MOM | Reviews & Box Office Thread - 37CR net -DTNpg46 - Page 7

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ImagineMe thumbnail
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Posted: 8 years ago
#61

Movie Review: Mom

by Rachit Gupta | Thu, Jul 6, 2017

Mom



Cast: Sridevi, Nawazuddin Siddiqui, Akshaye Khanna, Sajal Ali, Adnan Siddiqui, Abhimanyu Singh
Director: Ravi Udyawar
Quick take: Intense, taut and gratifying thriller
Rating: 3.5 stars

Mom is a film that excels in its cinematic moments. Its revenge based story is a little too familiar, but the treatment and the obsession with finer details make this thriller an engrossing experience. The film is peppered with strong dramatic moments that keep appearing every few minutes and each one leaves a lasting impact on the viewer. The core theme here is that of a mother, struggling to keep the relationship with her daughter alive. That intimate premise unfolds in a more familiar revenge story where an ordinary mother hatches an unlikely but murderous plot to bring vigilante justice to her daughter's rapists. Mom is a heavy duty, darkly dramatic film that doesn't mince its ideas. It's a story full of brutality and shock. The dramatic punches are what make this film such a gratifying experience.

Sridevi plays Devaki, a teacher and a doting mother. Her family looks picture perfect with husband Anand (Adnan Siddiqui) and two daughters Arya (Sajal Ali) and the young Pihu. Arya doesn't like to call Devaki, Mom. She addresses her step mother as simply Mam. Because Devaki is also her biology teacher. Devaki struggles to break into the good books of her teenage daughter. But she remains hopeful, resolute and positive. Things go haywire, when Arya is kidnapped at a party, gang raped in a car and then dumped to die in a gutter. The tragic series of event, create a massive stress on the mother-daughter relationship. While the mother weeps, wails and tears through your heart. The girl struggles to cope with her tragedy. She pushes the mother away even more, haunting the viewer and scaring them in the process. The first half of Mom crushes the viewers' spirit, deserting all hope and innocence, with clinical precision. Director Ravi Udyawar's treatment of the film is spectacular. The choice of back ground music, the unsettling camera movements, the sense of dread and despair is phenomenal. There's a lot of thought put into crafting each scene, each shot of Mom. Anay Goswami's cinematography and AR Rahman's haunting soundtrack amplify the emotions and the drama. The writing by Ravi Udyawar, Girish Kohli and Kona Venkat Rao is detailed and intelligent.

Mom is not an easy film to watch. The stark power of the first half is quite overwhelming. It's doesn't help when Sridevi acts out of her skin. Every time she trembles and cries, she draws the viewer in. Every emotion that's served up in Mom despair, suffering, frustration, anger etc comes forth with Sridevi's performance. Sajal Ali playing the distant daughter who suffers a horrible tragedy is great in maintaining the coldness of her character. The film also has Akshaye Khanna and Nawazuddin Siddiqui in supporting roles. Akshaye plays an honest and tough cop with great effect. But it's Nawazuddin's act as an eerie but cool private detective DK that steals the show. He's not there in every scene, but every time he shows up, Mom's entertainment value swells up. He handles the comedy, the drama and the heartbreak with ease. Scenes featuring both Sridevi and Nawaz are absolute delight to watch.

The biggest problem with the film is that the second half deviates from the dark and delicious themes of the first, to indulge in the revenge drama track. While the situations in the second half are written with perfect logic, they are bit lofty. The action and the suspense approach distracts from the much more powerful story of mother, daughter and a family slowly nursing itself out of tragedy. But that's how it plays out. The crucial moment in the climax though, makes it all worth the while. Mom is quite literally a thrill-a-minute ride. Its scenes are powerful and the best part is, the effort put in by the actors. Director Ravi Udyawar crafts an intense, taut and gratifying thriller. It's a must watch.

893917 thumbnail
Posted: 8 years ago
#62
12 PM show, i cannot wait!
Thanks for the review hot chic.
ImagineMe thumbnail
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Posted: 8 years ago
#63

MOM Movie Review: Sridevi, Magnificently Expressive, Is A Treat To Watch

MOM Movie Review: MOM is what Raveena Tandon's Maatr, wasn't: relevant, riveting and oddly rousing despite its grim theme

Saibal Chatterjee | Updated: Jul 07, 2017 09:53 IST
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MOM Movie Review: Sridevi and Sajal Ali in MOM

Cast: Sridevi, Sajal Ali, Nawazuddin Siddiqui, Akshaye Khanna, Adnan Siddiqui
Director: Ravi Udyawar
Rating: 3.5 Stars (out of 5)

It plays out along largely foreseeable, if disquieting, lines, but MOM doesn't strictly fall into the category of a conventional rape-and-revenge drama. It breaks free from the genre constraints on the back of a clearly defined moral and emotional context. It presents vengeance as a choice between two wrongs separated only by their respective degree of severity: galat aur bahut galat, as the titular character puts it.

