Rangrasiya: Where it all went wrong.

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Posted: 11 years ago
#1

Rangrasiya: Where it all went wrong.

Hi Everyone! Hope you're doing well and enjoying a good work week. So I've been thinking about this for a while and it's been on my mind. I've been contemplating where they show went from this passionate love story and in essence when it ceased to be such- it wasn't just Paro's death, but rather there has been a dissipation of action and drama throughout the show's 8 months thus far. I'm not trying to be a Debbie downer but I'm just getting this off and out to outline the issues the show has had via the writers and creative's that may have contributed to the lower TRPs, in essence they caused the lower TRPs by certain fallacies and inconsistencies and instead of fixing the small issues to solidify an already amazing story line and concept they decided to blow it all up: quite literally.

So, in that step here is what I'm breaking down and please feel free to tell me if you agree or disagree.

i. A Concept BEYOND their Understanding



Sometimes, being too good can be an issue unto itself. Where did Colors go wrong? Quite possibly overselling a product with not the appropriate writing team committed long term to the sustainability and longevity of the show; here are some of the following key aspects of the show which depict the common and uncommon factors of RR.


A. Dramatic Back drop (Fairly Common)

B. Political Connotation (Uncommon)

C. Passionate Love Story (Common)

D. National Pride (Uncommon)

E. ML & FL Extensive histories (Uncommon)*

F. Cinematic Feeling (Uncommon)

G. Violence/Action (Uncommon)

A. Dramatic Back Drop (Fairly Common)

TV Serials are designed to be dramatic, that's why they're called dramas however RR had a different aspect to it; it out right claimed to be intense, dramatic and life altering (I mean, just look at the promos) this wasn't selling itself as a sweet saas bahu drama, or sweet love story, there was not pretense of being an aam story- it was portrayed as dramatic in every sense of the word.

B. Political Connotation (Uncommon)

This is something that few shows outright get into, and RR is one of them- India- Pakistan relations; Arms trade; desh drohis etc are something that most traditional TRP aunties don't care for.

C. Passionate Love Story (Common)

This for all intensive purposes is something that all serials at one point or another show- a love story (passion is obviously up to interpretation) but in each story no matter what it's about there will be a main plot, or sub plot or even a parallel plot of romance. RR's Love story was it's only common ground with viewers from the get go- the basic premise of the love story- but the rest of the points (A-B-D-E-F-G) are what made the story so different and entertaining to watch- a cut above the rest.

D. National Pride (Uncommon)
Just like B, there are some shows that will occasionally venture into this- usually around August 15th and show some semblance of National Pride; RR was different because of the location of the show, political topic, and in some respect the love and sense of pride and honor Rudra felt in terms of being a BSD officer- the dialogues, lines, and acting in these scenes were potent and really gave off a feeling of National Pride which isn't at the forefront of numerous other shows.

E. ML & FL Extensive histories (Uncommon)*

I put an asterisk against this one because it's uncommon to an extent. We usually get an extensive background story of one lead compared to the other, one is introduced to us later than the other, but here in RR the leads are introduced in conjunction with each other- it is made abundantly clear from the get go that these two children will cross paths when they are older, that they will have a story for us- a story that involves them.

Beyond that we get a glimpse that BOTH of these characters will have key plot lines that will lead to other plot lines (I'll discuss this in Point ii. )

F. Cinematic Feeling (Uncommon)

Obviously not common in Tellywood, but RR initially (key word- INITIALLY) was very potent in it's editing, sound, direction, cut, and composition- I felt like I was watching a movie, the visuals were absolutely stunning- that however is not the case anymore.

G. Violence/Action (Uncommon)

This is something that not many serials will venture into from the get go; sure the hero may throw a punch to save his girl, but never is there overt action in a smartly choreographed way that was initially shown in RR with the BSD border sequences and with Rudra. That's a thing of the past now.

ii. Failing to do Justice


credit: cute_Ash

If you refer back to i.E you'll note that I mention the ML and FL Extensive Histories; this is what I mean by that:

Parvati


credit: tumblr

There's no mistaking that she's going to be a key part of the story- afterall she is going to be a catalyst for change, there's the surface level change we'll anticipate in terms of her making Rudra Human, but beyond that there is the change of her becoming stronger, being a protector, not just the protected.

