Celebrating a milestone
Ghazal king Pankaj Udhas marks his 25-year singing career with a special commemorative 40-hits album called Jashn
Kunal M Shah
Pankaj Udhas has come far in the way of the ghazal. Twenty-five years, to give it a number. And to mark his silver jubilee, the singer has released a 3-CD album, Jashn, with 40 of his most popular numbers. "I think I've had an interesting journey…after all, my profession started out as a passion, "Pankaj reminisces. When I started off in 1980, ghazal singing was a part of our musical scene but it had yet not acquired the status it has today. It was not a very economical and profitable career for most; the money and fame lay in film music. But I nose-dived into it without much thought, and I'm happy I made that decision – the passion has not diminished even after all these years," he says.
Typically, this ghazal proponent wishes his form of music was still prevalent in the films made today. "I recall that era when 'Chiithi ayie hai' – that famous song from Naam (1986) – conveyed a certain poetic substance to the film. But songs today lack that quality. Although you can still hear a pleasing combination of poetry and melody, the ghazal, in its pure form, is sorely missed," he says.
How does someone like him, who has witnessed his beloved music striving to gain mass acceptance, feel about modern sales strategies? "Promotional videos and the like have worked in favour of the music. Take, for example, my song, 'Aji ahista kiji baatein'…it was the video that made the song famous, and it broke the age barrier by getting a younger, relatively new audience interested in the ghazal. It even made me consider re-releasing my older songs like 'Ghoongroon toot gaye' – which were sung before the coming of the music video. But I decided to let them be…let people remember those songs in the way they heard them, without added inputs from a visual medium. Some things should not be tampered with."
About his latest album, Pankaj says, "Jashn is a graph of my own life over the last 25 years. I went through many ups and down, stages of security and insecurity, and it all went into my music."
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