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Film: "Shaitan"; Cast: Rajeev Khandelwal, Kalki Koechlin, Shiv Pandit, Gulsha Devaiya, Kirti Kulhari, Neil Boopalam; Rating: ***1/2
If there were any doubts about 2011 being the year of reckoning for Indian cinema, "Shaitan" with its mounting mood of ricocheting restlessness puts all doubts to rest. The skillful interweaving of strong storytelling and powerful performances is underpinned by a wild sense of humour that shows up at the oddest of places to remind us that cinema is not about following all the punctuation rules of storytelling. It's about knowing when and where to rev up the drama to just that right pitch to carry us into a tripped-out world of hedonism and redemption.
This stunning tale of five misguided youngsters (no relation to Anurag Kashyap's "Paanch" as reported) from the uppercrust displays a flair for unleashing an energy that leaves us breathless with anticipation. It's tough to keep up with the film's unbridled zest for momentum. From the opening montage showing poignant scenes from Kalki's childhood with her troubled mother to the dying moments when the five protagonists are rendered either dead or damned or both, this work of pop-art just sweeps you into its furious folds of angst and anxiety.
First-time director Bejoy Nambiar doesn't waste time in introducing the characters. We know them almost instantaneously.
A huge USP in many recent films set in the madness of the urban jungle is the raw energy of the outdoor locations. "Shaitan" assails you with the tension and the anxiety of people on the run. The camera is never inattentive. The street scenes and the sound-design are absolutely brilliant.
With devilish dexterity, we are taken into the homes, minds and fetishes of the five youngsters. In the first 25 minutes, Nambiar constructs a cool case study for the young quintet's self-destruction. Then he watches the trendy fund-flush world of designer labels and other costly indulgences come apart at the seams.
Some of the scenes are deliberately designed to exude the terror of over-indulgence. Fortunately, most of the pay-off happens almost of its own volition.
"Shaitan" is a morality tale with a gut-wrenching twist. It dares to venture into the psychedelic world of the affluent urban young and then rips the veil of ecstasy apart to reveal the emptiness that defines every life lived on the edge of extravagance. Miraculously, "Shaitan" is a morality-tale that doesn't moralise. It creates a world of self-destructive pleasure pursuits but doesn't sit judgement on that world.
Nambiar gets terrific support from his cinematographer (R. Madhi) and editor (Sreekar Prasad) in creating a world that is cinematic and dramatic and yet real enough. Comparing Nambiar's style of storytelling to Quentin Tarantino, Guy Ritchie or Nambiar's mentor Mani Ratnam or Anurag Kashyap would be as self-defeating as comparing "Shaitan" to the other recent films on the young and the doomed.
Nambiar creates his own world where the quirky and collapsible are constantly jostling for attention. The narrative is loose-limbed, yet never flabby or self-indulgent. The film exudes the unbridled energy of a rock song but doesn't forget to include a melodic underbelly in its compositional range. The madly idealistic cop's (Rajeev Khandelwal) disintegrating marriage to a woman (Sheetal Menon) who just won't talk remarkably creates a space for itself in the stifling bustle of this film's main action.
A special word for debutants Shiv Pandit, Gulshan Devaiya, and semi-newcomers Neil Bhoopalam, Kalki Koechlin (her malice-in-blunderland act is haunting) and Raj Kumar Yadav -- the "Ragini MMS" hero in top form here as corrupt cop. Also Pavan Malhotra as a senior police officer.
As for Rajiv Khandelwal as a twisted cynical successor to Amitabh Bachchan' angry cop from "Zanjeer", this is a skilled actor with ample star-potential.
"Shaitan" is a work of many virtues about the myriad vices that plague the life of the young and the rich. It doesn't preach. It doesn't use Hindi abuse words for effect. And the camera chooses to focus on sagging moral values rather than heaving breasts.
The music blends into the volatile theme. There is a quaint remix of the Dev Anand-Mohd Rafi-S.D. Burman classic "Khoya Khoya Chand" as an ironical homage to the independence that the past generation fought for, and got.
"Shaitan" looks at the sub-zero level of moral values among a section of the urban young with a whimsical zest for a new kind of cinematic voice that is far removed from films about cops and desperados that we've come to know over the years. This is a defining moment in Indian cinema.
