TuHir FF:Never Your Wife Again! Ch 44 on p-81: My Husband’s Suite- Page 81

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Posted: a day ago

Originally posted by: fan_fiction123

Chapter 43.. Part 2...

One of my absolute favorites so far.. The whole section beautifully shifts the focus onto the foundational bond between Mihir and Tulsi only in this entire section and thank you for that 😇🤗

It's my own favorite too - so glad you feel the same . This part being totally TuHir focused happened by chance but I am happy for it tooo🤗❤️

Loved how you opened it with Mihir doing his homework with Ritik helo and Tulsi amused by it to his mock irritation😃

Lol!! You have to give him credit - he's over the moon that he's the one accompanying Tulsi - phir bhi tantrums throw Karne hi hain🤣🤣

Bandhej girls conspiring and packing for Tulsi. Shobha and maybe Pari agreeing with them was so cute 😇

They were trying their best to help tulsi with best of bandhejs best creations but what a last minute disaster it turned out for tulsi!! Shobha is super cute and cool naa

The packing sequence served as a deeply moving turning point for them. Tulsi stepping into Mihir's room to find his wardrobe in complete disarray is a stark, physical manifestation of his life over the past six and a half years.

Yes this beat I had in mind since the conclave day - when tulsi opens her side of the wardrobe for the first time, finds it in perfect order and then then also finds that champagne diamond set.
Look at the irony - the person who was actually staying there - his side of the wardrobe was in a complete disarray (a symbolism to his very life in those 6 years - as you rightly pointed out) and she didn't even stay there and her side was in complete order and regularly cleaned.

Mihir's quiet confession, "Jab se tum gayi thi..." and "Mujhe pasand nahi tumhare sivay koi aur meri cheezon ko chhue," hits with overwhelming emotional gravity. It lays bare the reality that while the household continued to run smoothly around him, Mihir intentionally froze his personal space in her absence. 🥺

Exactly! I'm myself surprised at how well I could portray this, I believe this is one of my most sensitive yet heartbreaking writing.

But then Tulsi's reflexive instinct to step in, sort his socks, and pack his things paired with Mihir taking over the iron because her absence taught him how to. Later he noticing Tulsi has not slept yet and going to check on her, helping her sort through her "gaudy" sarees crisis. And top it all remembering every saree she owns with great details and Tulsi realizing that small detail 😍. All shows that despite their past separation, their division of care and unspoken sync remain intact.

@bold - exactly what I wanted to convey soo glad to have succeeded

Mihir's immediate outrage over Tulsi receiving an economy class ticket highlights his protective nature. His subsequent maneuver on the plane with trading his business class seat with a fellow passenger just to sit beside her is quintessential Mihir Virani and reminds us why he is adored husband of Indian TV despite having so many flaws 😀

That was exactly how Mihir behaves naa? First he tries to swap her seat with his. When she refuses to budge from from her seat, he's like - okay so I will give her company waking for the whole flight. Exactly, no wonder he's the most adored husband of itv despite a full blown affair (mandira) at least 2 supposed affairs (Meera I think and Noina) and an illegitimate child to boot!!

From Tulsi ordering his non-alcoholic drink by reading his facial expression, to swapping her paneer for his dal without a second thought, the flight sequence illustrates how thoroughly they understand each other's habits and preferences without needing words.

That's correct - this is what 44 years of marriage ( even with 6 years apart) looks like😁

The mid-flight movie selection is so trivial but you made it come out so romantic. Hats off 👏🏻👏🏻 The wave of nostalgia through their shared memory of watching Mohabbatein forty-four years ago. Learning that Baa was the secret mastermind behind their fake "pooja" date adds a wonderful touch of vintage family charm and show how Baa always rooted for them. I also loved how Mihir remembered getting jealous of Jugal Hansraj and Tulsi teasing him by sharing how she still watches movies for the actor 😀 I always enjoy them teasing and bantering with each other like friends they were before falling in love.

