ZILA GHAZIABAD REVIEWS AND DISCUSSIONS

DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 13 years ago
#1

Zila Ghaziabad Review

Critic Score28

Good- 0

Average- 4

Bad- 8

Total- 12

Read Reviews

No User Reviews
Overall

28

Below Average

Critics Reviews

Bollywood Hungama | Taran Adarsh

However, it's in the second hour that restlessness seeps in. While Sanjay Dutt is hardly there in the first half, his character gets prominence in the post-interval portions. The problem with his character is that it's a replica of Salman Khan's role in DABANGG. He dances with the cops, has an eccentric side to him, is playful at times but spiteful when need arises, also participates in an item number [with Shriya Saran, a la 'Munni badnaam huyee']. Also, there're references to his past works as an actor [KHAL-NAYAK and SAAJAN], which seems like an exercise to portray the stardom of the actor.

40

NOT RECOMMENDED
Mid-Day India | Janhavi Samant

Dialogue ke upar dialogue, dhisoom ke upar dhishoom, dead body ke upar dead body, khoon ka badla khoon. Explaining the plot needs too much investment of memory. But if you have seen 'Dabangg', 'Omkara', 'Singham', and grubby unshaven sweaty men with tobacco-laden teeth is your thing, then who am I to discourage? So let me list out the few good things to look out for in this noisy film.

20

NOT RECOMMENDED
Zeenews | Resham Sengar

Now let us move on and talk about the actors in the roles they have played. Paresh Rawal has been given limited space to perform in the film as are other pros like Ashutosh Rana and small-screen star Eijaz Khan. But it was a kind of refreshing to see Ravi Kishan in a villainous role. Chandrachur Singh has done a cameo appearance in a film after a long time and even in the short time that he is there on the screen, he switches to and fro to the Haryanvi accent. Vivek Oberoi does romantic scenes in a cheesy manner. There is absolutely no chemistry between him and his on screen beloved played by Charmy Kaur. As an action hero, Vivek fares average marks. Arshad Warsi does his badmash act very well and for a few moments he can even make you hate his character.

40

NOT RECOMMENDED
DNA India | Tushar Joshi

Sanjay Dutt tries to look menacing but ends up as a cardboard caricature of himself. Vivek Oberoi makes a sincere attempt to salvage some life into his half baked character. Arshad Warsi looks totally out of sync in his role and sleep walks through most of the scenes. Paresh Rawal and Divya Dutta are the only sparks that light up an otherwise dull frame.

30

NOT RECOMMENDED
Koimoi | Roshni Devi

Zila is like a madhouse with varying amounts of craziness. The top honour goes to Arshad Warsi for his portrayal of Fauji – the mad dog who should have been put down shortly after he barked first. He's happy to shoot anyone and everyone; the only flaw to his character being the forced romantic angle written in. Poor Vivek Oberoi, either he's trying to be the righteous teacher or the masterji-turned-gangster. Either way, the straitjacket shackles him with a bad performance. The most annoying part is when they take close-ups of his face twitching in slo-mo. Bad idea.

20

NOT RECOMMENDED
Rediff | Nishi Tiwari

That, primarily, is the motif of the film. It's a film made up of random shots, heavily- borrowed technique and half-baked direction.

The less said about the acting of the lead actors, the better. Vivek Oberoi, with his pseudo-idealist hero, is the most cringeworthy of the lot. Sanjay Dutt, with his glassy eyes is unabashedly having fun with little regard for the film's plot.

20

NOT RECOMMENDED
Nowrunning | Mansha Rastogi

The dialogue delivery of every actor is very loud as if they are outdoing each other not by the number of people they kill but by the volume of their voice. Moreover, to make matters worse are the jarring songs that follow pointlessly one after the other. There's a bouquet of songs for every mood and sequence in the film and each worse than the other.

20

NOT RECOMMENDED
Glamsham | Martin D'Souza

Now, Mr. Writer of this dialogue, don't you know that God does not create monsters but He has given us all a free will and it is us humans who decide which path to take. There is a good path and a bad path and we decide which to walk on. He is such a Gentleman that He will never influence our free will, unless we ask Him for guidance.

40

NOT RECOMMENDED
The Times Of India | Madhureeta Mukherjee

Arshad's first full-blown dark role lacks shades, but effort is evident. Sanjay shows cheeky chutzpah but doesn't seem to care a damn. Vivek displays varied emotions but doesn't quite bite-the-bullet. Paresh Rawal has little scope and Ravi Kissen is average.

30

NOT RECOMMENDED
NDTVMovies | Saibal Chatterjee

Warsi has never been worse. And that's really sad. He is usually such an effortless actor. But this is Zila Ghaziabad – as the film's villain, he has to hector and holler in order to be heard above the deafening din.

