28/12 Episode Discussion!!

Hey there all the lovely people!!
Apologies for being on Jupiter, and returning super late.
Direct to the orange Discussion.

~ishq hi dono tarf jalwa e dildar hua
Warna is heer k ranjhe ko rijhana kya tha ~


Orange is the color is the color of enthusiasm, happiness, joy and determination. It stands in between yellow and red hues, it's exudes heat, but not enough to set fire to things, but enough to warm up passion, the energy to attract.
Kanak walks down the stairs, her anklets creating a music to Uma's ears and soul, he is distracted from his work and she takes her sweet time walking down. It's evident by the way she walks that she is up to something. She comes and sits beside him, their bodies touching. Uma smiles for a moment and reminds her that they aren't supposed to meet. Kanak teaches him life lessons that this phase is to be enjoyed to fullest, for this would be stories for their kid. Kanak is already has an idea that kids are on the horizon in future. She wants memories, experiences, to live with Uma, to break the rules to create new stories. She wants romance, but he calms her down that they aren't supposed to do it. He closes the door on her and she uses the big wide window - for the first time the existence of windows are justified, Kanak stand on the window and she levels his height, he looks up an inch to meet her gaze. Uma can close the door on her but she can sneak in to his heart from the window, she blocks his way, she makes him move by her duppata, he wants to hold her, to breath her in, but he plays by the rule books. He holds her, they are about to fall on the bed - they stumble in the process but none let's go. He holds her up in his arms and carries her and places her out of the window and closes it. She teases him from the other side, passion swirling her senses and he is intoxicated by her. She moves closer, not accepting his refusal, she closes her eyes drinking in their nearness yet being apart by the door, she kisses the glass, leaving a mark on it... she teases him out of his comfort zone, - for a moment it seems like he would kiss back that glass and that would be their first kiss. Uma is happy, Kanak is happy, it's their dance of passion, Kanak wanted to seduce him, to romance, to have him tickle her senses the way she wanted to tease him, to be lost in that moment. It's the sheeer beauty of the scene that it's executed with such perfection, the dance/tease of passion doesn't seem desperate, the refusal is not brutal, but a line is drawn that Kanak would step over the line time and again but Uma would carefully deposit her back in place, but that doesn't affect Kanak, she would multiply her efforts and would always be more determined.
The use of colors coordination is shown beautifully, both of them happy and determined in their own way. They want to be together yet they have rules to follow and break. The whole sequence was indeed a surprise and perfect.

Loved Avinesh and Rhea to bits.



Ps - rest of the episode is just there. But orange is the new love.

Hi Guys

Originally posted by: Parmeen

Hi Guys

Sorry to burst your bubble but Uma will never break his principles. He will not do anything before marraige, that is what he has been taught & he has learnt self restraint.

It is quite funny though in the past he was running after Kanak & see was resisting & now she is running after him & he is resisting.

What will happen during SR is anybodies guess . Will he be blushing bride or will he be the man . Can't wait to see how it turns out😊

Loved seeing him play hard to get though 😊😊

Lovely chemistry between the 2😊😊x

Originally posted by: blueflames

Hey there all the lovely people!!
Apologies for being on Jupiter, and returning super late.
Direct to the orange Discussion.

~ishq hi dono tarf jalwa e dildar hua
Warna is heer k ranjhe ko rijhana kya tha ~


Orange is the color is the color of enthusiasm, happiness, joy and determination. It stands in between yellow and red hues, it's exudes heat, but not enough to set fire to things, but enough to warm up passion, the energy to attract.
Kanak walks down the stairs, her anklets creating a music to Uma's ears and soul, he is distracted from his work and she takes her sweet time walking down. It's evident by the way she walks that she is up to something. She comes and sits beside him, their bodies touching. Uma smiles for a moment and reminds her that they aren't supposed to meet. Kanak teaches him life lessons that this phase is to be enjoyed to fullest, for this would be stories for their kid. Kanak is already has an idea that kids are on the horizon in future. She wants memories, experiences, to live with Uma, to break the rules to create new stories. She wants romance, but he calms her down that they aren't supposed to do it. He closes the door on her and she uses the big wide window - for the first time the existence of windows are justified, Kanak stand on the window and she levels his height, he looks up an inch to meet her gaze. Uma can close the door on her but she can sneak in to his heart from the window, she blocks his way, she makes him move by her duppata, he wants to hold her, to breath her in, but he plays by the rule books. He holds her, they are about to fall on the bed - they stumble in the process but none let's go. He holds her up in his arms and carries her and places her out of the window and closes it. She teases him from the other side, passion swirling her senses and he is intoxicated by her. She moves closer, not accepting his refusal, she closes her eyes drinking in their nearness yet being apart by the door, she kisses the glass, leaving a mark on it... she teases him out of his comfort zone, - for a moment it seems like he would kiss back that glass and that would be their first kiss. Uma is happy, Kanak is happy, it's their dance of passion, Kanak wanted to seduce him, to romance, to have him tickle her senses the way she wanted to tease him, to be lost in that moment. It's the sheeer beauty of the scene that it's executed with such perfection, the dance/tease of passion doesn't seem desperate, the refusal is not brutal, but a line is drawn that Kanak would step over the line time and again but Uma would carefully deposit her back in place, but that doesn't affect Kanak, she would multiply her efforts and would always be more determined.
The use of colors coordination is shown beautifully, both of them happy and determined in their own way. They want to be together yet they have rules to follow and break. The whole sequence was indeed a surprise and perfect.

