Ni sa ga ma pa ni
Kaa karu sajani
Sunaina Sunaina
Aapki madbhari aankhon ko kawal kehte hai
jab deep jale aana
janeman janeman tere do nayan
kahaan se aaye badra
surmayi ankhiyon me
mana ho tum behad haseen
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"The soul of music slumbers in the shell
Till waked and kindled by the master's spell
And feeling hearts, touch them but rightly, pour
A thousand melodies unheard before!"
If people on this world are envied to our country especially our state it is her natural beauty and gifted musicians. The passion of music has no barrier of languages; it is the universal language of your soul. In a country where the cultural heritages ever persist, like ours, music remains as an ideal integral of secularism. The ornaments, and the amusements of life, are restricted to values where music is priceless. Anyone with an imaginative mind can feel and float in music. As Shakespeare said, "If music be the food of love, play on".
Padmashree Dr. K. J. Yesudas is second to none in the history of Indian music. He conquers the dual sphere of light music and classic music. His supremacy in the field of music is unparalleled to the rest in the continent. He made his first stage appearance at the age of 12. He is the only singer in India who bagged the National title for the best singer four times in a row. He has already sung more than 30,000 songs in different languages. The only two Indian languages where he hasn't entered are Kashmiri and Assamese. His Malayalam film song collection exceeds 4000. He has already recorded in several songs in Tamil, Kannada, Tamil, Gujarathi, Telungu and Bengali.
Born on 10th of January 1940 in an ordinary family as the son of Mr. Augustine Joseph Bagavathor (musician) and Mrs. Elizabeth at Fort Kochi, Padmashree Dr. K.J. Yesudas had to struggle during his childhood even for continued education. After obtaining diplomas in Sangeethabhushanam and Ganabhushanam, he was denied chances for singing in Akashawani (All India Radio) and also during his first attempt in one of Kunchacko's film "Nalla Thanka". Finally he got a break with the song "Jyathibhetham Mathadheshwam, Ethumillathe sarvarum sodharathewna vazhunna Mathrukasthanamanithu" in the film "Kalpadukal" (foot print) in the year 1961. He was closely associated with the famous Kalabhavan, the workshop of music, for years. His voice is the most popular one in the hearts of Malayalees. His voice holds the pride of being recorded the maximum number of times in Malayalam, language.
In his early years, young Yesudas was a serious Mohammed Rafi fan. These two singers embody the confluence of a very lovable personality with a divine voice; their careers have been motivated not by money or other personal gains, but by eagerness to discover the various waves of the ocean of music.
Among hundreds of honors during his career, following are the most thrilling ones. Earlier in 1976 he won the coveted "Sur Shringar Samsad" Award. The ex-president of India Neelam Sanjeeva Reddy gave him the "Geetanjali" as a symbol of national integration. For his outstanding contributions to classical music, the President of India bestowed the 'Padmashree' in 1984. Bagging the best film singer award in 1993 for the malayalam movie Soapanam made him the first singer ever to get the national award four years in a row; the three other awards were for "His Highness Abdullah" (1990), "Bharatam" (1991) and "Sargam" (1992). Having risen to fame initially as a film singer has made his rise to the status of a top class classical singer slow and fraught with skepticism. Yesudas as a classical giant had been taken more seriously after his famous concert at the Shanmukhananda Hall in Bombay when Chembai Vaidyanatha Bhagavatar gave him the congratulatory shawl. A similar spontaneous response also came at the esteemed Madras Sahitya Academy from the maestro Balamurali Krishna. "Chitchor" also won him a Film Fare Award in 1980. In 1991, he received the honorary degree from Annamalai University in receipt of his priceless contributions to music and art. In the same year he received Latha Mangeshkar Award. He is also the recipient of 18 Kerala State Awards, 8 Tamil Nadu State Awards, 5 Karnataka State Awards, 4 Andhra Pradesh State Awards, and one Bengal State Award. He also received "Star of Cochin Award" in 1992 and subsequently Government of Kerala acknowledged him as "Asthana Gayakan".
Inspite of the various accolades and awards that have embellished his career, in person Yesudas remains extremely humble and direct. A down-to-earth nature is the best word that can be used to describe him. His approach to life has always been musical, that of a saint who worship music as his god, that of a pilgrim who goes on a pilgrimage in search of solitude and the real essence of music. His family is blessed with his devoted and dutiful wife Prabha and his three sons, Vinod, Vijay and Vishal. Vijay, is second son, has the inborn talent of his father to carry on the hereditary tradition to the next generation.
