ARRahman FanClub-3,First Look-2 @Page 23 - Page 10

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doly_455 thumbnail
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Posted: 18 years ago
#91
1) Tere Bina- Guru
2) Barso re - Guru
3) Chhaiya Chhaiya- Dil Se
4) Dil Se- Dil se
5) Kehna Hi Kya- Bombay
6) Tu hi tu --Dil se
7) Jaage Hain- Guru
8) Jiya jale - Dil Se
9) Ishq Bina- Taal
10) ajooba hai ........Jeans
11) Azaadi- Subhash Chandra Bose
12) hai re hai re hai - Jeans
13) Nach le- Lakeer
14) Sawarne lage hum....Dil ne jise apna kaha
15) Hum Hain Iss Pal Yahaan- Kisna
16) Aye ajnabi - Dil se
17) Khalibali- Rang De Basanti
18) yeh dil to mila hai- dil ne jise apna kaha
19) Maa Tujhe Salaam- Maa tujhe Salaam
20) Dil hai chota sa - Roja
21) Saawariya- Swades
22) humma humma.....Bombay
23) Chanda Re- Sapne
24)Yeh Haseen vadian -Roja
25) Kismat se tum humko mile ho-Pukaar
26) Roja Janeman -Roja
27) Ke Sera Sera Sera- Pukar
28)JO hain albela-KISNA
29) Mayya Mayya- Guru
30) Uuuuula la la uuu lala la.........Sapney
31) Awara Bhavre -Sapney
32) muqala muqabla.....Muqabla
33) chhaiya chhaiya-dil se
34) Ghanan Ghanan- Lagaan
35) Yeh tara oh tara - Swadesh
36) Kahin Aag Lage- Taal
37) khalbali hai........Rang de basanti....
38)Ei Udi udi-Saathiya
39)Mera rang de basanti chola- The lagend of bhagat singh
40) Aye Hairathe- Saathiya... i think
41) Ramta jogi...........Taal
42) Radha Kaise Na Jale- Lagaan
43) Nahin samne......Taal
44) Columbus Columbus- Jeans
45) Pathshala.........Rang de basanti
46) Chalka Chalka re -Saathiya
47) Kuchi Kuchui rakma- Bombay
48) Rang Rang Rangeela Re- AR Rahman
49) tu hi re - Bombay
50)dheeme dheeme gayu-Zubaida
51) Fanah- Yuva
52) Kabhi neem neem -Yuva
53) Baadal Woh Aaye- Yuva
54)Mera yaar mila de sayia- Saathia
55) mehndi hai rachnewali - Zubeida
56) Baar Baar Haan...Chale Chalo- Lagaan
57) bharat humko jaan se pyara hai......roja
58) Aavara Bavre- Sapne
60)Hai hai re- One2ka4
61) Saathiya- Saathiya
62) Yeh jo des hai tera-Swades
63) Khamoshiya gungunane lagi - one 2 ka 4
springdale thumbnail
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Posted: 18 years ago
#92

Originally posted by: doly_455

grt articles madhu.........u rock honey........ 😳

Thanks Doly😳.

Edited by springdale - 18 years ago
springdale thumbnail
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Posted: 18 years ago
#93

Originally posted by: dannyk

wow great siggy .. between can anybody creat ARR siggy for me saying 'GURU' ho ja shuru ...

Hey danny welcome back,abt siggi,if u can pm me d pics u wud like 2 use in siggy, I can give a try though im a beginer n offcourse not dat gud lik Geetu or Fiza.

springdale thumbnail
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Posted: 18 years ago
#94

Originally posted by: dannyk



thnks 4 info i think this is the best song of movie .. do love it great music as usual by ARR

Welcome Danny, yup Barsore Rocks.

springdale thumbnail
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Posted: 18 years ago
#95

Originally posted by: rachna_5

hey sis😳i'm great... good luck for exams 👍🏼 thanks for the articles... they're great😊

Hey sis thanks a lot, luv u

springdale thumbnail
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Posted: 18 years ago
#96

Originally posted by: Jaseeka

Thanx madhu.I am too inactive these days coz of all my tests and Prasantion in school. Thanx for all the articles guys. All are doing great job.

