A.R.Rahman (Fan Club)-Part2 - Page 115

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springdale thumbnail
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Posted: 18 years ago
Chronicling Delhi's evolution since The Pioneer came here 15 years ago


From city of djinns to city of pioneers

Delhi has changed incredibly in the 15 years that The Pioneer has been here. We aren't suggesting that India's Capital has metamorphosed because of us, but we are proud to be an integral part of that change. Established in 1864, The Pioneer was essentially a UP paper, with full-fledged editions published from Lucknow, Kanpur, Allahabad, Varanasi and Moradabad till the early 1990s.

It was only when Ballarpur Industries Ltd (Bilt) took over the ownership from the Jaipuria Group in 1991 that the headquarters shifted from Lucknow to Delhi and the Capital's discerning reader got an opportunity to savour a smart, thought-provoking newspaper that dared to be different, along with their morning cuppa. Since we journalists at CMYK Printech took over the then ailing publication in 1998, India's only "Paper with passion" has grown from strength to strength thanks to your blessings.

It was about the same time that Delhi's transformation began. From what was essentially a sarkari city it blossomed into the throbbing nerve centre of India. In 1991, India opened a new chapter in its evolution breaking through the bondage of moribund socialism and license-permit raj. Economic liberalisation opened new vistas of growth and unshackled the Indian genius as nothing else had done before.

In 1993, Delhi got its own elected Assembly and a significant measure of self-government. By the time the new millennium dawned, Delhi had taken wing, soaring over all other metros in India and knocking at the doors of the exclusive club of world cities such as London, Paris, New York, Singapore and Tokyo.

Cities are living organisms and need energy, commitment, passion and compassion to thrive. In other words it's the people who make the difference between a somnolent city and a vibrant megapolis. To celebrate The Pioneer's 15th anniversary in this city, we pooled together the men and women who have made a real difference to Delhi over the last decade-and-a-half. The idea was to capture their sterling qualities in their own words, to bring you a collage of pioneers of contemporary Delhi.

Today you cannot think of Delhi without its swank flyovers and landscaped gardens, the metro that has dramatically altered the way we travel, the shopping malls and boutiques that have reoriented the way we look and dress, multiplexes that have added a new dimension to entertainment, the cuisine revolution that's altered our food habits, the ubiquitous cellphone that has revolutionised interpersonal communication, super-speciality hospitals that have changed the manner in which we handle ailments, the gym boom that's made us acutely health conscious, or the real estate explosion that has brought a home of one's own within the grasp of the middle class.

Incredibly, the quality of life in Delhi has improved in the last decade with innovations like a CNG-run public transport system that has miraculously upgraded the ambient air quality despite the city having nearly 6 million vehicles on its roads. No other city has witnessed so much change in so short a time span and that too for the better.

Personally speaking, I came to this city in 1972 as a lanky 18-year-old to study at St Stephen's College, one of India's landmarks. I hated being uprooted from Kolkata and was determined to return after completing my studies. But, like AR Rahman's music, Delhi crept into my soul within a few years. It's kept me here virtually ever since. Like millions of others who came here in search of opportunity and excellence, I too regard myself as an unabashed Dilliwala today.

I want to see my city get better and better, eventually obtaining its rightful place in the select category of world cities in my lifetime. More than 150 years ago, it was prophetically asked "Kaun jaye, Zauq, Dilli ki galiyon ko chhodkar?" Today, the answer is loud and clear, "Koyi nahin, kabhi nahin"!
http://www.dailypioneer.com/columnist1.asp?main_variable=Col umnist&file_name=mitra%2Fmitra222.txt&writer=mitra

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Posted: 18 years ago

Haunting melodies:

Gulzar saab and I have a common interest ~ inspiration from Sufi songs. It's a pleasure working with him and it's amazing to see him take on heavy work at his age

Roja, Bombay, Taal, Lagaan, the Broadway musical Bombay Dreams, Rang De Basanti… AR Rahman is here to stay. Little needs to be written about Rahman's achievements. He is news once again, this time for his compositions for Mani Ratnam's Guru. Sneha Hazarika in conversation with AR Rahman.

