Chandra Nandini 29-30: Samhaar! - Page 8

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sashashyam thumbnail
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Posted: 8 years ago
#71
My darling Riyya,

This is one of the sweetest things anyone has ever said to me here. Thank you!!!

If it was not for readers like you - and remember the times when you used to crib that my posts were too long, but never forgot to send me a PM with a hug after every new post? - I would have shut up shop long ago.

Shyamala Aunty

Originally posted by: riyya6

Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty Aunty

What a post... 👍🏼 ...

By the time I read & absorb everything and watch the episode... I really want to comment further aunty but my bad luck by the time im here the pages are way to forward with interesting discussion & comments...

Im trying to catch it but still unable too...

Thank you aunty from bottom of my heart for taking time to write😊

Life_Is_Dutiful thumbnail
Posted: 8 years ago
#72
I just read ur post,Shyamala Aunty.
Chandra has always been a puppet in his Guru's hands.So far his only goal in life was to fulfill his duties towards his Guru.After knowing the truth about his parents, he finally got a huge goal of taking revenge from Padmanand. But still his puppetgiri has not gone.

I didn't like the way he killed the 9 sons of Padmanand and that too to fulfill his Guru's orders.I know in a war,people do kill others but I would have been happy if the cvs had shown the sons fighting with him in the battlefield and then getting killed by him.It seriously didn't make any sense to me looking at the way they fleed from the battlefield and then dying like animals. May be the writers were trying to show that as they were not of royal blood from father's side,they had no courage to fight and win a battle. But then the cvs do show Nandini being brave and courageous in spite of having the same father.

Another thing I didn't like was Chandra throwing away Nandini's dupatta.Was that the only way to defeat her?It's like he was trying to prove that no matter how brave u r,u r a woman and I am a man and u r a weakling in front of me and I can make u vulnerable.

These scenes actually showed Chandra in bad light,according to me.

I really hope after becoming the emperor, Chandra stops his puppetgiri,creates his own identity and makes his own decisions. He can take advices from Chanakya but I want him to take the final decision and not dance under the tunes of him.

Frankly speaking, this show is nothing but crap.I haven't watched JA but after watching this show, I feel like Ekta should make only modern contemporary shows and not so called historical drama.The only thing worth watching is RT but for how long he can carry the show on his shoulders? He needs support from story writers and directors to make it successful.I am sure most people watch this only for RT otherwise there's nothing worth watching in this show.

I like watching RT a lot but still this show doesn't interest me because of it's weak storyline and not so good characterizations.Let's hope the story gets better after Chandra Nandini marriage.
sashashyam thumbnail
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Posted: 8 years ago
#73
OK, my dear Subha, I personally feel you had better quit the show since you feel that it is crap. There is no point sticking with something you do not like at all. Clearly the patience you were able to dredge up for tolerating the muck in CAS for several months has run out by now!😉

As I do not think my threads would interest you if you are not following the show, so it would be best if I stop PMing you as well. In any case, even after reading this one, you do not seem to have had anything at all to say about it. I prefer it when my readers acknowledge my effort in making the post, which is quite a lot these days with my RA, in some fashion, no matter how limited, such as by commenting on points I have made in it.

Before I close this response, I would like to make three points.

One, what Chandra does to Nand's sons is an execution. It is not a killing of a foe in the battlefield. Yes, not all of them were directly involved in Nand's atrocities, but for Chandra they are all tarred with the same brush. And he is not wrong in feeling so, for they are all complicit in their father's crimes. They fully approved, for example, of his cutting the throat of an old man who was unable to pay the special tax Nand levies on the populace.

Chandra is thus the executioner, and his acharya is the judge who pronounces sentence. It is another matter that Chandra has a personal motive for his vengeance that is all powering.