But do two wrongs ever make a right? If all this sounds like a bit of sophistry to justify the act of cocking a snook at the law, it is evident all through MOM that the two vendetta masterminds - schoolteacher Devki Sabharwal (Sridevi) and private detective Daya Shankar Kapoor (Nawazuddin Siddiqui) - are acutely aware of their ethical compass. The ambivalence at the core of the film places MOM a cut above the average Bollywood retribution drama.

MOM Movie Review: Sridevi in a film still


MOM has other assets, too, not the least of which is the outstanding quality of the performances that first-time director Ravi Udyawar extracts from his cast. Add to that cinematographer Anay Goswamy's adroit lensing and lighting, and you have a film that is consistently compelling. The visual compositions, an evocative interplay of light and shadows, create the palpable crevices of darkness where evil is afoot and resolute acts of defiance are plotted and executed. If there is any major grouse one has with MOM, it is with the editing. It's overly indulgent. The result: the film is 15 minutes too long.


Be that as it may, MOM is what Maatr, Raveena Tandon's comeback vehicle released earlier this year, wasn't: relevant, riveting and oddly rousing despite its grim theme.

MOM Movie Review: Sridevi in a film still


Where else could a story of a sexual assault and its bitter aftermath be set but in Delhi. However, the city isn't a mere backdrop here - it assumes a life of its own and serves as a milieu in which a culture of impunity thrives and where no woman is safe. While the film ventures into the nooks and crannies of the metropolis to capture its many divides, moral and social, the screenplay (Girish Kohli) steers clear of sensationalism. The director gets the Valentine's Day abduction and gang rape sequences out of the way quickly and without gloating over the outrageous nature of the incident.

The sense of shock stems from the way the survivor is shoved into a gutter and left to die in the city's sludge - the camera that watches the SUV carrying the perpetrators from overhead moves closer to the lifeless girl and stops short of providing the audience an extreme close-up view. We see her next in a hospital bed dangling between life and death as her mother struggles to make sense of what has just happened to her daughter.

The girl's businessman father Anand Sabharwal (Adnan Siddiqui) cuts short a New York trip and rushes back home. A top-notch Crime Branch cop Matthew Francis (Akshaye Khanna) is given charge of the case. The four perpetrators are quickly rounded up and a chargesheet is filed. A private detective (Nawazuddin Siddiqui) offers unsolicited help to the distressed mother.

MOM Movie Review: Akshaye Khanna and Nawazuddin Siddiqui in a film still


A fast-track court is set up to hear the case, the girl records her statement before the judge via video-conferencing and the parents are hopeful of a favourable verdict. But as it transpires, the criminals are let off owing to the lack of sufficient circumstantial evidence. The gutted mother's faith in the police and the law takes a beating.

Devki decides, with the help of the sleuth she had shooed away earlier, to punish the men who violated her daughter. From here on, MOM assumes the form of a thriller centered on a woman out to settle scores with a bunch of dangerous men. From a conscientious schoolteacher, she mutates into a law-breaker.


While sticking to the established conventions of the genre, MOM finds just enough space to focus on a slew of human relationships. Even the minor ones, like Devki's bonding with two of transgender ex-students who repay their debt to her when she needs it the most or the detective's barely expressed love for his confident, outspoken daughter (who is seen in only one-and-a-half scenes), contribute meaningfully to the plot.

Much of MOM is filmed on actual locations and its characters are believable. The police officer, for one, isn't a swaggering, smooth-talking gunslinger bent upon asserting his masculinity. Akshaye Khanna slips into the skin of this man with minimum fuss and delivers a performance that makes us wonder why we do not see more of him.

Nawazuddin Siddiqui's darkly humorous gumshoe is among the more intriguing men that you would have seen in a Hindi film in recent years. Daya Shankar Kapoor, "DK for short", isn't a smug operator. His deadpan witticisms keep him - and the film - going as he attends to the risky job of ferreting out info for Devki.

MOM Movie Review: Sridevi and Nawazuddin Siddiqui in a film still


Especially delightful is a scene in which the unassuming DK finds himself discussing a huge red canvas at an art exhibition. The artist is inspired by the Mahabharata, the world's oldest revenge tale, and this painting is about Draupadi, Devki observes. DK is totally befuddled. Kahaan hai Draupadi, he asks. Modern art isn't obviously his scene.

The film's pivot, of course, is the strained relationship between Devki and her 18-year-old stepdaughter. It lends MOM its emotional tug. The former's struggle to earn the love and trust of the girl, who still misses her biological mother, serves as the under-wiring that holds the film together. Sridevi, magnificently expressive as the titular figure, is a treat to watch. She seems to make every one of the 50 years that she has spent before the movie camera count in this virtuoso performance.