On the music of Guru…
When we started work on Guru, I experienced a degree of restlessness, for I didn't want to repeat the sounds heard in a musical I worked on ~ Alaipayuthey. I was in Toronto when I did the "scratch". Soon after, I sent it to Mani, who liked it and called on Gulzar sahab to pen the lyrics. The first song was recorded in Toronto itself. Then I was asked to work on a love song. I began thinking on the lines of a Sufi number, one that had the feel of what Nusart Fateh Ali Khan did. And that's how Dum dara dum dara was born. It's dedicated to the Ustad, whose tenth death anniversary will be observed soon. Moving ahead, I had to visit Hong Kong to perform at a concert. The trip led me to visit a store selling musicals instruments. The idea of using the accordion in Guru struck. Usually I purchase keyboards. But this time I settled for something vintage and took time to learn the instrument. The sway of the accordion can be heard in almost all the tracks. And there is the Yaman kalyani melody I have tuned to the lyrics of Hazrat Amir Khushroo (modified by Gulzar).

On his favourite song in Guru… Maiya Maiya
I went to Haj year last year and heard a guy near the river who kept saying "waya waya waya". I learnt that waya, waya meant water and felt it was an interesting sound, which is also very Indian. And so was born Maya maya. The interesting thing in the track is the Gujarati bit at the end. It was Mani's idea.

On replacing the song that has been picturised with Ash riding a bicycle…
Mani said he wanted to shoot Ash's introduction song in a sequence that featured her on a bicycle. Once I received the lyrics from Gulzar saab, it was set to to match the energy of cycling. Mani said Aishwarya would learn to cycle before shooting begins. Unfortunately she met with an accident… she fell down from the cycle and the song did not work out. Na na re replaced it.

On his association with Mani Ratnam
It's been an interesting journey. More than us, fans must be speculating as to what we are going to do next. Our thought process has the same wavelength. Whenever I see one of his shots, I take on the task of creating something different as a challenge. I guess he feels the same way when he listens to my music. In Guru we are dependent on each other. This time around the songs were ready before he began shooting.

On his rapport with Gulzar
We have not worked together in many films but I think we share a good rapport. Gulzar saab and I have a common interest ~ inspiration from Sufi songs. It's a pleasure working with him and it's amazing to see him take on heavy work at his age.

On Bappi Lahiri singing in Guru
Mani wanted a "bhang" song. Incidentally I was at attending a music award ceremony where Bappida performed. I felt he performed beautifully. We wanted someone to sing Bolo Guru and Gulzar advised Bappida should be approached. His voice also suites Abhishek.

On his singing in Guru
I can be heard on Tere bina and the theme song, Jage Hain. I can also be heard now and then on the other tracks.

On singing for superstars
Every time I sing, whether for Shah Rukh in Dil Se or for Abhishek in Guru, I feel my voice doesn't match the stars. Only after listening to the recording 20 or 30 times, I can convince myself about the performance. In fact, the first time I listen to the track after recording, I get shocked. With time I get used to it. Hopefully others don't think the same way about the tracks (laughs).

Sampurn

http://www.thestatesman.net/page.news.php?clid=19&theme= &usrsess=1&id=142662

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Posted: 18 years ago
1) Tere Bina- Guru
2) Barso re - Guru
3) Chhaiya Chhaiya- Dil Se
4) Dil Se- Dil se
5) Kehna Hi Kya- Bombay
6) Tu hi tu --Dil se
7) Jaage Hain- Guru
8) Jiya jale - Dil Se
9) Ishq Bina- Taal
10) ajooba hai ........Jeans
11) Azaadi- Subhash Chandra Bose
12) hai re hai re hai - Jeans
13) Nach le- Lakeer
14) Sawarne lage hum....Dil ne jise apna kaha
15) Hum Hain Iss Pal Yahaan- Kisna
16) Aye ajnabi - Dil se
17) Khalibali- Rang De Basanti
18) yeh dil to mila hai- dil ne jise apna kaha
19) Maa Tujhe Salaam- Maa tujhe Salaam
20) Dil hai chota sa - Roja
21) Saawariya- Swades
22) humma humma.....Bombay
23) Chanda Re- Sapne
24)SAwariya sawariya-Swades
25)Yeh Haseen vadian -Roja
26) Kismat se tum humko mile ho-Pukaar
27) Roja Janeman -Roja
28) Ke Sera Sera Sera- Pukar
29)JO hain albela-KISNA
30) Mayya Mayya- Guru
31) Uuuuula la la uuu lala la.........Sapney
32) Awara Bhavre -Sapney
33) muqala muqabla.....Muqabla

