There is no nice and subtle way to say this - the new director of IPK needs to be changed or helped, at the very least. We can be ostriches with our heads stuck in the sand and blame the low TRPs and fans' frustration on the misunderstanding or IPL. Or, we can man up and face the fact that where Lalit Mohan used to create magic on-screen with the lamest situations, the new director is killing the most magical situations with his shoddy direction. There are too many examples, the latest being the difference between the Rangoli fall and the recent fall from the ladder. The actors and the CVs are the same - but the direction has gone to hell.
Some things that IPK championed in, but completely lacks now:
- closing loops (examples: Khushi's bangles sold for Arnav's plants, Khushi's fear of the dark, Khushi's momentary realization that Arnav may know about Shyam, NK's whereabouts, it's going to be a year - Khushi's parents' barsi or Arnav/Khushi's birthdays?)
- intensity and character assassination (the real Arnav-Khushi are the ones in the guesthouse sequence, the character dheela sequence, the resignation sequence - not Arnav falling in cow-dung or Khushi bathing him in public).
- attention to detail (the feelings of the characters are no longer shown, even their expressions aren't shown leave alone their thoughts: in the recent ladder sequence, the kids and the ladder and the basket got more screen time than Arnav and Khushi).
- moments (or lack thereof. Lalit Mohan made Arnav and Khushi burn up the screen from two ends of the room during the jaadu sequence. Now, in spite of being on the same damn bed, there is no awareness).
- inconsistency (Arnav's transformation back into ASR mode during Akash-Payal wedding made us expect real torture and angst for Khushi. This whole Khushi acting juvenile and Arnav joining her in comedy leaves a lot to be desired. The new director has steered an intense hate marriage right back into his favorite genre - mindless comedy).
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