. I don't know how much i'll love him in commercial films. Honestly I didn't like him as Shravan. But I'm madly in love with ASR. I always will love to see him in serious cinema. Barun is more captivating in intense role than goofy kind of role. That is my thought, you may disagree.
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Posted: 11 years ago

Episode 262



[YOUTUBE]http://www.youtube.com/watch?v=DBj72nulrm8[/YOUTUBE]

First Telecast 28th May 2012

Full episode links
Thanks, Katelyn,for all the links.

Credit for the videos: Respective uploaders
indi52 thumbnail
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Posted: 11 years ago
episode 259




just saw 259. a beautiful dream and dreadful reality converged and created sharp contrast. in one world he skipped like a callow lover around the pool, free and wafting, in another there were ropes. binding him, making movement impossible... she sat touched perhaps by both and yes that phonecall and figured out, yes, there's khatra. danger... she knew stalked her arnav ji. seemed as though there was again communication at another level.

update

the more i think about it, the more i feel there was something musical in the episode. i know nothing about music in a formal way... yet the beginning felt like a soft gentle deep opening introducing the basic notes of the piece. then there was a lyrical movement asking you to fly away to another world. the next movement changed mood tone everything but stayed with the fundamental notes and their ascent and descent, it left fantasy just like that, hit reality running... breathlessly. tied and bound, gun pointing at it and there was a complete change of rhythm and pace. a crescendo was reached and then cut off.


episode could have ended their happily, but for some unknown reason, maybe just to kill time, there was that akash payal nani bit... like a song that didn't didn't belong. and the disturbing cop station ha ha scene. but i'll just ignore them i guess.

gust of wind entered frame and wrapped around them creating a place away from the material world, as they sat in their own spaces, physically at a distance, emotionally completely connected. her tears flowed and seemed to take him close to a point close his. she held her phone and pressed it to her heart... with his voice in it, it was almost a part of him, and of course the only place she wanted to hold him at that moment was her heart.

the moment seeped into the story. the girl who had fallen into his arms one evening and set up emotions that tore into him, and yet he couldn't walk away with his swagger and his faraq nahin padta; the boy who snapped her dori and filled her with yearnings and longings she couldn't understand, and who made her hopping mad, who had wronged her... these two at last had found out what really ailed them. it was nothing else, just that old simple truth... the one that doesn't care a hoot what anyone says or doesn't, does or doesn't, not even if anyone has character or hasn't... it just is and it is all that matters.

love.

supercedes all, doesn't it.


how simply he said it at last. how enchantingly she held the feeling and reciprocated. gust of wind and rabba vey must have thrown a party that night... at last these two had got it. at long last. so who could blame the wind for hanging around to enjoy the moment.

the two of them said nothing... just held a moment close and took it into themselves... like they needed it to breathe... to survive.

click. and the phone is disconnected.

she is weeping and he looks helpless, upset, not like his usual self at all.
a hand enters frame and it's the first sign that something is terribly wrong. beginning of kidnap...

an asr turn of head and icy glare at the whoever.

first notes of kidnap soundtrack with the jagged drumming comes in. a little taste of what's to come.

a gun is pointed at his head. i was shattered, and i must say i loved the kidnap sequences, well most of them, they were shot really well. raw and scary and palpable.

how terribly gorgeous is asr looking even though his jacket is gone... only shirtsleeves, hair mussed, but the eyes, the stance, all asr.

and then come in the ropes. the reality dose is getting worse. good acting can sometimes be hard on the viewer. really.

he sits in that terrifying space, ready for whatever is on its way... is it death.

and we escape to another world. khushi walks down the corridor to her room, on the way she recalls how angry he had been when he found out she was engaged... when he thought he had lost her... how both times he had said "faraq padta hai, kyunki..." he had always loved her... even then even when he hurt her all the time. it was all about this feeling, this one, nothing else.

i have mentioned earlier how i thought she almost instantly grew into a woman after embracing this truth. by the time she reached her room, she was all woman and a woman very much in love. so much, that her mind conjured a powerful image of him... here, looking beautiful, come all the way to tell her with all of himself... he loves her.

khushi, i love you.

into the second movement of the theme we went.


khushi wore bridal red to meet her man. he lit a candle to dispel the darkness, he stood there looking gentle and tender and so very loving, a light in his eyes. she was no longer afraid... she stepped into his world and held out her hand. he looked a little sad as though upset at having hurt her, she kept her fingers firmly on his lips. shh, not a word, no regrets.

aaoge jab tum balma... when you come, my love, flowers will bloom in my garden. the rain will come down... dancing. the first time i saw this, i had actually heard the song several times during that very day... no idea what was waiting for me at midnight.


he gestured gently and she saw he had brought a gift. a string of pearls. he was returning all those scattered pearls of the first meeting to her. how deftly the composition enriched itself with context. she was so happy, she let him put it on around her neck, and just as he moved in closer to wrap her in his arms and make love to her, she turned and in the way of filmi, slightly flaky khushi ran away from him, fully expecting him to follow just as in the movies no doubt. he didn't disappoint, he did a slomo run after her by the poolside where they always met to battle, to kiss, to love, to hate. and caught her and held her and she buried her face in his chest, her smile lit up the night. he was so content with her in his arms, but then he frowned... he was again assailed by remorse. she said to him not to feel like that. no. there was no need.