The sons are always shown as cowards, and Nand keeps insisting that Nandini is worth more than all of them put together. I do not see any indication in the script that this was because of their low social origin on their father's side. Why, if this was so, Padmanand. who was nothing but a barber himself, while his sons were at least half of royal blood, should have been shown as the biggest poltroon of the lot,but he is recognised as a great warrior! They have no guts and Nandini has plenty, which seems to me to be a plug for nari shakti, and nothing else!

To revert, Chandra would have killed the sons on the battlefield if they had not all run away. But they do run away, and so he kills them here. Surely one does not expect him to set them all loose and run after them, like a chicken herder!😉

Two, what Chandra does to Nandini is the direct pratiuttar to what she screams at him the day before, that he is not a purush at all, because, as far as I could make out, he would not fight after the closure of the battle and he would not fight with a woman. She had the gall to say that he was a coward and lacked purushatva after he had downed all her brothers and was with an instant of killing her father after besting him in single combat.

What he does in removing her dupatta is to retaliate for that insult, by showing her that she is a woman, and has all the weak points of a woman after all. If she had been a pure warrior, why should that have bothered her at all? She should have continued fighting.

She asked for what she got, and though I am a feminist to the core, I also believe that a woman who behaves in the ugly manner that Nandini did at the end of the battle deserves what happened to her.

And what was it anyway? She was not disrobed like Draupadi, was she? Whereas what she said to him the evening before was the ultimate insult for a man, and that festers in his mind like poison. As you sow, so do you reap.

Lastly, Chanakya is Chandra's Acharya. He is the man who has made him what he is, and but for him, what would Chandra have been? A skinny, undernourished brat beaten black and blue by his drunkard of a foster father while his foster mother bleated in the background about her abiding prem for her husband. For that inestimable favour that Chanakya did him, Chandra owes him at least total obedience.

In any case, Chanakya has bought him from his foster father, and he makes it clear right at the beginning that he expects implicit obedience from Chandra in all things. It is another matter that over the years, he comes to love Chandra like a son,but that alters nothing in the context of the obedience he demands of his shishya.

If Chanakya had been Chandra's father, and Chandra had obeyed him in the same way, would you say the same thing as you are saying now? I don't think you would. But Chanakya is the only father figure Chandra has ever known, and even in CAS, Bindusara tells Sushim that his father would not move an inch without his guru's explicit approval. Did you find that strange then? No. Did you feel it strange that Lord Rama obeyed his father, who was clearly in the wrong, so implicitly? No.

The fact is that you are now importing contemporary sensibilities into a 4th century BC story. The other point is that Chandra of late has begun arguing with his guru about his decisions, even if he does fall in line with them in the end.

No one can expect anything different from a shishya in that age. In the 1990 Chanakya too, Chandragupta was shown as a completely obedient shishya, for that is the historical truth. I do not see why the script should stand this paddhati on its head to please those with 21st century ideas.

Anyway, while the decision is of course for you to take, my own advice would be that you had best quit this show, spare your BP and avoid any chance of getting ulcers. 😉

Take care, my dear Subha, and God bless.

Shyamala Aunty

Originally posted by: .Subha.

I just read ur post,Shyamala Aunty.

Chandra has always been a puppet in his Guru's hands.So far his only goal in life was to fulfill his duties towards his Guru.After knowing the truth about his parents, he finally got a huge goal of taking revenge from Padmanand. But still his puppetgiri has not gone.

I didn't like the way he killed the 9 sons of Padmanand and that too to fulfill his Guru's orders.I know in a war,people do kill others but I would have been happy if the cvs had shown the sons fighting with him in the battlefield and then getting killed by him.It seriously didn't make any sense to me looking at the way they fleed from the battlefield and then dying like animals. May be the writers were trying to show that as they were not of royal blood from father's side,they had no courage to fight and win a battle. But then the cvs do show Nandini being brave and courageous in spite of having the same father.

