Continued a message from Cinthiann1758 and her Pagal Girls...
It has been ten years since the scene that I posted earlier…a lot has happened. I wrote the Lucknow Express about 10 years ago. Khushi IS the Lucknow Express…a train with so much force that it took ASR by surprise. She mesmerized him, angered him, and throughout the series we watched her break down his stony heart and have him hop on board the Lucknow Express.
I was so captivated by this couple that when it ended; I was truly devastated. I have two Siamese cats named ASR and Khushi. I had nothing else to do, so I put myself through school and just graduated yesterday with my MSN-Ed and am now a Professor in College… the nutty professor! I did this at an age where others retire, but not me. Life begins at age____.
So, what can I say about our couple? I wrote about ASR’s car, as if was his psychiatrist’s couch. His place to speed and THINK… here is an excerpt from Episode 24:
The road is long and dark, and rain is still pouring down, a lone speeding car comes into view.
The demon is driving the car. This is the first time we see what he does when he drives. Driving in this car, where he is alone with himself, with his thoughts of her, alone with the camera of his mind, the shutters flashing the scenes before his eyes of "that girl" falling into his arms, of "that girl" looking ravishing in her red saree, of "that girl" standing in the rain, and of him saving "that girl" from an oncoming car. Here he is driving in his car, his car where he is free from all scrutiny...his psychiatrist's couch. A safe haven for him to think, feel, see, without anyone knowing. Just him, the car, and the road. A place where he can just go, drive, and think, and drive, and think, and see, and think, and FEEL… and no one will know. Yes, his psychiatrist's couch, where it is safe to think, question, and reminisce. But all these images... his mind just won't stop... STOP!
STOP! He slams on the breaks and swerves to a halt. He gets out. He can't take it anymore. He questions, why for the first time do I feel like I did something wrong? I always do, right? Why? Why do I keep thinking about her? Why? Why do I see her face all the time? Why?
Like lying on the psychiatrist's couch he thinks and thinks and finally comes to an answer.
His answer...
I do not…will not… feel bad. Not for this girl...
CRACK...CRACK... Thunder cracks and the answer comes...
ARNAV SINGH RAIZADA DOESN'T CARE ABOUT ANY GIRL!
So, that is Arnav at the beginning of the show. The man we all went gaga for. The man who
brings me to reminiscing...
The Diwali Scene…
Please let me know, My Dear God
tu hi bata mere maula, tu hi bata mere rabba
Why is the poolside lit with lamps all about and the warm glow is soft like a candlelit room?
It is the perfect place for romance;
a place for me to get lost in emotion.
Why is the poolside, a safe haven to let down my guard and allow all that I am feeling to burst just like the crackers outside on the streets?
The little boy guilt for having her payal is no more, I will take the precious payal and clasps it around her ankle.
This precious payal was her mother's and was returned to its rightful place on Kushi's ankle and I feel content.
She brings her sari down passed her ankle and he stands up; she does too but there are many unspoken questions lingering in the air.
Please let me know, My Dear God
tu hi bata mere maula, tu hi bata mere rabba
Why did I walk away?
She watches me, almost disappointed that I am leaving,
but I turned around,
I was compelled to
as she nervously wrings her hands and looks away.
Seconds pass, but it seems like an eternity, and then her eyes slowly shift upward... gazing into mine.
She has just given me permission...
that was all I needed.
He walks towards her intently, looking into her eyes, her lips quivering, and for every step forward he takes, she takes one step back.
She too can feel it, the powerful attraction and mesmerizing pull.
Thud...
There is nowhere else for her to go. She is up against the wall, cornered.
He is coming closer...
closer...
closer...
she can feel his breath upon her skin.
He reaches and caresses her face.
she closes her eyes in bliss,
his touch so appealing.
Her breath starts as a shallow pant, high in her chest, but then deepens and comes hard and fast,
he moves her so much.
Her hand clenches her sari.
Her pink luscious lips are calling him...
and ever so slowly, he is answering their call.
He wants her with all his being.
he can't fight it anymore.
Just when his lips are about to touch hers,
RRRINNNGGG...
RRRINNNGGG...
RRRINNNGGG...
reality hits…
eyes open...
STUNNED!
His hands release her as if he has been burned.
SIGH...
Continued at Episode111-113 It Doesn't Mean A Thing-Please Let Me Know Dear God-Engaged
The man we wanted Khushi to love and fall hopelessly head over heels in love and they did, eventually. The show went through so much, but by the end, my favorite was Arnav’s, ‘Khushi, I love you’ scene during the kidnapping track, their almost wedding night with Saiyan playing in the background, and Khushi in a white borrowed saree (also during kidnapping escape scene), and their true wedding night under the stars. Everything else kept me coming back for more but to tell you the truth, it was my Pagal Girls, who made this thread and all our other Blasters threads that kept me coming back. We shared everything, old and young, North Indian, South Indian, Bengali, Hindu, Muslim, Christian, whatever, we were one on this thread. One for all and all for one, and we all loved Arnav and Khushi, and IPKKND. These ten years have been so meaningful only for these women in my life and all that we continue to share but LADIES, I truly miss this!!! Thank you all for your efforts and love for IPK and for continuing our sisterhood hamesha!
XOCyn aka Cinthiann1758.
Newbies are not allowed to post hyperlinks
I'M NOT A NEWBIE I JUST CAN'T REMEMBER MY INFORMATION TO RETRIEVE MY CINTHIANN1758!
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