I was totally disinterested in this remarriage. I felt they should have done the saat phere and be done with it. But no, we had flimsy recollections of NOT being married properly after fulfilling all post marriage rituals while living together for 6 months and then a Dadi who crawled out of the woodwork to be a wrench in the forced re-nuptials because of Shyam.
The entire love story is derailed because the focus is no longer on the lead jodi's love story. How can one PH manage to do this to their "baby"? Please follow the following steps:
1) Hand over the screenplay of a LOVE STORY to the one writer who cannot write for a couple in love. Conflict, yes. Love, no. Situations that are beyond ridiculous for the kitchen politicking crowd, yes. Emotionally mature, no. Also make sure that said writer has admitted that the one character that floats his boat in the entire story is the two bit villain and makes it well known that getting him back into the story is his singular goal.
2) Make sure that the lead couple who have screamed that they are married from the hilltops for the last 6 months succumb to the pressures of an absentee family member with no clout whatsoever for a remarriage. And for good measure, make absentee family member be manipulated by said villain. (see how important and omnipotent villain is!) *head desk*
3) When you have the female lead finally confess that she loves the male lead, make it seem like an afterthought and make sure to close the episode on the villain. Why? (refer to point 1)
4) While touting a marriage that should have been the culmination of the love story that the audience has waited plus one year for, simply use it as a backdrop to re-introduce said villain, thereby ensuring that any sense of festiveness is sucked out.
5) Make sure that the lead Jodi that has shared amazing chemistry never have a serious conversation or moment alone without the family being on their mind, or in the close vicinity of their private moments. Remember, screenplay writer LOVES conflict. Conflict good, love in a love story so passe. In the process, highlight the other couples love story that has been going on on the sly, even though no one is really too interested.
6) Throw in gratuitous scenes where the male lead acts like a 17 year old patronizing his 15 year old girlfriend. Have them act like they have not been through life and death experiences. Have them hold hands, flick a nose, flick a tear. That should satisfy the 'rabbe ve' quotient. All other hormonal aunties who can't understand the characters getting flipped and diluted, or those who need a little bit more of a relationship actually being shown, use remote as directed, derailing successful.
7) Succumb to the needs of an important side character for extra screen time and becoming a lead. This will particularly help if said lead is the love interest/money honey of the villain. Unbeknownst double dating and Dadi assisted secret rendezvous during LEAD JODI's wedding is guaranteed, thereby conphusing audience as to who is the lead Jodi. Guaranteed, again to suck the living happiness right out of any marriage preps shown. Why? (refer to point 1)
8) And finally, have so many convoluted tracks mismanaged at the same time that the audience feels like they are going in circles but the story hasn't moved.
I expected the remarriage to mean something. And it does but not what I thought. It means that Shyam is on his way. It was supposed to mean that ArHi were becoming one. This show has become just another family drama in the SP line up. They never really understood that the audience for this show didn't tune in for that.
If you disagree that's fine, I am glad you are enjoying. I personally am not and have not been for a very long time now. There are moments that keep me tuned in, but they are few and far between.
540