Another thing I didn't like was Chandra throwing away Nandini's dupatta.Was that the only way to defeat her?It's like he was trying to prove that no matter how brave u r,u r a woman and I am a man and u r a weakling in front of me and I can make u vulnerable.

These scenes actually showed Chandra in bad light,according to me.

I really hope after becoming the emperor, Chandra stops his puppetgiri,creates his own identity and makes his own decisions. He can take advices from Chanakya but I want him to take the final decision and not dance under the tunes of him.

Frankly speaking, this show is nothing but crap.I haven't watched JA but after watching this show, I feel like Ekta should make only modern contemporary shows and not so called historical drama.The only thing worth watching is RT but for how long he can carry the show on his shoulders? He needs support from story writers and directors to make it successful.I am sure most people watch this only for RT otherwise there's nothing worth watching in this show.

I like watching RT a lot but still this show doesn't interest me because of it's weak storyline and not so good characterizations.Let's hope the story gets better after Chandra Nandini marriage.

Edited by sashashyam - 8 years ago
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Posted: 8 years ago
#74
I am coming to you, child, be a good girl now!🤗

I wanted to do yours first thing this morning, and then the 4 or 5 that are left, but then I saw Subha's and got sidetracked. When you read my response to her, you will understand why.

In any case, I have already quoted that marvellous para of yours about Chanakya's motivation in sending Chandra to Durdhara to various people here, which should show you how deeply it impressed me. It did not occur to me at all!

I will get to the rest of your comments as soon as I have had something to eat. It is nearly 11 am here and my insides are in near open revolt!😆

Shyamala Aunty


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Posted: 8 years ago
#75
Yes of course. Please aunty, take you time. That was just a little fun.😃

🤗
Ashwinee


Originally posted by: sashashyam

I am coming to you, child, be a good girl now!🤗

I wanted to do yours first thing this morning, and then the 4 or 5 that are left, but then I saw Subha's and got sidetracked. When you read my response to her, you will understand why.

In any case, I have already quoted that marvellous para of yours about Chanakya's motivation in sending Chandra to Durdhara to various people here, which should show you how deeply it impressed me. It did not occur to me at all!

I will get to the rest of your comments as soon as I have had something to eat. It is nearly 11 am here and my insides are in near open revolt!😆

Shyamala Aunty


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Posted: 8 years ago
#76
OK, my darling Ashwinee, here is your Shyamala Aunty reporting for duty at last!😉

My comments are, as usual, in blue.


Originally posted by: Ash67

Dearest Shyamala aunty,

I do not have words to tell you how much I have enjoyed this post. I have read the earlier ones but the problem with catch ups is the response always feels stale in the context of the latest developments and fresher impressions. I will respond to them because I want to but also because I know the effort that goes into each of them and I can understand the frustration that builds up due to lack of intellectual engagement from us readers.

And I cannot tell you how much I enjoy your sensible, logical posts. Plus of course all the warm praise you lavish on mine!😉

I have just finished catching up with the episodes and the last one is still vivid in my mind. Your writing always enhances the pleasure of a very good episode. But this time it also filled, very eloquently, the gaps in my visual experience. I did not get to watch the clash between Malayketu and Chandra because, probably to avoid the copyrights issue, this was the part that was cut from the episode on the website I watch it on, But thanks to your vivid description I could visualise it. This is what Drutrashtra would have felt on listening to Sanjay if he had not been vicariously fighting on kurukshetra! Need I say more in praise of your 'Samhaar'?

Thank you so much, my dear. I worked extra hard on the battle section, trying to make them as "visual" as possible. I do not think that the visuals can be dispensed with, as some are kind enough to say, no matter how hard I try, but I was glad to have filled in the Malayaketu gap for you! It seems odd, does it not, to cut out only one segment to avoid the copyright problem?

Rajat on screen is your writing personified! He was splendid as a warrior and as splendid in the scenes with Durdhara. I agree with your take on Nandini and would try to pay as much attention to her as you do😉 - suffice it to say that she needs to work on her voice, dialogue delivery, and expressions, and CVs on developing this character.

