MR.KooL thumbnail
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Posted: 12 years ago
#1
D-Day
By Taran Adarsh, 18 Jul 2013, 08:15 hrs IST
The Hindi film industry is indeed going through an exhilarating phase. A variety of movies and assorted stories are being attempted week after week. With a novel tale unfolding every week, a Hindi movie buff has a lot to look forward to.

Who would've ever anticipated that the maker of poignant and stirring films like KAL HO NAA HO, SALAAM-E-ISHQ and PATIALA HOUSE -- underlining a strong emotional undercurrent in each of those films -- would attempt a film about India's Most Wanted Man? Not me, for sure! But Nikhil Advani ventures into an alien terrain with D-DAY, which, on surface, may seem like yet another gangster film, but it's not. There have been a lot of debates about gangsters who have sought a secure haven on foreign soil and a lot is being said about getting them back to India for trial and justice. But D-DAY is the first Hindi film to explore this pertinent aspect [read burning issue].

The plotline of D-DAY conjures up memories of the 2012 film ZERO DARK THIRTY, which was about the manhunt for the world's most wanted terrorist, Osama bin Laden. However, the similarities between the two films end there.

What makes D-DAY relevant and relatable is the fact that Nikhil borrows from real-life headlines/occurrences and gives it a new spin altogether, interpreting the story his way. The basic premise of the film -- RAW agents being assigned the task of bringing back the fugitive crime lord back to India -- evokes tremendous curiosity, but at the same time, Nikhil knows that since the subject matter is sensitive and volatile, it ought to be tackled with extreme concern and caution. Thankfully, Nikhil treats this explosive theme with extreme care.

Nine years ago, Wali Khan [Irrfan] was sent to Karachi, Pakistan by the Chief of RAW Ashwini Rao [Nasser] to report the activities of the Most Wanted Man in India. Nine days ago, Rudra Pratap Singh [Arjun Rampal], Indian Armed Forces, Zoya Rehman [Huma Qureshi], RAW Explosives Expert and Aslam [Aakash Daahiya], a petty thief from the streets of Mumbai, recruited by RAW, join Wali in Pakistan to carry out the mission to bring back the Most Wanted Man in India. The man who was going to break all ISI protocol and security and attend his own son's wedding. The man who could, on that day, be abducted and brought back to India to face justice.

The team sent in to bring the Most Wanted Man in India did the unthinkable -- they carried out the most daring operation and almost got away with it. Almost, because something went horribly wrong!

There have been umpteen debates and discussions to extradite gangsters and criminals operating from foreign land and Nikhil, together with writers Ritesh Shah and Suresh Nair, weaves a yarn that's part bona fide, part fiction. D-DAY is gritty and hard-hitting, but most importantly, it's an earnest attempt. The setting appears authentic [D-DAY gives the impression of being filmed in Pakistan], the sequence of events is well connected and the implementation of the written material is compelling. Not once do you feel that Nikhil bites off more than he can chew.

D-DAY tackles a knotty issue and it's imperative that Nikhil stays close to authenticity. The demanding plot and the edgy, gritty and raw situations, besides the ambience [recreating Karachi], makes this espionage thriller so different from the gangster films we have witnessed on the Hindi screen thus far. The four patriots, each with a back story, joining hands for a common mission, their expedition and how the hunters become the hunted in the neighbouring country gives the film that edge and power that's hard to expunge from memory.

Nikhil reserves the best for the finale. The fight at the border and what ensues blows your mind and can easily be termed as the icing on the cake. Sure, Nikhil and his writers run their imagination wild here, but let me tell you, this finale is sure to meet with wild cheers. The sole hiccup is that the film appears elongated and could've been short and snappy by 10/15 odd minutes. A succinctly narrated theme only aids in augmenting the overall impact, as we know by now.

Nikhil keeps the action [Tom Struthers] as real as possible. Besides, the action in D-DAY is not the type that is dominating the Hindi screen of late. It's raw, but believable, keeping in mind the characters the protagonists illustrate. The soundtrack [Shankar-Ehsaan-Loy] is absolutely in sync with the mood of the film. The best track of the film is, without doubt, 'Alvida'. The visuals in the song are mind-blowing. Tushar Kanti Ray's cinematography captures the gritty ambience to perfection. Dialogue [Ritesh Shah and Niranjan Iyengar] are strong and compelling.