So happy this sequence came out well - I had to look for a good romantic movie that released somewhere in later part of 2000 and had a lead actor who is still acting - mohobbatien checked all those boxes luckily.
oh yes, baa was the ultimate TuHir shipper! I vaguely remembered a scene - when they are going to honeymoon - savita tells Mihir - jaa raha hai toh jaa. Bas mera muh aakhri baar dekh le.
the rest is my own imagination of course - but this is exactly what Baa would have done - she could be very mischievous and impish too - and needless to add - a staunch tulsi supporter!

The armrest divider finally removed and Tulsi naturally resting her head on Mihir's shoulder. For a woman who never sleeps on flights, dropping her guard to fall sound asleep beside him is the ultimate symbol of restored trust and comfort. Mihir gently removing her glasses and cushioning her head against the window frame during turbulence brings their six-and-a-half-year emotional separation to a quiet, breathtaking closure.

Exactly - the way I see it - the brain may say anything but the heart trusts and finds comfort in him and signals the same to her body.

@ bold - omg!!! So so well expressed❤️

Thank you thank you for such a wonderful chapter 🤗

The pleasure is entirely mine- it was such a soothing and happy chapter to write- (of course despite TuHir being in temporary, relative discomfort in the economy class 😜)

Thank you dear for this extremely heart touching review

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Posted: a day ago

When do you all want the next chapter? It's ready

I can either reply to the 2 remaining reviews first and then post by noon tomorrow . Or I can make reserved posts for those replies and post immediately before or after the episode today!

Just let me know!

It's a much shorter chapter- will fit in a single post.

Edited by ElitePerfumer - a day ago
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Posted: a day ago

Originally posted by: ElitePerfumer

When do you all want the next chapter? It's ready

I can either reply to the 2 remaining reviews first and then post by noon tomorrow . Or I can make reserved posts for those replies and post immediately before or after the episode today!

Just let me know!

It's a much shorter chapter- will fit in a single post.

Hey, You can post any time you are comfortable and convinced 😜.

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Posted: a day ago

Originally posted by: bpatil3

Chapter 43:

Loved this review dear. Thank you so much

Its all about Tulsi, Mihir solving or making space into new life of Ritik, Mitali n Munni.

At first glance when I read this line, I had to think for a moment then it clicked and you are so right!

Tulsi as always way ahead to process the things, quickly find ways to communicate so that further decisions can be taken basis the outcome and circumstances. She knew she cannot make everyone happy, at the same time she cannot take it if any of her children pain. She equally wants to manage and be that bridge, understand and behave being in each one's shoes. So thoughtful writing here.

Oh yes - that’s tulsi, always 3 steps ahead and at least in my story, sab ke liye soch Samajh ke decisions leti hai magar apne decisions thopti nahi kisi pe.

Her conversation with Munni, her choice of words, she do not want to pressurize anybody, or influence her decision, but to take right decision which brings happiness. Munni is gonna be insecure, it's not easy to live with a man who was already married, has kid and with this extra Exwife staying under same roof, and kids shared responsibilities, possibilities of public appearances etc.

Exactly I feel bad for Munni - especially with this new compromise. Especially the way she’s adamant that Shaadi karungi toh Ritik se warna nahi- isi ke kaaran she’s like this

Munni is sensible, but iss mamle me thoda iverboard hogyi hai aise mujhe laga. Sooraj Barjatya ka film dekhe jaisa laga mujhe😜😃. Heaven on earth, so understanding, heartful of love, no one misunderstands the other, fully trusts each other, sab kuch bahot sahi hai. Beyond words to describe, fairytale lagne lagi, sab bahot accha, without loosing the essence of it.

Certainly she’s getting overboard, pyaar me. And plus she’s also thinking of Timsy

Sooraj barjatya film - 🤣

Ab wait and watch - kab tak rehti hai!! Kab ye kuch ek dum alag hi ban jaata hai.

Jokes apart!! I love love and absolutely love Rajshri films movies!! They’re so pure and so soothing to watch.. for those 2-3 hours, we can escape the bitter manipulative reality of the world around us.

Kya duniya itna bhi khoobsoorat hosakta hai, har rishta itna aasani se nibhaya jaa sakta hai, kya aise log honge jo ek dusre ko itna trust karenge, itne dependent, itne seedhe se cheezoan ko samjhenge aur apnayenge.