Having said that, I feel that her less-than-royal outburst was nothing but an attempt at psychological warfare (on the CVs part). What other explanation can one have for such nonsensical
bhashya from someone who has seen Chnadra single handedly demolish her 'purush' bhais, bhavi var and especially her pitamaharaj who is alive only thanks to the setting sun.

Here is one point on which I do not agree with you, my pet. She is not trying anything so fancy, just being vicious, as she was when she landed up on Mura, only far more so this time.

For it is not like the psy war Padmanand tries out in the beginning, which made perfect sense and was quite effective to begin with till Chandra recovered his poise. Here, the insults are so nonsensical that any other man would have laughed at them and at her.

Chandra is somehow thin skinned where she is concerned, that is all. If he had not been so, he would have yelled after her that it was only the sun that saved her father today, but he would not let that happen tomorrow.

I also feel that Chanakya was not suddenly worried about Chandra's uttaradhikari but he sent Chandra to Durdhara to undo any residual effects that Nandini's comments might have left on Chandra's psyche. I would bet on this guru knowing his shishya that well and also on his cunning in trying to keep Chandra's thoughts from revisiting Nandini's speech by keeping him otherwise 😉 engaged.Cynical but not impossible since it also has the added advantage of nudging Chandra in a direction which he otherwise would not take given his 'bal bramhachari' niyat. As you said, pure politics - of a very layered kind!

Now this, my dear, is a superb and psychologically plausible explanation for the whole thing. 👏 This particular layer did not occur to me at all, but you are absolutely right. The old man knows how that Nandini's taunts would affect his boy, whence this attempt at diverting his mind. And since everyone here has the eyes of an eagle and the hearing of a lynx, Chanakya would have heard all that she spat out right from his hilltop.

What can one say of Nanda and Amatya who do not lift a finger against breaking the rules of Dharmayuddha simply because they are relieved to see Chandra go down. And where is Nandini at this point?

Padmanand to object to that illegal attack? You have got to be dreaming.😆 And this Amatya Rakshas is an insult to that great historical character whom even Chanakya respected so much that he made Katyayan (his real name) the Emperor Chandragupta's Prime Minister, while he himself went off to compile the Arthashastra.

As for Nandini, she is conveniently absent, and even were she to hear about it, she would not believe it.


I like the way Helena has been portrayed until now. The question I had was - why is she allowed in this war when Chandra expressly forbids her from the earlier one? Have I missed something to the copyrights? I would have liked to see Chandra reliase that she is a moral booster for the Unani soldiers.

Your last line is probably the correct reason - again a very clever idea!👏- and then again, it also shows his confidence that they would win at last without too much risk - thanks to their enhanced troops strength - so he can let her in as well. He would, in the ultimate analysis, always be protective of a woman.

I do not like or agree with the chorus against Nandini or Nanda's 'low' or nonroyal blood or birth. This is the outlook that has kept the caste system alive for thousands of years. A king is as king does. What Nandini says and does is not right because it is not right, period. Would it be right or good if someone of a hundred percent 'royal blood' or birth does it? For this reason, I wish EK had the guts to stick to the popular story of Chankya choosing Chandra to be the future king because of his 'kingly' behaviour in dealing with his peasant friends.

I am not part of the chorus you are referring to. As I have written somewhere earlier,

There are many versions of Chandragupta's origins, as also of that of the name of his dynasty. The one you (Alakh) have cited (that Mauryas were probably caretakers of peacocks and of a lower class) is only one . The one chosen by the CVs for this show is taken from the Buddhist chronicles, which make out that Suryagupta Maurya was related to the Sakya clan of Kapilavastu, and thus to the Lord Buddha.

