Avan, Aval, Adhu 87
“The truth is life is full of joy and full of great sorrow, but you can't have one without the other.” Andre Dubus III, House of Sand and Fog
It is widely believed that a couple who have been married for a long time, begin to resemble each other. Maybe there is a bit of truth in it. But then just because one imitates superstar Rajinikanth, he does not transform into the original. Just because one wears dark glasses and a Ruskie woollen cap, one does not become MGR.
But, something else is going on with a long-married couple and I think that something is happening in their minds. Husband and wife generally fall into the roles that they are going to live out for the rest of their married lives and boundaries are drawn, lines are memorized and characters well practised. Good or bad, happy or sad, this is the story of most married people. Then, once the script has been ready and the actors in character, a change begins to take place in their minds as each is in perfect tune with the other's thoughts, dialogues and reactions. One takes the cue and the other follows suit and the drama goes on without the actors themselves not knowing about it.
Be it in the West End theatre in London, the Broadway Theater in New York or namma Sabhas in Chennai, all their hit stage shows have a successful run and sometimes hit multiple centuries. Actors in these hit shows are well entrenched in their roles and feed of each other and come up with impromptu displays improvisations and spontaneous lines of wit and yet members of the cast go on and fill in their replies and answers without lag and without even blinking their eyes. For they are so well set in their roles and are so in tune with the roles their fellow actors are playing.
This is what I have been leading up to when I said that couples who have stayed married for a long time begin to look like each other and that begins when they start thinking for each other and yes, thinking like each other. One begins and the other ends. ( Finishes) This then slowly seeps out and extends to their mannerisms and in other aspects of their daily lives.
Houses too are like people and slowly take on the characteristics of the people that dwell in it and inside its womb of brick and cement.
' Something is wrong and feels different' Gayatri told herself as she removed her sandals outside the door and just as she was about to put her foot in and enter the house, she stopped realizing what was off.
Gayatri was a professional photographer and an equally good writer and this combo made her a damn good journalist. Her skill as a writer shone through first and then her expert eye for detail helped her career blaze through to the forefront of Photojournalism after she had been forced by her editor to publish her photos along with her thoughts about the lives of the tribal women from the Thar desert.
The photos that she had shot had been taken on one of her many holidays that she constantly took to keep away from Mumbai and her past life. For Gayatri, each escape was a new discovery about her India and she was well known for saying aloud, ' Just to see India in all its glory would mean to be born several times. I would rather see more of the villages and small towns of this ancient land than stand in Paris gawking at the Eiffel tower that is just a piece of metal with a few hundred years of history.'
She stood recollecting that moment when dozens of children had invaded the house and all the cheerful and happy sounds that had filled it.
' That was then, a house of joy but today it feels strangely cold and silent like a Grave' Gayatri thought to herself as she entered and called ' Ravi, Master sir' and getting no response called out for his mother.
' Amma, Amma' and getting no response hurriedly walked out and glanced at Ganesan who stood leaning against his autorickshaw with his back turned against her and was looking in the direction of the hills that surrounded Madurai.
'Ganesh, Ganesh' she yelled loudly to him and after he came close to her, ' Where is Ravi? I tried calling him but got no response. Has he gone out on some work?'
Turning, she looked at the empty house, ' Ganesh, what about Ravi's mother? Where is she? I called out her name but got no response.'
Her questions slowly died away as her eyes fell on Ganesan who stood staring at the ground and coming down the steps, she grabbed him by the shoulders and shook him roughly in anger.
' Young man, enough of this frigging long face and sad-sack mood. I just asked you not one but several questions and I am getting nothing from you.'
Ganesan looked at her with a sad face, ' I have nothing for you, ma'am. No answers. But I can tell you where you can find Master sir's mother.'
' Where?'
' You will find her in the garden most probably sitting near the Thulasi Maadam which Master sir's father built with his own hands or near Master sir's own private nursery.'
Gayatri heard all that was said but it did not make any sense and saying nothing ran into the house and out of the backdoor and into the garden and found the Thulasi Maadam just on her right side but did not find Ravi's mother.
Then in the farthest corner of the rather large garden that was much bigger than the house, she spotted Rasaathi Ammal sitting with her back against a mango tree and staring at a huge creeper plant that was ablaze with red and pink flowers and then a sudden gust of wind blew into her carrying the fragrance of the flowers and she smiled for she had seen such a plant being tended carefully and lovingly by her late father.
' What's with this plant for it looks like my dad is following me after he has reincarnated as one?'
Getting no response from Ravi's mother as she approached her, Gayatri knew that something was wrong and she hurriedly fell to her knees opposite her and gently taking Rasaathi Ammal's hands in hers enquired in a soft voice, ' Amma, what are you doing here sitting all alone in this garden? Where is Ravi?'
' He is gone.'
It was not the words but the way they were said that filled her heart with dread and she tentatively asked, ' Gone, Gone where? on some work or ...? Surely must be for a day or two?' and looked at Ravi's mother who began to cry and through the tears, she managed a reply.
' The last time when he went away, he did not return for nearly three weeks.'
' Three weeks ' Gayatri repeated and then her dread now slowly morphing to a full-blown panic attack, she asked, ' Last time, you said last time. Why? what about this time? what happened, Amma?'
' This time it might be months or this time he might just not come back to this place.'
What is a house and what defines a house? Is there another word for house and is it home? But why then do they use the word home for the old. Home for the mentally ill and home for destitute? Why home and why not call it a house? What is the difference between a house and a home?
https://www.youtube.com/watch?v=27eClHQxXls
n that big big house, there are fifty doors
And one of them leads to your heart
In the time of spring I passed your gate
And tried to make a startAll I knew was the scent of sea and dew
But I've been in love before, how about you?
There's a time for the good in life
A time to kill the pain in life
Dream about the sun
You queen of rain
In that big old house there are fifty beds
And one of them leads to your soul
It's a bed of fear, a bed of threats
Regrets and sheets so cold
All I knew your eyes so velvet blue
I've been in love before, how about you?
There's a time for the good in life
A time to kill the pain in life
Dream about the sun
You queen of rain
It's time to place your bets in life
I've played the loser's game of life
Dream about the sun
You queen of rain
(Instrumen)
Time went by as I wrote your name in the sky
Fly fly away, bye bye
It's time to place your bets in life
I've played the loser's game of life
Dream about the sun
You queen of rain
Dream about the sun
You queen of rain
Dream about the sun
You queen of rain
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