Originally posted by: FleetingWishes.
Also The biggest changes for me was artificial emotional manipulation.
A person who's very nervous, agitated, frustrated. Whose voice is full of irritation, fear, anger and vulnerability. Can a person like this go from nervous to calm and cold and inviting in just a second?
Maya actually does it thrice! She's nervous one second, 'Ayan Ayan.'
the next second she steps into his physical space, lifts her chin, her eyes go cold and inviting, and her words are calm, and instigating, 'NAHI bataoongi' 'nahi choroongi.' 'tum log uspe bojh ho.'
Another thing. Ayan's emotional graph is very organic and steady.
You see the steady rise of anger-agitation-disgust all mingled and then you see it find an outlet.
On the other hand Maya's graph is very inconsistent.
Anger/nervousness -- Calmness/goading--Threatening/powerful--Trembling/cowering.
Up until that point she too is deliberately and excessively indulging in the physical tussle. pushing, shoving grabbing. Obviously he is more powerful which means her shoves aren't as power packed as his but those are shoves too. Both of them are on equal length in terms of anger/engagement/reach arjun/don't let him reach arjun.
In the matter of just one dialogue--which is also not lewd---and a shove--he has already shoved her so many times--she goes from calm, threatening, his equal to cowering and trembling. It's an inorganic emotional process. This lacks a few transitions.
If two men engage in a physical tussle. And all of a sudden one of them starts shuddering and cowering and trembling then the power dynamic completely changes and we might say Person B is actually assaulting person A whereas a moment before they were both on equal grounds.
This is an inorganic process and involves deliberate manipulation of emotions.