Thanks , Barnali di.
Though he did not sing as many songs as his contemporaries, he created a niche for himself. Salilda and his combination has given us some unforgettable numbers. Ha has a very good blending of classical and non classical. I wish his voice suited some more of our yesteryear heroes.
Thankx Adi
My all time fav of yasudas has been Gori tera Gaon bara pyaara and Chand jaise kukhre pe
Thanks , Barnali di.
Though he did not sing as many songs as his contemporaries, he created a niche for himself. Salilda and his combination has given us some unforgettable numbers. Ha has a very good blending of classical and non classical. I wish his voice matched some of our yesteryear heroes.
Totally Agree Adi'ji... I think his was one of the best classically trained voices.. and no wonder he has such beautiful songs to his credit.. he may not have had enough quantity on his side when compared to other singers of his time, but its ultimately the quality that speaks volumes for this great singer👏👏👏
Thanks , Barnali di.
Though he did not sing as many songs as his contemporaries, he created a niche for himself. Salilda and his combination has given us some unforgettable numbers. Ha has a very good blending of classical and non classical. I wish his voice suited some more of our yesteryear heroes.
Adi Yesudas has has sung more than 20,000 songs in different languages.
"He has conducted more stage concerts than any other performer in India. In spite of all his success in popular music, he enjoys classical Karnatik music more than any other. He is one of the few singers in the world who sings in the classical idiom as well as he does in the popular."
He is very versatile.. What i meant was he did not sing as many in Hindi. In south he is very popular.
Adi Yesudas has has sung more than 20,000 songs in different languages.
"He has conducted more stage concerts than any other performer in India. In spite of all his success in popular music, he enjoys classical Karnatik music more than any other. He is one of the few singers in the world who sings in the classical idiom as well as he does in the popular."
Here are articles I had wth me for a long time abt on Yesudas. It was published on his 59th B'day. they came not together but in parts.
The Divine, Ecstatic, Excellent Moments of Experience with Dasettan
Hari Kochat
The music festival during the silver jubilee celebrations of Malayalam cinema conducted for days together at Thiruvananthapuram was an experience of unforgettable moments. The art lovers from various fields assembled there, returned with an experience of a lifetime; one song by Dasettan that especially shook every one, deserves a special mention: "Man created Religions, Religions created Gods"- the first film song which echoed above all, against religious snobbery. The significance of the song was its philosophical content. The song written by Vayalar, for the film "Achanum Bappayum" * was set to music by honorable Devarajan. Disgusted by the forceful thrust of political contempt through religion in the younger generation, when the heart broken down, it shook every one. He lost control and sobbed while he sang. That sob created waves in every hearts assembled there. After singing that song, he explained the reason for his uncontrolled feelings to the audience: "gentlemen, when Vayalar wrote these lines he would have foreseen that one day when generations pass, it would be like this. He did not write these lines for me or Devarajan or even just for you. You have all assembled here not because of your regard for religion. We artists, have no religion. Prose and poetry are beyond religion. So please do not look at this generation or even the next to come through the narrow eyes of the religion and trouble them. This is an earnest request from me".
After couple of days when I was spending an evening with Dasettan, we happened to discuss about the incidence. At that time I felt that, in his views Krishna, Jesus and Nabi - all appeared to be one. I inquired so that I could understand more, of what is hidden in that mind. "Dasetta, to the general opinion that you are born in one religion and you lived through another religion, what can be the explanation?"
With an unusual smile on his face he told me. "If God desired to create Man in different religions, that divine power could have created man in differences shapes. Why that was not done? Why all were created alike? Because, they should grow up as children of the same mother. Look at my own life. People talk according to their whims about me, of what I have not even thought of. From many corners, I happen to hear that I christened my son Vinu as Ayyappa Das. What benefit these people had by trying to say such things, which a father had not done, I don't understand. Similarly, that with my singing at the Sabari hills the sanctum doors opened! All mere gossips. What else to say! But it is true that I am a devotee of Ayyappa. There are many reasons for my heart to get drawn towards Ayyappa. I will tell you after we both have another cup of coffee".
