Delhi - 6 - Review, Please post all reviews here. - Page 6

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LifeOLicious thumbnail
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Posted: 16 years ago
#52

Originally posted by: jhustju

See Taran Adarsh and Raja Sen always help me decide if a movie is good.

Whenever these two bash a movie, I know the movie is a must see!



😆😆 Don't know much about Raja...but Taran ya that's the policy I used!! The lower the rating the better the movie!!

I was just going to post that Amu!! Audience is loving itt!!

Amu: When are you watching it?? Ticket mila??

😆
melancholic thumbnail
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Posted: 16 years ago
#53

Originally posted by: admail_bd



😆😆 Don't know much about Raja...but Taran ya that's the policy I used!! The lower the rating the better the movie!!

I was just going to post that Amu!! Audience is loving itt!!

Amu: When are you watching it?? Ticket mila??

😆

i dnt knw.. i m feeling nervous and extremely tensed thinking abt the fate of the movie... it is getting diametrically opposite reveiws... either some reveiws calling horrible and some calling master-piece.. so.... 😕
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Posted: 16 years ago
#54

Rajeev Masand

3/5

Delhi 6 a film wit heart

That director Rakeysh Omprakash Mehra feels genuine affection for his characters is evident in every scene of Delhi 6. He knows them well, he's familiar with their lives, and he embraces their quirks and their contradictions. Delhi 6, is indeed a film about its characters.

A series of patched-together vignettes from the lives of these colorful souls who baffle our protagonist Roshan (played by Abhishek Bachchan), a half-Hindu half-Muslim NRI boy who arrives from New York to deposit his grandmother (played by Waheeda Rehman) to the family home in Old Delhi.

Before he knows it, Roshan finds himself getting involved in the lives of his new friends and neighbors. The two sparring brothers who can't see eye to eye (played by Om Puri and Pavan Malhotra), but whose wives and kids operate as a perfectly functional familial unit who exchange pakoras and gossip through the loose brick in the wall that separates their homes. Or the sixty-something Laalaji (played by Prem Chopra) whose trophy wife invites her lover home through the balcony window for passionate afternoon romps. Or the affable streetside jalebi-wala (played by Omkara's Deepak Dobriyal), the local bully cop (played by Vijay Raaz), the dim but earnest temple worker (Atul Kulkarni), and the low-caste sweeper girl (Divya Dutta).

From Ram Leelas and jaagrans to cows who stop traffic because they give birth in the middle of the road, Roshan's Dilli-darshan is an eye-opening experience, one he takes in sportingly, armed with a camera-phone and the liberal use of the word 'cool' in his wobbly American accent. There's also the matter of his growing friendship with his neighbor's daughter Bittu, the 20-something Indian Idol-wannabe (played by Sonam Kapoor).

Repeatedly through the film we are reminded of an ambiguous monkey-man scare that has gripped the city, and towards the film's final act that hysteria leads to an unfortunate Hindu-Muslim confrontation that threatens to divide friends and shatter long-standing relationships.

Working perfectly well as an ensemble piece, even a journey of Roshan's self-discovery, Delhi 6 slips in its last half hour when Mehra decides to suddenly turn this into a message movie. Problem is the message itself is so simplistic, and yet it's hammered home with preachy dialogue and scenes that make you cringe. It's a far cry from Mehra's Rang De Basanti whose message came woven subtly in the film's narrative, and didn't jump out at you in the end like it does here.


Delhi 6 also delivers a disappointing climax, not least because it betrays the filmmaker's otherwise fearless spirit, and sees him instead pandering to what one assumes must be commercial diktats. As for the ridiculous cameo in the end, it's unnecessary and the entire scene in fact is such a shameful cop-out in what might have otherwise been a brave, personal film.

Despite its flaws there is inherent beauty in Delhi 6 that cannot be ignored. There is warmth at its centre, and much of that warmth is provided by AR Rahman's spellbinding music which is used liberally in the film, and contributes to some of the film's finest, finest moments including the seemingly spontaneous choreography of the Genda Phool song, and the sheer visual delight of the Masakalli song picturisation.

The film also benefits enormously from Binod Pradhan's remarkable cinematography, his camera alternating between its role as silent spectator when the characters go about their daily duties amidst the hustle-bustle of Chandni Chowk's crowded by-lanes; then lavishly and breathtakingly capturing the city's gorgeous topography in all its splendor.

At the core of Delhi 6, however, are its real heroes, its characters. Played magnificently by an ensemble of some of the finest actors you're likely to come across, it's difficult to point out who is better than whom.

