A.R.Rahman (Fan Club)-Part2 - Page 29

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dayita thumbnail
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Posted: 18 years ago
Birmingham orchestra seeks Rahman's guidance
Indo-Asian News Service London, February 24


The West Midlands town of Birmingham may be best known for its recordings of Mahler and Stravinsky, but the City of Birmingham Symphony Orchestra has now enlisted the help A.R. Rahman to broaden its repertoire. In a fortnight's time, Rahman will take the baton for two successive nights of themes from the Indian film industry, including many of his own works. The CBSO, which achieved international status during the tenure of conductor Sir Simon Rattle, is seeking to find new audiences closer to home, by persuading Indian and Pakistani audiences into its Symphony Hall headquarters. Tickets for the 2,200-seat auditorium are already selling fast among the city's south Asian population and, according to the orchestra's chief executive, Stephen Maddock, the Bollywood nights promise to pull in the largest ever non-white audience for a mainstream British orchestra. Rahman is best known to western music fans as the composer of "Bombay Dreams", the West End musical. But to his South Asian followers he is a cult figure who, at the age of 38, has already sold nearly 200 million albums and worked on more than 50 films, including "Lagaan". He recently agreed to score the stage musical version of "Lord of the Rings", which is due to open next year. Maddock told the media that the orchestra was setting out to attract non-traditional audiences. Birmingham expected to have a non-white majority by 2010, making it one of the most multicultural cities in Britain. Yet the CBSO's core following was still largely from middle-class areas of the city. "We have a responsibility to provide a range of musical activities," he said. "Our audiences are much less extensively white than you might expect, but it is true to say that right across the world classical music tends to appeal to a predominantly white audience." The Bollywood initiative forms part of a year long-series of Classic Asia concerts at Symphony Hall. Rahman took his first rehearsal with the orchestra last week, and said he was nervous at the prospect of his first orchestral engagement on such a scale. Piali Ray, the Indian dancer and choreographer whose Sampad dance company will perform with CBSO later in the year, praised Birmingham for creating an environment in which community arts could flourish. Sampad broke new ground with its recent collaboration with the city's Royal Ballet. Birmingham also hosts Samyo, effectively the national youth orchestra for South Asian music. "There are large sections of the Asian community who are very interested in the arts, but sometimes haven't felt welcomed. Or may be they don't even know there are things that will interest them," she said. "This is really heartening."

The fact that most tickets had already gone showed lessons had been learned on both sides.

Source:Hindusthantimes.com-News

dayita thumbnail
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Posted: 18 years ago

'Rahman was the only choice'


Udita Jhunjhunwala
February 26, 2004




Chinese director
He Ping

Chinese writer and director He Ping's epic Warriors of Heaven and Earth is a lyrical story about the human spirit From the point of view of two men — a soldier turned mercenary and a swordsman for the Emperor's court — leading a caravan across the desert who swear to fight each other to death when they reach their destination. Significantly for India, Warriors of Heaven and Earth features the haunting music of A R Rahman and the film showed at the MAMI festival last year. With previous films like Swordsman in Double Flag Town, Sun Valley and Red Firecracker, Green Firecracker, here's what He Ping, who has pioneered the Chinese Western genre, has to say about Warriors of Heaven and Earth:

How did you come to hear of A R Rahman and involve him in the music of Warriors of Heaven and Earth?

From watching Lagaan. The music in that film was phenomenal. After I heard the score of Lagaan, Rahman was the only choice for me. He was a joy to work with and so talented, yet so humble.

The locations and scale of the film are both breathtaking and vast. Where did you shoot and how difficult was it directing and shooting to this scale?

We shot in the Gobi desert. The weather situation was extreme, so that was the hard part, though the end result was all worth it.

The fight scenes themselves are tremendous – what kind of training did the actors undergo and how much was choreographed?

Some of the fight sequences were choreographed. The actors were all very professional, in spite of the heavy physical demands of the film. I thought initially that some sort of artistic clash would be inevitable between Jiang Wen and myself, since he too is a director. However, Jiang was most professional and he only took on the role as the male lead.

The story has a spiritual leaning and juxtaposes morality with duty. Comment.

Warriors of Heaven and Earth is a story about the human spirit. It isn't just a story about the battle between two men. It's about putting personal emotions on hold while doing your duty to your country and emperor. It is about making difficult choices.