Dasettan continued after a short while of rest, "At Sabari hills I do not consider religion. I offer my soul to the Supreme Power. There is a greater search of self than of religions over there. This is what I am trying to say. While we are alive, people address me as "Yesudas" and you are called "Hari". But when we are dead and gone, we become just memories. Our 'body' transforms into a 'corpse' and the soul depart. I have felt this natural process happening there. The first step towards that, is the change in the way of addressing each other. Once we wear this string of beads 'Hari' does not call me and I don't call 'Hari'. With out any discrepancy to cast and community, with out any difference between rich and poor, every one addresses the other as "Ayyappa". Even if one is angry we only say, "What is this Ayyappa?"
After wearing these beads it is a situation of detachment from worldly affairs. When we concentrate on the Supreme Power our names vanish. I have felt it, as a transition to unite with the Supreme Power. There is no duality. That attracted me a lot."
Having gone to Sabarimala for eighteen years and when he is unable to do the same since the last few years, the sorrow was very much evident in the tone when he explained. Except that he is born as a human being, his life is significant and filled with divine principles; while meditating through the medium of music, he attempts to discover the meaning for duality. I was finding it difficult to scale the depth of that heart which perhaps no one tried to observe or understand. When Dasettan brought me back to reality with a touch on my shoulder I had to return to this world, at least temporarily.
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The Rare, Rapturous Moments of an Evening Spent With Dasettan
(Part 2)
Hari Kochat
Like the grandeur of the setting sun's luster at dusk, like any other time, the radiance was glowing on his face. I felt my heart was like the devout who would be standing in front of the sanctum sanctorum with a throbbing heart for the doors to open, before the evening worship. My heart was full of questions carefully kept from overflowing and for which I was eager to know the answers. Whether the questions I chose to ask would be of interest to him, was my fear at first. But slowly I felt his heart opening towards me. I thought of the only divine name I utter when I get perplexed and looked at his face. When the fingers caressing the beard moved away from his face, I could see a smile gleam over there. I felt as if the doors of the sanctum sanctorum opened amidst the jingling sound of thousand bells!
With all humbleness I asked, "Dasettan from the time when the curtain of the musical stage is raised and till you take leave from the podium I feel that you strictly follow certain rituals (disciplines). More than the rapturous melody of the music, I have always witnessed on the stage, an inexplicable brilliance (Tejus), which is not seen within any one else. Why is it so?"
I did think for a minute if there was enough ground for my question. But his mind was composed and it seemed he could read my mind. I felt he was transforming himself as a teacher. He explained what is the bliss of music. With a smile, the cool soothing answer came this way; " Music is spiritual".
"The music that is accumulated within in me through n'number of births, is not created by me. That is God given. That is my life and my living. If the source of my music is from God, the listeners in front of me who are God's creation, are the precious treasures I receive as flowers of adoration. In my lawn if there are no listeners the rhythm, the melody in my music will be like the cactus in a desert. I adore my admirers with my heart. I concentrate my soul in front of my admirers. I even request them to clap. It's not to encourage me. The sound od clapping is like the jingling of bells. I t helps them to get engrossed along with me. It is the concentration of my mind, which encourages me to sing forgetting myself. I remember a story to explain this. 'Once a young man went to a saint and requested that he would like to adopt sainthood. As an answer to his pleading the saint advised him to sit under a Banian Tree nearby.
Though he did not understand the reason behind this, the youngster readily agreed. He thought it was to test him- to ensure that he can sit and meditate- so as told, he sat cross-legged under the tree. After a while he saw a young beautiful girl passing through that way. Some crazy thoughts flashed in his mind. To ensure that such an incident does not repeat, he tied his eyes with a piece of cloth. Next day again the girl came that way with the rhythmic sound of her anklets. His mind was again drifting to wild thoughts. To make sure that such sound does not disturb him again; he blocked his ears with cotton and continued to meditate. But next day his mind was getting restless as the time approached- he was wondering whether she would come again that day to see him!'
So that was the matter. In whichever way one may try to cover up outwardly if the inner mind can not be controlled and concentrated all the rituals will fail. Similarly there is one more important thing that I follow very carefully. I told you that my listeners sitting in front of me are very much adorable to me. I never sow my back towards them. There is a reason behind this practice. You see we never sit or stand turning our faces while praying in a temple or church. Like that one should never show one's back to the deity while walking out of the worship place, is one of my principles. I always tell these to my children also. Because music devoid of discipline is incomplete.
