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vinnie-thepooh thumbnail
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Posted: 19 years ago
#21

Originally posted by: Barnali

Thanx a lot. very gud topic and gud collection too 👏 👏


Thanx Barnali di😊

Barnali thumbnail
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Posted: 19 years ago
#22

Tansen, tamarind and more...


Shona Adhikari The ancient tamarind tree is still there, but a little denuded now. The belief is that anyone who eats the leaves of this tree, will be blessed with a melodious voice and the ability to sing like Tansen. For, it is next to his mausoleum that the tree stands. I visited the grave of 'Sangeet Samrat' Mian Tansen at Gwalior. Tansen's small shrine looks dwarfed by the large tomb of his mentor, Shaikh Mohammed Ghaus, a 16th-century fakir who was revered by people of all faiths. The two tombs and other graves stand in a garden with traditional mughal-style patterns. Ghaus' tomb is built in the shape of a large square with hexagonal towers at its corners. The walls of the building have elaborate carved-stone latticework, with each panel having a different design. The whole building is surmounted by a large dome, which was earlier covered with blue glazed tiles. Tansen's mausoleum, which stands on the right of the saint's tomb, consists of a rectangular elevated platform in which the marble grave is set. Around this, stands a delicately-worked pavilion with eaves. Tansen's father, Makaranda Pande, a resident of Behat, was overjoyed at the birth of a son in 1506. He named the child Ramtanu and was convinced that his birth was a special blessing from the saintly Ghaus. The name, 'Tansen', was conferred on Ramtanu much later by Emperor Akbar, to honour him for his command over music. Tansen was trained in music by Swami Haridas of Brindavan, who discovered his talent when he was 10 years old. Persuading Makaranda that his son's future was in music, the swamiji took Tansen with him to Brindavan. It was there that Tansen learnt the intricacies of the different ragas and became an accomplished singer. Despite his unquestionable prowess, he never forgot to honour his guru and returned frequently to Brindavan for further instructions. After returning to Behat, Tansen took to practising at the Shiva temple. It is said that the walls of the temple swayed to his music. Local residents are also completely convinced that the temple is inclined to one side, due to this reason. Tansen was also credited with performing miracles such as making trees and rocks sway, lamps lighting up on their own and torrential rain pouring when there was no sign of rains and so on. After the death of his parents, Tansen went to Gwalior to live with Ghaus and it was then that he converted to Islam. He married Hussaini, also a convert, and had four sons and a daughter, all of whom were musically-inclined. Tansen joined the court of Raja Man Singh Tomar of Gwalior, becoming the foremost exponent of the Dhrupad style of singing, developed by Raja Man Singh and his consort, Mrignayani. Tansen was also instrumental in developing the Gwalior gharana of music. Tansen later joined the court of Raja Ramachandra Baghela of Bandhavgarh. As his fame spread, the great Mughal emperor Akbar invited him to Delhi and Tansen joined his court in 1552. Akbar admired Tansen's music so much that he listened to his melodious renderings of ragas (many of which were created by Tansen during this period), every day. It was at this time that Tansen was included among the emperor's 'Navaratnas' or nine jewels. At Fatehpur Sikri, a special seat, 'Anup Talao', was built for Tansen in the middle of a pond, next to the emperor's chambers, which can still be seen. Abul Fazl, the author of 'Ain 'e Akbari', says, ''Tansen was the greatest singer to adorn the earth, in the last 1,000 years''. To pay homage to this great singer, an annual festival of music is held every year at Gwalior during his death anniversary. Music-lovers from all over India throng Gwalior to attend this function which features leading Indian singers performing his special ragas on a stage set next to his mausoleum. Tansen died in 1589, when he was at the peak of his popularity, and was buried according to his wishes near the grave of his mentor, Ghaus.

The ragas created by him carry the prefix 'Mian'. 'Mian ki Malhar', 'Mian ki Todi', 'Mian ki Sarang', and the courtly 'Darbari Todi' and 'Darbari Kanada', are some of the most popular ragas of Hindustani classical music to this day.

Barnali thumbnail
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Posted: 19 years ago
#23

Originally posted by: mp_142

Thanx Barnali di😊

I hav some mre articles on him.let me add thm here.

Barnali thumbnail
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Posted: 19 years ago
#24

postage stamp of Tansen

vinnie-thepooh thumbnail
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Posted: 19 years ago
#25

Originally posted by: Barnali

I hav some mre articles on him.let me add thm here.

Thanx again di😊

Barnali thumbnail
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Posted: 19 years ago
#26

Originally posted by: mp_142

Profile


Tansen served as the court musician to King Ramachandra of Mewa and then later to Emperor Akbar as one of the Navarathas (nine jewels). Stories and legends about Tansen's musical powers abound, including the ones which say how he was able to create rain by singing rag Megh or light a lamp by singing rag Deepak. He was given the title Mian by emperor akbar and usually Tansen is referred thus.


There is some controversy regarding conversion of Tansen to Islam. Some beleive he was converted to Islam while some others think that out of great respect Akbar had for Tansen, he left him alone.