The names that come to mind immediately are Pavan Malhotra, Deepak Dobriyal, Vijay Raaz, Divya Dutta, Sheeba Chaddha and luminious new discovery Aditi Rao Hydari who stars as the gentle Rama bua. As an old friend of Roshan's father, Rishi Kapoor brings such depth to what is really a small character role; and to see actors like Prem Chopra and Supriya Pathak on screen in significant parts after what seems like years brings a smile to your face. Then you have Waheeda Rehman who is the portrait of quiet dignity even in scenes where she has little to do.

Of the leads, Abhishek Bachchan jars in the early bits because of that labored accent, but warms up to you eventually. He does well with minimal dialogue, relying on his eyes and his expressions to do the communicating, especially in those scenes with Sonam where he's expected to strum up romance and chemistry in between looks of sheer bewilderment at her constant yapping. But it's Sonam Kapoor, his co-star who is the revelation in Delhi 6. She's a firecracker performer, instinctive and uninhibited in what isn't even a conventional female lead.

In the end Delhi 6 isn't great cinema like Mehra's Rang De Basanti but it's a pleasing tapestry of tender moments and of diverse characters who engage you in their lives. It's a very watchable film and for that I'm going with three out of five for director Rakeysh Omprakash Mehra's Delhi 6. The muddled message and the frustrating climax aside, it's a film with heart.

http://ibnlive.in.com/news/masands-movie-review-delhi6-a-film-with-heart/85915-8-p0.html

Edited by admail_bd - 16 years ago
Zareena thumbnail
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Posted: 16 years ago
#55
Buzz in Janta Verdict

http://buzz18.in.com/videos/videos/janta-verdict-delhi6/117332

People are disappointed and if movie fails, blame would be on Rakesh om Mehra😔
apux thumbnail
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Posted: 16 years ago
#56

Originally posted by: Zareena

Buzz in Janta Verdict

http://buzz18.in.com/videos/videos/janta-verdict-delhi6/117332

People are disappointed and if movie fails, blame would be on Rakesh om Mehra😔



oh man, people are not liking the movie! Poor ROM!!!

Oh btw the elderly man who was saying the hero shouldn't get beaten up, my dad always says the same😆 But in reality, guys don't have the superhuman strength that we usually see in bolly films...one guy taking on 15 wrestlers 😆
Edited by apux - 16 years ago
Zareena thumbnail
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Posted: 16 years ago
#57

Originally posted by: apux

<br><br>oh man, people are not liking the movie! Poor ROM!!! <br><br>Oh btw the elderly man who was saying the hero shouldn't get beaten up, my dad always says the same😆 But in reality, guys don't have the superhuman strength that we usually see in bolly films...one guy taking on 15 wrestlers 😆<br>




😆 I have to see the scene for myself. Senior man wasn't really happy with the movie.
Zareena thumbnail
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Posted: 16 years ago
#58
By Ashok Nayak

Fri, 20 Feb 2009

Rating : 1.5/5

Superstitious belief is all around the globe. Especially in India, superstition somehow finds a foothold in almost every aspect of our lives. Here ignorance goes hand in hand with superstitions and with the happening of a certain event they foretell an apparently unrelated event. And of course, Politics creeps its way into anything possible.

Delhi 6, directed by Rakesh Om Prakash Mehra of Rang De Basanti fame, talks about such beliefs and assumptions that bring turmoil into the peaceful lives of people living in Chandni Chowk, Delhi. Starring Abhishek Bachchan and Sonam Kapoor in the lead, the movie gets its name from the pin code 110006, proudly called Delhi 6. Rishi Kapoor, Om Puri, Waheeda Rahman, Vijay Raaz, Atul Kulkarni, Divya Dutta and many others play the supporting roles while Amitabh Bachchan will be seen in a special appearance playing Abhishek's grandfather in the film.

Born to a Hindu father and a Muslim mother, Roshan (Abhishek Bachchan) visits India for the very first time with his grandmother (Waheeda Rahman). He comes with a plan of just staying in Delhi for a couple of weeks to the satisfaction of his granny who wishes to spend her last days of life at a locality she was married into. But the love, affection and respect that the neighbors shower on him and his granny, Roshan starts to enjoy his stay. Initially the superstitious beliefs and most of the rituals seems silly to him and a number of events forces him to just leave the country immediately. But his love for Bittu (Sonam Kapoor), who aims to make it big in Indian Idol, forces him to stay back. What happens during his stay in Delhi is what the movie is all about.

Rakesh Om Mehra's Delhi 6 is partly dramatic and partly musical with a universal message. He manages to put across the message but the journey that he takes us through is dull and monotonous. The movie is filled with many characters and the quintessential instances that forms our trademark - bylanes, a sweet shop, lack of water, traffic stopped for a pregnant cow in labour, Ramleela, a lecherous photographer, an old evil money lender with his young wife, warring brothers living under the same roof with a wall in centre as boundary, political and communal issues, a saint who can talk to spirits and many more.