D-DAY has an ensemble cast, but the scene stealer is, without doubt, Rishi Kapoor. The veteran continues to push boundaries, challenging himself and astonishing the spectators. Recall the man coping with inflation in DO DOONI CHAAR, the stern family patriarch in PATIALA HOUSE, the villainous character in AGNEEPATH, the college dean in STUDENT OF THE YEAR and the ageing romantic in CHASHME BADDOOR. D-DAY proves his versatility yet again as he gets to portray the much-feared don. He's tremendous!

Irrfan has always proved himself, irrespective of how good/bad the film may be, and it's no different this time. Of course, the accomplished actor gets a power-packed character and he leaves a stunning impact yet again. The film proves, yet again, his brilliance as an artiste of calibre in several sequences, especially the ones towards the closing stages of the film. Arjun Rampal continues to surprise and evolve as an actor. It seems, he is on an experimenting mood and the character he portrays in D-DAY gives him the opportunity to step forward as an actor. He's top notch!

Huma Qureshi too gets ample opportunity to get into a diverse zone with this film and she seizes the prospect instantaneously. She stands on her own, despite the presence of formidable and much-experienced actors in the frame. Shruti Haasan gets a complicated, layered character and she handles it with gusto. The chemistry with Arjun is electrifying as well. Sriswara, portraying the character of Irrfan's wife, is a revelation. She will make heads turn with her talent. Aakash Daahiya is competent. Although the film stars far more experienced names, he grabs you attention every time he appears on screen.

Nasser [as RAW chief], K.K. Raina [as Gen. Raza], Chandan Roy Sanyal [as Bhanja], Imran Hasnee [as Saleem Pathan], Nissar Khan [as Niyaaz Ahmed] and Sandeep Kulkarni [as Atul Mishra] -- each of them contribute so much to every sequence. Divij Handa, as Irrfan's kid Kabir, is super. Rajpal Yadav's presence enlivens the song at the very start.

On the whole, D-DAY is what a well-made thriller ought to be -- taut, transfixing and spellbinding, with an astounding finale. Don't miss this high-octane thriller!

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edgarwright thumbnail
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Posted: 12 years ago
#2
I'm really skeptical about Nikhil Advani's ability to handle such a topic, frankly. I hope it turns out to be good though. He's got a damn fine cast (although not crazy about Rampal myself).
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Posted: 12 years ago
#3

Bollywood review: Arjun, Irrfan turn 'D-Day' into a thrilling affair, Rishi gives you the creep

Director Nikhil Advani surprises us with his sensational take on India's most notorious gangster

By
  • Sneha May Francis
Published Thursday, July 18, 2013

Bollywood has repeatedly glorified the inglorious exploits of the Mumbai mafia, often framing tales of courage and sacrifice of the infamously notorious kingpin with very little focus on how he's still far from paying the price for his gruesome crimes.


And, hoping to set this right is director Nikhil Advani, who takes heroic liberties with his sensational movie to frame India's most dreaded criminals.

Although his name is evidently changed, everything else – from his trademark sunglasses, to his loud garish dressing, to accurate references of his earlier misdeeds – clearly identifies who Nikhil is targeting.

And, he's amply backed in this mission by a riveting cast, an impactful story, and a snappy edit that's textured aesthetically.

It's edgy. It's gritty. It's something purists might find tough to stomach. Yet, it's something that can't be ignored.

Action genius Tom Struthers and John Street, who've worked in Hollywood stunners like 'Blood Diamond', 'The Dark Knight', and 'Inception', among others, provides 'D-Day' with the kind of advantage that's often compromised on Indian screens. Never have we seen men fight and punch with such raw, terrorizing rage, impacting us immeasurably.

Surprising how it took a filmmaker like Nikhil, who fed off Bollywood frivolities until now, to stir up such a menacing concoction. His edgy thriller constantly shocks and surprises us during his indulgent two-hours-and-thirty minute narrative, never once permitting a yawn.

Unfortunately, the credit for the story and screenplay isn't his alone, with writers Ritesh Shah and Suresh Nair deserving much praise for the team work.

The lines by Ritesh and Niranjan Iyengar, however, falter and fumble, and work only in parts, and not in entirety. "In your line of work, you sleep with people; and in mine, I put people to sleep," voices an agent sheepishly as he caresses a gorgeous streetwalker.

But, Nikhil fumbles with a shaky first-half that shifts between the past and the present in hurried frames, often leaving us confused. Even a shift in the narrator is illogical and hints at how he'd end the mission.