hi madhu........m fine..... 😳 😳

wow part 2 completed..........we r headin for part 3........
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Posted: 18 years ago

1) Tere Bina- Guru
2) Barso re - Guru
3) Chhaiya Chhaiya- Dil Se
4) Dil Se- Dil se
5) Kehna Hi Kya- Bombay
6) Tu hi tu --Dil se
7) Jaage Hain- Guru
8) Jiya jale - Dil Se
9) Ishq Bina- Taal
10) ajooba hai ........Jeans
11) Azaadi- Subhash Chandra Bose
12) hai re hai re hai - Jeans
13) Nach le- Lakeer
14) Sawarne lage hum....Dil ne jise apna kaha
15) Hum Hain Iss Pal Yahaan- Kisna
16) Aye ajnabi - Dil se
17) Khalibali- Rang De Basanti
18) yeh dil to mila hai- dil ne jise apna kaha
19) Maa Tujhe Salaam- Maa tujhe Salaam
20) Dil hai chota sa - Roja
21) Saawariya- Swades
22) humma humma.....Bombay
23) Chanda Re- Sapne
24)SAwariya sawariya-Swades
25)Yeh Haseen vadian -Roja
26) Kismat se tum humko mile ho-Pukaar
27) Roja Janeman -Roja
28) Ke Sera Sera Sera- Pukar
29)JO hain albela-KISNA
30) Mayya Mayya- Guru
31) Uuuuula la la uuu lala la.........Sapney
32) Awara Bhavre -Sapney
33) muqala muqabla.....Muqabla

34) chhaiya chhaiya-dil se

Edited by springdale - 18 years ago
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Posted: 18 years ago
Ummm Members ready for party??Its doulble celebration today. Today is Rahmanjis Birthday and we are starting our part-3 so members enjoy.
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Posted: 18 years ago
Actors gear up for Star Screen Awards

Puja Talwar

Saturday, January 6, 2007: (Mumbai):

The New Year has begun and so have the glut of award shows and kicking off Bollywood's award season is the Star Screen Awards.

Rang De Basanti battled controversies, it could be on its way to Oscar glory, its impact on the Indian youth can actually be measured.

In the first round of homegrown awards the Aamir Khan starrer is off to a good start.

Certainly no surprises then that Rakeysh Omprakash Mehra's saga of extreme activism has bagged top nominations for the Hero Honda 13th Annual Star Screen Awards this year.

In all Nineteen categories including best film, best director, actor.

Aamir Khan has bagged the best actor nomination for his role as the fun loving college drop out Daljeet but the actor has a tough fight as Ajay Devgun competes as the brooding Om in Omkara, Sanjay Dutt as the lovable Munna.

Beating them all with two nominations is cool dude Hrithik who has been nominated for his super hero act in Krrish as well as the smooth conman Aryan in Dhoom II and Shahid Kapoor rounds off the list for Vivaah.

In the best actress nomination Kareena Kapoor as Dolly Mishra is in the list.

"I lived my character, after a while I thought I was Dolly Mishra," said Kareena Kapoor.

But the glamorous Bebo is in the company of her not so friendly co star Bipasha Basu who bags a nomination for Corporate and though the other nominees Amrita Rao for Vivah and Ayesha Takia for Dor may not seem to be competition enough there's also film fans favourite Kajol.

The Khans seem to lead the list for stars in a negative role.

Chotte Nawab Saif Ali Khan for the rustic Langda Tyagi, Aaamir for his terrorist act in Fanna and SRK for his suave turn in Don.

