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Life is one big journey, and you are never sure if you have reached your destination. I am still trying to find that Destination. But the thing is, once you reach that destination, you don't need to survive. |
A R Rahman ( AV MAX 2001) |
He's a genius. Working with him in Dil Se was a milestone in my career. He has single-handedly changed the sound of music in Hindi movies. He has even changed the format of songs and has popularised fine verse. |
Gulzar (Filmfare, 2002) |
The nineties brought A. R Rahman who engineered a sound revolution by using new technology and his popularity grew with the rise of satellite channels. |
Music director Bharadwaj, The Hindu, 2002 |
Rahman revolutionised sound. He's a trend-setter in more ways than one. The only thing common between us is the fact that we started out in advertising and moved on to films. There's just no comparison otherwise. Rahman is a legend of sorts. |
Music director Sandeep Chowta (Filmfare, 2002) |
I have listened to a lot of music, but Rahman wins. The guy is amazing. When we came with the idea of Vande Mataram, he was enthused like few people I have known and seeing him work is a learning experience. The immense knowledge he has about music and the frenzy with which he approaches his work..., he is my greatest musical influence. |
Kanika (2001) |
We worship Rahman's music. |
Ehsaan, (of Shankar-Ehsaan-Loy trio), The Hindu, 2001 |
It's not enough to be successful. It's important to attempt something new. Rahman's contribution to film music will never be forgotten. He has given a new dimension and understanding to sound. |
Lyricist Javed Akhtar (Filmfare, Feb 2001) |
I admire three things about Rahman. Among the young composers he probably is the most original. He has a strong sense of melody and his harmony is unbeatable. Finally he gives his music a rich tonal color, richness through his combination of instruments, a character to the music. |
Director Shyam Benegal (India West, Jan 2001) |
The composer who re-wrote the history of film music was A.R.Rahman with the path-breaking soundtrack of Roja. The sound created by the little master was nothing less than astounding. His concept of fresh sound included acoustics of unheard instruments, fusion of Indian and western, plus introducing new singers with distinct voice quality. Right from 1993 onwards, till today music industry has not been able to fathom the inexhaustible talent of the composer. |
Article in Nazara, 2001 |