Sajal Ali, in the role of the troubled daughter, matches the veteran of 300 films step for step. Adnan Siddiqui is unwaveringly solid as the doting father and ever-beholden husband who stands like a rock by the two women.

MOM Movie Review: Sridevi and Sajal Ali in a film still


Not always an easy watch - it isn't meant to be - MOM wields a heavy mallet, but it does so with purpose, precision and panache.

Edited by ImagineMe - 8 years ago
springkissed thumbnail
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Posted: 8 years ago
#64
Waiting on Anupama and Rajeev's reviews. Their reviews are ones I mostly agree with. ⭐️
ImagineMe thumbnail
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Posted: 8 years ago
#65

MOM Movie Review: Sridevi's stellar act is what establishes the crux of the film

Jul 06, 2017 | 19:53 IST | by Times Now

By Raya Ghosh, TIMES NOW

Rating: 3.5/5 stars

Considering the fact that Sridevi made a classic revival with English Vinglish in 2012, folks expected MOM to be equally fascinating if not anything else. The film, however, has nothing much to offer except Sridevi's stellar conduct and an exceptional performance by Akshaye Khanna.

Set in Delhi, MOM struggles to arrange its plot around an arduous relationship between a stepmother and her daughter, and the hazardous nature of the national capital. For Arya (Sajal Ali), Sridevi's Devki Sabarwal is nothing else except Ma'am' as she teaches biology in her school - Arya, at no cost, is willing to acknowledge Devki as her mother otherwise, who leaves no stone unturned in accepting her from soup to nuts. Devki is not even remotely reminiscent of a fairy tale stepmother and strives to make Arya believe so. But, in vain.

Life, however, arrives at a dead stop after Arya is gang raped. Akshaye Khanna plays Mathew Francis, a police inspector, who apprehends Arya's perpetrators but isn't able to do much since they are let off owing to compromising evidence. Devki, thus, actuates her quest for justice and is assisted by Nawazuddin Siddiqui's Daya Shankar Kapoor aka DK, an efficient detective. The second half particularly documents Devki's laborious crusade and the journey, and her sheer grit is what forms the crux of MOM.

Director Ravi Udyawar makes his debut with MOM and does a fine job in defining Sridevi's emotional act in her 300th film in Bollywood. Her performance is nuanced as she deviates from an affectionate mother to a heroic woman - determined about her struggle. Dialogues, otherwise, in MOM, are thoroughly gripping especially when a distraught Sridevi questions: "Galat aur bohat galat ke beech chunna hua, toh aap kya chunenge?

Girish Kohli's screenplay is fair enough, notably, in particular scenes that carefully illustrate Sridevi's excruciating pain which she endures as a result of her daughter's forlorn state.

There isn't much we can conclude about Nawazuddin Siddiqui's cameo as he, with utmost diligence, remits a pivotal role which escalates Devki's powerplay. As for Akshaye Khanna, spectacular is the word for in every scene, he surpasses himself.

Pakistani actor Adnan Siddiqui plays Sridevi's husband onscreen and his role of a helpless father is decisive enough. Sajal Ali, star of several Pakistani serials, earnestly depicts the trauma of a rape victim.

AR Rahman is responsible for the background score but music, however, is not much of a concern in this film which basically navigates through a typical storyline otherwise.

MOM marks Sridevi's 50th year in the film industry and if the paradigmatic plot can be negated substantially, it certainly deserves to be celebrated for her consistent exuberance. Recompense, be that as it may, will definitely arrive in the form of Akshaye Khanna hence.

MalahFirangi thumbnail
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Posted: 8 years ago
#66
KRKVerified account @kamaalrkhan
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#MOM is good like Tv Episodes #CrimePetrol #SavdhanIndia #Dial100 #Hoshiyar etc. So question? why will people pay to watch it in theatres?

Shru77 thumbnail
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Posted: 8 years ago
#67
Did anyone see the movie ?
How is it ?
Jiyagulabi_26 thumbnail
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Posted: 8 years ago
#68

Originally posted by: ZorZorSe

KRKVerified account @kamaalrkhan
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#MOM is good like Tv Episodes #CrimePetrol #SavdhanIndia #Dial100 #Hoshiyar etc. So question? why will people pay to watch it in theatres?

I thought he will thrash itm😆
Jiyagulabi_26 thumbnail
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Posted: 8 years ago
#69

Originally posted by: Shru77

Did anyone see the movie ?
How is it ?

Read hot chic reviews plz.
893917 thumbnail
Posted: 8 years ago
#70
Watched the film! Detailed review later but Sri owned the film. What an actor No I don't care about her pathetic personal life or the silicon on her face, she is one of the best actresses who can nail subtlety on screen. And she will probably give all the recent ones a run for their life because she looked amazing on screen.

Nawazuddin was fabulous as always and the Psk artists were brilliant too. Perfect casting for the roles!

I would give a 5 only for the cast! Otherwise very predictable storyline.

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