What Delhi 6 lacks is a crisp plotline. The characterization is poor and nothing that the character does is clear. In fact no situation or anything that happens has a good reason and nothing evokes any kind of emotion. There are so many characters and there is so much happening that you find yourself confused, as if lost in the grubby alleys of Delhi. The metaphorical use of a Kala Bandar to symbolize the beast within is an interesting approach but blending in a variety of instances to show one's ignorance and dragging it over reels and reels steals away the appeal of the film. Besides that, the movie is too sluggish in its pace with a shoddy climax. Also the cinematography and lighting is bad in most parts. If only Mehra had chosen to concentrate on the important aspects and given a sympathetic ending the movie would have worked wonders. And what is with the white background, white attire heaven sequence with Abhishek and Amitabh? A.R. Rahman's music is the saving grace - Masakali and Yeh Dilli hai mere yaar stands out.

Performances are another section that worked fine for this movie. But the only complaint is that, the character of Bittu should have been given more focus especially because Sonam Kapoor has a wonderful screen presence. Abhishek Bachchan disappoints with his poor dialogue delivery and fake American accent. Waheeda Rahman as his ailing granny who gingerly walks towards the cow to get its blessing, Rishi Kapoor as a man who respects love, Vijay Raaz as the rude inspector have pulled off their act very well. The rest of the cast was good too.

Overall, Delhi 6 is over packed for the small journey it takes. Watch it if you have nothing better to do. I would go with one and a half stars for the message, good performances, music and the gorgeous Sonam Kapoor.

http://nowrunning.com/movie/6197/bollywood.hindi/delhi-6/2034/review.htm
Zareena thumbnail
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Posted: 16 years ago
#59
Delhi 6

Editorial Suggestions
Can watch again - No
Good for kids - No
Good for dates - No
Wait to rent it - Yes

Editorial Review

Priyanka Pulla / fullhyd.com

It is easy to tell where exactly Delhi 6 goes wrong. Rakeysh Mehra was out to make a fond movie about the city of his birth, but could not resist corseting it in a bit of conventional moralisation. He paints over a frisky, anecdotal collage of Delhi with the bleak gray of communal strife. Fancy-free descriptions of the grand old city of Delhi simply do not sit well with hamming epiphanies about love and universal brotherhood.

Not that the movie does not have its share of fine moments. Roshan (Abhishek Bachchan), who brings his grandmother (Waheeda Rehman) back to Delhi from New York, provides the amused, third person perspective of the bustling Indian microcosm. An ensemble cast of some top-notch character actors plays the many species of Chandni Chowk's little self-contained ecosystem.

The depiction of CC denizens in Delhi 6 is authentic and as cute as a Mr. Men cartoon - Grumpy Dad (Om Puri), Slimy Thulla (Vijay Raaz), fiesty lower-caste koode-waali (Divya Dutta), sweet-tempered jalebi seller (Deepak Dobriyal), sleazeball photographer (Cyrus Sahukar), benevolent mullah (K K Raina) etc. You can almost hear Doordarshan's old "Hind desh ke nivaasi sabhi jan ek hain"jingle in your head as the unity in diversity is constantly underscored from frame 1.

So the Jalebi seller is a Muslim who worships Hanuman, and Roshan's daadi is a Muslim wedded into a Hindu family and religiously irrigates her Tulsi plant every day. And Roshan adapts himself to an eclectic routine of skullcapped visits to mosque, Ram Leela appreciation, and playing billiards over beer with an avuncular Rishi Kapoor. He is as delighted with the whole milieu as a white-tourist around a well-trained temple elephant.

While pointedly emphasising the communal symbiosis, Mehra finds time to paint each character in engaging detail. Sonam Kapoor, who plays the slender Bittu, a childlike, self-absorbed dreamer, is just one of the characters unfortunately. Doesn't take much to play the Nukkad belle to perfection, and she pulls off the non-challenge fairly well. Roshan is drawn to her as he goads her to rebel against the plans of her father (Om Puri) to marry her off against his wishes.

Basically, the weather is sunny with ample tailwinds, and we expect a smooth ride ahead, when turbulence hits.

Enter the Monkey Man - a good touch this - including an actual incident as a story engine. Delhi in 2001 saw attacks by a so-called Monkey Man, causing a few deaths due to sheer paranoia as people plunged off heights after imagined sightings. The movie spoofs rabid news channels as their bloodhound reporters get on the trail of the mischief-making chimp. Some hilarious urban legend causes a few titters in the audience. There are Chinese whispers about a lit-up computer motherboard on the chimp's chest, while Chandni Chowk is flooded with merchandise featuring the hairy terror.

