Kis Kisko Pyaar Karoon 2 Review: Kapil Sharma Returns With An Old School Comedy Circus Of Chaotic Fun

The Plot Is Crazy On Paper And Crazier On Screen

Kapil Sharma plays Mohan, also Mehmood, also Michael, and also Manjeet, and this string of intentional alliterations is one of the many deliberately bonkers choices the film embraces. At the core he is Mohan, a man who dreams of marrying his childhood sweetheart Sania (Hira Warina).

Their Hindu Muslim relationship predictably hits resistance from both sets of parents, and one unexpected event leads Mohan to marry Roohi (Ayesha Khan). Another bizarre situation forces him into marrying Meera (Tridha Choudhary). And then another comedic domino falls, pushing him into marrying Jenny (Parul Gulati). Suddenly Sania is nowhere in the frame, and the film jumps headfirst into the whirlpool of how, why, what, and oh no, not again.

This is the entire narrative engine of Kis Kisko Pyaar Karoon 2, and the confusion that piles up becomes its primary gag mechanism. The main question that remains is whether Mohan and Sania will ever reunite, but the film seems far more invested in exploring how far it can stretch its own premise before the audience either surrenders or snaps.

A Sequel That Feels Stuck Between Two Eras

The film constantly ricochets between two tones. On one hand, it feels like something pulled straight out of the 90s David Dhawan–Govinda universe, minus the same effortless charm that made those films endure. On the other, it carries a strange conviction as though the makers genuinely believe this brand of comedy still has the elasticity to land in 2025.

The result is a peculiar juxtaposition that will undoubtedly divide viewers. Some may find themselves helplessly laughing, others may feel allergic to every decision unfolding on screen, and many will oscillate between the two extremes wondering what exactly they are watching.

When The Film Lets Go, It Actually Works

And yet, some jokes truly hit the mark, because they are so gloriously absurd, the sheer silliness becomes the punchline itself. The first half especially thrives on this uninhibited energy. The film never tries to pretend it’s high art. That carefree attitude gives the comedy room to breathe. You get sequences that feel like over-the-top slapstick sketches, each one more ridiculous than the last, yet cleverly strung together with chaotic purpose.

At times the mayhem hits just the right comedic tone. The absurdity becomes electrifying rather than messy, and you find yourself laughing not despite it but because of it. Cinematic logic takes a back seat, and the film embraces the silliness with full gusto. When it works, it lands with a satisfying comedic thud- unpredictable, unrefined, and unexpectedly delightful.

Logic Is Your Enemy Here

But here’s where the trap lies. The moment you start applying basic logic, the entire structure collapses. These events could never, under any circumstances, hold up to scrutiny, and the story is fully aware of this. The film practically begs you not to ask questions.

The more you ask, the more the distance grows, and eventually you will find yourself completely dislocated from the narrative. So yes, questioning the film is forbidden territory. One must simply accept that the world of Kis Kisko Pyaar Karoon 2 operates in its own bizarre gravitational field.

A Colourful Spread Of Performances

What makes matters slightly more fascinating is the ensemble. There are many performances to assess here, and they belong to actors who understand the tone they’re expected to operate in.

Hira Warina, however, disappoints with a stiff, almost mechanical dialogue delivery, even as she attempts to conjure chemistry with Sharma. Parul Gulati looks stunning and does fairly well with the limited space she receives, while Ayesha Khan tries her best to keep pace with the escalating chaos.

Tridha Choudhary emerges as the standout among the women. Her experience, screen sense, and ability to make the most of her limited arc help her shine consistently, not to mention she gets a full blown song that adds glamour and weight to her presence.

In the supporting lot, Manjot Singh once again plays the dependable best friend, and although the trope feels tired, he remains effortlessly charming. Jamie Lever, even with minimal screen time, manages one of the funniest bits in the film. Vipin Sharma unexpectedly flexes impressive comic timing, proving he can be far more versatile than he’s often allowed to be.

The Kapil Dharma Factor

But of course, everything rests on Kapil Sharma. There is a visible attempt to keep him from going too loud or too physically exaggerated this time. He seems more controlled, more understated, possibly to give the chaos around him more room to explode.

His makeup heavy look and perfectly shaped stubble occasionally distract, but performance wise, he is reliably solid. Sharma understands this world, understands its rhythm, and knows exactly how to anchor a comedy that is constantly on the verge of spinning out of its own orbit.