Yes shayad Aaj ki duniya mein nahi. Kehte hain ram rajya mein aise hota tha shayad but I say what ram rajya - people who could be happy after banishing their queen- I wonder

Mitali on the other hand transformed completely, been a good human being, jo apne se pehle dusroan ko rkh rhi hai, dusre ki importance samjh rhi hai, unki feelings ko respect karne lagi hai. But she is a human her breaking down shows she can't think of her life without her daughter n Tulsi. The newly built bond is holding her, but sge cabbot be selfish at this moment. Ritik is now stuck here.

You know Mitali’s character is another experiment for me. After her entry when she used to be mean and play all those stupid games with everyone - I used to think - she’s only taught all that since childhood by her mom and Maasi. Then it occurred to me - what if she’s under tulsis influence and away from those 2 evil women? What if she learns that there’s another way to exist rather than being bitchy all the time. Phir when I decided to write this story, i was like - okay ab mauka hai - to explore this. And I believe when tulsi said - i told you to behave like a family member, kaidi nahi - that was the moment her transformation started. She surrendered to tulsi only to stay in this big house, especially since she realized Noina Mihir ke obsession mein khud barbaad hoke rahegi so staying here was more beneficial to her than leaving even with a fat alimony. So when tulsi gave her 2 options, she still chose the better option due to selfishness and calculation.. she thought now tulsi use apni unglion pe nachayegi (like Noina did all her life) and she’d accepted that. She never even expected tulsi to even trust her (which she did by asking her to be her driver every day) let alone take care of and love her. This is what transformed her.

They are sharing more cordial relationship now, acting protective, sharing friendly behavior with each other. It's strange how things changed between them the moment they decided to part ways, suddenly they started to like and admire each others opinions.

Yes exactly - now they are cordial. Kyunki ab woh forced relationship nahi haina inke beech.

Mitali sharing Tulsi how she felt her relationship with Ritik, her intimacy with Ritk was part of an act but not out of love, surrender and want, definitely it is obvious the touch felt filthy, disgusting. Writer at this point you completely made sense why they are divorcing. So thoughtful judis to you.

Arre that was soo very difficult to write. But relieved it served its purpose - convinced you of their decision to divorce.

Mihir n Tulsi resolving the issues and convincing Mitali to stay at SN as their daughter.

Mihir trusting Tulsi's instincts is much appreciated.

Yes now they resolve all issues together. Mihir has in 6 years (when he saw in retrospect how correct tulsi was about everything) plus now she’s sharing everything with him. So agar kabhi nahi kar paaye toh he understands and trusts her fully. Like he’s never done before

Chalo divorce hogya, Mitali agreed to stay back then Ritik Munni ki sagayi bhi. Mitali becoming so sensible to stay away during Ritik Munni's ceremony is so thoughtful and logical. at least this arrangement cannot be understood, digested and accepted by everyone. Mitali sachhi me sadhvini bangyi hai.smiley36

Aage Dekho, kitne din saadhvi bani rehti hai - modeling world mein. 😜

Divorce hua nahi, abhi toh sirf papers sign and court mein file hue hain (legal process hai)but no worries Gautam kara dega jaldi.

Often it happens till today the class difference and the treatment received. How Munni's mama mami were worried to match upto Virani's taur tarike, financial status, class, how every Virani treated them so well, given the warmth, been a good host. They simply value people irrespective of their class. You narrated it beautifully here Tulsi receiving them at the door, how Shobha asked them sit on the sofa and seating just next to them, then Mihir assuring by holding Munni's mama, wo maan samdhi hone ka gesture beautiful. The tradition you explained very well.

Yeah exactly - ek toh class difference upar se ladke wale hone ki Akkad- both of these things happen. i actually wanted to rush through this to get to the good part- TuHir. Toh I was doubtful ki pata nahi kaisa likha hai. Glad sab ko acha laga.