There's the Bollywood essential of packing in a number of songs, which slows down the pace impressionably creating many an awkward pause in the thriller. But, its treatment is imaginative, especially the one where torture and death is poetically captured.

These failings apart, Nikhil manages to pull it through.

As the curtains roll up, we watch how four earnest Indian spies are just minutes away from achieving the impossible – of nabbing the most wanted terrorist Iqbal alias goldman.

Their effort is blacked out at a crucial point, forcing a journey back in time as plentiful events unfold to explain why Iqbal won the dishonourable title and how his capture was essential for healing a wounded country.

Their operation, however, fails, leaving the team exposed to threats from the mafia, and a country unwilling to back them up. With not much to bank on, the agents are left to fend for themselves and find a way to escape unharmed.

Clearly, this game of the good boys versus the bad wouldn't have worked if it weren't for the stellar performances by Rishi Kapoor, Irrfan Khan and Arjun Rampal. Each man flaunts his talent impressively. While the veteran Rishi carves out Iqbal's creepy persona with aplomb, Irrfan matches up by delightfully playing out agent Wali's fiery patriotism.

But, it's Arjun's droopy eyes and broody looks that warrant applause for capturing agent Rudra's intensity. Barring the physicality, he manages to distract us with an imposing performance, one that could safely be among his best.

There's also Aakash Dahiya who pitches in notably as agent Aslam but he isn't allowed much time in the spotlight due to a restrictive screenplay.

Of the ladies, Huma Qureshi bags the stronger character as the daring Zoya, who gives up marital bliss for the life of a warrior. Despite being the sole woman on the battle front, she shows immense courage and resolve, without ever turning into a damsel in distress.

Even Shruti Haasan's bruised escort Suraiya isn't nave and needy. In fact, her strength and loyalty is evident in a lyrical rendition. New face Shriswara as Wali's loyal wife also deserves praise for exuding charm and innocence.

Tamil actor Nasser steps in for a brief bit as RAW chief Ashwini Rao, who battles the unsupportive system to ensure his team is unharmed. Funny man Rajpal Yadav finds an unusual cameo as a wedding singer in 'Duma Dum', while 'Kai Po Che' star Rajkumar Yadav lends his voice and a picture as Zoya's distanced husband.

Taking into account that India's infamous don has found innumerable references in Bollywood frames, mostly those that romanticizes his misgivings, it's truly commendable that there's one filmmaker who dared to break that tradition. Instead of his journey, Nikhil turns futuristic and hints at how law could change hands if action isn't taken adequately.

Nikhil's solution would (literally) blow your mind away, and would most definitely be applauded.

MR.KooL thumbnail
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Posted: 12 years ago
#4

D-Day: Movie Review

Posted on July 18, 2013 at 10:12 am by Subhash K Jha in Hindi, Movie Reviews // 0 Comments

D-Day: Movie Review
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Film: D Day

Starring Rishi Kapoor, Irrfan Khan, Arjun Rampal, Huma Qureshi, Shruti Haasan, Sriswara, Aakaash Dahiya, Nasser, Chandan Roy Sanyal

Directed by Nikhil Advani

Critics Rating:**** ( 4 stars)

Story: Fragrant pencils and the stench of blood…Irrfan Khan's character identifies flavoured pencils with his undying love for his son even when his life is soaked in the blood of traiters and other modern-day heroes.Funny, how two entirely disparate experiences can co-exist in a work of art!

Movie Review: And make no mistake, Nikhil Advani's sixth feature film is an acutely accomplished work of art. It's a thriller, yes. About the enforced extradition of a Dawood-like gangster(okay, it is 'D' Man though this fearless film grows uncharacteristically coy about naming the slimy guy). But what I came away with was a haunting love story between a mysterious Indian intelligence agent and a Pakistani prostitute, both wounded and scarred for life.She in ways that we can see.He in intangible ways. But pain, at the end of the day,is pain. It's what binds together the wh**e and the ex-armyman.

D DayPoster D Day: Movie Review

D-Day Poster

Shot in an expertly constructed brothel sets with the crowded colours of lurid sex suggesting the tragedy of lives lived in borrowed beds,the scenes between Arjun Rampal and Shruti Haassan are punctured by piercing silences and a haunting melody about love loss and incomplete lives sung by Rekha Bharadwaj.