Tansen's son Bilas Khan, became a famous musician himself and created the Raga Bilaskhani Todi. Saraswati Devi, the daughter became a famous dhrupad singer.

Regarding Tansen there are many controversies. He was certainly addressed as Mian. Tansen was Gwaliar niwasi.Before he came to Akbar Durbar he was in the court of Rewa naresh Ramchandra. Tansen had four sons. Two have Muslim names,like Tantrang Khan and Vilaskhan or Bilaskhan. Other two with Hindu names. Hamirsen and Suratsen

Now during the Vajid ali's time there were many Muslim women like Chrkhawali Bi Rahiman Bai. her younger sister was Suderabai. It is also on record that Akbar gave Kanthabaranvanivilas title to Tansen.


Tansen
'
Sons '   ;   ; Shisya '
Tanraskhan Biaskhan Hamirsen Suratsen Miayachand Rangkhan
Bakhtkhan
' ' '
' ' '
' (son)Sohilsen
(Shishya)Basanti
Misrihkhan Dari Lalkhan   ; '
(Shisha) Son in Law (son)Sudhirsen
'
'
(sons)
Khushhalkhan Bisramkhan Rusbainkhan
'
'
(son)Bhupatkhan


Misrikan was born in Dhari cast. (Dhol Bajanewale)


Tansen had no daughter. Many have have attempted to make Misrikhan his son in law and even change his name to Misrisingh. This has no historical proof. Misrikhan was born in Dhari cast and later served in the court of Shuja, Auranjeb's brother.


jhansiv thumbnail
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Posted: 19 years ago
#27
Thanks a lot for sharing these nice articles..
advil thumbnail
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Posted: 19 years ago
#28

Vinnie,

A great informative thread.👍🏼

Music for us starts with Tansen doesn't it?? When I was small my mom would tell me about him, how his renditions would light up lamps or bring rain.The impact of Sur. I guess for a little kid that was sufficient. Your articles definitely remind of me those instances and I am sure I'll enjoy reading all the pages.

Thank you🤗

Barnali thumbnail
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Posted: 19 years ago
#29

Originally posted by: mp_142


There are many stories told about the power of Tansen's music. It is said that when Tansen sang, birds and animals would gather to hear him.

here's one I read in a book "Some Immortals of Hindustani Music" by sushila mishra. I feel the incident being mentioned by her may b ficticious even though she says she did lot of research into it.

Whn Baiju lft home to find meera Swami Haridas is said to have shed tears of sorrow. Tansen hd heard such high words of praise from their guru abt Baiju tht he yearned to meet his guru-bhai. Tansen ahd already become a favourite court-musician of Raja Ramachandra Badhela of Rewa State to whom tansen confided his wish. With the royal patron's consent,Tansen decided to try a ruse to find the wandering and homeless Baiju. Like the kings of ancient times, he announced a musical Digvijaya in which he challenged all contemporary musicians to come for a musical contest with him. When the challenge reached Baiju's ears, he felt that as a senior disciple of Swami Haridas, he had to vindicate his own reputation. He accepted the challenge and reached the venue which had been grandly decorated for the most widely publicised contest.

Tansen was there in his rich courtly garments, while Baiju arrived in his tattered clothes. The details of the contest between these two masters bring to mind many of the clourful Ragmala paintings. As Tansen commenced his masterly unfolding of Ragini Todi (perhaps his own creation Miyan-ki-Todi), the deer from the neighbouring forests came leaping and stood listening entranced. Tansen put a costly necklace around the neck of one of them. As soon as he stopped singing, the entire herd rushed back into the woods. Now it was for Baiju to meet the challenge of attracting the deer back into the palace and retrieving Tansen's costly necklace.

Baiju is believed to have accomplished this amazing feat through his rendering of Raja Mrgaranjini which could mean "a raga that could hypnotize mrga or deer," or a gaga named after Rani Mriganayani.

Now it was Baiju's turn to challenge Tansen. According to lengends he sung Raga Malkauns so powerfully that a stone slab in front melted and then he inserted his precious Tanpura into the wax-like liquid which solidified as soon as he stopped singing. Tansen had to melt the stone through some appropriate and potent raga and retrieve Baiju's precious Tanpura intact. Tansen needed no more proofs to identify the great Baiju about whom he had heard such high praise from their saintly guru Swami Haridas. Tansen touched the feet of his senior "guru-bhai" and the two great musicians embraced each other with tears of love in their eyes.

vinnie-thepooh thumbnail
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Posted: 19 years ago
#30

Originally posted by: charades

Bilkul sahi socha tumne...waise ek kahavat hai...6 mahine mein dosti ki asar dikhne lagte hai...lekin tu to char mahine mein hi seekhli hai mujh se dosti karke.😆😆.

Now on serious note: You are right Hindustani Classical Music Discussion without Tansen🤢

Sohabat ka asar hai VJ

Edited by mp_142 - 19 years ago

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