The one I like the best is that he was a perfectly ordinary little boy, who eventually named his dynasty after his mother Mura. Muraayaaha apatyam pumaan, Mauryaha A son born of Mura is a Maurya, I loved the idea that such a magnificent emperor would adopt his mother's name for the dynasty he founded, and not his father's.

I have also noted, in a section called "Her father's daughter" that Nandini, in the unbelievable nastiness of her behaviour towards Mura, had taken after both her plebeian father and her royal mother.

But all this said, my dear, there is such a thing as royal traits - a sense of noblesse oblige, of protectiveness towards the weak, a sense of justice, of responsibility towards the praja - that were usually dinned into young royals from childhood. Unless the royal was a very sad specimen, this training, on top of the inherited qualities, would have had at least 30% of an impact on the final product. It would not be the same with a moneylender's son, unless he was an extraordinarily sanskaari boy. Then he would probably have been disinherited by his father!😆


I agree with your reading of Durdhara and Chandra relationship. I do feel that she is the rare combination of childlike but wise friend/wife who would understand the needs of the rajya, of the future but also of the moment and take in stride the physicality because her friend needs it at that point (again not nice from the feminist point of view but ...)! I wish she too was given dialogues or allowed expressions that offered this nuance just as Rajat was. Or perhaps it is her equanimity in that situation that says it all.

Now going off to read the whole post once again😃


Warmest regards. Please take care!
🤗

Ashwinee

There! Are you happy? This took me a full hour and a bit more, kid!



Edited by sashashyam - 8 years ago
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Posted: 8 years ago
#77
My dear Debastuti,

I am very pleased that you enjoyed this post, especially the battlefield sections, on which I expended more effort than usual, to make them as "visual" as possible.

My comments are in blue.

Shyamala Aunty


Originally posted by: Shinning_Stuti

Fabulous post as usual Aunty, especially your description of war gives a grand visual effect, that time to time I missed in the whole war sequence. The whole war was quite good one, and enjoyed it to-to from first to last minute keeping away the blooper VFX scenes 😆...

The Mahabharat style dharmyudh was something I never expected here. 😆 Who hired that purple turban referee btw? The first verbal encounter between Chandra and Nand and the beautiful and significant tilak- scene where mother's blood-tilak was put on Chandra's forehead as a blessing in the form of motherland's soil was very good. 😳

The actions were good and believable till the flying and super-jumping began. 🤣 The headbutt was something uncommon, but I was laughing all the time watching that! 🤣 🤣

Now,now, my dear, you are beginning to exaggerate and follow the crowd. Don't! There was only one silly VFX sequence, the one in which Chandra flies in a circle and unhorses all of Nand's sons. The shield hopping sequence, a la Bajirao Mastani, was not implausible, as I have discussed in detail There was no other use of VFX. So don't generalise in this way, my dear, would you?

As for the headbutting, that is to emphasise the uncontrolled, raw physicality of the combat, and on both sides. Each wants to tear the other apart with his bare hands.

I did not like Chandra's Tarzan acts again and again. 😆 Maybe he did it to show his uncontrollable zeal and rage but his shouting and patting on chest like wild monkey made him looking funny in my eyes. 😆

I did not see this the way you did. As Ranjana has pointed out so well, Chandra in these segments is like Bhima on the field at Kurukshetra as he advances towards the Kauravas, especially Dusshasana. He is also psyching himself up for the bloodletting to come.

He is like a wild, predatory animal, but not like a monkey. Like a raging lion. Or perhaps a huge gorilla, that too stands upright and drums on its chest as a war cry. One has to use some imagination!

I think makers have serious shortage of blood. All were falling down fainting after getting a little scratch of sword only. 😆 I don't want a blood-drenched horrifying war, but at least make the scratches deeper. 😆

Here I agree. They just fell down like ninepins.