Dutt makes heavy weather of the Salman Khan 'crooked cop' act. It isn't a walk in the park after all – even Salman has to sweat to get it right.

20

NOT RECOMMENDED
Deccan Chronicle | Khalid Mohamed

Desperately, you then look for acting sparks from the lead players, but in vain. Sanjay Dutt, looking out of sorts, sleeptalks and siesta-fights throughout. Vivek Oberoi puts you to zzz with his laboured act. And Arshad Warsi seems to have smeared a bucket of kohl on his eyes. Doesn't quite help. He hams outrageously.

20

NOT RECOMMENDED
IBNLive | Charu Thakur

Despite a weak story line, the actors are the soul of the film. Arshad Warsi brilliantly portrays the dark and menacing side of a goon and his wickedness somewhere justifies the storyline. On the other hand, Oberoi is authentic in his transition from a good guy to bad. Dutt tries hard to imitate Salman but brings his own colour to the character. Needless to say, the heroines in the film play minor roles.

40

NOT RECOMMENDED

Created

Last reply

Replies

6

Views

2.6k

Users

1

Frequent Posters

DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 13 years ago
#2
Zila Ghaziabad
By Taran Adarsh, 22 Feb 2013, 13:01 hrs IST
Get set for trigger-happy gangs. Wild with vendetta, the guys go on a rampage -- slitting throats, pumping bullets, the goons bash up rival gang members like we swat flies, fling daggers and knives, explode bombs... Truly, the men are mean, nasty and short-tempered...

Welcome to ZILA GHAZIABAD, which borrows heavily from Vishal Bhardwaj's OMKARA, Abhinav Kashyap's DABANGG and also from the cinema of 1970s and 1980s. Nothing wrong with borrowing/seeking inspiration from the cinema of yore, or movies that have tremendous recall value, but the fact is that the premise of ZILA GHAZIABAD is thinner than wafer, with the movie constantly giving you the feeling of dj vu. The silver lining is that everything unravels at a feverish pace, with a couple of dramatic moments camouflaging the deficiencies. Also, Arshad Warsi's wickedness makes the good versus evil fight look credible at times.

ZILA GHAZIABAD is based on the war between two rival groups, led by Paresh Rawal and Ravi Kissen, respectively. Arshad Warsi crosses over from Paresh's group to Ravi Kissen's faction, while Vivek Oberoi is forced to take to violence and indulge in bloodshed when Arshad kills his elder brother [Chandrachur Singh].The battle lines are drawn... The administration decides to send a brawny cop, Sanjay Dutt, to put an end to the gang wars and restore peace in Ghaziabad.

Director Anand Kumar plunges into action at the outset itself. Ten minutes into the film and you know what to expect. Come to think of it, you ought to have a strong stomach to absorb the violence in the narrative. What really catches your eye, despite a hackneyed script, are the episodes in the first hour. The narrative may be laced with been-there-seen-that kind of situations, yet a few dramatic moments and the speed at which everything unravels gives you no time to blink an eyelid.

However, it's in the second hour that restlessness seeps in. While Sanjay Dutt is hardly there in the first half, his character gets prominence in the post-interval portions. The problem with his character is that it's a replica of Salman Khan's role in DABANGG. He dances with the cops, has an eccentric side to him, is playful at times but spiteful when need arises, also participates in an item number [with Shriya Saran, a la 'Munni badnaam huyee']. Also, there're references to his past works as an actor [KHAL-NAYAK and SAAJAN], which seems like an exercise to portray the stardom of the actor.

Besides, the writer stretches things too far in the second half. Like, for instance, Vivek Oberoi walks into the cop station to meet Sanju, even though he has a reward of Rs 10 lacs on his head. Even the culmination doesn't give you the feeling of having watched a mazedaar masala entertainer purely because, besides being conventional and foreseeable, it is stretched by at least 20 minutes.

Having said that, ZILA GHAZIABAD does have a couple of high-on-energy sequences, besides hi-octane action. Also, a few clap-trap situations that the hoi polloi generally enjoys at single screens. The soundtrack is of run of the mill variety, while the cinematography captures the rustic flavor to perfection. Dialogue have an old-world charm; the one-liners are aimed at evoking claps from the aam aadmi.

Although ZILA GHAZIABAD has several notable actors, the show clearly belongs to Arshad Warsi, who enacts a negative role with effortless ease. Actually, Arshad is synonymous with comic roles, so this act in ZILA GHAZIABAD comes as a [pleasant] surprise. Vivek Oberoi seems to be getting repetitive. It looks like a photocopy of the part he has essayed in his earlier gangster films. Sanjay Dutt looks out of shape and also lacks the charm that this character demands.