Mehra is on a roll by now, almost making up the story as he goes along, throwing in experimental ingredients like a master chef who can't go wrong even if he tosses carbolic soap into the soup. Which he does. With the effect that he manages to pretty much ***** the pooch.

The Chandni Chowkites, through a bit of stretched logic, conclude that the Monkey Man is really a Muslim fundamentalist. Gullible Hindus and Muslims swallow the bait and jump into a free-for-all much like Goscinny and Uderzo's gauls.

Very satirical and all, but it is this dramatic mood-swing in the movie that destroys the finesse. One minute the characters are charming and expansive, and the next, they are suffocatingly, foolishly paranoid. From a poetic portrayal that bubbles with optimism, Delhi 6 dissolves into tears and lament.

In response, Roshan acquires saint-vision and starts appreciating the inner beauty of the petty squabblers. He dons his martyr's cloak and halo, and indulges in an act of selfless folly to save the Chowkites from themselves. His love story with Bittu catches up meanwhile to dovetail into the kitschy and forced resolution. Tsk Tsk. What a downfall!

For the maker of Rang De Basanti, it might have been hard to resist throwing in the odd social issue. After all he proved how well he could handle it once before. If only he had desisted. Delhi 6 could easily have been a charmer of the movie. Instead, you end up getting antsy waiting for Masakali to come along. Amazing song, that. Some delectable characterisation. And a movie that is a whole lot lesser than the sum of its parts.

4.5/10

http://www.fullhyderabad.com/profile/movies/2772/2/

Zareena thumbnail
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Posted: 16 years ago
#60
Delhi 6 : Bad Deja Vu by Kala Bandar

Many years ago we all might have heard about the "Monkey man" who was creating panic.We all were hearing and reading about the monkey man in "Doordarshan" and Daily Newspapers.Now we have a film on the character 'Monkey man' as 'Delhi 6'.

The film tries to exploit the Unity in Diversity with the help of the cultural background of Delhi. "Abhisekh Bachchan" is the grandson of "Waheeda Rehman" who's last wish is to die in her homeland who are currently living in America.Abhisekh Bachchan takes back her grand mother to Delhi there he gets a warm welcome.The rest of the film is about the unity and hatred between religions over some consequences which take place in the city of Delhi.


'Rakesh Omprakash Mehra' uses different themes to project his idea on the screen,he uses the 'Ramayana',unity and diversity concept, and of course the 'Kala Bandar' which is the heart of this film.The love factor also plays an important part in the film which is filmed between 'Abhisekh Bachchan' and 'Sonam Kapoor'.The cast of the film is filled with big names like Waheeda Rehman , Rishi Kappor,Om Puri,Prem Chopra,Atul Kulkarni etc.,.The first half of the film is dedicated to the introduction of the culture,traditions, brotherhood between Hindu's and Muslim's in Delhi.The ending of the first half is infused with a scene in which 'Abhisekh Bachchan' jumps on the roofs of houses.(Very much inspired from District B 13 )

The second half of the film is used to disturb the equilibrium of the first part and make it look like a plot which we have never heard before.The second half tries very hard to come out the of the first half.At the end we will be witnessing the win of love,unity of Hindu's and Muslim's and a cameo.

For me 'Delhi 6' is a very poor film.'Rakesh Omprakash Mehra' tries to present a different story of unity and diversity of India but eventually fails as the story telling has severe loop holes.2The Screenplay leaves us just thinking of the ending scene without allowing us to concentrate on the present ones. Kamlesh Pandey and Prasoon Joshi make you feel disappointed.The entire first half of the film leaves us in very deep contemplation about the plot which eventually turns out nothing.The one thing which i liked most is that the **** shown in Indian TV Channels which is true.

The character 'Kala Bandar' looks good in the initial stages of the film but it does not create any good foundation for such a story.32I felt confused with the story and the 'Kala Bandar' as they hardly have any kind of attachment with each other.We watch 'Abhisekh Bachchan' getting slapped three times,we see Sonam Kapoor dancing with a pigeon,the Ramleelas,the mosque's,the temples, and the 'Kala Bandar' concept but none of them works.There are also some cameo appearances by Anu Malik and Javed Akthar.The music in the film is very good but the songs in the films say to us that these are the only moments which you will enjoy.

Amitabh Bachchan makes a special appearance but that doesn't make the film look good.I felt like i was watching an Iranian film in which the best part is revealed in the end but 'Delhi 6' does not come in that category too.The concept of 'Kala Bandar' and 'Mirror' looks good but they really don't fit into 'Delhi 6'.

Rakesh Omprakash Mehra tries to tell a old story in an innovative way but it lack's soul which is very crucial for such films.The 'Kala Bandar' in us fails to ignite the passion.

1.5 stars

http://passionforcinema.com/delhi-6-deja-vu-by-kala-bandar/

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