Sushpective I try to walk away but I stumble.....update pg 30 - Page 13

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SoreThumb thumbnail
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Posted: 9 years ago

Originally posted by: sv2611

Keeping in mind the jet speed at which tracks in this serial are moving...

  • This week will probably be the unravelling of Sula. BTW, alongwith the dance, I saw some on locations, there are some terrible sequences of G- the daasi part. Am not mentioning in detail here.
  • By the end of the week, G's jasoosi of BRM will begin I suspect.
  • Next week, will be slapgate. The purple sari she wore is probably a promo shoot of the slap😕
  • Swarna's track will be interspersed in between. Am looking forward to her coming back to the mahal, a changed woman. Both G and Swarna have changed from the child like, innocent women they were before this whole track began. Still remember that poetry reading session they had, it was so cute. Both of them are being preyed upon by the same set of people. Will they get together or will the tracks continue to be parallel?



It would be nice to see Swarna and Gayatri helping each and other being there to support the other..but for now it looks like they want the tracks to run in parallel..maybe converge at the end when the revelation is near
simran_singh_24 thumbnail
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Posted: 9 years ago
@SV- purple sari was a promo?

I had pinned all my hopes of Sulu oust by Tuesday on that😆

I should have known X 3😆

Pseudo bigamy doses are getting too heavy for me, will have to restrict my consumption of ETR to stay healthy😆
simran_singh_24 thumbnail
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Posted: 9 years ago

Originally posted by: BertieWooster

What is the protocol if the King exits the durbar? Does the Queen and courtiers remain sitting? With his exit, isn't the court effectively dismissed?



I think BRM & Kunwars will steer them all to the non-vegetarian feast.
-Sush- thumbnail
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Posted: 9 years ago

Originally posted by: SoreThumb


Truly madly deeply..been ages since I heard that one..used to love it

Thanks Sush for posting songs in your threads...get to refresh old ones and try the ones I haven't heard in past


So glad you are liking them!! Love it!!

Thanks for posting the song from Savage Garden Nandy! Takes me back to college days! 😃
eruditely thumbnail
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Posted: 9 years ago

Shwets .. thanks for the collages.

Hi Sush

Nice title .. applies to G .. and us ..

I am trying to walk away as well .. not very successfully 😉 . I am more drawn to the forum and comments, actually.

Thanks for posting the new thread. Apt song.

As usual I am late to the game 😆. Traveling to your neck of the woods actually.

I have caught a few minutes here and there since KC episode and watched the entire Friday's episode. It is not as bad as I thought since I know Sula is an impostor. Sula has turned out to be not as wooden as I thought she was ..

Sula is manipulating RNJ who in turn is being manipulated by BRM and he turns around and manipulates G ... I know .. I know .. I have heard comments about how he is emotionally getting G to stay .. I call it manipulation.
All around, one manipulative, dysfunctional royal family!

I am not seeing the strategic military man nor the authoritative king who wanted to get the person behind G's shooting. He is behaving like a lovelorn, confused man. Is this how all desi soaps go with female lead having to play Nancy Drew?

Overall .. liked Swarna's track .. like her spunk and hope that they continue to depict her that way.

@ Infofan --Agreed I am drawn by Sid's handsome face now that he has gotten out of those polos, G's gorgeousness .. their good acting skills.

Surekha Sikri, so effective in her wickedness that I hate the character.

Sula .. she is above average and actually good sometimes. (Bertie.. I know .. I would love to say she is as effective as a prop but honestly she has been better than that).

I was struck by her beautiful saris.. more elegant than G's.


Edited by eruditely - 9 years ago
chicksoup thumbnail
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Posted: 9 years ago
Nandy, for you- since I forgot to elaborate on RaGa in my Cheetah drooling. 😆.







Ranaji might have a thousand reasons as to why he cannot make her the queen or even have clash of ideals...or misunderstandings...but he cannot have her going away from him. He may not sing a dewana mastana number...but the fact is, his feelings for her are way beyond what he imagines it to be. Even beyond burning his hands...as he says, his heart is suffering, the physical pain matters not.

He stood so close to her, showed anger... because that is his right...as her husband. He does not fora second consider him as anything but that, even if he has to entertain Sulakshna as the queen and his first wife. If he had a choice or a worthy successor he could have given up the throne and walked away with Gayatri...but right now, he is still hoping to come out of this with minimal collateral damage. His faith in the Sulakshna he knew once makes him hope, perhaps.He must be hoping she'd come around with time..it is that time he requests from Gayatri.

It hurts him to see her hurt...and he feels helpless with his hands tied...but he cannot let go of her at any cost. Humne unse pyar karna hi nahi, pyar nibhaana bhi seekha...He is taking baby steps in that direction...what he felt for Sulakshna was love- but it was not of the spiritual kind..most of his memories about her is of the physical relationship they had...with Gayatri, it is about the tears that won his heart. Every single fb he has, is of how their relationship slowly progressed...the little moments that have become so precious for him.

Ranaji is being very selfish...he is hurting her more in the process... ideally he should let her choose what she wants...since he does not have a choice. But he cannot think of letting her go now...he cannot bear this separation.
Him burning his hands...was not for her, but for him...a kind of cleansing act- would have loved it if he had done it with the fb of blessing Sulakshna as she touched his feet after the coronation- that was the right of a wife...which Sulakshna grabbed cunningly...something G could not bear to see.

He is still thinking of his own suffering- it is not that he doesn't see her tears...he doesn't know how much it hurts her. When Gayatri walked on the nails, it was for him...not for herself. A world of difference...this is why I said in the previous thread that RNJ has not given his agnipareeksha yet.

I feel the writing is still staying true to the characters...just that they should make it a point to maintain the continuity...there should have been a scene of RNJ checking on G and realising she has left the palace and him rushing to catch her before she leaves...the sequence started so abruptly. These little things make a lot of difference...😊
eruditely thumbnail
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Posted: 9 years ago

Originally posted by: BertieWooster


Obviously his intent was not reform...it was in a personal context...however, he did make the distinction on intent...inferences need to be drawn from there...it is like a court citing a precedent in a case...an interpretation is an interpretation and stands under similar circumstances


Per my mom..( ladies .. don't take bat to me). dancing at one time when performed at courts etc was not by women from respectable families ...courtesans, (devadasis is what she called it) .. they were dedicated to the temple and performed in public and before kings and at court.
.. it appeared to have gained the form of art and respectability in later years .. did a little bit of research too.
eruditely thumbnail
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Posted: 9 years ago

Originally posted by: BertieWooster

What is the protocol if the King exits the durbar? Does the Queen and courtiers remain sitting? With his exit, isn't the court effectively dismissed?


When the King stands, no one remains seated .. when he leaves, the court is dismissed.

Our ETR2 King has his own protocol!
BertieWooster thumbnail
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Posted: 9 years ago
@eruditely
I have since revised my opinion on Jayna and given her an upgrade 😆

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