Later, much later, the girl is tortured to painful death by a sadistic butcher(gleefully played by Chandan Roy Sanyal). In one of the most innovative editing techniques applied to a Hindi cinema(editors Aarif Sheikh and Unni Krishnan can take a bow) we see the scarred prostitute's torture and death through Arjun Rampal eyes as though he were there when it happened, when he was not.

And in the background a haunting Shankar-Ehsaan-Loy song Alvida plays with assertive evocativeness, reminding us that the end of love is always death.

This love story could have been the entire script of Advani's film. But D Day(odd title that, since the antagonist is no more named Dawood) has a lot more to say, and it says it with in a tone of unfussy enrapturing lan that invites us into its midst without using gimmicky methods of enticement.

The screenplay by Advani, Ritesh Shah and Suresh Nair constructs a collage of characters hellbent on a collision course. Though rigorously researched the erudition sits easily spontaneously and unobtrusively on Advani's narration. The story of a bunch of RAW agents on a mission in Pakistan to nab "India's Most Wanted"(no, it's not Salman Khan) is told in a tone that favours a detached distance from the proceedings while ensuring we see each character's life in prismatic close-ups.

Though a deeply patriotic film D Day indulges in no flag-waving. The Indian flag makes one guest appearance, and that too end. God bless Manoj Kumar.

Every character in D Day, even the dreaded caricatural Bhai(the don named, ha ha, Goldman), is a prisoner of his own lost dreams and aspirations. The RAW heroes are thrown in our face without elaborate preamble. The very attractive Huma Qureshi as the RAW agent Zoya has her personal life in shambles.But we never see her unhappy husband. We only hear him.And we're happy that he speaks about their distressed relationship in the voice of the very talented Raj Kumar Yadav.

timthumb1 D Day: Movie Review

D-day

Every character, visible or invisible, speaks to us in urgent desperate tones. And within 20 minutes of the playing-time we're consumed by these doomed lives that seem to have lived on the edge forever and have nowhere to go except the abyss.

With astonishing impunity Advani sketches the half-finished for all his characters. These are people whose dreams can never come true. The film's deep affinity to the business of unfinished lives gives a cutting edge to Advani's narration.As the plot progresses the narration gets only more and more involving and intriguing until from Karachi we reach breathlessly to the Indian side of the Indo-Pak border where Rishi Kapoor gives a sneering contemptuous speech on the Indian government's inability to control terrorists and terrorism.

This is as good a place as any to say D Day is crammed with remarkable actors furnishing the anxious proceedings with a riveting life-force. Rishi Kapoor as the gangster is of course first-rate. When is he anything less? While conveying the sinister slimy side of the gangster Rishi also gives a comic interpretation to the rotund goggled perpetrator of mayhem.

Yup, this guy is having himself a blast. The other actors too are entirely in their element. Arjun Rampal and Shruti Haasan's tragic love story is played by the actors in muted mellow muffled shades. Arjun seems to become a more evolved actor with every role.As for Irrfan Khan. his portrayal of a man on a suicidal mission trying to hold on to the memory of his wife and son is so vivid you can touch his anguish. Newcomer Sriswara is extremely credible as Irrfan wife, while Huma Qureshi as the third member of the RAW team is effortlessly appealing and effective . Newcomer Akaash Dahiya as the fourth RAW team-member is so much on the edge, you want to hold him back from toppling over.

So imminent and anguished are the goings-in D Day that without effort the film outraces the other two recent RAW thrillers Srirram Raghavan's Agent Vinod and Kabir Khan's Ek Tha Tiger. Advani's grip over his characters' messed-up destiny never slackens.

The cinematography by Tushar Kanti Ray uses cluttered garish spaces to create a sense of spiritual emptiness during times of tremendous stress and anxiety. This is a film with world-class action scenes. But it is not an action film. It's a film about love and loss. But it isn't a love story.

So what is it we are looking at here?Go find out for yourself. With this one film Nikhil Advani joins the ranks of the most accomplished young filmmakers of Hindi cinema and by far Karan Johar's Dharma Productions proudest product.

fly2me thumbnail
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Posted: 12 years ago
#5
I just hope and pray i like this movie. I want to like it so much!!😆 Hope it doesn't dissapoint too much.
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Posted: 12 years ago
#6
Movie is getting good reviews.. Alas! No one is interested in any Arjun Rampal or any Nikhil Advani flick.
fly2me thumbnail
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Posted: 12 years ago
#7
I wanted/want this movie to work so badly for Arjun and Shruti.
All these unexpected movies are winning big at the box office this year. It really is a good year for movies. If D-Day could be one of those...
edgarwright thumbnail
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Posted: 12 years ago
#8

I will never know why we're so obsessed with box office status rather than the movie itself. Okay, it's interesting to know if a movie does well - but the obsession of people with BO is incredible.

