Yaara tere sadke ishq sikha main toh
Aayi jug taj ke ishq sikha
Main toh yaara tere sadke ishq sikha main toh
Aayi jug taj ke ishq sikha
Jab yaar kare parwah meri
Mujhe kya parwah iss duniya ki
Jug mujhpe lagaaye pabandi
Main hoon hi nahi iss duniya ki
As the
music began and Khushi and NK made their entry everyone became
mesmerized by the chemistry they shared due to the platonic love they
shared with each other since several births and which will continue for
births to come. Their bond was something which mere words couldn't explain. Divine and profound was it, and purer that the purest it was.
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi (x2)
Every time every minute all the day
Tumhi ho bandhu, sakha tumhi
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi
Khushi and NK were lost in the past whose memories not only carried hurt
and anger but also a sense of pride of having such great friend who
would help in any situation you are in and a friend who would do anything but wouldn't want to see you in pain.
Dil ki takhti par hoon likhti
Ishqaa.. ishqaan
Jug kya jaane dil ko mere
Ishqaa.. kiska (x2)
Lag yaar gale le saar meri
Mujhe kya parwah iss duniya ki
Tu jeet meri, jug haar meri
Main hoon hi nahi iss duniya ki
Khushi had
reminiscences of the ill words used for her and those words which
reverberated loud and clear in the court hall of Hastinapur but this
friend of hers had always supported her; supported her when the whole
world had left her side.Though the world sees her as unlucky
woman, she saw herself as a very lucky woman to have a friend like her
Govind. NK
felt the pain whenever his eternal sister felt it after all such was the
bond of Narayan and Parvati and he was sad that the game changer of the
history's
life itself was so distorted for a noble cause that people had
questioned her deeds and her words more than what anyone could bear.
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi (x2)
Every time every minute all the day
Tumhi ho bandhu, sakha tumhi
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi
Their
dance had all these emotions in them which were so pure that it could
compete even River Ganga and the dance was so overwhelming that Lavanya and Arnav who had the knowledge of the past, felt their eyes well up. The two which were closest to the pair dancing on the stage reminisced the love of their Kanha in front of which every emotion would fall short. The Almighty had turned charioteer to one and for one, he had turned into an attached brother who would train their son as his own and feel more pain than any of those when he died more bravely than anyone else in the war.
Ban ke chahat nazron se khat likhna likhna
Tu hai jaisa, mujhko waisa dikhna dikhna (x2)
Be sabaq suroron ka saaqi
Mujhe kya parwah iss duniya ki
Tu paas mere jug paas mere
Main hoon hi nahi iss duniya ki
The
world had blamed her for things which she had not done and he had
accepted curse for taking up a good cause in a good path. Yet people had complains against them, and had questioned their intentions. Indeed, such unfair world it was.
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi (x2)
Every time every minute all the day
Tumhi ho bandhu, sakha tumhi...
Tumhi din chadhe, Tumhi din dhale
Tumhi ho bandhu, sakha tumhi
The
dance which had pride, happiness, pain, anguish finally ended gaining a
standing applause by many due to its heart touching feel for a reason
they couldn't understand. As the dance completed and Khushi & NK
bowed down and NK proceeded to the mike while he felt a pull on the
right hand to which he saw his dear Arnav stopping him while he knew that he was dragged into the next dance by his other friend.
NK was in awe seeing his Arnav in his Brihanalla roop yet again. Khushi & Lavanya drew close to the mike as they were near the stage and they said,
"
Waah Ji Waah!! Arnav Singh Raizada, ladki banne ke baad hi kuch kar sakta hai!!" Arnav gave
an angry glare towards them which stopped Lavanya but not Khushi, who
continued her smirk with a confident face. The music started,
Sahebaan, kadardaan, meharbaan
Dil thaam ke baithiye kyun ki
Ab aapke saamne tashreef la rahi hain
Agra ki azeem fankaara
Mallika-e-Husn, noor-e-nazar
Mohatarma Mohini
The
description suited Brihu so much that whistles were blown from
everywhere including the brothers of Brihu. Amrita was all embarrassed at
her naughty son's , naughty song selection.But she couldn't even scold them in the public. And everything was allowed in the premarital rituals and this was a part of it.
