If Alia hiked her price after every hit, she'd be on par w Salman - Page 5

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~*sindhu*~ thumbnail
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Posted: 7 years ago
#41
I find YRF's business model better. Their talent works more outside of the PH and brings them their share of money. All they had to do was sign them up for 3 movie deal and give them terrible movies to make sure they never come back to them for work. 😆

GumGum thumbnail
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Posted: 7 years ago
#42

Originally posted by: rogerrocks


There were blinds and articles recently that Reshma is out to avenge Salman. She was apparently behind distributors causing issues which is why Salman eventually decided to do it on his own. Does anyone know how true that is? I can totally imagine KJo pulling similar stunts too 😆


There was a blind about Reshma and two of her young male celebs. X and Y were both Reshma's talents. A director/producer wanted to cast X in a movie.. they talked with X.. later Reshma discouraged them to cast X, and suggested the makers to cast Y instead. Reason... Y was doing better box-office-wise, charges more, so more money for Reshma. After reading that I stopped blaming celebs for snatching projects from other celebs from the same agency. It is (e.g.)Tapsee's bad luck that even after getting critics and audience's love, she is not getting better scripts.. because a director with brilliant script will be send to her agency's highest paid star even though the director contacted the agency to cast Tapsee in his film.
MostlyHarmIess thumbnail
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Posted: 7 years ago
#43
By common forum logic people are worried... Alia has arrived 😲
Katyayani_devi thumbnail
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Posted: 7 years ago
#44

which movie promotions lol
Katyayani_devi thumbnail
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Posted: 7 years ago
#45

Originally posted by: ~*sindhu*~

I find YRF's business model better. Their talent works more outside of the PH and brings them their share of money. All they had to do was sign them up for 3 movie deal and give them terrible movies to make sure they never come back to them for work. 😆



and also aditya chopra n kjo ruin d pretty faces 😆
you2 thumbnail
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Posted: 7 years ago
#46
Kjo has run down his production company trying to make Alia's career.

Since SOTY,Dharma is not what it was earlier.He was the biggest then..

and the smallest now..with big stars unwilling to work for the company.

Its time He yells at Aloo-Do I hafta invest in all your films,and then pay you too? Why cant you get some other producers to sign you,without their asking me for money?

Raazi is a super hit-But what cut did Times, Apoorva Mehta and Priti Shahani take?




blue-ice. thumbnail
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Posted: 7 years ago
#47

Originally posted by: angrybread

Just for the record in about 8-10 pages ahead ...it's DP fans who are mentioning her in a non-DP thread 😳


But they can...in an unrelated thread they can...no one else can...warna fir moral science ke lecture milenge😆 😆
blue-ice. thumbnail
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Posted: 7 years ago
#48
People can hike their price to whatever they want...the question is ki aapko aapka price milega ya nahi??
rogerrocks thumbnail
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Posted: 7 years ago
#49

Originally posted by: hantel


There was a blind about Reshma and two of her young male celebs. X and Y were both Reshma's talents. A director/producer wanted to cast X in a movie.. they talked with X.. later Reshma discouraged them to cast X, and suggested the makers to cast Y instead. Reason... Y was doing better box-office-wise, charges more, so more money for Reshma. After reading that I stopped blaming celebs for snatching projects from other celebs from the same agency. It is (e.g.)Tapsee's bad luck that even after getting critics and audience's love, she is not getting better scripts.. because a director with brilliant script will be send to her agency's highest paid star even though the director contacted the agency to cast Tapsee in his film.


Wow no wonder the casting of so many films are so messed up. This is exactly why Alia will probably never let go of KJo. No casting agent or manager can do as much as KJo does for her anyway 😆
1129726 thumbnail
Posted: 7 years ago
#50
These days I thought the big stars just took a percentage of the box office

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