Happy B'day Rajeev~Celebrations Begin~Pg-68 & 70~ - Page 10

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-purnima- thumbnail
18th Anniversary Thumbnail Stunner Thumbnail + 4
Posted: 13 years ago
#91
thanku for all the reviews & artciles😃😃 ... it feels so good & contended feeling to hear such good words abt our hero 😳😳... i think almost in most of reviews the response has been positive 😃😃... so wishing all the best to the whole team 👍🏼...


@yazh1---thanku so much for appreciating the effort 😳😳 my rolin pin 🤣 ... guess i still need to keep it with me for a long time to come 😆😆😆

Surya.Ravi thumbnail
Posted: 13 years ago
#92

Originally posted by: -purnima-

thanku for all the reviews & artciles😃😃 ... it feels so good & contended feeling to hear such good words abt our hero 😳😳... absolutely right puri..it feels so good.. i'am extremely satisfied...Rajeev kii tareef sunnkar tho me phoole nahii samaying...me tooo happyyy...😳😳😳
i think almost in most of reviews the response has been positive 😃😃... so wishing all the best to the whole team 👍🏼... yaar puri, almost kya sirf ek average review aayi hai, us mein writer ne kudh likha hai that he is at a disadvantage, as he has seen 'It's All Gone Pete Tong'...& as i earlier said, the writer seems to be in 'It's All Gone Pete Tong Mode'...😆😆😆

-purnima- thumbnail
18th Anniversary Thumbnail Stunner Thumbnail + 4
Posted: 13 years ago
#93

Originally posted by: Surya.Ravi

.. absolutely right puri..it feels so good.. i'am extremely satisfied...Rajeev kii tareef sunnkar tho me phoole nahii samaying...me tooo happyyy...😳😳😳-- same here ...such nice words for Rajeev 😳😳 ...gives a proud feeling as a fan 😳😳

. yaar puri, almost kya sirf ek average review aayi hai, us mein writer ne kudh likha hai that he is at a disadvantage, as he has seen 'It's All Gone Pete Tong'...& as i earlier said, the writer seems to be in 'It's All Gone Pete Tong Mode'...😆😆😆
😆 😆 thank god i dont have that disadvantage 😆😆😆 as only later i came to know its inspired from canadian film 😆😆😆..
in all reviews nowhere i think it got less than 3 stars 😳😳 ...

😆

Surya.Ravi thumbnail
Posted: 13 years ago
#94
Surya.Ravi thumbnail
Posted: 13 years ago
#95

Why you should watch Soundtrack

Apart from the posters that look pretty exciting, the story promises to match up to our expectations. Starring Rajeev Khandelwal, Soha Ali Khan and Mrinalini Sharma, the film revolves around a DJ with a handicap. And as he reaches the top, he meets several of his inner demons on the way.

Going by the gist, it sounds like a version of Ranbir's upcoming Rockstar. But what makes a world of difference is Rajeev Khandelwal. We're pinning our hopes on the star who wowed everybody with his Bollywood debut in Aamir.

We're not sure what the critics' response is going to be, but it definitely seems like one of the better movies releasing today.

http://www.sify.com/movies/why-you-should-watch-i-soundtrack-i-imagegallery-bollywood-lkhjT6gdfjb.html?html=5

Surya.Ravi thumbnail
Posted: 13 years ago
#96

Originally posted by: -purnima-

Review: Soundtrack is watchable - Rediff.com Movies

Just imagine what it would have been like for Beethoven who created music while being deaf or artists such as Claude Monet and Benode Behari Mukherjee who painted despite losing their eyesight? Neerav Ghosh's Soundtrack not only explores the dilemma of a creative man in the face of such a loss but also the thin schism between 'fact and fiction.' The 'fact and fiction' theory was put forth by American film critic Roger Ebert in his review of It's All Gone Pete Tong, the Canadian film from which Soundtrack is officially adapted.

