Yet another landmark episode👏
Obviously came as no surprise though!😉
Deem it paramount to reiterate a very important facet...the FABRIC really of EDKV
This series is freakin' GOOD
If it continues this way
Will very soon be amongst the GREATS
And, I am obviously not talking television here!
EDKV is an extremely well-made piece of craft
With clarity of intent
With a genuine sense of commitment...to be different!
EVERYTHING
From the writing
To the characterization
To the detailing
And the brilliant VISION of the casting of the leads
EDKV has got it unbelievably RIGHT!
You are truly working towards creating HISTORY!
👏👏👏
So, here goes...
Yet another ode
My take!
LOVED the follow through of the entwined hands
LOVED even more how it was completely intrinsic...almost an extension of Shravan's being...as if it was almost meant to be...
LOVED the extent of Shravan's preparedness..."File the case...Right now!" was so smokin' authoritative!
Once again the nuanced moments...
The poignancy of the moment...as, Shravan alluded to a childhood abruptly cut short
How much baggage this young man carries
And to still turn out the way he has
Is no mean feat
Mr. Shravan Malhotra!👏
ShraMan's silences spoke volumes
Yet again!
Whether it was the awkwardness of "Par tumhare paas to yahan practice karne ka license nahin hai"
To the quick-witted "Bas aaj subah hi mili hai"😆👍🏼
The very next moment
As the edginess still prevailed, with Maasi's "Suman ke kamre main khana bhej deti hoon"
With Suman trying hard to conceal her discomfiture
As Shravan seemed to "tell" her
"Just look at you! It's only lunch!!"😆
Nikita and Namik just do this wonderful 'give and take'
Effortlessly well !⭐️
And, to be able to convey so much
With not a word spoken
Is yet another example
Of the talent on display!!
👏👏👏
And, then, as the EPIC scene followed...
As Sumo kept giving Shravan one paper after another
Shravan cutting her short
'Cos the real deal (read: house papers) were no where in sight!😛
Yet again a split second reaction
As Sumo was taken completely aback
With Shravan immediately realizing
The impact of his curt response!
What an amazing eye for detail, CVs
PLEASE, PLEASE, take a bow!!
👏👏👏
Thereafter, the amazing FLUIDITY of the moments that followed...
Shravan's anguish...written large on his face...as he goes "Main woh pehle wala Shravan nahin raha"
As the layers began to peel off
As Shravan...THE Shravan
Acknowledged his dil versus dimaag conflict...
And finally, the stuff that goes down in the HISTORY books...
"Kyonki mera dimaag to kharab hai...Aur tum toh yeh jaanti ho"...
What a LEGENDARY moment
What a CLASSY way to tender an APOLOGY!!!!
Absolutely Heartfelt
Completely Real
As Raw as can get
PRICELESS, indeed!
👏👏👏
For all the hurt he had caused Sumo...the trauma...the pain...the indignation
By turning her away
In her darkest hour of need!
That he couldn't look beyond
The blinding hostility...the resentment...the rancor...
To let go of the trappings
Letting his ego take a complete backseat
To let his vulnerability show
To let his heart take over all the cultivated astuteness
As he spoke
Unabashed
Undismayed
Straight from the heart!!
THE Shravan Malhotra has finally thawed!!
👏👏👏
If Sumo's reaction immediately after
Was anything to go by
Sumo-Shravan begin
A new innings
On a clean slate!👍🏼
What an amazingly NOVEL way
To communicate something
So meaningful
So deep
CVs, yet another CLASSIC to the already LEGENDARY ShraMan repertoire!!
👏👏👏
And, the last 10 minutes
What a PHENOMENALLY well done face-off between Shravan and Mr. Scumbag
Have to mention here that Avtar Gill was just sensational today! ⭐️
And now to our Oxford alumnus😳
Just LOVE his uber cool style...so completely droolworthy it is😳
LOVE even more his quick-wittedness
As he dishes out those razor-sharp rebuttals
For just about EVERYTHING that can be!😆
So many SPLENDID moments there...
- Khosla making good use of the "Kodak moment"!😆
- Shravan gradually building the tempo...simply LOVED the understatedness of the tashan
- Some epic writing on display..."Bollywood main break"..."Aap kitna kum bolte hain"...loved revisiting Hindi literature classes with the mindboggling spin to "Bewakoof", "Baddimaag" and "Badtameez"⭐️
- And the sheer disdain on his face as Shravan slammed a "Get out!"...was simply to DIE for!!
- With the peering steadfast gaze, as Shravan proclaimed "Agar main apne daayre se bahar hua...toh aap ke liye."...
As if all this was not enough
With our senses spinning totally out of control...
The final "Namaste" in response to that of Khosla's...
As Shravan signed off in style!
👏👏👏
And as I sign off...
This post would be incomplete without an ode to Namik
So my two cents, for whatever it's worth😳
Namik Paul is truly BLOOMING with each passing day...the guy is ably honing his craft...and, the results are clearly visible
The ease with each he is portraying the finest of nuances, not to mention the more obvious ones, is truly commendable.
His histrionics obviously stood out...as he oscillated between the two worlds of Shravan Malhotra with effortless ease...had to be seen to be believed!
But, what stood out the most for me, though...is the stark improvement in his dialogue delivery
One false note in that duel with Khosla...the whole thing would have simply fallen apart
Namik, you delivered each line...each punch
With such amazing panache
The "Bollywood main break" comment was not for nothing, mate!😉
Cheers!
DocD
Edited by DocD - 9 years ago