Hello everyone.
Yesterday I read the news that the latest TRP is 1.1, and everyone was saying that it is the lowest its ever been. And it was once 2.1! And the show is no longer second on Zee, but third, with Woh Apna Sa becoming second. Now I'm sure that the makers of the show think more about this than us, as it is tied to their bread and butter. I don't have anything pathbreaking to say, but thought I'd share this here to see what all of you think.
I think there are two ways in which Indian tv shows become successful. The first sort is the obvious type: you get very high TRPs. Now though we may dismiss most of them as being repetitive, unimaginative or just plain disgusting, they work for their target audience. I don't think there is any one formula for making such a show, because otherwise all such shows would be hits, but within the formulaic there are those that find TRPs and those that don't, and there often isn't a correlation between quality and success.
The other kind of successful TV show is one which manages to create buzz. It may not have high TRPs, but has a good and loyal following, both online and in the real world. People are aware of the show, know the names of the characters and say mostly positive things about it. A lot of these shows have younger viewers, who then also spread that positive buzz around online. A few such shows that I can think of are Iss Pyaar Ko Kya Naam Doon and Kuch Rang Pyaar Ke Aise Bhi. In its initial stages, Yeh Hai Mohabbatein had both TRPs and positive buzz, but that changed as the show lost steam. And I'm sure there are other examples that you can tell me more about.
Our show used to be the second type of show. Online chatting and a reality show within the show were both initial things that generated a lot of positive hype, and attracted a loyal fan following. The Ajay track made the liberal credentials of Shaurya clear and the pre-wedding track was I think quite popular because the highest TRPs are from that time. The half wedding lost a lot of loyal fans, and it was an uphill climb again. And then when Mehak left Shaurya, a lot of the fans came back. Because those were also intense and excellent episodes and drew people in.
I think they lost steam again when Mehak was kidnapped and stabbed. Shaurya's realisation of love seems anti-climatic in retrospect, and again we were off on a "will they be able to get married or not" chase with Kanta chachi becoming the villain and what not. Which has now brought us to the big secret from the past, to Nani and a slew of villains.
If from day one they had shown that Shaurya also has these type of relatives, if they had made "apshagun" and "lalla" an integral part of the show, it wouldn't have jarred so much now. I for one wouldn't have been watching this show, but someone else would have been. But now they are losing their core audience while new audiences are not going to start watching midway only because of nani and apshagun.
To be fair to the makers, I think they are aware of this and perhaps that is why they brought in the inspector, to provide an antagonist worthy of Shaurya rather than weaken his character by making him vulnerable to the likes of Nani. We complained so much about that, didn't we? I don't mind watching any face off between this new inspector and Shaurya because at least there will be good acting. I would also welcome anything that gets Mehak out of good bahu mode.
Anyway, the point is that the makers have to figure out for themselves what sort of show they want to make and what sort of audience they want to attract. I don't have a problem with saying that we want to appeal to the lowest common denominator and that is what we are trying to do. But it is difficult to change tracks, and in trying to be all things to all people you just end up being all over the place.