Paresh Rawal is adequate. Ravi Kissen is loud, but it works. Charmee Kaur has a set of expressions, which she uses all through the movie. Minissha Lamba is hardly there. Divya Dutta is wasted. Ditto for top calibre actors like Zarina Wahab and Ashutosh Rana, who have nothing worthwhile to do. Eijaz Khan is strictly okay. Chandrachur Singh is just fair. Sunil Grover does very well as a vicious person. Geeta Basra and Shriya Saran lend glamour in their respective songs.

On the whole, ZILA GHAZIABAD is purely for the mass belt, the single screen audience mainly.
DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 13 years ago
#3

Zila Ghaziabad Review

February 22nd, 2013 by Roshni Devi

Zila Ghaziabad Movie Poster

Rating: 1/5 stars (One-star)

Star cast: Vivek Oberoi, Paresh Rawal, Charmy Kaur,Arshad Warsi, Sunil Grover, Ravi Kissen, Chandrachur Singh, Sanjay Dutt, Minissha Lamba.

What's Good: A few sequences; Arshad Warsi's acting.

What's Bad: Almost everything else.

Loo break: As many as you like.

Watch or Not?: Zila Ghaziabad is a forceful mix of gang-wars, hinterland action and a sprinkle of a nasty Dabangg-esque cop too and disappoints miserably.

User Rating:

47 Votes

The first half of the film shows how the righteous teacher Satbir (Vivek Oberoi) replaces the chalk in his hand with a gun. The local Chairman (Paresh Rawal) has a soft corner for Satbir, as does his daughter, Charmy Kaur, since Satbir often helps him in situations where brains are involved. The muscle power for the Chairman comes from a rabid goon Fauji (Arshad Warsi) who probably has gun shells where his brains should have been. The Chairman's growing proximity to Satbir leaves his good-for-nothing brother-in-law (Sunil Grover) jealous and he plans an attack on Fauji's home, making it look like Satbir was responsible for it.

It's not long before swords are drawn and sides are set. Satbir has the protection of the Chairman while Fauji joins the gang of Rashid (Ravi Kissen). After Satbir's brother (Chandrachur Singh) gets killed in the battle, there's no looking back for either of them. When their rivalry becomes unbearable for Ghaziabad, maverick cop Pritam Singh (Sanjay Dutt) is called in. Known for his use of force, this time Pritam wants to use his cunning to get them killed without straining his hands.

There is a lot of blood spilt and bullets fired before the movie finally gets to its conclusion.

Sanjay Dutt (Zila Ghaziabad Movie Stills)

Zila Ghaziabad Review: Script Analysis

Zila starts off like Othello/Omkara with a nasty character trying to sow the seeds of distrust so that he can have his foot in the door. After that, it's all downhill. With all the characters trying to outwit each other, the film just reeks of bad writing. Vinay Sharma's characters live in the same city, yet they seem to take every other person out of their way except their main nemesis. The movie then drags endlessly and the intrusion of a police is just another added trick to lengthen it. It's also strange as to why they have to show Pritam as a my-punches-do-the-talking cop while his strategy involves staring at a chessboard and vainly listening to his old film songs in his office. The love angles with Minissha Lamba and Charmy Kaur are parts that jump out like annoying jacks-in-boxes. The dozens of inspired scenes means that even our cop here gets a Dabangg-cop-song-and-dance entry with even the dance steps similarly choreographed.

Unsurprisingly, the most entertaining scene is the walkthrough with the chai-wala in the police station and it doesn't involve any of the lead stars.

Zila Ghaziabad Review: Star Performances

Zila is like a madhouse with varying amounts of craziness. The top honour goes to Arshad Warsi for his portrayal of Fauji – the mad dog who should have been put down shortly after he barked first. He's happy to shoot anyone and everyone; the only flaw to his character being the forced romantic angle written in. Poor Vivek Oberoi, either he's trying to be the righteous teacher or the masterji-turned-gangster. Either way, the straitjacket shackles him with a bad performance. The most annoying part is when they take close-ups of his face twitching in slo-mo. Bad idea.

Paresh Rawal is good as the Chairman. Charmy Kaur looks incredibly daft and has exactly two expressions. Ravi Kissen is quite good as Rashid. Chandrachur Singh is probably the fattest subhedar you'll get to see on screen. Sanjay Dutt is mashup of other on-screen ex-cops and gets under your skin after a few scenes. Sunil Grover is excellent as the wily villain.

Zila Ghaziabad Review: Direction, Music & Technical Aspects

With a tumbled script like this, it's no surprise that Anand Kumar doesn't make a memorable movie out of it. If that isn't enough, you have scenes looking like they've been shot from a webcab with shady yellow lighting. The songs are so badly placed. Sample this, shortly after the heroine's father dies, she's singing and breaking the bed with Vivek Oberoi. The background score is just a lot of sholkas remixed with noise. Bunty Nagi's editing is unsatisfactory. The cinematography is alright.