What is the market like for Chinese films and how has the response been to your film internationally?

Chinese films are coming onto the international map more and more. I set out to make a good film and it has been accepted critically and commercially so far.

Source:Midday news

dayita thumbnail
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Posted: 18 years ago

The CBSO gets a taste for Bollywood

by Terry Grimley, Arts Editor of the Birmingham Post

The symphony orchestra and its repertoire is one of the great creations of Western culture, yet today it finds itself at a crossroads. In an increasingly multicultural world, it is becoming ever more conspicuous that its audience remains overwhelmingly white, not only in terms of race, but very often in hair colour. Its claims on limited state funding, for many years scarcely questioned, are increasingly open to challenge. So can orchestral music reach out to embrace a more culturally diverse audience? In Birmingham, tipped to become Britain's first black majority city by 2020 (coincidentally the CBSO's centenary year), it is an even more pressing issue than in many other European cities. This is the background to the CBSO's Harmony Project, which will concentrate on building bridges with three different minority groups, Indian, Afro-Caribbean and Chinese, over the next three years. It is beginning with the Classic Asia thread, which weaves its way through the second half of the 2003-04 season, exploring the interchange between India and Western music, and featuring two major figures in contemporary Indian music in A.R. Rahman and Nitin Sawhney. "It's a cultural diversity action plan, but absolutely with artistic things at its centre," says CBSO Director of Communications Sarah Gee. "We thought it would be a good opportunity to take our existing audience on a journey with us but also attract new people by providing them with a wider range of entry points." The boldest move in the latter direction has been to team up with Bollywood composer A.R. Rahman, the composer Andrew Lloyd Webber showcased in the musical Bombay Dreams and a superstar who has sold more than 40 million records worldwide. Rahman will conduct the CBSO in two concerts on 5 and 6 March in a programme of his music from Bombay Dreams and hit films including Lagaan and Roja. He has also been commissioned to write a piece for the Orchestra, inspired by Persian legend, which will be premiered later in the year. "There are a whole number of firsts for him," says Sarah Gee. "He hasn't conducted a symphony orchestra in concert before, though he conducts in the studio, and he hasn't written a concert piece. He's such a huge star. When he came over we took him to a restaurant in Stoney Lane and the cab driver was driving along with his mouth open and eventually said 'It is you!'" "In May we're doing a Family Concert with Nitin Sawhney. He's writing a piece for us and it will have 'windows' in it to have music inserted from educational projects we're doing. I think he's a fascinating person because he covers so many styles. Again, he's a really big name." Other collaborations during Classic Asia have included the Sabri Ensemble and Samyo, who each prefaced a performance of Messiaen's Turangalla-Symphonie in January to highlight its eastern influences, and SAMPAD, the Birmingham-based South Asian arts development agency, whose director Piali Ray is choreographing a dance performance as part of a rare performance of Holst's chamber opera Savitri on 18 May. This concert is a real showcase for youth talent, with the City of Birmingham Symphony Youth Chorus singing an excerpt from Holst's Hymns from the Rig Veda as well as providing the female chorus for Savitri. "The relationship with SAMPAD has been really helpful," Sarah Gee enthuses. "They too are very interested in diversifying their audience. They've given us all sorts of hints and clues on marketing events to the Asian community. We've pulled together a community panel of people who can help us. There are about ten people who sit upon that, mainly from the Indian community." The choice of the Indian community as the first target for the Harmony Project was indicated by the fact that it fits the classical music audience in an important respect. "We wanted to start with the Indian community for several reasons," Sarah Gee explains. "Firstly, the link between Indian and Western music is quite strong. The other thing, from an audience development point of view, is that the most important determining factor is terminal age of education. The Indian community is the highest achieving educationally, and therefore should be more inclined to attend classical concerts." Still, organisations like the CBSO have some learning to do about how to get the word out within the community. For example, the pivotal role played by the Milan Sweet Centres in Handsworth and Sparkbrook as an unofficial box office is something you have to be alerted to (incidentally, if you are thinking of getting your CBSO tickets from there in future, I can recommend the mixed pakora). "It's been quite a challenge to us to find these ways but it's enabled us to be quite creative," says Sarah Gee. "We're looking forward to it. We really don't know how it's going to go, but we can't sit back and do nothing."

