AMAZING PICTURES FROM THE SHOW ANJALI
EVEN THE ONE NOT FROM THE SHOW IS AN AMAZING PAINTING
MANDY HAD POSTED A PIC OF JALAL PARTAKING OF LANGAR. THAT WAS AN AMAZING PAINTING TOO
IN THAT DAY AND AGE JALAL WAS SECULAR. A FEAT WHICH, EVE TODAY, VERY FEW ARE ABLE TO ACHIEVE. WHILE MAINTAINING A ROCK SOLID BELIEF IN HIS OWN FAITH, HE WAS OPEN ENOUGH TO UNDERSTAND, APPRECIATE AND WELCOME OTHER FAITHS
RELIGION FOR MOST PEOPLE MEANS BOUNDARIES - AND RULES LIKE WHAT TO DO, WHEN TO DO, HOW TO DO ETC
BUT ONE FEATURE COMMON TO PEOPLE WHO ACHIEVE THAT STATE OF SECULARITY IS THAT RELIGION FREES THEM
THEY ARE ABLE TO FREE THEMSELVES AND WELCOME THE ALMIGHTY DIRECTLY INTO THEIR HEART
AND HATS OFF TO RAJAT FOR MAKING US FEEL THUS. IN EACH AND EVERY SCENE WHERE HE IS SHOWN PRAYING - WHETHER SAYING HIS DAILY NAMAAZ, IN AJMER, IN BABA CHISHTI'S ASHRAM, IN THE KALI MANDIR, IN JODHA'S HOJRA IN FRONT OF THE KRISHNA STATUE - HE IS ALWAYS ABLE TO SHOW A COMPLETELY SERENE FORM OF HIS
THE VIEWER ACTUALLY FEELS THAT THERE IS A STRONG CONNECT WITH THE ALMIGHTY
AND FROM WHATEVER I HAD HEARD AND READ ABOUT AKBAR, HIS CONNECT WITH THE ALMIGHTY WAS VERY STRONG. HE WAS A FIRM BELIEVER IN HIS FAITH. HIS THIRST FOR KNOWLEDGE MADE HIM APPRECIATE OTHER FAITHS AND READ ABOUT THEM. I HAVE ALSO READ ABOUT HE GETTING RELIGIOUS SCRIPTURES OF OTHER RELIGIONS TRANSLATED INTO PERSIAN, WHICH WOULD BE READ TO HIM REGULARLY.
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