Loved Avinesh and Rhea to bits.



Ps - rest of the episode is just there. But orange is the new love.

Hi Blue

Blue

Originally posted by: savithp

Blue

Want your take on why Uma thanked Kanak and not maasi after saving uma from pool. Pauli backless pushing into pool i mean.

Hey there
Thank you for reading and commenting.

Uma thanked Kanak for protecting her Mangalsutra (meaning him) because she drove all the way till there with Massi, had she waited for the police or driver, it might have been too late.

Originally posted by: Divyaamurali

Hi Blue

Wonderful and romantic analysis dear I can see how much u have enjoyed seeing last episode from your writing. It was a beautiful episode full of passion happiness and cuteness personified .I enjoyed the entire sequence out of excitement .Alluring and shy Uma bold and beautiful kanak fascinated us Rhea and Av both are exceptionally talented both are dominating each other onscreen this is the uniqueness and the beauty of the hot sizzling pair kanum.Kanak was flirting with uma that scene was full of life the ambience was picture perfect those diyas near bholenath added charm to the background Kanum 's love was sparkling like those diyas.Kanak tries to seduce him to tease him she wants to have beautiful cherished memories to tell to their kids she wants to enjoy the moments she is already prepared for her next stage of life she wants romance she is so cute and bubbly I really wonder is this same girl who ran away from him whenever he tries to get intimate with her earlier she avoids him she won't like him to touch her see how beautifully time has changed now she is making all attempts to get intimate with him she wants to experience his touch love has created the magic .Umashankar is man of principles he is bounded by rules though he is getting attracted intoxicated he control all his passion and desires the entire scene was perfectly executed he is enjoying her cuteness admiring her beauty with enchanting smile he was spell bound by her romantic gestures but then too he maintained his sayyam and sabr.I really don't know how uma is so much in control next to his beautiful seductive wife.Overall it was a beautiful enthralling moments of Kanum.The colour coordination added extra appealing to the sequence

Hey there Divya
Thank you for reading and a lovely comment.

I don't think Uma was shy or anything, he was happy and he was smiling throughout the scene. He is enjoying the attention he was getting. Kanak was teasing him, flirting with him but I don't think it was to get intimate or seduce... but just to be together, spend some time with him, holding hands, in his arms, lie together to count the stars.
Uma Shankar is a man of principles, he was shutting her out of the room, not to refuse her advances but replying back to her in her style. There wasn't a slight second when they both weren't smiling. They both played along the game of passion.

Hai blue.

Originally posted by: Geethanatarajan

Hai blue.

Wonderful analysis.

Description of the orange colour was fabulous.

Kanak was trying to seduce uma. But uma control himself in the name of rules.

Here rejection was not a big deal for kanak. She keeps on flying like butterfly around uma. And spreading her love for him.

Uma was very happy being around with kanak, even though he was surrounded by rules. He still enjoys all the moves of kanak.

When Kanak talks about kids, and uma gets shy and he bent down his head and getting happy. And kanak lift his head, and teases him.

Totally opposite, because our hero was sanskari, and refused her by closing all the door and window. But kanak make her way to enter into the room like a wind.

And kiss scene also, when she gives kiss to the glass. First uma went back. But he comes to the reality, that they were seperated by the glass door. He gets happy on seeing the kiss mark on the glass. And smiles, showing his acceptance, that he was happy with her kiss.

Hey there
Thank you for reading a beautiful comment. I love the way you have used the butterfly analogy.