Ab aagya main cheez: Nayi Safar Conference ki. 😃

yes. I wanted to rush to this part so much - only I know how I found the patience to write the chapter upto here. Because mera dimaag daud raha tha TuHir scenes ki taraf.
How Mihir has not completed his homework, unable to keep up with the new trend analysis, how he is frustrated and taking help from Ritik, smirking over and Tulsi enjoying it. Mihir mocking it Tere Bete ki love life k liye, mujhe ye karna pad rha hai( man me to laddoo phoot rhe hain Mihir ke fir bhi show ro karsakta hai na ki he is not that much keen to go for the conference 😂😂) it's so him😂😂, Tulsi ko bhi pata hai, at the same time Mihir ko thoda kaam mile, kyun sab kuch mere bache kare wala maa ka attitude and she is bemused by his annoyed face 😂😂, it's super duper cute.

That’s Mihir na! Uske Mann Me laddu kya saari sweets foot rahi hain, but tulsi ke saamne drama karna aur tantrums throw karna toh uska janamsidhh Adhikar haina! classic Mihir behavior na!

Arre wah Bandhej ki ladkiyoan ne Tulsi ki packing karke bheji nice, Shobha backing their idea shows how she thinks her mom should be look her best in an important event.
Yes the bandhej girls wanted tulsi to look good in bandhej’s best creations but phir apni over-excitement mein they forgot to think about Tulsi’s usual style and the occasion. The result was a last minute disaster for Tulsi

Shobha is the ultimate daughter, sister etc. Bahu bhi Achi hi thi Payal ke liye. Wife and mother ka bahut doubt hai

Then she some how felt to look Mihir's packing, he was a mess. The contrast of being organized abd unorganized shelves. Unorganized because he do not want anyone to touch his things other than his wife, it hits differently, Tulsi ki dil ko choo liya, he saying he learnt to ironing, time has taught him to adopt things- mostly he did it because he missed her.

Yes the way he paused when she asked him about his packing - she realized Abhi tak Kuch khaas jua nahi hai so simply went to help him.


Tulsi almost at the verge of breaking down, somehow Mihir manages to divert the topic. This whole thing was so adorable, touchy, emotional, full of TuHir displaying love, expressing how her presence is missed, felt and the heart accepted as irreplaceable. The authority Tulsi showed while packing and setting his wardrobe, Mihir's words something he wants between her n him, not allowed anyone in her absence. then Tum wife wali karma kyun karrhi ho to saat janam ki negotaition hits Tulsi differently. and the cheesiness to ease out he referencing their courtship , it's typical Tulsi Mihir, can visualize them.smiley42

Yes - their interactions I try to visualize fully while writing - Kai baar after i write, I think they don’t behave like this so i change.
Yes that wardrobe - was a symbolic representation of his life without her.
even I felt this entire scene came out much better than I had expected initially.

Then his protectiveness - he insisted her to rest as she cannot sleep during their flying. Mihir entering Tulsi's room for the first time, he realizing it's a very ordinary room, very basic things-somewhere it hurts him to not offer a good place to live in. His determination to ask her after this trip to either movevto their room or a comfortable one, his thoughts, arithmetic beautifully written.

Now that you have read the next chapter I can tell you this - that I planned it this way since chapter 1 - ki he will first enter her room only just before she’s about to move out of it.

He knew since the beginning it was a very basic, least comfortable room of the house - in chapter 2, when Ritik says - maa that’s a very basic room - if you want to stay there let’s upgrade it, Mihir was hoping she’d agree. But when she refused toh koi kuch bol nahi paaya

Then Mihir helping her choose Sarees, suggesting her to pair with plain blouses etc, it's so adorable. Especially the part where he mentioned how her other saree collections, her likes, she was very happy to know this how exactly he remembered her collection and taste, even the event she worn before, how he admired her, assimilated her everything in himself. He is just at his best, Tulsi undoubtedly will fall in love with this man every day, every hour. That could be one of the reasons she can forgive him, adore him, love him enormously. The scene was awesome take a bow, this is real no big dialogues, no show off, no drama plain simple Truth put in the most natural way, vocal about his admiration to his wife's liking, how ge noticed everything of her, till today he had secretly kept in his memory. It's so so cute and admirable.