Nandini's screaming and madness in middle of the battlefield with his 9 brothers struggling to stop her forgetting their respective duties in the war was the most funniest thing! 🤣 🤣 When she ran towards the war-field with full-on make-up, ornaments and her infamous curls only wearing a thin shield shouting 'Pita Maharaj Pita Maharaj' and all the daasis started tag-of-war with her hand I was just 🤣 The Nand brothers were such callus! First they combated Chandra with full josh and got per head one scratch, then they preferred to go in a safe zone beside Nandini. 😆

I was happy to see Nand alive today. 😆 Nandini's rant on Chandra's cowardice 👏 The girl has lost her mind and CVS are completely confused it seems. 😆

Your take on Chandra-Durdhara-Helena is beautiful. I wish I could put my views too but today's episode has ruined my mind. 🤢

Thank you for this wonderful analysis Aunty, will be waiting for the next.

Thanks a lot again, my dear. I will post one tomorrow and PM you, By that time, the immediate post-battle fallout will be over; last night it was all still hanging in the air.

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Posted: 8 years ago
#78
This post is a random ranting for past two episodes.
I'll start with my like for pita-putri scene, where Nandini was tending to her father...she was sweet there.
Yes, finally some(itsy-bitsy) where, I liked Nandini and Shweta...see I'm not biased😛😆😆

Now...back to 😡

All three, Nand, Nandini and Malayketu are cut from same cloth...all three were in action doing "peeth pe vaar". Aunty, there's no need to hide Malay's cowardice act from Nandini, because she also did the same thing to Chandra...she didn't hit his back with some twig but by a khanjar. They're suited for each other. Alas!! this match is not to be be.😕

What was that "Jai Durge" chant???? Was Nandini going to do samhaar of some evil...just because she's a lady with wielding weapon, doesn't earn her that BG score

I'll not grace Nandini's words of wisdom with any comments,👎🏼 taking a leaf from Chandra's reaction.

Chandra-Dhara consummation sequence, I'm afraid it left a sour taste for me, discomfort, unease, guilt in Chandra, was expected, but to an extent, for me it was overdone, especially morning after scene.
Actors did a good job,but the exaggeration defeated the original purpose, and it felt like CVs are reminding, us, viewers that Durdhara is strictly friend-zoned...yes, CVs we know, there's no ajar-amar prem here.😕

On top of that so not "cherry on the cake", CVs showed that, it was Nandini's hateful and hurtful words, which acted as a catalyst in there, to show her deep impact, either positive or negative on Chandra's psyche😡😡😡
We know CVs, even if the character of Nandini is weakly written, however lousy her characterization, she's the one true soulmate of Chandra...we get it🥱

Regarding the execution of Nand's sons, "execution" being the key word here. They were captured while fleeing from battlefield and were executed. Chandra didn't act as a puppet of Chanakya here, as even he'd taken pran of killing them. Also it was done to avoid any future threats from Nand clan...idea of samul vinaash of enemy being the driving force here...I think its one of Chanakya nitis...I may be wrong. Also, just because one of the sons, had "tuntun bhabhi" as wife, didn't mean they were all gullible innocents...though not shown actively, but they were present in court and must have been on one or the other administrative posts, and therefore, not only supporting Nand's vision of rule, but must had some of their own too.

Regarding Nandini-Chandra little show...first of all, who comes to fight decked in gold and fine silk, certainly not a warrior...BTW, she was wearing armour when she eavesdropped on Malay telling Nand's location to Chandra-Helena, where did it go? Was the weather too hot for her to wear it any more? She practices sword fight in simple, practical dress, but comes to real war wearing jewelry and silk clothes...ridiculous

No, Chandra didn't disrespect her, when he removed that dupatta, intent matters, and certainly Chandra's intention was not to disrobe her. Time is of an essence in battle, Chandra took the opening that first came to him. In a battle any weak point is taken advantage of, and certainly Nandini's impractical for a battle clothes gave that opening, her enemy took that and distracted her long enough to snatch the sword from her hand. If she really would've been a soldier, it wouldn't have mattered to her, atleast not as much as to be defeated, when her beloved Pita-maharaja's life was on stake...I can not not remember that when Malay used the same hathkanda, she continued to fight defeated him.

