thought for the day- pg 66- ASHTALAKSHMI STOTRAM - Page 38

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Vmaa thumbnail
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Posted: 11 years ago
thanks rama especially for the video thank you
deejagi thumbnail
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Posted: 11 years ago
Thanks for sharing this on the forum thread. I had forgotten most bpart of it and it feels so nice to read it again. We were taught this in our primary school days. btw, can I copy this to my word pad????
Edited by deejagi - 11 years ago
thala thumbnail
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Posted: 11 years ago

Originally posted by: deejagi

Thanks for sharing this on the forum thread. I had forgotten most bpart of it and it feels so nice to read it again. We were taught this in our primary school days. btw, can I copy this to my word pad????


why not😃
thala thumbnail
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Posted: 11 years ago



BHADRACHALAM SHRI RAM TEMPLE

The temple in Bhadrachalam is closely connected with the life of the 17th-century saint composer Kancharla Gopanna who was known as Bhakta Ramadas. Gopanna was the Tahasildar of Bhadrachalam (second half of the 17th century), is said to have used money from the government treasury to build this temple, and was imprisoned in a dungeon at Golconda. Lord Rama is said to have miraculously given the Sultan the money spent by Gopanna, after which he was released. Gopanna then became Bhadrachala Ramadasa and went on to compose innumerable number of songs in Telugu in praise of Rama.

Bhadrachalam and Vijayanagara are sites said to have been closely associated with the Ramayana. Rama, Sita and Lakshmana are said to have stayed at Parnasala, 35 km away from Bhadrachalam. Rama is said to have crossed the river Godavari on his way to Sri Lanka to rescue Sita, at the spot where the Bhadrachalam temple stands, on the northern bank of the river. Legend has it that the son of Meru and Menaka, Bhadra, performed penances towards Rama here. Kabirdas, a Muslim by birth is also closely associated with this temple. It is believed that the images of the deities miraculously disappeared when Kabir was refused entry into the temple and that they reappeared miraculously upon his being permitted to enter.


The history depicts that the need emerged the incarnation of Vykunta Rama was that to fulfill a long desire of his ardent devotee Bhadra. The Saint Bhadra performed penance at the bank of river Godavari in Dandakaranya to get grace of lord Rama and in countenance of his beloved God. The exulted "Rishi" implored Rama to be seated on his head, but Rama who was in search of his consort Sita gave promise to his Bhakta that his desire would be fulfilled on his way back, after finding Sita and accomplishing the process of punishing the wicked Ravana and establish Dharma'. Thus the sage had been in continuation of the frightened penance, as Rama could not accomplish the promise in Ramavatara. Then Sri Mahavishnu manifested himself as Vykunta Rama and rushed to his devotee Bhadra, signaling his arrival by blowing 'Shanku', accompanied by his consort Sita and brother Laxmana, resembling that of 'Gajendra Moksham.' Thus, the deities of Rama (having four hands) " Shanku on the right, Chakra at his left and Dhanurbhana (Bow and Arrow in the other two hands) " Sita had condescended on the left lap of Rama and brother (at Ram's left) are. And the hill place where the Deities were seated was the head place of Bhadra - Achala (immovable, i.e., hill), thus this shrine was transformed into Bhadrachalam.

Pokala Dhammakka found the dieties of Vaikunta Rama, Laxmana and Sita. She was an ardent devotee of Rama lived in 17th century was inhabitant of Bhadrireddypalem, a mile away from this holy place. One night, she had darshan of Rama in her dream and was told by lord Rama "the saints and sages are worshiping my embodied deity settled on Bhadragiri" and asked her to trace them, perform pooja and attain salvation. On the very next day morning she started searching for the dieties - peeped into an anthill and found the dieties hidden in it. She poured hundreds of pots of Godavari water on the anthill, which tardily dissolved and gave way to appear the hidden Deities. Since then, she used to perform pooja daily and offer 'nivedyam' with fruits fallen from near palmyra tree and constructed a mandapam with the help of local villagers.





jhema thumbnail
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Posted: 11 years ago
thanks for sharing thala
i've been to this temple once.

The architecture and sculptures are quite amusing .
There is a museum in which they kept the jewels worn by sita .

thala thumbnail
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Posted: 11 years ago
wow didnt know this j
tfs
Vmaa thumbnail
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Posted: 11 years ago
Thank you for sharing rama
Tanmaya1 thumbnail
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Posted: 11 years ago
Thanks for Sharing Rama
We have been to Sri Sita Ramachandra Swamy Temple. in Bhadrachalam

We can have nice darshan and Everything is very peaceful in the Temple.
thala thumbnail
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Posted: 11 years ago
wow you are so lucky charu
yet to visit the temple

thala thumbnail
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Posted: 11 years ago



Thyagaraja, a South Indian composer and musician, who lived during the 1800s. He has an almost saint-like status amongst Carnatic musicians, not just for his incredibly melodious and innovative compositions (which number over 600 - not including two operas, composed of hundreds more songs) but for the sincere and heartfelt devotion that pervades every aspect of his music. He was a completely dedicated devotee of Lord Rama, and his music was always intended as an offering to him, and never a way of displaying musical ability. This devotion is very tangible in his music and I never cease to be amazed at how he has the ability to express philosophical concepts and themes in such creative ways. Through his choice of rhythm, melody and lyrics, he creates songs of such beauty.
Brocheva', pleads with Lord Rama to take his devotee's hand and carry him across the ocean of material suffering. As these words arrive in the song, the melody rises rhythmically, exactly like waves gathering speed, before they crash on the shore and break, the notes falling at this moment as he puts his signature Thyagaraja' at the end of the song.

Bhavanutha', is in a more cheerful raga and in it, he humbly asks Lord Rama to relax in his heart, as he feels he has tired him with all his prayers and demands. My teacher translated this relaxing to also mean dancing in his heart, and he showed me how the dancing rhythm of the song expressed this. There is an interesting story behind this song:

Thyagaraja had some visitors, but there was no food to serve them. As usual he prayed to Lord Rama. Soon there appeared at his doorstep, a man and his wife accompanied by their servant. The couple said that they were carrying some foodstuffs with them but wanted a place to cook since they were travelling. Thyagaraja graciously invited them. Soon the Lady and the Servant had cooked enough food for the whole party and took leave of Thyagaraja. Later he realised that Lord Rama had himself come to his house accompanied by Sita and Hanuman. In a burst of gratitude, he composed Bhavanutha.




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