Ghosh uses footage from real-life technicians like Anurag Kashyap, Anu Malik and DJ Aqeel alongside fictional characters to plot the life journey of DJ Raunak Kaul (Rajeev Khandelwal). When Raunak enters Mumbai, he spots a beggar with an exceptional gift for singing (the singing beggar has been a stock character in many Hindi movies before) and years later, makes him sing for his album. With the help of his genial uncle, he finds a job as a DJ at the club Tango Charlie and this is where he meets his producer/agent, Charlie (Mohan Kapoor) who initiates him into the La Dolce Vita-inspired world of wild parties, women, alcohol and drugs.

This is precisely where he fritters away his real talent. The quality of his music dips and at one point, he is nearly booed out by a disgruntled club crowd. More than being ambitious Raunak is afraid of failures and wonders if his life will replicate his father's; a great musician who died without any fame and with only a boxful of records as his legacy. Raunak expresses his frustration in a particular scene when he suggests that he wished his father hadn't left behind the "legacy of failure." After Raunak is diagnosed of complete loss of hearing in one ear and partial, in another, he stays away from sound.

This phase of his life presents a contrast to the first, for he turns his back on excess to adopt a more frugal existence. He meets and falls in love with his lip-reading instructor Gauri (Soha Ali Khan). Raunak focuses on his craft and eventually comes up with an album that he creates in an absolute state of deafness.

By and large, Soundtrack remains doggedly faithful to its source material and in such a scenario it becomes difficult to credit director Neerav Ghosh for everything. When directors usually remake a film that may have left a deep impression on them they bring in their personal touch and that's what distinguishes the remake from the original. Which brings us to a simple question: Had Soundtrack been as good if it wasn't adapted from It's All Gone Pete Tong? Another major setback for Soundtrack is that Raunak appears to be a minor speck in his contribution to music and that weakens the effect of a story which grandly projects him as a hero with handicap. Its impact would have been much stronger had the inspiration been Beethoven himself or other iconic figure in the musical history.

If you overlook that fact, on its own, Soundtrack is a watchable film, with able support from its cast and if Ghosh is to be credited for anything, let it be said that he has an eye for his material and knows where to look.


http://www.rediff.com/movies/review/review-soundtrack-is-watchable/20111007.htm

waniya_fatima thumbnail
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Posted: 13 years ago
#97
din chika dhin chika dhin chika
Surya.Ravi thumbnail
Posted: 13 years ago
#98

Soundtrack Review

October 7th, 2011 by Komal Nahta

Star cast: Rajeev Khandelwal, Soha Ali Khan, Mrinalini Sharma, Mohan Kapur.

Plot: Rajeev is a budding musician and DJ. Due to excessive drinking, smoking, drug intake and unsafe sex on the one hand and exposure to loud music all the time on the other, he becomes deaf. Does he strike back in the world of music?


What's Good: The first half; the acting of most of the artistes; the songs.

What's Bad: The post-interval portion which is devoid of emotions.

Verdict: Soundtrack is a good film but the second half ought to have been far better. It will not do much at the ticket windows.

Loo break: None.

Watch or Not?: Watch Soundtrack for the performances and the pre-interval part.

Saregama India Ltd.'s Soundtrack (A) is the story of a musician and DJ, Raunak Kaul (Rajeev Khandelwal). He is a small-town man who comes to Bombay to pursue his dream of becoming a renowned musician. His father, Parth Kaul, was also a musician who had met with an untimely end because of his love for alcohol. Raunak's mother fears that he, too, would go his father's way and, therefore, is not happy about his coming to Bombay.

Raunak initially lives with his paternal uncle (Yatin Karyekar) in Bombay. Charlie (Mohan Kapur), the owner of a club in Bombay, where Raunak works as a DJ, sees the potential in Raunak and decides to make him a household name. He even gets Raunak a film assignment. Raunak, who now has a girlfriend, Shonali (Mrinalini Sharma), loves consuming alcohol, doing drugs and indulging in unsafe sex, besides making music. All his excesses and exposure to continual loud music lead to Raunak losing his power of hearing almost completely. Obviously, he can't compose music because he can't hear properly. He falls from the pride of place he enjoys as a DJ. He is also unable to fulfil Charlie's commitment to deliver the film song.