Though Omkara scores high in the music nominations from lyrics to playback, AR Rahman too has two nominations for Rang De Basanti.

So would it be Beedi over the back to school Masti ki Pathshala.

And yes the most important awards who will walk home with best picture or best director, Krrish, Lage Raho Munnabhai or Rang De Basanti you'll find out this weekend.
http://www.ndtvmovies.com/newstory.asp?section=Movies&id =5857
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Posted: 18 years ago
Celebrating Comedy

Posted online: Friday, January 05, 2007 at 0000 hours IST

Comedy king Mehmood took a breather...
A cache of seven trophies for Border...
Ramnath Goenka Memorial Award for Thespian Dilip Kumar... The fourth Screen Awards chose to laugh away the blues. The theme for the evening was 'laughter is life'. The mood was light, the agenda was to pay a hearty tribute to the cine funsters and quite aptly, Javed Jaffrey was the 'master of ceremony'. He set off quite a mirthquake miming Keshto Mukherjee, papa Jagdeep, Johnny Walker, Shatrughan Sinha, Prem Chopra, Asrani, Utpal Dutt and Amrish Puri. Toeing the comic line were dance performances - Naasir brought alive memories of his father (Johny Walker's) head massage with the famous 'Sar jo tera chakraaye...' number from Pyasa, Mink danced to the peppy Chaalbaaz number 'Na jaane kahaan se aayi hai...' and Vinay Jain danced to uncle Govinda's hit - 'Main to raste se jaa raha tha...' The highlight of the evening was however the stellar gathering of yesteryear comedians led by a spirited Mehmood holding on bravely to his oxygen mask, Johnny Walker, Deven Verma, Jagdeep, Paintal, Mukri, Asrani and Shubha Khote. They walked hand-in-hand with reigning comedians Satish Shah and Satish Kaushik to the strains of 'Jeena yahan marna yahan...' from Mera Naam Joker rendered live by Nitin Mukesh. Melody diva Suraiya was the chosen one for the evening' she was to receive her Lifetime Achievement Award at the hands of her dashing hero Dev Anand. Alas! Devsaab hurt his foot days before the event and refused to be seen limping on stage! Finally Sunil Dutt did the honours by informing the gathering that he had interviewed her during his stint with Radio Ceylon. Thespian Dilip Kumar was presented with the Ramnath Goenka Memorial Award by BR Chopra while Rekha read the citation. That was an evening her pet pooch Pisti was in attendance alongside her secretary Farzana.
Priyadarshan sat in the audience burning with fever and anticipation as he was the contender for the Best Director trophy for Virasat, which he finally lost to JP Dutta, who took home the largest haul of the evening with as many as seven trophies - Best Film, Director, Background score (Aadesh Srivastava), Lyrics (Javed Akhtar for 'Sandese aate hain...'), Screenplay (JP Dutta), Re-recordist (Suresh Kathuria) and Action (Bhiku and Tinu Verma). Tears mingled with smiles as JP recalled the 1971 war in which he lost his younger brother who was a fighter pilot and in whose memory he had made the movie. Virasat came in close second with six awards including the Best Actor Award (Anil Kapoor), Supporting Actor Award (Amrish Puri) and Story (Kamal Haasan). Prakash Jha's offbeat Mrityudand won a couple of coveted awards for Madhuri Dixit (Best Actress) and Shabana Azmi (Best Supporting Actress). AR Rahman flew in from Chennai and stopped on his way at Haji Ali to offer prayers. In turn he got delayed to accept his Best non-film album trophy for 'Vande Mataram'. It was an evening of some hits, some misses, some tears and some rousing rounds of guffaws.

http://www.screenindia.com/fullstory.php?content_id=14554

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Posted: 18 years ago
Bollywood gears up for big flicks

Puja Talwar

Friday, January 5, 2007:

Watch story (Mumbai):


Stock up on the popcorn, book your tickets online and brave the winter chill to stand in swollen queues because this January you are in for a treat with back to back big releases, both Indian and international.

