Sonam Kapoor says her role in PadMan was edited

Radhemaa thumbnail
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Posted: 7 years ago
#1
https://www.hindustantimes.com/bollywood/sonam-kapoor-says-her-role-in-padman-was-edited-to-make-the-film-shorter/story-fisj4O1FFjTsklj9ZWqkiP.html

Sonam Kapoor says her role in PadMan was edited to make the film shorter'



A portion of Sonam Kapoor's role in the recent Akshay Kumar-starrer, PadMan, was edited to keep the film short,' the actor said in a recent interview to Huffington Post India. Sonam plays the foil, and eventual love-interest, to Akshay's character in the film. While he belongs to the village, she hails from the city. "There was more to that relationship than what was shown. It was edited out to make the film shorter. At the end of the day, if we were able to say what we wanted to say, I think it's okay, she said.

Her character, Pari Walia's arc in the film was criticised by several reviewers, who felt that it distracted from the message of the movie. Huffington Post's Ankur Pathak, who also did the interview, said that "The film has a strong enough message and a romantic track (between Kumar and Kapoor) meddles with the plot's inherently powerful premise. The Week's critic, meanwhile, wondered if the love triangle could have been avoided.


Because of her pivotal role in the story, not much could be done to avoid how it ended. Sonam said that "they couldn't remove the last few bits so they did what they could to keep it short.

But she said that she doesn't care about her screen time.You cannot be insecure about such things and constantly kill yourself over screen time. That'll make you suffer. You got to be confident about the value you bring to the film as well as be conscious of what the film is contributing to the society at large, she said.

PadMan, directed by R Balki, is based on the life of Arunachalam Muruganantham, who revolutionised the concept of sanitary pad distribution in India by creating a low-cost machine. The film has earned Rs 74 crore at the box office, cementing Akshay's position as the flagbearer of socially-driven cinema in mainstream Bollywood. Sonam will next be seen in Veere Di Wedding.


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NautankiSaali17 thumbnail
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Posted: 7 years ago
#2

Originally posted by: here4reviews

I'm glad it was edited out because the film did not need anymore of the romantic angle between Pari and Laxmi. Laxmi wasn't divorced, he was always determined to make the pad for his wife, never expressed any feelings for Pari yet it was her who suddenly out of nowhere kissed him before the speech and rubbed it off as ho jata hai, nothing serious, etc. which made Pari come across as a very weird character by the end of the film. Switch genders and there would be equal number of open letters for the Padman climax just like Padmaavati for a man kissing a married woman all of a sudden without any consent.



THIS!!! that scene was super awkward and not needed at all in the film..pari and Laxmi had such a beautiful platonic relationship until that moment..not everything needs to have romantic angle to it...

@bold: well well well, you said it all!! 😛
HayeSiyaapa thumbnail
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Posted: 7 years ago
#3
I didn't understand the need for a romantic angle either. Made close to 0 sense for me. I hate when they just cant leave it platnoic. I think they wanted to add more 'mahaan'-ness to the character by showing him going back to his wife, and pari's character for letting him go, but it added very little to anything else.
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Posted: 7 years ago
#4
I've not seen Padman yet. I do not understand why Bollywood has an obsession with turning everything into a romantic angle. I think the audience is mature enough to be vested in relationships that are friendly or familial in nature. Especially audiences for films like Padman. The romantic angle is a discredit to the movie.
I think English Vinglish did a great job of beautifully showing a friendship where one character wanted more, but the whole thing played out well. Dear Zindagi also did a decent job.

Since I haven't seen the movie - what kind of kiss was it? Lip Lock or on the cheeks? Either way, I agree if a man kissed a married woman it would be a furor. Everyone would come guns blazing.

IMO any kiss without permission is problematic. It doesn't matter if someone is married or not. You do not kiss if it is unwanted. That being said, for me, a lot depends on the situation and the equation between two people.

Sometimes people genuinely misread signs. If some people kissed me without permission, that would be the end of our interaction. For close friends though, I would forgive a trespass - as long as they don't persist despite a no.

I'm glad they edited for brevity. One of my biggest gripe with Bollywood is that they are shoddy at editing. Films go on forever for no good reason.
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Posted: 7 years ago
#5

Originally posted by: return_to_hades

Since I haven't seen the movie - what kind of kiss was it? Lip Lock or on the cheeks? Either way, I agree if a man kissed a married woman it would be a furor. Everyone would come guns blazing.


@bold: lip lock from what I can remember...they didn't show it of course but that's what it meant, I mean the way they showed it..

On topic: that was the worst part of Padman actually, it was a good movie but that love angle just didn't sit well with me..what was the need really? Their relationship was shown nicely but no the makers had to ruin it by inserting the romantic angle. I didn't get it at all!
Zennia thumbnail
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Posted: 7 years ago
#6
BW cine-makers don't understand the concept of platonic friendship
anjs thumbnail
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Posted: 7 years ago
#7
Romantic or the kiss depends on the makers, IMO. So I will ignore it as their wish to show.
But why is Sonam talking about editing of her role if it doesn't concern her.
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Posted: 7 years ago
#8
Jo bhi tha theek tha...the movie was not too long and was spot on ...in giving the message it intended...iss se jyada lambi ho jaati..
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Z-Gen Zest

Posted: 7 years ago
#9
And nothing of value was lost.
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Posted: 7 years ago
#10

Originally posted by: return_to_hades

I've not seen Padman yet. I do not understand why Bollywood has an obsession with turning everything into a romantic angle. I think the audience is mature enough to be vested in relationships that are friendly or familial in nature. Especially audiences for films like Padman. The romantic angle is a discredit to the movie.

I think English Vinglish did a great job of beautifully showing a friendship where one character wanted more, but the whole thing played out well. Dear Zindagi also did a decent job.

Since I haven't seen the movie - what kind of kiss was it? Lip Lock or on the cheeks? Either way, I agree if a man kissed a married woman it would be a furor. Everyone would come guns blazing.

IMO any kiss without permission is problematic. It doesn't matter if someone is married or not. You do not kiss if it is unwanted. That being said, for me, a lot depends on the situation and the equation between two people.

Sometimes people genuinely misread signs. If some people kissed me without permission, that would be the end of our interaction. For close friends though, I would forgive a trespass - as long as they don't persist despite a no.

I'm glad they edited for brevity. One of my biggest gripe with Bollywood is that they are shoddy at editing. Films go on forever for no good reason.


@Bold I totally agree. English Vingling and Dear Zindagi did a great job in this department.

I also liked the relationship between Vidya and the police officer in Kahani. He clearly starts liking her, we are never told about it by the characters, but the expressions do the talking. And not for a moment do they spoil the film by getting in any romantic angle.

Ek mein aur Ek tu was also handled well. There are some filmmakers who try to not take the cliched route, but some just can't seem to let it go.

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