Raunak consults a doctor who asks him to abstain from all his vices and warns him that he may completely lose his ability to hear because of damage to his inner ears. Frustrated and battling his internal demons, Raunak does all he can to get his power to hear back, including locking himself up in isolation for days on end. But he fails. He becomes completely deaf and accepts life without sound. He then consults Gauri (Soha Ali Khan) who herself is deaf but who teaches him the art of reading lips and comprehending what people are talking. He becomes very fond of Gauri. One day, he realises that he can sense music by feeling the pulsating beats via his hands. And from thereon changes Raunak's life. He composes a song in spite of his disability and the album becomes a rage. He even presents a live show where he sings to the tune composed by himself, merely by putting his foot on the speaker which is blaring the music.

Soundtrack Review: Script Analysis

Remake of the Hollywood film, It's All Gone Pete Tong, this one has a first half which shows the rise of musician Raunak Kaul. The post-interval portion is devoted to Raunak coming to terms with his deafness and how he strikes back.

The first half is engaging and interesting. It also has sex for the front-benchers. The second half, however, is not half as impactful. This is because although writers Neerav Ghosh, Rajiv Gopalakrishnan and Chintan Gandhi have captured the frustrations of a musician who loses his ability to make music because he goes deaf, they have not been able to bring out his emotions and the sentimental reaction of his family members and friends. In fact, the first half prepares the audience for a tearful second half but the emotions just don't come through. Consequently, the viewer feels cheated after interval. Also, the drama, which had the potential of becoming an intense tear-jerker, remains an ordinary story of a musician who fought odds to continue his career. The hair-raising element is missing in his comeback. Likewise, the scene in which the public applauds Raunak when he performs live despite his disability, fails to draw tears from the viewers' eyes. In short, the comeback of Raunak is not upto the mark. The track of Gauri teaching Raunak is weak. Perhaps, what goes against the drama is that after a point of time, Raunak and his near and dear ones easily accept his loss of hearing ability. Even Raunak's fooling with his little cousin and with Gauri robs the drama of its emotional appeal in the second half. Dialogues, penned by Neerav Ghosh, Rajiv Gopalakrishnan and Chintan Gandhi, are alright.

Soundtrack Review: Performances

Rajeev Khandelwal does a very good job. He plays Raunak Kaul with understanding and projects his frustrations aptly. Soha Ali Khan acts ably and makes her presence felt in a brief role. Mrinalini Sharma also does well. Mohan Kapur is pretty effective as Charlie. Yatin Karyekar gives a good account of himself. Ankur Tewari (as guitarist) and Siddharth Coutto (as drummer) lend fair support. Surinder Rajan leaves a mark as Makarand Chacha. Manu Rishi Chadha is okay as the doctor. Anurag Kashyap makes his presence felt. Adhir Bhat acts well in the role of Johny Joker. Rekha Desai fails to impress as Raunak's mother. Rajat Kaul is okay as DJ Sonic. Krutika Desai, Soni and Anisa add a touch of glamour as the three angels of Tango Charlie Club. Anu Malik, (VJ) Bani, (RJ) Malishka, (music director) Salim Merchant, (DJ) Aqeel and (singer) Kailash Kher play themselves well.

Soundtrack Review: Direction & Music

Neerav Ghosh's direction is of a good standard. Although this is his maiden attempt at direction, he handles the film with the flourish of a seasoned director. However, he has faltered in exploiting the emotional potential of the drama. Music (Midival Punditz and Karsh Kale) is good and some songs are even very hummable but the requirements of the film about music and a musician were twofold ' super-hit music and extremely popular music. Neither are the songs super-hit nor have they been popularised well enough. 'Banao', 'Fakira' (music also composed by Vishal Vaid), 'Main chala' (music also composed by Kailash Kher), 'What the F', 'Jannat' (music composed by Ankur Tewari), 'Ek manzil' (Vishal Vaid and Karsh Kale), and 'Naina laagey (Midival Punditz and Papon) are all appealing numbers. Lyrics are fair. Jasmin Oza's choreography should've been better. Anshuman Mahaley's cinematography is appropriate. Saini Johray's sets are alright.