It so happens na - ki you’re very tired and think 5 mins me ye sab suitcase mein daal ke bas sona hai and then you open and see the absolutely ridiculous(for you) sarees and then out of irritated curiosity, you open all the individually packed sarees and because most of the sarees are not your style, toh jo 4-5 thodi sober hongi woh bhi uss irritated mood mein you won’t see. Aise mein you need someone who will understand your mood and your style - only Mihir and to an extent Shobha can understand and handle tulsi and help her at the moment.
Of course, his focus has been on her totally since her return - losing her once has done that to him- so he remembers each and every saree she wears!

Haan wohi, ye ek unique type ka husband hai- kabhi lagta hai isse worst husband ho hi nahi sakta- then does something to prove his enormous love and loyalty (despite the cheating) towards tulsi and she melts completely

The family is very happy to send them away far from the family responsibilities, Business stress and be themselves, have their me time. Quiet a scene to visualize 😃

Yes like gayatri said - Baaki ki dooriyaan, hesitations sab mit jaayega.

His frustration over her getting Economy ticket, he trying his best to upgrade her seat, upon unavailablity he insisting her to swap his seat, she denying it because she knew him more than himself, it is difficult for him to cope up. But the man comes with an idea of swapping the seat with the co-paasenger, Mihir plans 😂😂 he succeeds grabbing the seat next to her. Pehli baar Mihir must be happy to get his seat downgraded to Economy class😂, ( Kehte hai na sab man ka bhram hai- jab aap man se khush ho to sab kuch sahi lagne lagta hai chote chote cheezoan me , aur mayne nhi rkhta ki kitna comfortable hai, classy, eliteness hai, kitna costly hai, kuch cheezein beyond human understanding k Bahar haiismiley39Mihir want to utilize most of their time.

@bold - So true dear, material comfort Kuch nahi hota jab tak Mann dukhi ho and vice versa. He would have been okay to spend 16 hours away from her, if she was comfortably settled in his b-class seat, but when she refused, he decided okay, then I want to be with her - especially since she’s not going to sleep.

the end result - this turned out to be one of their most memorable flights- despite being cramped in the economy class


Mohabbatein being their fake pooja- movie 😂😂. Their memory lane how they had plan secretly to watch this movie, how the family suspected, how they had to cook stories to cover up, how Baa was on their side. (Accha honeymoon after 44yrs is something very special n cute 😂😜, let's consider this trip as the one, Mihir ka bhaad me jaaye project wala attitude rahega😂😂😂).

This is exactly something baa would have done. I vaguely remember a scene from s1 where savita says to Mihir - jaa raha hai toh jaa ( when asked for her blessings to a still very angry savita) but see my face for the last time. So they couldn’t go. The rest was of course my own imagination/invented story.

They watching again, how Mihir was jealous of Tulsi admiring JH😂😂, and she admitting her liking for JH till date, Mihir laughing at his own immaturity and sharing it with Tulsi, then she enjoying his discomfort n honesty 😂😂. Tulsi getting the extra blanket to support his back, ordering him food, swaping her Paneer with his dal, their banters lovely.

That’s 44 years of marriage - more than anything else. Haina? Even the JH tease.

The love birds finding their ways, she kneeling on his shoulder to rest willingly on her own without any hesitation, resistance, he protecting her using his hand cushioning her head so that turbulence doesn't disturb her sleep. She sleeping away to glory in his arms, the calmness, the serenity, steadiness is sometihing so satisfying to read.

her heart trusts him and finds comfort in him so her tired body didn’t need any permission to fall asleep on his shoulder - this scene in many ways completes the healing arc for her.

He admiring her sleeping form, the lost 6.5 yrs lost warmth, once he believed it's almost a dream to behold her again in his arms, rejoice the moment, he accepted it is impossible. But today the warmth, the satisfaction, the lost touch is felt again, her breathing against him is noticed, felt. Isse accha kya hosakta hai Mihir ke liye ki his live is with him fully like before. He knew she cabnot sleep during a flight, but today possibly she found her nest to rest, the contentment, the warmth she reclaimed, and the happiness she found.