Copyright CBSO 2004

Source:WwW.CBSO.CO.UK - News
dayita thumbnail
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Posted: 18 years ago
Monday, March 08, 2004

Vanished locks the talk of town
Rahman's post-haj look

Rahman at a rehearsal with the City of Birmingham Symphony Orchestra. (AFP)

Composer A.R. Rahman, best known in Britain for the music of Bombay Dreams, unveiled his new post-Haj look at a concert in Birmingham.

Rahman, who is 37 and appears boyish at the best of times with his trademark fashionably long, floppy curls, looked even younger on Friday night when he appeared on stage with the City of Birmingham Symphony Orchestra for an evening entitled Hooray for Bollywood.

In fact, his new hairstyle was as much a talking point as his music — the Western orchestra played some of his best-known Hindi film music and some new compositions.

A press release from the orchestra explained his faith: "A.R. Rahman was born A.S. Dileep Kumar on January 6, 1967, in Madras. He adopted the name Allah Rakha Rahman when he converted to Islam."

Word began circulating that Rahman had acquired a new look when he visited the Indian High Commission in London because he needed help in acquiring a visa for Prague. With a surname like "Rahman" and a Saudi stamp in his passport, the Czech consular authorities were doubtful if he was the right sort of chap to let into their country.

"Everything has been sorted out," Rahman, who was dressed in a black sherwani, told a packed audience of 2,200 in the huge symphony hall in Birmingham, but without explaining why he had faced visa problems.

Reference to the absence of his lustrous curls was made by a local TV and radio presenter, Samina Ali-Khan, who did an "in-conversation" with "AR", as she kept calling Rahman. Turning to the audience, she remarked: "There is something different about him, but you don't recognise what it is."

Rahman said: "I went to the place where there were pilgrims of all races and classes from all over the world. All of them had their heads shaved. I went on the Haj." When a few questions were taken from the audience, one asked: "Are you a spiritual person? Is faith important to you?" Rahman replied: "Yes, very much. I would not have survived otherwise. That's the thing that's kept me going, failure and success together."

One man commented: "If music is divine, A.R. Rahman is God." Another was not happy he had shorn his hair. But Rahman reassured him: "Don't worry I will grow it back."

AMIT ROY IN LONDON
Source:The Telegraph - Calcutta - News
doly_455 thumbnail
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Posted: 18 years ago
grt articles dayita!! rahmanji is surely an international star...............

CONGRATS RACHNA!!
enjoy the hot seat...........
dayita thumbnail
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Posted: 18 years ago

Rahman to be first Global Ambassador to fight TB


March 11, 2004 03:06 IST


Noted composer A R Rahman was today appointed as the first Global Ambassador in the worldwide fight against tuberculosis, which claims two million lives worldwide every year, including a sizeable number in India. The announcement came at a press conference called by the Stop TB Partnership and the World Health Organisation in a committee room of the House of Commons. Accepting the task, Rahman, who composed the score for the hit musical Bombay Dreams and which makes its US debut in New York March 29, said "Art is not only for entertainment but also for healing process." "Most people in industrialized countries think tuberculosis is a thing of the past," he added. "But we are actually in the throes of the largest TB epidemic in history, with more people sick and dying from the disease than ever before. It is urgent we break the public silence about that." Rahman pointed out that TB is completely curable with the cost-effective DOTS treatment strategy, and that everything possible needed to be done to ensure universal access to it. "This is more than just a matter for ministers of health – we need to move whole societies in the fight, and I have accepted the role of Global Ambassador to help spread that message," he said. Gareth Thomas, MP and Parliamentary Under Secretary of State, Department for International Development, said Britain has pledged 280 million for eradication of TB over a seven-year period and that it has provided 20 million to India so far. Dr Marcos Espinal, Executive Secretary of the Stop TB Partnership, described DOTS as one of the "great public health success stories of the past decade, having treated 13 million patients since WHO declared TB a global Emergency in 1993". However, he said, it has only slowed the growth of the epidemic. "To stop it and begin reversing the trend we must nearly double the current number of patients treated under DOTS each year by the end of 2005," Espinal said. "We are therefore grateful to have A R Rahman as a Global Ambassador to mobilize support for this massive effort."
Source:Rediff.com news
dayita thumbnail
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Posted: 18 years ago

Originally posted by: doly_455

grt articles dayita!! rahmanji is surely an international star...............