And I'm fed up of Nand's killing being interrupted, sometimes episode ends, then he runs away, then Nandini comes, then Chanakya...then again episode ends...grrr...just be over with him already😡

Why I'm getting this nasty feeling that when Helena becomes vamp, which by the way is inevitable, she'll join hands with Malay...because when he announced his love for her in last episode, of course lying, Helena's face had a momentarily soft look...😲

Phew!!!! long ranting...😛


Sandhya.A thumbnail
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Posted: 8 years ago
#79

Originally posted by: mishtidoi


Regarding the execution of Nand's sons, "execution" being the key word here. They were captured while fleeing from battlefield and were executed. Chandra didn't act as a puppet of Chanakya here, as even he'd taken pran of killing them. Also it was done to avoid any future threats from Nand clan...idea of samul vinaash of enemy being the driving force here...I think its one of Chanakya nitis...I may be wrong. Also, just because one of the sons, had "tuntun bhabhi" as wife, didn't mean they were all gullible innocents...though not shown actively, but they were present in court and must have been on one or the other administrative posts, and therefore, not only supporting Nand's vision of rule, but must had some of their own too.

How could he 'Nand Vansh ka Vinash' without executing them. Had they stayed on the battlefield, he could have killed them there. But when they run off, then how can he kill them in the battlefield? (Their running away was proof positive that their intent when ALL of them ran to 'protect' Nandini leaving their father alone to face Chandra, was clearly to escape)

No, Chandra didn't disrespect her, when he removed that dupatta, intent matters, and certainly Chandra's intention was not to disrobe her. Time is of an essence in battle, Chandra took the opening that first came to him. In a battle any weak point is taken advantage of, and certainly Nandini's impractical for a battle clothes gave that opening, her enemy took that and distracted her long enough to snatch the sword from her hand. If she really would've been a soldier, it wouldn't have mattered to her, atleast not as much as to be defeated, when her beloved Pita-maharaja's life was on stake...I can not not remember that when Malay used the same hathkanda, she continued to fight defeated him.

Oh! When she could scream and question his 'Purusharth' , he can surely remind her of her 'Narithva'. That was one way of quietening her and why not? Everything is fair in war. And i am fed up of dhoodh ka dhula leads. I like them this way, with human frailities. I'd rather them smart than mahaan.

And I'm fed up of Nand's killing being interrupted, sometimes episode ends, then he runs away, then Nandini comes, then Chanakya...then again episode ends...grrr...just be over with him already😡

His jeevan Rekha seems quite strong.😡

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Posted: 8 years ago
#80

Dear Aunty,


I loved the 1st day of the final war episode a lot. I thought it was a total paisa vasool episode. And I can't tell you how much I enjoyed your detailed take on that episode. It is difficult to capture visuals in words. But you do that flawlessly. I was transported to the battlefield as I read your post!


I loved the intensity of the warrior that Rajat brought out in these episodes. And I think the entire team - Arpit, Chetan, Rajat and Tanu Khan did a wonderful job. How I wish Nandini had heeded to the promise that she had given to her father of not entering the battlefield! The aerial shots showing formations and the limited use of VFX helped capture the ruthlessness and energy of the battlefield. But the best part of the war was the unconstrained ferocity of the warriors which the actors depicted extremely well. I read in one of the posts that Rajat was seriously injured performing these stunts, and that he usually performs these stunts on his own. I hope he recovers well and recovers soon. Else we will be saddled with maximum screen time for Shweta. She really needs to buck up. She hardly holds her expressions and most of the time her expressions are flat. Is she even taking her role seriously? Every actor is doing better than her. If this is going to be a love story, I am quite sure it has already failed if Shweta keeps acting this way.

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