Exactly! Very very well expressed indeed!!

Not many words required to express, not big conversations but these gestures surely wil make a big difference to learn, adore, admire and surrender.

Yes I am trying to keep this story as natural as possible/ no grand declarations, no heavy dialogues. Mostly the story is carried forward by everyday, common gestures and unspoken words that add to its depth,

Thank you for this TuHir moments, I am so glad to read them always. I am more excited for their trip. I am looking forward to have more TuHir moments.

Abhi toh beginning hai. Next few chapters will be totally TuHir centric - except maybe some video calls back home.

Thank you writer for bringing the best in you to project TuHir beautifully and hats off to you for this wonderful chapter. Romance without emotional connect doesn't resonate well, here it is a blend of the two, you did a fabulous job.

Wow❤️🤗❤️❤️❤️ such words from my readers make my efforts totally worthwhile. I can’t write fickle romance. Every gesture needs to be meaningful.

Thank you ❤️❤️❤️❤️❤️❤️

The pleasure is mine dear🤗🤗❤️❤️❤️

Thank you dear for this fabulous review❤️

My replies in red

Edited by ElitePerfumer - 14 hours ago
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Posted: a day ago

Originally posted by: ABC_1234

Chapter 43 felt less like a chapter I was reading and more like a chapter I was quietly sitting inside.

Thank you dear, I am so touched reading these words❤️
There is so much happening across these two parts - divorce, forgiveness, family, Munni and Mitali finding their place with each other, the Gor Dhana, Tulsi and Mihir leaving for New York - but somehow the entire chapter feels connected by one central idea: people choosing each other, again and again, in small ways.

I am so glad - to be frank I felt it was all connected by a single thread - just instinctively felt it - but couldn’t pinpoint exactly what it was! You rightly pinpointed it. Right - it was people choosing- either a person or a path

And I think that's what made it hit as hard as it did.

Yes probably - even I felt the effect came out much better than I expected

The first half especially made me emotional because of the way Tulsi approaches Mitali's situation. She doesn't simply decide that Mitali should stay and assume everyone will accept it. She goes to Munni first. She asks her honestly. She gives her a real opportunity to say no. And I loved that Munni's eventual acceptance wasn't written as effortless sacrifice. She openly admits that there will be awkward moments - festivals, family photographs, being the new wife while Ritik's ex-wife is still part of the house. That made her "yes" feel like an actual choice rather than something the story simply needed her to say.

I know Mitali has become too saintly for now but otherwise I’m trying to keep my characters as human as possible. So munni pointing out there will be awkward moments and situations- felt natural and she’s free enough with Tulsi to admit that.

Yes, Tulsi makes decisions she thinks are right but she believes in putting options/Offers before people rather than saying- this is my decision accept it for your own good.

The line about something being ajeeb but not necessarily galat stayed with me. That felt incredibly human.

Glad that line has that feel I wanted exactly!

And then there's Mitali.

Her conversation with Tulsi is probably one of the emotional cores of the chapter. Learning more about what Noina manipulated her into doing doesn't excuse Mitali's past, but it adds another layer to understanding how damaged and trapped she had been. What really got me, though, was Tulsi refusing to let Mitali carry all of that shame by herself.

When Tulsi tells her that the shame isn't hers, it feels like someone is finally separating Mitali from the worst thing she ever did.

Yes, I found it v v difficult to write the scene, but had to when some of u still were not convinced of Ritik Mitali divorce.

I felt Tulsi in this scene behaved in the most Tulsi way possible.

And then:

"Beti. Bahu nahi. Beti."

That line landed so hard.

Exactly! The impact those 4 words would have had on Mitali.

Because Mitali has spent so much of her life trying to earn her place in this family, often in terrible ways, and now Tulsi is offering her something she never actually had to earn in the first place.

A home.

Not as Ritik's wife.

Not because she has some obligation to the family.

Not because she's Timsy's mother.

But simply as their daughter.