Welcome Geetu, All the best 4 ur test, have a blast.

springdale thumbnail
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Posted: 18 years ago
#97

1) Tere Bina- Guru
2) Barso re - Guru
3) Chhaiya Chhaiya- Dil Se
4) Dil Se- Dil se
5) Kehna Hi Kya- Bombay
6) Tu hi tu --Dil se
7) Jaage Hain- Guru
8) Jiya jale - Dil Se
9) Ishq Bina- Taal
10) ajooba hai ........Jeans
11) Azaadi- Subhash Chandra Bose
12) hai re hai re hai - Jeans
13) Nach le- Lakeer
14) Sawarne lage hum....Dil ne jise apna kaha
15) Hum Hain Iss Pal Yahaan- Kisna
16) Aye ajnabi - Dil se
17) Khalibali- Rang De Basanti
18) yeh dil to mila hai- dil ne jise apna kaha
19) Maa Tujhe Salaam- Maa tujhe Salaam
20) Dil hai chota sa - Roja
21) Saawariya- Swades
22) humma humma.....Bombay
23) Chanda Re- Sapne
24)Yeh Haseen vadian -Roja
25) Kismat se tum humko mile ho-Pukaar
26) Roja Janeman -Roja
27) Ke Sera Sera Sera- Pukar
28)JO hain albela-KISNA
29) Mayya Mayya- Guru
30) Uuuuula la la uuu lala la.........Sapney
31) Awara Bhavre -Sapney
32) muqala muqabla.....Muqabla
33) chhaiya chhaiya-dil se
34) Ghanan Ghanan- Lagaan
35) Yeh tara oh tara - Swadesh
36) Kahin Aag Lage- Taal
37) khalbali hai........Rang de basanti....
38)Ei Udi udi-Saathiya
39)Mera rang de basanti chola- The lagend of bhagat singh
40) Aye Hairathe- Saathiya... i think
41) Ramta jogi...........Taal
42) Radha Kaise Na Jale- Lagaan
43) Nahin samne......Taal
44) Columbus Columbus- Jeans
45) Pathshala.........Rang de basanti
46) Chalka Chalka re -Saathiya
47) Kuchi Kuchui rakma- Bombay
48) Rang Rang Rangeela Re- AR Rahman
49) tu hi re - Bombay
50)dheeme dheeme gayu-Zubaida
51) Fanah- Yuva
52) Kabhi neem neem -Yuva
53) Baadal Woh Aaye- Yuva
54)Mera yaar mila de sayia- Saathia
55) mehndi hai rachnewali - Zubeida
56) Baar Baar Haan...Chale Chalo- Lagaan
57) bharat humko jaan se pyara hai......roja
58) Aavara Bavre- Sapne
60)Hai hai re- One2ka4
61) Saathiya- Saathiya
62) Yeh jo des hai tera-Swades
63) Khamoshiya gungunane lagi - one 2 ka 4

64)Mein Albeli- Zubeida

springdale thumbnail
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Posted: 18 years ago
#98
January 18, 2007 19:40 IST

Rahman with reader Brian Leno

Reader Brian Leno had a lucky night.

What else would you call an evening when you run into none other than AR Rahman, in Toronto?

'As a westerner I love Rahmans music and it was a thrill to meet him,' Brian writes.

We bet it was, Brian. Everyone's a Rahman fan.

If you encounter/meet/see film or television personalities and photograph them, please scan the photographs and mail the pictures to us. We will feature the best images right here on Rediff Movies.
http://inhome.rediff.com/movies/2007/jan/18spotted.htm
Edited by springdale - 18 years ago
springdale thumbnail
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Posted: 18 years ago
#99
'Guru' Stars, Creators Dazzle in New York City

By MARIA GIOVANNA
Special to India-West

NEW YORK - "'Guru' is a film that tries to trace the change that India is going through," said director Mani Ratnam Jan. 12 at a press conference after the United States premiere of his eagerly awaited film.

