God Bless Kumari for her childishness. Now this was a dupatta scene which genuinely stood out from the norm. Why? Because he didn't come to release the dupatta. She was extremely conscious of how 'exposed' she felt. I mean back toh hai hi khula to seduce Saras dikra but she had to cover her heart so what does she do? She shuts the light. What a touch by the director. Ironically it made the moment even more tense. A man and woman whom are extremely attracted to each other are trapped in a room in the dark! Dikri ke iraade theek nahin lag rahe! All this while Saras was either giving longing looks or turning his face the other day like a good boy.
But oh this pain which connects them. Her hurt pulled her. What does this say? Physically they will have to control themselves forever but emotionally they are binded no matter what. The most beautiful moment where my heart let out a big fat sigh was the view of the two on the floor with Saras applying ointment to Kumud's wound. Such heartfelt direction and chemistry.
These two have ABUNDANCE of tension and emotion! Tension which will never let them be 'one' but emotions which already have made them 'one'