I saw this movie in the theatre in 2010 and it left a deep impact on me.
Brutal and brilliant, the film explores the dark realities of society. But what is most interesting is the use of the found-footage technique. The entire film is constructed using footage from cameras that are placed within the plot: In the first story, it's a handycam; in the second, CCTV cameras; and in the third, a spy cam.
The images are blurry, shaky, and too dark: it's as if we are watching life captured by another camera.
The first story, Blockbuster Love, lands the hardest punch. It's about honor killing and the gap between the kind of romances that Bollywood sells us and the actual reality. The gruesome climax will make you feel nauseous, it's so hard-hitting!
The second story, which is the debut of Rajkumar Rao, is the story of a young man who emotionally manipulates a salesgirl into having an affair with him -- it's a trap, whereby he plans to seduce her, make a sex tape, and sell it to the highest bidder. The conversation between the men in this particular story will have your skin crawling with its crassness.
The third is about a Punjabi popstar named Loki Local and how the greed of the television channel operators sours the sting operation planned on him.
I love Dibakar Banerjee's work. This movie, especially the first story, made me actually feel as if I'm part of the dystopic landscape. It's not a movie for the faint-hearted.
Has anyone watched it?
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