Veere Di Wedding Reviews (Raja Sen pg 10) - Page 7

VeereDiWedding: Fresh take on Love-Life- Marriage: Bold yet Beautiful

Veere Di Wedding: Short Movie Review: Ratings: *** (3/5)'Veere Di Wedding' is a sweet, simple yet bold film that gives various different messages about love, life and marriage!

The film has a bold take to it and that gives it a 21st century modern touch. It's not only about friendship but also about all the different kinds of relationships we make in our lives.


The film delivers a good message, 'No one in the world but it's only you, yourself who matters in the end'. You need to make sure that you are happy and content with everything that you do and everyone else comes later. Listen to your heart and not the society.


Performance wise: Kareena Kapoor has been a surprise package. Shikha Talsaniawill keep you entertained all throughout, Sonam Kapoor has improved a lot but her over-the-top drama scenes are still the same. However, Swara Bhaskar has disappointed us a lot. She could have been used well as she is a stellar actress. It was very evident that she was struggling with her new and never-done-before Avatar.


Sumeet Vyas is a bundle of cuteness in the film, you would want to have a boyfriend like him.


The film is very intriguing in the first half but somehow fails miserably in the second half. There are scenes that are so over done, the pace that's gripping and entertaining before the interval, walks at a snail's pace later on. Humor portions look forced at some places and the way modern women are portrayed in the film, it's not true. Not every woman are like the way as you see on the screens.


Owing to the strong buzz that was created around the film, it has somewhere failed to match that up. It could have been made much better.


Overall, the film is a combination of subtle romance, a pinch of cleach drama, adequate amount of humour, entertainment by a few actors, lots of beautiful messages and some sweet moments.


Starring Kareena Kapoor, Sonam Kapoor, Swara Bhaskar, Shikha Talsania in lead roles and Sumeet Vyas in a pivotal role, 'Veere Di Wedding' is releasing on June 1, 2018


So take your Veeras along with you to enjoy this funny, entertaining, bold yet Beautiful film!

Cast: Kareena Kapoor, Sonam Kapoor, Swara Bhasker, Shikha Talsania

Director: Shashanka Ghosh

Rating: 3.5 stars (out of 5)

"Do you know who his mother is?" Three girls giggle in mock scandal after the fourth girl comes back from an unexpected tryst, and this question is posed to remind the straying girl that she has just slept with the son of a notorious gossip. The query, asked in an unmistakably Delhi vernacular ("You know na uski Ma kaun hai?) mirrors that familiar cliche of North Indian masculinity - "Jaanta nahin mera Baap kaun hai?" - where men play bully by asking others if they know who their father is, as if the asker himself was mildly concussed and had forgotten.

Veere Di Wedding, an all-girl ensemble comedy directed by Shashanka Ghosh and written by Nidhi Mehra and Mehul Suri, subverts the usual and the expected at many a bend. It starts out as a buddy film set in the familiar band baaja baroque world of a Delhi wedding, but there is more to this film than initially meets the eye, and certainly more to these ladies than meets the guys. This is a film that rolls its eyes at 'happily ever after.' It knows weddings are hard, marriages take work, and that, occasionally, pampered princes need to be knocked off the moon-shaped thrones picked out by their mothers.



When we first meet the four heroines, they're in school uniform. Theirs is the kind of early sisterhood that predates judgement; they are friends first, before being battered by world and circumstance into becoming the adults they become. Like us, all four characters are dysfunctional and broken in their own way, but they are honest and unmerciful, committed to each other. They derive their fierceness from being a unit. We can sit near them, but - to borrow from Tina Fey's Mean Girls - we can't sit with them.

They don't know what they want. Sakshi is a flamboyantly wealthy brat struggling with a divorce who likes her drinks straight-up, Meera is an exasperated mother who is only too glad to leave her Batman-pyjama'd child in more grown-up hands; Avni is a divorce lawyer who really (really) wants to get married; and Kalindi, on the other hand, is the child of an oddly broken home, preparing to tie the knot while not believing in it.

The film starts off far too loud, with incessant and overdone background music and sound effects to try and tickle audiences. This makes Veere De Wedding feel, at first, like a bad sitcom, which is not just at odds with the authentic performances but occasionally makes them appear less subtle than they are. Shikha Talsania and Kareena Kapoor perform impressively - and casually - enough to cut through this cheesy treatment, but the film's style initially makes Sonam Kapoor and Swara Bhasker appear a bit broad, even though all four characters play off each other very well.

The writing is assured and nuanced, with telling details about these girls, their men, and their families. After a while as the over-the-top background sounds settle - or we get used to them - the film's cleverness becomes apparent. Veere Di Wedding lands several blows to the patriarchy while never giving up its masala entertainer roots. It is the kind of film that needs to work because of what it says.

It is a film that features a nonchalantly, openly gay couple, but not an eyebrow is ever raised and there isn't a whiff of homophobia. It is a film where a girl lying about a phone call says it was Airtel, that relentless spam provider we have all been struck by. It is a film where a bride is amused by her choreographer, and later, when she's caught downing a few glasses by the wedding cameraman, she doesn't miss a beat when asking him to delete it later. Right now she's drinking, and that's what matters.

Here, a striking girl is repelled by an obnoxious young man. She is appropriately mortified by his opening question - "Are you from Khalsa College?" - and doesn't care to find out his name, referring to him, dismissively, by his last name, 'Bhandari,' saying it as if he were her upholsterer or property dealer. Yet there are some of her itches even this man without a first name can scratch, and this film and the girl are brave enough to acknowledge that.

The casting is clever and spot-on. Kareena Kapoor is terrific as Kalindi, waking up and forgetting which hand the ring finger is on. She, the most mainstream of heroines - in this irreverent, family-hating part - gives this foulmouthed film new subversive meaning, while giving audiences something surprising. Shikha Talsania's disgruntled Meera brings warmth and believability to the film, and the immensely likeable actress never hits a false note. I really look forward to seeing her in more films.

Swara Bhasker plays against type as the party girl, Sakshi, in too-short dresses and too few inhibitors, chided for her language even by her friends. Her character seems too cartoonish in her nastiness - in comparison to the other girls - early on, but Bhasker makes them earn her affection. It is once Sakshi comes in for the group hugs that they begin to matter. Sonam Kapoor admirably plays the most messed-up girl, Avni, one who likes saying things like "no sex before the ring ceremony" but likes also to be goaded into 'climbing aboard' new young men by her friends. Kapoor is at her most natural, and many will take this candid performance as proof that this is what the actress must really be like. What better compliment is there?

The cast is solid all around, but other performers I'd single out are Sukesh Arora as Keshav, a silent and stylish man who speaks volumes with his eyes, Vishwas Kinni who makes Bhandari both unmistakably loutish yet vaguely charming, Sumeet Vyas as the groom who used to think only his mother was crazy, and Ekavali Khanna as a stepmother with an alarmingly loud cackle.



Friends are the new family. Weddings are now as much about parents giving away the bride as they are about friends entrusting her to a man they approve of. Veere Di Wedding gets this fantastic bond right, and gives us four dramatically different kinds of women with agency and spirit. Nobody stands in the way of their decisions. Some girls will always choose to argue, just as some mothers will always choose to harangue. We haven't seen these ladies on screen before, and they will serve as an awakening. India could do with an alarm call. Sometimes we need a movie to tell us what an orgasm means.