Watch out for the shifting bald patch/es on Sanjay Dutt's head for more entertainment.

Zila Ghaziabad Review: The Last Word

Zila Ghaziabad is a gang-war story done in a confused Dabangg style that will bore the daylights out of you.

DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 13 years ago
#4
Kai Po Che Decent Opening Zilla Ghaziabad Dull Opening

Friday 22nd February 2013 12.30 IST

Boxofficeindia.Com Trade Network

Koi Po Che had a decent opening of around 40-45% while Zilla Ghaziabad was dull across the board with around 20% Kai Po Che was helped by good collections in the premium multiplex areas of Mumbai, Pune and Delhi NCR though some other parts of the country like UP and Punjab were low. The film had no face value but the promotion created awareness especially in the big cities where collections are much better.

Zilla Ghaziabad was dull in the morning and stands no chance at the box office as a film like Kai Po Che can improve as the day goes along but Zilla Ghaziabad being an action film has limited upside.

Both films have Hollywood release A Good Day To Die Hard for competition which also did not open well apart from a few centres in East Punjab where there is the novelty of the film being dubbed in Punjabi for the first time.

DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 13 years ago
#5

FRIDAY, FEBRUARY 22, 2013

Kai Po Che & Zila Ghaziabad Opening Update.

Kai Po Che and Zila Ghaziabad both has been released today in Theaters all India. As per early trends Kai Po Che has taken better start among the two films at the box office.

Kai Po Che is released in around 1000 screens all India. Occupancy of Kai Po Che for the Morning and Noon shows is around 40-45% which is pretty good considering the star quotient of the film. Film started very well in high end multiplexes and major cities. Business in interiors is average to poor. Film is expected to do a business of 4-5 crore nett for the first day which will be a fantastic figure for the film, considering the film has no star value and Friday being a working day.

Zila Ghaziabad has registered an occupancy of around 20% as far as Morning and Noon shows are concerned. Film has opened little better in Mass centers registering an occupancy of 30-35%. Others the occupancy is dull. Overall film collection will be in the lower range. Zila Ghaziabad stars Sanjay Dutt, Arshad Warsi and Vivek Oberoi in lead role. Film is a Masala entertainer and a better opening is expected from the film.

Still Friday being a working day, it is expected that both the films will show jump in collections in Evening and Night shows. Wait for more update soon.
DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 12 years ago
#6
Zilla Ghaziabad First Day Business

Saturday 23rd February 2013 10.00 IST

Boxofficeindia.Com Trade Network

Zilla Ghaziabad collected a poor 3.50 crore nett on day one with only single screens doing a bit better. The collections of the film were better in UP, Bihar, CP Berar, CI and Rajasthan with a lacklustre performance across all metros.

The film had a fairly wide release and as the first day recorded poor occupancies the film will struggle for growth on Saturday and if the growth does materialise it will be well short of what the film will need.

In the mass belts like UP, Bihar, CPCI and Rajasthan where Zilla Ghaziabad had comparatively better collections the collections were double of Kai Po Che but much lower than Kai Po Che in the metros especially Mumbai, Pune and Bangalore.

DB_reloaded thumbnail
18th Anniversary Thumbnail Trailblazer Thumbnail + 5
Posted: 12 years ago
#7

Zila Ghaziabad First Day Box Office Collection

Zila Ghaziabad has collected around 4 crore nett all India on Opening Day at the box office as per estimates. Film started poorly with occupancy of around 20%. After that it showed moderate growth through the day to register an overall occupancy of around 28-30%.

Zila Ghaziabad has performed decently in mass centers and specially in single screens. Business in multiplexes and metros is poor for the first day. Film has received mixed review from the audiences. Film needs to pick up big as it is released in around 1400 screens all India. Overall the first day collection is below par and hope it picks up well to register a decent opening weekend.

Related Topics

Bollywood thumbnail

Posted by: oyebollywood · 13 days ago

https://x.com/i/status/2019777911755342036

https://x.com/i/status/2019777911755342036
Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 7 days ago

https://x.com/i/status/2021578690275008522

https://x.com/i/status/2021578690275008522
Expand ▼
Bollywood thumbnail

Posted by: priya185 · 7 days ago

Tu Yaa main reviews and box office...

Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 21 days ago

https://x.com/i/status/2016890546934182265

https://x.com/i/status/2016890546934182265
Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 8 days ago

...

Expand ▼
Top

Stay Connected with IndiaForums!

Be the first to know about the latest news, updates, and exclusive content.

Add to Home Screen!

Install this web app on your iPhone for the best experience. It's easy, just tap and then "Add to Home Screen".