Her discovering the injustices of Tejawat and all the girls before her that suffered a fate she was saved from- it was a story line that was beyond the understanding of the CVs and they completely failed to do justice to what should have been a 50/50 story of the FL and ML lead, it went from a love story to something else halfway through- more of a story of personal change for Rudra.

Rudra


credit: tumblr

Rudra's character was always shown as being strong, a Grey Character that will evidently turn golden with the love and nurturing of Parvati- there is no mistaking that. However, his story became the center story, his daemons were shown as the show's daemons. What on earth was the point of this? Getting Fangirls? Garnering female viewers to fall in love with his plight? From the middle of the show the story shifted, and while that shift at the time seemed to be just a swing of movement, it seems that it never really came back to it's center. Even when this was the case, Rudra's story was still not executed with finesse and tact like the show initially was- sometimes excruciatingly slow, and at other times rushed to move on.

PaRud:



credit: ayshaomar

We got PaRud, and the glimpses we got were visually stunning (Afterall SanIsh are gorgeous) but the reality is that PaRud never got their due in terms of being together. After all of the waiting for their moments of sincere affection and love being expressed, it was simply rushed and then put to an end.


An eternal love story cut short- Ironic? Possibly but what's even more painful is that the concepts laid out in the show were NEVER followed through on. Here's what I mean.

iii. Failure to Follow Through

After presenting interesting characters- positive and negative- here are just SOME of the points and story lines that the CVs failed to follow through on:

A. Nandani Jeeja: We never find out what happened to Paro's cousin. We don't know how she is, what her story is, and what will happen to her- they killed off her story way before they killed off Paro.

B. Mohini's Hand: We never find out what Mohini's involvement was in terms of ruining Dilsher and Mala's marriage, although it is CLEARLY implied throughout the show that Mohini had a very sinister hand in this all.

C. Tejawat: The most handsome villain in the history of TV just fell off of the face of the earth. No big Deal.

D. Laila: The typical vamp that is a staple for TRP Auntijis is gone. Yay but also Lame. There was no resolution.

E. BSD became a part time job: The Border became suddenly quite and the heart of Patriotic-ness was replaced with a very watered down version of everything.

F. Adoption: A great social and cultural story line that could have been a wonderful subplot of a childless couple finding their child through a means of adoption (Maithili & Samrat)

G. Eternal to short lived: The biggest bait and switch in TV history: Paro being killed (need I say more?)

ThiThis in essence is what I see caused the fall of RR:

Going beyond your means and talent in terms of being Creatives (overselling your story) followed by failing to justice to different concepts beyond your means, and finally when all is said and done simply ABANDONING the story lines you were unable to understand and develop completely.

credit: Cute_Ash

-_______-
OK. Rant is done. LOL


Reeha

Edited by reeha...k - 11 years ago

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Midnightsorrow thumbnail
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Posted: 11 years ago
#2
Rangrasiya from December to April was a masterpiece.

brilliant work of art & storytelling, it was balanced between the love story and other tracks as well... I had no complain about anything in RR during those times.

Downfall - Overdose of family drama 🤢 That crap had be running away from the show.

New track - It's fun, I'm enjoying it to be honest... I wish RR would have had this kind of positivity when PaRud love story was going on but instead with got Laila, Mohini, Shantanu and Mala nonsense. 🤢
Suni thumbnail
13th Anniversary Thumbnail Voyager Thumbnail
Posted: 11 years ago
#3
Fantastic post!
Only thing is, more than the writers (they are pretty good and probably write the story that the PH tells them to) , I would blame the PH for changing the story so much just to chase TRPs and would also blame Rangeela. Would also assign some blame to the musical chairs that the directors are playing - 5-6 directors in 7 months! That has got to affect the show. The quality of the directors has been declining. Not impressed by the last 2-3.


The 2 stories I really wanted to see other than PaRud's were Nandini jija's story and Maithili/Samrat adopting a child. Oh well...
-Mukti- thumbnail
11th Anniversary Thumbnail Dazzler Thumbnail
Posted: 11 years ago
#4

Originally posted by: PhoenixRising

Rangrasiya from December to April was a masterpiece.

brilliant work of art & storytelling, it was balanced between the love story and other tracks as well... I had no complain about anything in RR during those times.

Downfall - Overdose of family drama 🤢 That crap had be running away from the show.