I've never seen people of any other nationality except us lot flooding youtube with "Flop" or "OMG SRK/SALMAN/AKKI biggest hit of 2013!!!!Zidshfish" kinda spam.
MR.KooL thumbnail
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Posted: 12 years ago
#9

D Day Review

July 18th, 2013 by Mohar Basu
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D Day Movie Stills

Rating:4/5 stars (Four Stars)

Star cast: Irrfan Khan, Rishi Kapoor, Arjun Rampal, Huma Qureshi, Shruti Haasan

Director: Nikhil Advani

What's Good: Without an ounce of jingoism, the film's plain, non-judgmental storytelling with a thought provoking narrative is ace. Rishi Kapoor and Irrfan Khan put up a marvellous show!

What's Bad: The editing in the film's latter half could have been tauter.

Loo break: None at all.

Watch or Not?: Nikhil Advani's D-Day traces a labyrinthine story of India's unsung war heroes. With its chilling action scenes and thrilling emotional quotient, D-Day is perhaps one of recent times' most rivetingly told stories. With Bollywood celebrating Dawood mostly, here's a filmmaker who has made a daunting movie which effortlessly gives the character its correct hue.

User Rating:

The nabbing operation of India's most wanted man that is carried out by four undercover agents, all of them come with their own personal baggage! Nabi Ali, stationed in Pakistan for years has already set up for himself emotional attachments. Rudra Pratap Singh, a formed Armed Force' officer is exactly the opposite and prefers being detached. Zoya dumps her familial happiness and chooses her patriotism over it. And Aslam who serves as the spy in the Don's 'kafila' joins hands in an impossible mission. On the eve of of his son's wedding, the mission that will result in the downfall of this notorious don is to be executed. How brilliantly the climax is tied up with its shockers and teary jerks are what make D-Day so unparalleled.

D Day Review: Script Analysis

The script of this gritty thriller is based on the lines of Zero Dark Thirty, naturally sketching it on an Indianized canvas; the film is 2 hours plus of sheer edge-of-your-seat thrill. For most part, the story sticks to being purely artistic even as its revels in nail biting action. Emotionally wrenching and ripping, the story of D-Day follows the lives of 4 war heroes who are on a mission ala 'The Charge of The Light Brigade'. Advani absorbs us easily into his story as he uses the tool of terrifying realism and paints the terrifying picture of atrocities that we have incurred in the name of terrorism. To begin with, it is the extraordinary script that entraps you in the nuances of its dramatic folds. An undercover agent who must give up the warmth of his wife and the love of his son is caught in between his duty call and his family! It is a tribute to the story writers that the audiences don't find a single sag in the film's tapestry. The film's climax is 15 minutes of spectacular adrenaline rush as all the pieces of the film finally blends into one. There are its share of clichs in each character as you almost know what they are like, but the wonderful choice of actors render to their roles both beauty and believability. The film exudes immense confidence in its mannerism of telling the story that makes its fabric so brilliantly suspenseful.

D Day Review: Star Performances

This high octave action films depends heavily on the prowess of its actors to valiantly carry forward the film and each of the vital work of these actors turn out to be nothing short of stellar.

Rishi Kapoor as Goldman, the man fashion on the iconic underworld character Dawood Ibrahim arrives with the enigma that his name is meant to convey. Getting every note right, he gives an impactful performance as the man who is colossal in his notoriety.

Irrfan as Wali Khan is impeccably wonderful both in his tender moments and the high drama ones. How in a matter of one simple film this man has in his role such diverse hues is unimaginable. The accomplished actor he is, his tendency of constantly pushing the envelope further is what makes each of his work so distinct and yet doesn't blur in terms of marvel. He makes Wali both delicate and fiery with stunning ease.

Arjun Rampal has evolved for the better as an actor. His infallible personality and his portrayal that has hints of both anguish and strength is what makes him stand out despite the presence of more powerful actors. He acted like a dream and that is commendable, to say the least.