The film portrays contemporary India "through the life of this one character, Gurukant Desai - from a state that's just been born and is trying to get its vision, agenda and path chalked out, to what it is today, where it's getting noticed globally," said Ratnam.

The prolific director flew in to New York the day after the global premiere of his latest Hindi film in Toronto, along with the film's composer A.R. Rahman and lead actors Abhishek Bachchan and Aishwarya Rai, who play Gurukant and Sujatha Desai.

The three men of the quartet arrived first, and Rai joined them toward the end of the press conference.

When confronted with the question as to whether his movie is about the life of industrialist Dhirubhai Ambani, Ratnam emphasized, "This is not a biography - it is a story based in India during that period. It could be the story of anyone who has made it from nowhere. It is fiction."

For good measure, Abhishek Bachchan added: "I believe firmly that Dhirubhai Ambani serves as an inspiration for all of us, certainly for my generation. I'm sure most of my generation would strive to be like him; he was a great man. But he was not an inspiration or reference point for 'Guru.' The inspiration and reference point was given entirely by Mani."

When a reporter asked Mani Ratnam why he specifically wanted Abhishek Bachchan for the role, the actor kidded him, saying: "You sound shocked that he would have wanted me for the part!"

When Ratnam deferred to Bachchan for further reply, the 31-year-old actor said, "I think your answer's in the question - if you feel I've grown from 'Refugee' to 'Yuva,' then I take that as a compliment, because the intent is to grow. It's a wonderful profession, because you learn something new every day. It's been two years from Lallan to Guru; I like to think I've learned a lot."

"Lallan was unpredictable; Guru is very focused," Bachchan continued. "I like to believe that Mani saw enough growth in me as an actor that he thought he had the confidence to allow me to play Guru. If you stop growing, you stagnate as an actor."

Bachchan went on to give an example of Ratnam's faith in his colleagues, telling of the previews in Mumbai when he had been watching the movie with Mani Ratnam and asked where A.R. Rahman was. Ratnam said, "He's still doing a few final touches to the film." Bachchan emphasized, "That's a week before the release! That just goes to show, at this stage in his career, he's still trying to improve. All the greats have never rested on their laurels."

Uday Kumar of Adlabs U.S.A. spoke with anticipation of the release, saying that with the Mani Ratnam brand and the success already of A.R. Rahman's soundtrack, "We started with a big plus." He added: "We've had phenomenal response from the exhibitors. We are releasing in 65 locations today, 35 of them in mainstream chain cinemas, and it is releasing all over - Milwaukee, Kansas City - and I'm very hopeful that this movie will open up with a very big bang. Already, I just got an SMS from the ImaginAsian theater (in Manhattan) saying they sold 640 tickets for the weekend."

One reporter observed of Bachchan: "In the movie you have a very authentic looking belly; did you have to gain weight?" The now-slim actor, impeccably dressed in a dark suit and pale pink tie, his collar-length hair slicked back, explained: "Mani has a mantra; it's called 'Make it real.' So yeah, there was a lot of eating involved. Although a big deal shouldn't be made of it, it's what the character demanded. Mani saw Guru as he grew older in life to put on a bit of weight.

"We shot the film chronologically, and he was very keen that I put on weight for the film and I obliged, gladly. This is the license that we actors get to do, eat what we want. Shockingly, it became quite cumbersome after three or four days. You tend to get a bit sick of it and that's when it becomes tough, because you still have to pile on the kilos. At the end I was waiting to shed the weight."

Asked by India-West if he'd ever make an Indian story in the U.S., Ratnam didn't discount the possibility, but was noncommittal. "The script decides where you make a film," he said. "Wherever you do it, you should be able to capture the essence of the script, but the decision is not mine - it is the script. If I have a script that is based here, rooted here, then in that case I'll shoot it." He added that, at present, he has no such script.

Toward the end of the allotted time for the press conference, before the group of four would depart for the red carpet at the Times Square premiere, Aishwarya Rai arrived, apologizing for a flight delay. The man who would propose marriage to her later that night jumped in and said, smiling, "It was a planned entry - you weren't late."