CONGRATS RACHNA!!
enjoy the hot seat...........

Ofcourse Doly he is!!Enjoy Doly..

doly_455 thumbnail
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Posted: 18 years ago

There's no fight with Shah Rukh: A.R. Rahman

By Subhash K. Jha, IANS

View Rahman Launches Fluid Flute - Picture GalleryComposer A.R. Rahman has opted out of Shah Rukh Khan's production "Om Shanti Om", but he insists the parting is amicable and certainly not final.

"I'm not doing Farah Khan's 'Om Shanti Om'. But that doesn't mean there's any quarrel with her or with Shah Rukh who produces her film," Rahman told IANS in an interview.

"Farah and I go back a long way. We did 'Bombay Dreams' together. In fact, I did some tunes for 'Om Shanti Om', which Farah has now returned to me, not because she didn't like them but because we just couldn't agree on my terms."

Rahman's new policy for music composition is simple.

"I just want to push for the financial rights of composers and lyricists, even producers. It's not as though I'm saying I want to be the sole proprietor of the songs I compose. But I want a share. There's nothing wrong with that. I can't run to music companies like T Series and Sa Re Ga Ma every time I need to use my own song."

Unfortunately, not too many producers in Bollywood are willing to share Rahman's demand for a share in the royalty for a song.

But Rahman holds no grudges against anyone, least of all Aamir Khan or Shah Rukh from whose productions the composer has opted out on this issue.

"In fact, Shah Rukh tried his utmost to see and to put forward my point of view."

Unfortunately, T Series, the music company, which would market the music of "Om Shanti Om", would have none of it.

Laughs Rahman. "I realise I've a huge fight though I don't see it as a fight. It's not like the British rock band Queen, which owned sole copyrights to all their songs. But I won't run to music companies in Mumbai for the rights for my songs every time I want to perform them at the concerts.

"Music companies must recognise the changing ground reality. Today the conventional outlets for music sales are drying up. Soon all music will be free while the performers and performances will be paid for."

Rahman is ready to take on the flak.

"Any change is frowned at. But I'm standing up for what I think is right. Yes, producers will back out. But that's fine. This gap gives me the excuse to work on my private album. For long I've been asked why I'm not doing a non-film album. Now I've the time to do that."

What could complicate matters for Rahman in Mumbai is his selective attitude to the copyright issue. While he has chosen to assert his financial rights over Aamir and Shah Rukh, Rahman has exempted Ashutosh Gowariker's "Jodha-Akbar" from the copyright net.

"It has to be flexible. I can't draw a net on all my assignments and draw up a uniform code. At the same time I'm not insecure about my career. If I lose out on some assignments in Mumbai, I'm ready to bear with the loss."

doly_455 thumbnail
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Posted: 18 years ago

Originally posted by: dayita

Ofcourse Doly he is!!Enjoy Doly..

thks dayita.........

this is for u rachna

doly_455 thumbnail
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Posted: 18 years ago

Tamil Cinema

Rahman rules as 'Chillunu...' rocks

By Aparna Nath, Chennai, Oct 17: No new album could topple A.R. Rahman from the top position. None of the new albums of Diwali releases could match Rahman's "Chillunu Oru Kadhal", though the film is a big flop.

The top five Tamil albums are:

1. "Chillunu Oru Kadhal" - Music: A.R. Rahman. The film's title track continues to be heard on all radio channels. "Munbe vaa", a melody by Shreya Ghosal and Naresh Iyer and "New York Nagaram" by Rahman himself are popular.

2. "Vettaiyadu Vilaiyadu" - Music: Harris Jayaraj. This can be termed as the best album of 2006.

3. "Vallavan" - Music: Yuvan Shankar Raja. "Loose penne" sung by Silambarasan and Blaze is rocking the charts.

4. "E" - Music: Srikant Deva. "Theepori parakum" sung by Tipu and chorus may be like many other Hana songs but the lyrics have life in them.

5. "Thimiru" - Music: Yuvan Shankar Raja. "Mana Madurai" sung by Shankar Mahadevan is such a huge hit that it is heard regularly on all FM channels.

--- IANS

rahmanji is no1 !!

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