Huma Qureshi tackles her part with gusto and as compared to her role in the recent Ek Thi Daayan, she is light years ahead. A female soldier whose sacrifices are way beyond merely putting her life on stake, Qureshi's strength is in her simplistic acting.

Sriswara as Irrfan's wife is an excellent actress who known the right mode to enliven her role. Her chemistry with Irrfan is so adorable-ish, that your heart goes out to her helplessness!

Shruti Haasan as an actress is obviously great, but her character is quite misplaced. Nevertheless she carries out her role to perfection especially the power with which she manages to choke you up in the song 'Alvida'.

D Day Review: Direction, Music & Technical Aspects

Nikhil Advani's tangible movie is innovative in its vision and involving in its demeanor. The direction is so deeply fascinating, that one remains obviously latched to the movie. He carefully refrains from making any bit of it melodramatic which is perhaps the most effective part of the movie. Perhaps the only hiccup for me was the song 'Alvida' which is my opinion attempted to romanticize tragedy and pain very wrongly. It's a quite a shock that this man went wrong enough to make squibs like Chandni Chowk To China and Salam-E-Ishq. Tom Struthers and John Street's (of Inception and Dark Knightfame) stunning stunts right from Hollywood frames terrorizes with the right punch. Tushar Ray's cinematography is picture perfect as he gives the right amount of anxiety to the story. The film's mayhem doesn't get anarchic and furnishes itself convincingly. Shankar-Ehsaan-Loy's soundtrack croons with a haunting feel and syncs wonderfully in the film's story.

D Day Review: The Last Word

Nikhil Advani's D-Day is by far one of the India's most applausive high octave action films, which has a charming rendition in terms of an emotional plot. Appealing performances and the menacing story makes for decadent palette. I am going with a 4/5 for this well textured, fabulous film that will leave you speechless and overwhelmed without becoming imposingly patriotic.


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Posted: 12 years ago
#10

D-Day

Srijana Mitra Das , TNN, Jul 18, 2013, 09.13PM IST

Critic's Rating: 3.5/5
Cast: Rishi Kapoor, Irrfan Khan, Arjun Rampal, Huma Qureshi, Shruti Haasan, Nasser
Direction: Nikhil Advani
Genre: Thriller
Duration: 2 hours 30 minutes
Avg Readers Rating:

Story: Four Indian agents plan to bring India's most wanted criminal home from Pakistan - do they succeed?

Review: Straight up, D-Day is explosive at three levels. The plot crackles. The acting sears. And the music flares with passion. Four Indian agents, angry and RAW, enter Pakistan to bring Iqbal Seth (Rishi Kapoor), a Dawood-like don, hated for his terrorism, home. Wali Khan (Irrfan) has married a local woman and fathered a child, but longs to find freedom from the truth and lies he lives. Irrfan amazes, switching from tender to treacherous in a flash, authentic as he calls out "Rudar!" to Rudra Pratap Singh (Arjun), a man of molten mysteries, introduced with a Lawrence of Arabia-like flair.

Arjun looks smashing and pulls off a competent act while Zoya (Huma) does well as a cutie-pie who can squeeze a knife real bad. Aslam (Aakash Dahiya), a gangster-turned-agent, forms the fourth wheel, but Rishi Kapoor stands out as Iqbal Seth, with his polyester-like silky malevolence, his mocking manipulations, his eyes behind red goggles, both frightened and frightening.

That mirrors the plot which flips rapidly, hunters becoming the hunted, then vice-versa. Nasser, as RAW director Ashwini Rao, is convincing as an official straining at the leash while Iqbal's bhanja (Chandan Sanyal) is splendid with his simply asinine evil. A beautifully fragile Shruti Haasan plays a prostitute sheltering Rudra. Their track is short but sensual, a little lily-pool of beauty in an otherwise relentlessly harsh cinematography, where Karachi's grey, gritty and gunpowder-laced.

But this being Bollywood, the plot can't escape emotional excursions. Some - Rudra's love-life, Zoya's break-up - adds a halwa-like heaviness to this Karachi. But the second half refreshes your palate, sizzling sequences between Wali, Rudra and Iqbal Seth leaving you open-mouthed, the 'c' in this climax clearly for controversy.

Catch it - this 'D' company denotes both debate and desh-prem.

Note: You may not like this movie if you don't enjoy violent thrillers where things go off with a bang.

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