Looking relaxed and poised, in a turquoise and silver sari, Rai said, "It was a privilege and an honor to work again with my guru, Mr. Mani Ratnam, after 10 long years. I did my first film with him - 'Iruvar' - which was the perfect school to start at. And I'm still growing, still learning, still discovering the craft under his able guidance. And 'Guru' was one such wonderful journey."

Interestingly, when Ratnam and Rahman first took their seats at the table, they occupied the center seats, allowing for no possibility of the Indian "Brangelina" to sit side-by-side to be photographed while answering questions. After Nisha Mathur, the emcee of the event, asked reporters several times to refrain from personal questions, one man inquired, poker-faced, of Bachchan: "What's it like working with Aishwarya Rai?"

Equally impenetrable, Abhishek Bachchan was all business in his reply: "I was shooting two films with her simultaneously, 'Umrao Jaan' and 'Dhoom 2,' then we went on to 'Guru,' so it was wonderful to see her essay such different and varied roles, almost within a year. I think she's really done a fantastic job in the film and I think everyone would agree that to pull off a character like Sujatha with the dignity that she's done is very commendable."
:by indiawest
http://www.indiawest.com/view.php?subaction=showfull&id= 1169153685&archive=&start_from=&ucat=7
springdale thumbnail
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Posted: 18 years ago
Newsmaker: Mani Ratnam
He's the Guru
S Lakshmi Chopra / New Delhi January 19, 2007
Film director Mani Ratnam's name spells magic. His name is synonymous with films that are technically brilliant, boast of powerful scripts, have superb music for support and are close to reality. While his latest fare, Guru, is already getting a fair amount of critical appreciation, his earlier Tamil films like Nayakan (also dubbed in Hindi), Mauna Raagam (1986), Anjali (later dubbed in Hindi in 1990), Roja (1992), Bombay (1995) and Yuva (there was a Tamil version of this one as well!) have been received well too. For those of you who still have not watched Guru, here is a quick synopsis. It is the typical rags-to-riches story of a young man, Gurukant Desai, who, over the years, builds up a textile empire. While the film has a hefty dose of the political drama, one needs to watch Iruvar, another fabulous offering by Ratnam, to see that it's not just films with political undercurrents that are treated by Ratnam. If Yash Chopra is Hindi cinema's answer to onscreen love stories, Mani Ratnam is the only name in Tamil cinema who has crafted and presented relationship stories on the big screen. Ratnam made his directorial debut with a Kannada film, Pallavi Anu Pallavi (1983) starring Anil Kapoor and Lakshmi. Ratnam's films invariably portray entangled relationships. Take Pagal Nilavu, a film about a youth who is caught between his loyalty to a mafia don and his love for the cop's sister. Then there was Kannathil Muthamittal, (2002), another brilliant film which revolved around a child. Having excelled in cinematic grammar right from the beginning, his films never went unnoticed. However, a majority of his films have not been received too well at the box office. And while the director admits to the poor performance of Dil Se due to a shoddy script, even his last fare Yuva (that got Abhishek Bachchan critical acclaim) sank at the BO without a trace. Ratnam is known to tread the middle path between artistic and commercial cinema. Critics, of course, have not spared him and blame him for commercialising serious issues in the popular mould. Most of his films have performance-driven scripts and films like Iruvar, for instance, was a real life reflection of the relationship between M G Ramachandran and M Karunanidhi. Mani Ratnam also revels in the Bollywood theme of music and dance and usually his songs blend well in the stories that he creates. He switched his music loyalties from Illayaraja to A R Rahman after Thalapathi (1991) but it seems the fatigue is showing, especially as Guru's musical score disappoints. Despite box office failures, Ratnam's actors swear by him. Surya, a popular south Indian actor, who worked in the Tamil version of Yuva, feels he learnt how to "speak with his eyes after working with Mani sir".

And while his loyal fans are thronging to cinema halls to see the technical brilliance in Guru, Mani is busy crafting his next commercial venture, Lajjo, with Kareena Kapoor and Aamir Khan, in Rajasthan.

http://www.business-standard.com/lifeleisure/storypage.php?l eftnm=lmnu4&subLeft=3&autono=271850&tab=r

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