barun sobti and sanaya irani took what might have become impossibly embarrassing to watch to such sweet perfection, i couldn't even think, i was pretty silly gooey in a fairly dead state. i mean, did you see the look in his eyes, and she was suddenly just that bit provocative, that bit shy, wooing her man almost.

then arrived the tackiest prop on earth and fantasy... the bottle which carried the message. even that couldn't ruin it for me. i love you, khushi said the note.

and a mirage melted away.

oh he had even in that gentle avatar of his managed to do an advance retreat... after all, this was a classic asr khushi moment, if a legendary couple's signature was a certain way they hugged or turned their heads or whatever... asr khushi's advance retreat was their thing... part of them, uniquely... right from the day they met, back in episode 2. thrilling this touch of things peculiar to them and always in an easy, unforced way. created memorable things, most brands would kill for such signatures.

she was startled to find herself in her yellow green churidaar kameez again. what was that. what happened.


and we shifted to reality. also the device of intercut.

music changed. a feeling of pain and torture and disquiet all around. ropes, darkness. he sits looking helpless, perhaps exhausted and asleep, still sitting. his eyes open, he is groggy, eyes unfocused... he looks around... and we see for the first time where he sits tied and captured. the phone lies before him. a slight lightening of expression, his hand reaches out, fingers enter frame, a will in them.


the phone is too far away. he tries his best to reach it, dragging his chair toward it, herculean effort just to get to that tine little thing. breaks out in sweat, very tired, he's almost collapsing, the ropes hold him back... he is trying to say something, is it "khushi"?



and she is instantly touched it seems as we cut to her in her darkness, wearing a bright yellow... not bound, not stationery, in fact moving... in thought, in emotion, in body. she feels a darkness, she sits down as though winded by it.


cut to him, he has pulled himself up again. and he tries valiantly once more to reach that phone... he is not giving up.




cut to her, a surge of energy and she gets up and starts pacing... music moves from sombre to a faster pace.

"humey pata hai. humara man kah raha hai ki kuchh toh bura hua hai aapke saath.." i know, my mind says, something bad has happened to you.

again we go to him and he is still trying... but now his fingers register his flailing strength. and he seems to lose momentum, something is dragging him down. his head lolls back, eyes begin to shut.


she is in fully up and about as he diminishes... calling him, calling aman... trying to figure things out. no, aman knows nothing about the scotland deal.

he lies there in his chair, fragile, unconscious.




she calls the airlines... there was no flight to scotland from delhi three days ago.

"iska matlab? and fear comes to clutch her heart.


cut to him...and his captors come calling. there's the man in the jacket. now in shirt and looking the ruffian he is. three or four guys, rough, henchman variety, they actually touch his face and slap him around abit. oh no, not agood sign. "kya hua issey?" what's the matter with him...


he is a diabetic, get his meds, if anything happens to him "boss" will kill them. ah so there's a boss. "mar toh nahin gaya hai yeh?" hasn't died has he? and asr's head flops to the side. ugh.

cut to khushi, she sits cogitating. why did he say he is in london if he is in scotland? she goes through her thoughts and reaches where we had started out... again like music coming back all the way to the first notes.

"khushi, i love you."

aur woh baat.

and those words.


why did he say those words to me. suddenly? and the way he said the words? unke baat karne la tarika? he has never spoken to me like this before...

she recalls how he had said she was having an affair, that she has no character... a vulnerable beauty in khushi at this moment. the man she loves who has told such horrible things to her, worse still believed what he has said...

jinhone humse itna kuchh kaha... who said so many things to me...
itna rulaya... made me cry so much...
itni taqleef di... gave so much hurt...
jinhone humey sach sabit karne ka mauqa tak nahin diya... who didn't give me a chance even to prove the truth...
unhone hi humse kaha ki... he told me...

and she thinks of the words again. something oneirical (ha... that word) in the entire sequence, even though it is reality.

woh itni badi baat itni asani se kaise kah sakte hai... how can he say such ahuge thing so easily.

and in asani was the cue to the next thought.
the opposite of that asani... mushkil. difficulty.

zaroor, she averred, woh koi mushkil mein honge.
he must be in some difficulty.

if all is going well there's no way he'd say such abig thing to her. she is sure.

kahin unhe koi khatra toh nahi?

danger... khatra. she has reached the right word.

she had not said a word when he said "khushi, i love you."

but in the last few minutes she has talked constantly, with others, then herself... and come to the right conclusion... sensing him. his words. beyond its obvious meaning. feeling his mind, knowing his ways...

kahin unhe koi khatra toh nahin?

why did it sound like "arnav ji, i love you," to me.

she stood up, now sure. i know, my heart says, he is in some sort of danger.

beautiful. there was that ipk kind of writing here. with its little games and surprises, and such a mad understanding of emotion. new music played in the background as season changed at ipk. this was the first time we saw him in captivity, and her becoming absolutely a woman, his woman... barun was so good in these shots, hard to believe he was actually doing two shifts shooting some happy sukhi role somewhere. sanaya was lovely, at long last energy in her now that she has spoken to him... and moreover he has said woh baat.

i thoroughly enjoyed the intercutting and the two spaces both similar in some ways and completely different too. seemed like they were again communicating at another plain... sensing each other, deciphering, desiring, moving in unison, never quite apart. and yes, it did feel like a piece of music composed with inspiration.


wrote about khushi after that khushi, i love you... here's the link.
https://www.indiaforums.com/forum/post/108180787

Edited by indi52 - 11 years ago

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