New track - It's fun, I'm enjoying it to be honest... I wish RR would have had this kind of positivity when PaRud love story was going on but instead with got Laila, Mohini, Shantanu and Mala nonsense. 🤢


Agree with you.
947708 thumbnail
Posted: 11 years ago
#5
Down fall was because of ST he sidetracked the original script and no scope to other characters .
Deedeepa1 thumbnail
13th Anniversary Thumbnail Rocker Thumbnail + 5
Posted: 11 years ago
#6
Wowww amazing post 👏
180506 thumbnail
Posted: 11 years ago
#7

Originally posted by: PhoenixRising

Rangrasiya from December to April was a masterpiece.

brilliant work of art & storytelling, it was balanced between the love story and other tracks as well... I had no complain about anything in RR during those times.

Downfall - Overdose of family drama 🤢 That crap had be running away from the show.

New track - It's fun, I'm enjoying it to be honest... I wish RR would have had this kind of positivity when PaRud love story was going on but instead with got Laila, Mohini, Shantanu and Mala nonsense. 🤢

@Bold: Completely agree, Masterpiece is EXACTLY what RR was. Now it's just a typical show- nothing amazing about it regardless of the great acting, the light heartedness is nothing we could not have had in the initial story line woven seemlessly if that's what the writers and PH wanted for TRPs.

They sacraficed genius to get to kitchen politics and family drama only to settle for mediocre and run of the mill 😭
180506 thumbnail
Posted: 11 years ago
#8

Originally posted by: Suni

Fantastic post!

Only thing is, more than the writers (they are pretty good and probably write the story that the PH tells them to) , I would blame the PH for changing the story so much just to chase TRPs and would also blame Rangeela. Would also assign some blame to the musical chairs that the directors are playing - 5-6 directors in 7 months! That has got to affect the show. The quality of the directors has been declining. Not impressed by the last 2-3.


The 2 stories I really wanted to see other than PaRud's were Nandini jija's story and Maithili/Samrat adopting a child. Oh well...


Thank you very much dear!

You're correct, that the writers ultimately only take the direction that they are paid and told to take- when I say writers, consider it the whole PH, Producers, Channel etc - in the spirit of the people driving the stupid changes. :)

I agree with your two top line stories- I really wanted to know about Nandini and wished Maithili and Samrat would adopt :(
180506 thumbnail
Posted: 11 years ago
#9

Originally posted by: rockstar29

Down fall was because of ST he sidetracked the original script and no scope to other characters .


Yes- he completely butchered an ingenious concept in the name of TRPs
gshafi thumbnail
Posted: 11 years ago
#10

We got PaRud, and the glimpses we got were visually stunning (Afterall SanIsh are gorgeous) but the reality is that PaRud never got their due in terms of being together. After all of the waiting for their moments of sincere affection and love being expressed, it was simply rushed and then put to an end.


An eternal love story cut short- Ironic? Possibly but what's even more painful is that the concepts laid out in the show were NEVER followed through on. Here's what I mean.

iii. Failure to Follow Through

After presenting interesting characters- positive and negative- here are just SOME of the points and story lines that the CVs failed to follow through on:

A. Nandani Jeeja: We never find out what happened to Paro's cousin. We don't know how she is, what her story is, and what will happen to her- they killed off her story way before they killed off Paro.

B. Mohini's Hand: We never find out what Mohini's involvement was in terms of ruining Dilsher and Mala's marriage, although it is CLEARLY implied throughout the show that Mohini had a very sinister hand in this all.

C. Tejawat: The most handsome villain in the history of TV just fell off of the face of the earth. No big Deal.

D. Laila: The typical vamp that is a staple for TRP Auntijis is gone. Yay but also Lame. There was no resolution.

E. BSD became a part time job: The Border became suddenly quite and the heart of Patriotic-ness was replaced with a very watered down version of everything.

F. Adoption: A great social and cultural story line that could have been a wonderful subplot of a childless couple finding their child through a means of adoption (Maithili & Samrat)

G. Eternal to short lived: The biggest bait and switch in TV history: Paro being killed (need I say more?)

ThiThis in essence is what I see caused the fall of RR:

Going beyond your means and talent in terms of being Creatives (overselling your story) followed by failing to justice to different concepts beyond your means, and finally when all is said and done simply ABANDONING the story lines you were unable to understand and develop completely.



I agree with all of the above. Especially about A C E F, these story lines should have been explored. I've recently watched RR again and felt that Paros fate was decided by the Cvs when they added in the consummation scene, there was absolutely no warmth or affection shown between the couple after their big night and morning after. That would have been shown if they had not rushed the script to kill off Paro.


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