Ladke o re ladke kahaan se aaya hai re tu
Pyara hai re shaqal se
Akal ka mara hai re tu (x2)
Haan jal gayi, haan jal gayi
Meri baaton se tu jal gayi
Haan khal gayi, tujhe khal gayi
Meri beparwahi khal gayi
Mohatarma tu kis khet ki mooli
Hai zara bata
The
Stage sizzled with the chemistry being shared by NK & Arnav while
romancing or well bromancing or romancing or whatever! The people saw
the sensuality of the performance but failed to see the feelings
reflected on Arnav's and Kanha's face.
TV pe breaking news haaye re mera ghagra haaye
Baghdad se leke Delhi via Agra (x2)
Ghagra ghagra tera ghagra ghagra
Tera ghagra ghagra via agra (x2)
Ghagra Ghagra...
Ghagra Ghagra...
That
one step certainly made girls jealous of Brihu and attracted towards NK 's charm and divine smile which was turning naughty. Their
minds which were connected were far from the feeling echoing in the hall
as they were lost in pious bond of friendship which bound them from the
time began as Shiv and Vishnu.
Main hawa - Toh ud ja
Ghata - To mud ja
Kali - Kahaan ki
Adaa - Hat abhi
Bada besharam hai tu to lukkha hai bada
Yeh kamar - chhupa le
Nazar - Ghuma le
Pata - Main poochun
Umar - Tu jaane
Dekho berukhi pe kaise atka hai pada
Khushi cursed Arnav under her breath for making her best friend dance along with him and that too on a song like that. Again the spot light was spreading magic in the air. Everyone gasped as the patli
kamar, the graceful adaa and the eyes were highlighted with it!
Haan dhal gayi re dhal gayi
Tu shaam ki tarah dhal gayi
Haan khal gayi tujhe khal gayi
Meri bheparwahi khal gayi
Mohatarma tu kis khet ki mooli
Hai zara bata
Bematlab ki...
Bematlab ki bakwaas tera ghagra
Baghdad ho ya ho Delhi via Agra
TV pe breaking news haaye re mera ghagra
Baghdad se leke Delhi via Agra
Everyone
was now enjoying the performance including the elders. Khushi was
feeling nervous now that they might lose the competition now but she consoled herself by saying that NK was from Dulhan waale so even we will get some
points.
Haaye re mera ghagra
Mera ghagra... ghagra aa aa...
Haaye re mera ghagra aa..
Ghagra mera.. mera mera...
Main nasha - utar ja
Khata - sudhar ja
Itar - main soonghu
Ghazal - main gaaun
Aise ban raha hai jaise koi tope hai
Main maza - main chahoon
Saza - main kaatoon
Raza - main poochhoon
Juaa - kyu kheloon
Hopeless hai tu phir bhi thodi hope hai
All
the Pandav brothers, excluding the groom himself came up on the stage with
fake money in their hands. They started dancing around the dancing pair and money
was put down by them like rain.
Haan tal gayi, haan tal gayi
Aafat ki tarah tal gayi
Haan khal gayi, tujhe khal gayi
Meri beparwahi khal gayi
Mohatarma tu kis khet ki mooli
Hai zara bata
Udhti firti afwaah tera ghagra
Baghdad ho ya Delhi via Agr
TV pe breaking news
Haaye re mera ghagra haan
Baghdad se leke Delhi via Agra
Ghagra ghagra tera ghagra ghagra
Tera ghaghra ghaghra via agra
The
dance ended leaving a sensual atmosphere in the air and everyone was
enjoying it. The brothers got down and when Arnav uff Brihu was about
to go down the stage he felt something hitting him but it was soft so he
turned around to see Khushi in a blue saree looking like Madhuri Dixit
and she was rotating the hand catapult on her index finger and
naughtily winking at him and Arnav understood what was going on! The eternal Didi Ka Dewar and Bhabhi Ki Behen Ka Banter!
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