If one is proud that one can sing anything, God will give back that person to day or tomorrow. Whatever big position or wealth I have today, was not brought, with me to this world, when I was born? The person who bestowed on me has every right to take them away any time. We should always remember that. The humbleness in the start should continue till end. By understanding others, not becoming a victim to selfishness, if you treat others properly, you will have good experiences. Their blessings will be always be with us".
Such valuable advises....! I shall always remember. Even today the sound is echoing in my ears.
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REMINISCENCES OF THE DAWN HOURS
SPENT WITH DASETTAN.
by.HARI KOCHAT
When Nature is up with the morning rays putting an end to the stillness of the night, awakening to the cries of crows or the fluttering sound of the feathers of the birds remain as memories of bygone days. But that particular day appeared to be totally unique. As my eyes just opened up in the wee hours, the sweet melody and that deep voice reached my ears, with a queer feeling hugging my senses. My body was infused with energy. My eyes followed the direction from where the music flowed like nectar.
Truly, it was difficult to believe. Previous night, after a long conversation, when Dasettan retired to the bedroom, half-asleep, it was past midnight. Yet he was unable to allow any obstacle in his early morning Saadhakam (practice session); it was Dasettan's Saadhakam that woke me up! With that much spiritual intensity he worships music. I was convinced of the truth in Dasettan's words:
"My life is music".
After morning chores, at break fast time I considered it a blessing to continue our conversation. I asked him: " Dasetta, between the busy schedules these days do you find it difficult to get enough time for Saadhakam, like you used to get in the earlier days?"
With a brilliant smile that resembled the aura of the sun's rays, his reply to me was this: "near a lake surrounded with greenery, sitting on the branch at the early hours if any bird sings a tune, I will recognize it. Not because I have any knowledge in ornithology. But because, then and now, they have been my friends. When they wake up, I too wake up. They never hesitate to sing; reason is, they know too well, if I am here, I will reply to them in a tune. Once the practice session is over, till this day, with out any break until I offer my prayers, I never even felt the urge for refreshments. That is my devotion. God has given me energy to observe and follow them till this time. I consider it as a great luck. Just because of this alone, I believe Vageeswari is equipping me to complete my mission with out any obstacles.
Music is a blessing from the goddess of learning. It is a gift from Vageeswari. To day if a person wants to become a player, overnight he cannot become an expert. Similar is the case with literary creation. Music is in no way contrary to these. Music is not a child's play. Narrating an incidence he tried to make me understand, the foolishness of people to show the society that one has learnt music. He explained this particular experience he had, when he was returning after a performance in Dubai.
One of the guests who went to Dasettan for an autograph said, more with pride than respect: "Mr. Das, I too learnt music for six years".
With the calmness of a saint Dasettan asked him: " Is it? Very good. How much time did you spent to learn music every day?" Holding his head high that person said: " with out break, every day for an hour". Dasettan continued in a pleasant tone: " That means you were learning music for 365 hours in a year. Or in six years 2190 hours. Did I go wrong? From what we have learnt, 2190 hours means 91 days is it not? So is there any meaning in saying that you learnt music for six years?"
Dasettan has always been saying: even if one learns music for innumerable cycles of birth, it will not be the music of a man's entire lifetime. Music is a penance. There is no end to it. From infinity those invocations will continue endlessly. Such ardent expressions!
Dasettan has no great desire to bring up his children dipped in the world of music because of his position or fame. Dasettan has been saying at many occasions that the inborn quality in a person is brought out by one's own efforts. Music is not something that can be bargained for value with wealth. He criticizes the parents who teach music against the aptitude of their children and the music teachers who create the wrong desire in parents in decorating the children with the highest degree in music within a stipulated time. Music is not an illusion. Due to this alone, just because one has a good voice, every one cannot become a master on the steps of that path.
God decides every thing. According to the situations, sometimes we feel sad, sometimes we are happy, some times we get angry. That is life. He reminds us that his life equally transient like others. When Dasettan said that he can not do any thing more than what God has destined for him and like others he too is an ordinary human being, I was observing with admiration the simplicity in that historic man.
Thanks Barnali
Are you an encyclopedia on music 😛
Thanx 😛. yes I try to save anythng that I get on music wth me.