~ Discussion Thread ALL Version of GHKPM ~ #3 - Page 29

Originally posted by: Moor278

Yes.. the intensity was more...

they seemed compatible to me...

but I fear ki Madhu ko Pakhi ki tarah banayenge... Her phone call to Raghav was bordering on hysterical.

Yup honestly I don't feel spark between Sindhu Raghav and yaa I saw that phone conversation vla episode but yaar her parents did have conversation ki she is extremists khush hoge toe bhaut khush hoge and dukhe hoge toe utna hi

But no one can beat pakhi didi in most of the scenes like when karishma heard her conversation with such sunny jab karishma gets to know about virat Pakhi and when they were going to GC Pakhi was way too aggressive ...Madhu got angry too but she was not aggressive in same scenes

Family is less melodramatic too

But I felt Raya emoted his pain better than Samrat...

He seemed genuinely hurt 😭

Originally posted by: Moor278

But I felt Raya emoted his pain better than Samrat...

He seemed genuinely hurt 😭

I am yet to see that episode yr... crazy me mjheee marathi thode bhaut hi smaj aate hai still watch it sometimes

So what are possibilities from the “pudiya” sequence.

1. P to successfully cover Sai’s cheek with another layer of color? And then V makes up for it my applying color on Sai all over?

2. Drunken dreams

3. Some Sairat romantic scenes in the inebriated state making P more desperate

4. Happy moments end with a dhamaka which paves way for pregnancy track

5. Or are they not going to go for pregnancy, but get that cliché scene of P walking out of V’s room giving a certain impression to everyone and Sai will stand by V.

6. More cringe and 🤮 scenes in the name creativity to accommodate real couple and their wish to enact romantic scenes

All of the above 🤣

Originally posted by: sherry_24

So what are possibilities from the “pudiya” sequence.

1. P to successfully cover Sai’s cheek with another layer of color? And then V makes up for it my applying color on Sai all over?

2. Drunken dreams

3. Some Sairat romantic scenes in the inebriated state making P more desperate

4. Happy moments end with a dhamaka which paves way for pregnancy track

5. Or are they not going to go for pregnancy, but get that cliché scene of P walking out of V’s room giving a certain impression to everyone and Sai will stand by V.

6. More cringe and 🤮 scenes in the name creativity to accommodate real couple and their wish to enact romantic scenes

Ayega ayega. Ek dream sequence to kal ayega. Kuch to lollipop milega. Wed hai na

Originally posted by: sherry_24

Ayega ayega. Ek dream sequence to kal ayega. Kuch to lollipop milega. Wed hai na

In Marathi Ghum, Patralekha equivalent Madhu tells Virat equivalent ki we our relationship is diir and vahini aka devar bhabhi now.

In Ghum, devar bhabhi has never been said by anyone except Sai

Samrat is another loser. How he is running after P trying to please her, promising his support to her to separate Sai and V. Pathetic. What Sai has done is a bigger mistake than what P is planning and doing? And is he so blind that he cant see it. Nope he does. But in his guilt for misunderstanding his brother and to redeem himself and appease his brother he is readily blaming Sai and is practically giving his wife a free hand in all this. Perfect couple. Made for each other. The woman who helped him return to his family has no worth against a wife who is openly lusting after his brother. This guy also needs a truth bomb smashed on his face. He started of with such a good arc but now he is turning into a male version of P. Slimy, spineless, disgusting. Such a disgrace.

This track has ruined all possible characters that remained a bit likeable or positive till a while back. None of them are redeemable. Ruined forever. Mohit was going downhill since the actor got changed, and I find him to be the biggest hypocrite in this whole sequence. Ashwini, Ninad, Shivani and Mansi all have just turned a shade greyer.