'I've been following the music of Pakistan for a while now'
NICOLE DASTUR
Why did you record an entire album on Lahore?
I've been following the music of Pakistan for quite a while now, and find it extremely intriguing. I'm fond of many composers from across the border. So, when I was asked to record an album in Lahore, I took it as an opportunity to work with Pakistani musicians.
How is Indian music different from that in Pakistan?
Actually, there are many similarities, their beats are similar to ours. After all, at one time, we were one country. Now, there are geographical differences, but the culture is essentially the same. At the end of the day, it's Asian music; they also have ghazals, khayals and thumris. However, their rhythm patterns are different.
What was the most striking aspect of Lahore that you have incorporated in the album?
Each place in Lahore is unique, its got its own texture, smell and nuances. I have tried to imbibe the various colours of the city through music, by way of conversation, rather than song. Some songs are like conversations, set against a backdrop of music. Verses by Sufi poets and compositions from Pakistan's legendary musicians help bring out the culture and heritage of Lahore.
Do you think classical music is dying a slow death in our country?
On the contrary, today's generation is more open to classical music. They are accepting parts of it, like its rhythms, but they still have to get accustomed to the vocals.
Did you imbibe fusion in your classical music to attract today's generation?
Every family comprises three generations, and fusion is the best way to bridge the musical gaps!
HARIHARAN
Musician
On recording an album about Lahore in Lahore
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