The first big release of the new year, Mani Ratnam's Guru has been in the news for all the right reasons. Not only does it star current couple no 1 Ash and Abhishek, but it also boasts of an A-list ensemble cast and crew.

Southern heartthrob Madhavan, Vidya Balan boosted up with some catchy numbers penned by Gulzar and composed by AR Rahman, Guru will debut at Toronto's historic Elgin Theatre on Jan 11, and release world wide on January 12.

Will it be the final hit for the couple, which has till never fared well onscreen together?

With Abhishek Bachchan playing a villager, a visionary and a winner, and Aishwarya his devoted wife, the film is rumoured to be based not-so-loosely on the late Reliance head Dhirubhai Ambani. But they're not confirming anything.

Other releases

And giving Abhishek company in the multiplexes is Leonardo Da Caprio on a bloody diamond chase. Blood Diamond also stars Djimon Hounsou and Jennifer Connelly and is set against the civil war strife of nineties Sierra Leone.

The movie, with international box office receipts of more than $25 million has Leo on a winning streak.

Six couples, six crazy situations - is it Love Actually? Well you'll have to watch Kal Ho Na Ho director Nikhil Advani's love saga, with more stars than most premieres see.

From Salman Khan to John Abraham to Priyanka Chopra to Vidya Balan, Salam-e-Ishq promises all the action you could wish for.

The last week of January sees Ryan Phillipe back as an officer in Clint Eastwood's Flags of Our Fathers. After Crash, we have to ask, do people just like seeing the Cruel Intention star in a unfiorm?

Other than that, there's the forever-in-waiting Sarhad Paar that releases as well, with Sanjay Dutt, Tabu and Mahima and the romantic comedy of identity errors and cross dressing Fool and Final starring Shahid Kapoor, Bipasha Basu, Ayesha Takia and Sunny Deol.

So what are you waiting for? Book your front row seat now!
http://www.ndtvmovies.com/newstory.asp?section=Movies&id =5853
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Posted: 18 years ago

January 06, 2005

Happy Birthday Dude !! - AR Rahman

As South Asians took root around the world and their local movie culture avidly followed them, one could hear Rahman's music even if it didn't puncture the consciousness: as background music in restaurants and posh stores, in the very beat of certain neighborhoods, and of course in the movies that occasionally broke out of Desi ghettos. Lagaan, the insurgent epic centered on an Anglo-Indian cricket match, was nominated for the Best Foreign-Language Film Oscar. Again Rahman's work went uncited — though not, by Western film cultists, unappreciated. As they discovered India's pop cinema, they realized that along with the ferocious emoting and delirious dances, there was a master composer — the man Indians call the Mozart of Madras.

The column of Richard Corliss, That Old Feeling: Isn't It Rahmantic?, appears to be a timely one. A fantastical testimonial of AR Rahman and his timeless compositions. A must read for Rahmaniacs on his b'day.

My bit is here. On a hot sunny afternoon, walking by the crowded streets of Tambaram, I stop by the corner of the road for a synthesised music blaring from an audio shop. I could even identify ABBA, Jackson, Eagles and Carpenters before that. But this music was soothing and very different. I'm not making nay comparions here. No exaggeration. True. Someone on the audioshop said the composer was a 25yr old guy. I bought the cassette not for the music but for Mani Ratnam. It was Roja. The year was 1992.

Since then I've been mesmerized by AR Rahman for good and never turned back. If I were to know a Rahman music album got released, I bought it blindly. I never bothered the crew and the cast. If it was Rahman, the cassette was mine. I even bought music of movies like Andhi Malai which never released. And yeah I closely followed ARR music release schedules. Would have posted them here if only there were blogs in 1995.

Rahman still continues to inspire a generation of people , around the world(is that politically right?) who are transfixed to his musical chords. And we should be pleased that a unassuming dude from Chennai is making the world dance to his HUMMA HUMMA.

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Posted: 18 years ago

Dear Members,

We are the end of Part-2, please do not post here any more.The last post is kept blank for moderators comments.

With all our gain and all our pain

Lets have a new start again!!

Lets shift to Part-3.😃

(Mods plz close this topic😳)

Edited by springdale - 18 years ago

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