Originally posted by: UmaGosavi
I sometimes wonder if we are watching two different serials..one is a standard factory-manufactured turnkey daily soap with this RaDe, MT, Patel and Nimkar scenes and one is the beautiful story of Visha, the few beautiul scenes we get every week are a part of the latter 😆
I think Girish Mohite shoots once a week for TPR and that's when we get those dreamy Visha scenes we love 😛
You said it Uma, I am so sure that those scenes that they have for Visha are written by different writers, the quality of dialogues, overall execution is so different than these usual nonsense. There are some writers like Abhijit Guru are writing some third class scenes like that bet scene, cupala cup bhidvun drama or Zende carrying Nimkar scenes, and all those dreamy Visha scenes, proposal, the entire conversation inside their house, Visha talks the next day in their office, they all look so different.. One can clearly see the difference in writing style.
They chose the bold subject but they have to capacity or depth to handle this subject with care or sensitivity, no maturity in writing, one can see how they are struggling daily, no continuity of characters, jase vatel tase chalu aahe. I really miss Satish Rajwade and Shrirang Godbole here, I wish they were the writers here, they 'd ve created a lovely sensible story here.
Remember EDLG? Ghana and Radha, how they were before, and how they changed later in the end keeping their characters intact but slowly falling in love with each other, their struggle with their feelings, it was done so beautifully. That is the way stories are created, it was truly a masterpiece, no negativity nothing , pure nikhal manoranjan. I was madly in love with Ghana and radha's love story. All the characters were so real, we could relate to them. Digya, Supriya, Walli, aaji, I mean all of them were so lovely, pratyekachya gharat ase konitari characters astat, Even today you feel fresh watching any episode.
Edited by fanraya - 6 years ago
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