http://mangalorean.com/news.php?newstype=local&newsid=244391
Moneycontrol News Special Videos For some, Shaitan has a bit too much of immorality: KashyapPublished on Sat, Jun 11, 2011 at 10:50 | Source : CNBC-TV18 Updated at Sat, Jun 11, 2011 at 15:34 Band Baaja Baraat Moviewww.YouTube.com/BandBaajaBaraat Watch Full Length Movies on YouTubeBox Office. Absolutely Free! Ads by Google Anurag Kashyap (producer) and Rajiv Khandelwal (actor) in an interview with CNBC-TV18 spoke about their latest movie 'Shaitan' which released on June 10. 'Shaitan' is the story of a group of disaffected, reckless, feckless young people and how their lives unravel. Citing about the response and the reviews for 'Shaitan' Kashyap said, "There is a good buzz, everybody is liking it. There are people who are liking the film, there is a good review and also one bad review. There are also some people who feel that it is little too much immorality. But, the thing is the purpose of the film is somewhere served. Elaborating about his role in the movie Khandelwal said, "I always wanted to be part of good films. I approach a film because I want to be a part of the film which has a potential of having a shelf life. So, for me I always play characters. I have always said don't know how to play hero. I just know the how to play character, I played a character in 'Aamir'." Below is the verbatim transcript of interview with Anuradha Sengupta of CNBC-TV18. Also watch the accompanying video. Q: Happened to see the film. We are of course talking on Friday, which is when it released, what are you hearing? Kashyap: There is a good buzz, everybody is liking it. There are people who are liking the film, there is a good review and also one bad review. There are also some people who feel that it is little too much immorality. But, the thing is the purpose of the film is somewhere served. Q: You are the good guy in the film I hope that is not a spoiler, but you are not one of the Shaitans. How do you play a role like this and more critically why did pick a role like this? Khandelwal: I always wanted to be part of good films. I approach a film because I want to be a part of the film which has a potential of having a shelf life. So, for me I always play characters. I have always said don't know how to play hero. I just know the how to play character, I played a character in 'Aamir'. When Bejoy came to me with this script for the first time I had declined. When he came back to me after about a year, year and a half, I was quite impressed by his focus, sincerity. But, he still didn't have a producer on board. Finally, when he came to me with the final draft, I just asked him who is the producer, he didn't have a producer then also. I always knew that the film like this needs a producer who is also a film-maker. Somebody who believes in the film, forget about the budgets and whatever. But, somebody has to do this film with his heart. When Anurag called me up for me it was sealed there, because I knew that at least all said and done, the film will be made with the right intent which is what actually happened. Q: I believe you have said in some interview that the good think for you is that the Hindi film industry still doesn't get it and that is why films like this go begging for the longest time. What is it that you saw? Was it Bejoy Nambiar's short films, or was it the script per se? Kashyap: His short film, I knew before hand. And his short films were the reason why I was telling Kalki that you should work with this guy. At that time I was just a boyfriend managing his girlfriend's dates. And then I knew the flim would happen. I knew Bijoy was resourceful and he would do it. But I had not read the script this very late. I read the script and I knew this film won't be made in this industry. For same reasons my films were not made at one point. Today when go on twitter, the negative reactions of the film are extremely fluffy. The negative reactions that you get is, 'I want to see you make a happy film'. 'I want to see you make a film about happy people with a good message in the end'. They narrowed down the definition of cinema to that. And I know, this is how the industry operates. I knew this film won't get made, because people just can't see beyond a certain thing. And a film like this, if the director crumbles under pressure, it will be neither here nor there. It will become a very wannabe film, which is trying to please everybody. Q: You were the ideal producer. You are the producer you wanted. Kashyap: Yes I was the producer I wanted and he just saw the potential in it and I saw the commercial potential in it as well. Because somewhere there is a connect, I know there is an audience. I know there is an audience for this kind of cinema. This audience is not as big an audience as Salman Khan has or Shah Rukh Khan has, but there is an audience. Q: I think you have decided that you are going to play character roles in movies and when I said character roles that are characters and not necessarily the hero in the conventional sense that we know it. Do you think there are more opportunities for this point of view today as an actor? Khandelwal: I don't think in any way. I just follow my heart. I do things where I am comfortable to each his own. To me what suits me is playing a character where I know the back story, the present story and why a character is behaving in a certain manner. Q: But legends of female fans of yours would be happy to just see you do a regular film, forget the back story and the forward story. Khandelwal: I don't work for them. Q: They are the bonus. They are the happy bonus. Khandelwal: They form a part of the audience. I cannot be making decisions keeping a certain set of audience in mind. Kashyap: That is what I think plagues our industry. We, instead of giving them a new experience each time or we are just catering to them. It is like 'hum log har bar wahi cheez kar rahe hai, jo woh already kha rahe hai'. So, in this we don't grow. And for me it is personal growth that is important. For the complete interview watch the accompanying videos. |
While the Salman Khan starrer 'Ready' continues to rule the box-office even in its second week, eminent filmmaker Anurag Kashyap's latest release 'Shaitan' fails to draw moviegoers.
As per the box-office reports, 'Shaitan' had a poor opening at the box-office and it managed to gross around Rs. 85 lakhs only on the opening day.
It is only prime multiplexes in big cities where the film is managed some audience. Otherwise 'Shaitan' has failed to impress the masses.
The opening day box-office collections for the movie in Mumbai was 35 lakhs, Delhi/UP 20 lakhs and East Punjab 10 lakhs.
Sneak peek into 'Shaitan'
Helmed by Bejoy Nambiar, 'Shaitan' revolves around five friends, whose lives change drastically after they get involved in a hit and run case.
The film stars Rajeev Khandelwal as Inspector Arvind Mathur, Kalki Koechlin as Amrita Jayshankar aka. Amy, Shiv Pandit as Dushyant Sahu aka Dash, Neil Bhopalam as Zubin Shroff, Gulshan Devaiya as Karan Chaudhary aka. KC, Kirti Kulhari as Tanya Sharma.
Produced by Anurag Kashyap, the film has received good response from the critics.
'Ready' still leads at the box-office
Reportedly, the last week's release 'Ready' is still leading at the box-office.
So far the movie has minted Rs. 69.50 crore at the box-office and if the business continues in the same way, then 'Ready' can even make Rs. 100 crores by the end of its second week, say box-office reports.
HIS TRAVELS, THEI(OU)R TRAVAILS From the shores of the Bay of Bengal to the banks of the Ganges. Puri se Gangotri tak. ...His past Endeavours,
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