Soundtrack Review: Komal Nahta's Verdict

On the whole, Soundtrack has a good first half but a weak second half. With not much face value and given its poor start, it will be lost at the box-office in spite of appreciation from the discerning viewers.

http://www.koimoi.com/reviews/soundtrack-review/

My Take On The Review: the reviewer seems confused...ek taraf likha hai, Rajeev is very good, Neerav's direction is to a good standard...aur upar se rating dekho..on one hand all the reviewers liked the 2nd half more..the writer is a confused soul...😆😆😆
Surya.Ravi thumbnail
Posted: 13 years ago
#99

Originally posted by: waniya_fatima

din chika dhin chika dhin chika



fatii..me bhi dancing along with you...

Surya.Ravi thumbnail
Posted: 13 years ago

FILM INTERVIEW: RAJEEV KHANDEWAL

Film Newbie Takes on Leading Role Opposite Soha Ali Khan in 'Soundtrack'

By: Simran Mody
October 6, 2011

Merely three films deep into his cinematic career, Bollywood newcomer Rajeev Khandelwal believes he is onto something special after starring in Indian independent films like Aamir and Shaitan. With Neerav Ghosh's Soundtrack adding to Mr. Khandelwal's list of Indian indie films, perhaps the former television star (Kahiin To Hoga, Deal Ya No Deal, Sun Leyna) is hoping his track record speaks for itself, ergo making it unnecessary for him to pummel through the doors of major studios to find his next opportunity.

Perhaps he just enjoys starring in Indian independent films, which, for now at least, appears to be the wisest move.

"I have not knocked on anyone's door for a role. I have not asked big names like Yash Chopra for a role. I want to do films with people who are honest and passionate about their craft," Mr. Khandelwal told the Indian press in New Delhi about his conscious decision to live outside the studio system universe. "For me, a film is not a business proposition."

Indeed, the versatile actor has already showed his range, despite starring in just three Bollywood films since 2008. In addition to playing a deaf deejay in Soundtrack, Mr. Khandewal has portrayed a commoner fighting terrorism in Aamir, and an inspector in Shaitan.

For Mr. Khandewal, portraying different ' and challenging ' roles is part of the job description.

"I like to do films that push my boundaries. A film like Aamir is still remembered by the audience because it was different, (despite being) a small budget film," the up-and-coming actor told the press. "One thing that I have realized is that budgets don't decide the quality of films."

Another thing big budgets and formulaic studios do not decide is how Mr. Khandewal lives his life.

"I do not do anything consciously," the young actor casually pointed out to the press. "Other than my fitness, I don't take care of anything in my life. I go by instincts; I go with the flow."

Mr. Khandewal certainly went with the flow in taking on his role in Soundtrack -- a film he believes will raise eyebrows for thinking outside the studio box.

"Soundtrack is an interesting film that raises the bar for other films," Mr. Khandewal told the press about Bollywood's remake of the cult classic It's All Gone Pete Tong.

A biopic of sorts about DJ Raunak Kaul, Soundtrack somewhat resembles The Social Network in that the film portrays how an unexpected individual was able to create a vast empire. Through Kaul's prominent rise to power, he becomes addicted to several vices, such as drugs and alcohol. Soon, he loses his hearing ability before overcoming the odds to be a deejay that entertains his audiences even though he cannot hear.

Now out of character, Mr. Khandewal is looking forward to his next campaign, which, coincidentally, takes him back to where he started ' on the small screen. The National Geographic Channel has brought Mr. Khandewal aboard to serve as the face of its most recent program, Supercars.

Ironically, Mr. Khandewal is not much of a car guy.

"I am not a car person. I chose to do the show, as I was kicked about being the face of such iconic beauties like Lamborghini, Porsche, the Audi, the Rolls-Royce Phantom, and other super cars," Mr. Khandewal told the press. "My guy friends envy me for being so close to these beauties."

Meanwhile, the rest of the world is envious of Mr. Khandwal's budding acting career, which continues its escalation this weekend.

'Soundtrack' opens worldwide on October 7, 2011

http://www.buzzinebollywood.com/interviews/film-interview-rajeev-khandewal-soundtrack-10072011

Edited by Surya.Ravi - 13 years ago

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