I also really appreciated that Tulsi didn't force an immediate answer. Mitali has spent so much of her life having other people shape her choices that giving her time to make this decision herself felt important.

If you see, Tulsi is trying to give her choice / agency in every decision - something Mitali never had before . Even when Mihir wanted to convince her for alimony Tulsi stops him - it’s her decision

And Ritik's response afterward was perfect precisely because he didn't make the moment about himself. He didn't ask her to stay because of guilt or nostalgia. He simply said, essentially, stay because you're wanted here. As his daughter's mother, as his friend, as family.

That's a very different kind of closure from the romantic one their relationship once pretended to be.

Yes exactly. Ritik was always shown as a sensible and sensitive person. What they could never have as spouses between them, they will now have as co-parents and friends

Then the Gor Dhana sequence brought another beautiful layer to the same theme.

I love the way you could catch the theme of the chapter when I myself couldn’t pinpoint it.

Mama and Mami arriving at Shantiniketan expecting to feel small, and gradually realizing that nobody is going to make them feel small, was lovely. Shobha pulling Mami into a seat, Gayatri holding her hand, everyone treating them naturally - those details were so much more effective than simply telling us that the family is welcoming.

As much as possible, I am trying to show rather than tell. Glad I could write this so well, esp since I was in a hurry to get to the TuHir part

And Mihir's conversation with Mama was probably my favourite part of that entire sequence.

"Dene waala lene waale se bada hi hota hai."

That was such a beautiful way to reverse the social hierarchy Mama had walked in expecting. He came into that house thinking he was the poorer, lesser person giving his daughter to a much wealthier family. Mihir basically tells him that he has nothing to feel lesser about.

And then:

"Ab hum sirf sambandhi nahi hain. Ek parivaar hain."

That felt like the perfect emotional punctuation to the first half.

So glad this Mihir - mama scene came out so well. The dialogues were on point.

But then Part 2 quietly changes everything.

So glad you could see the shift

Because after spending so much time showing us what family looks like, the chapter finally turns toward the relationship at its center - Tulsi and Mihir.

And I absolutely loved how you handled it.

Exactly - TuHir relationship is the foundation of Shantiniketan - I don’t understand why the show tends to forget this.

@bold - thank you so very much

The opening with Mihir asking Ritik to explain the trend-sentiment data was such a simple domestic moment, but it carries so much meaning. Tulsi watching her son teach his father and thinking about how children eventually become the ones who teach their parents - that little observation says so much about where this family is now.

Yes look at how this family was before Tulsi’s return and look at it now!

Also that’s a fact - children these days have a lot to teach their parents- in terms of tech and latest lifestyle trends. I feel that pressure of keeping myself updated as much as possible for my mom who’s dependent on me for latest lifestyle changes- like ordering stuff. Paying online. Using AI. Etc etc etc. And I basically don’t have aptitude for tech. I’m more into creativity as you can well understand

And then the wardrobe scene.

Oh, the wardrobe scene.

I loved this reaction of yours ❤️

"Jab se tum gayi thi. Tab se. Mujhe pasand nahi tumhare sivay koi aur meri cheezon ko chhue."

That hurt in the quietest possible way.

It really hurt me to write

Six and a half years.

Six and a half years of shirts, ties, clothes, a wardrobe that could have been maintained by anyone - but he simply didn't want anyone else touching his things.

Exactly! And look - he ensured that Tulsi’s side of the wardrobe was maintained perfectly and cleaner periodically by Shobha. And he took great care of the tulsi plant on his windowsill. But couldn’t be bothered to clean his wardrobe even himself. Maybe every time he started, his memories of tulsi doing it couldn’t let him go ahead.

And Tulsi doesn't have some huge dramatic reaction. She just starts fixing it.

That felt exactly right.

She did start with a scolding probably - Arre toh

And then couldn’t complete the thought when the enormity landed.

Her starting to fix it was exactly Tulsi. I felt.

Then Mihir saying:

"Tumhari judaai ne bahut kuch sikha diya."

about learning to iron...

That line somehow carries an entire marriage inside it.

He didn't just learn to iron. He learned how to live without her.

Exactly, word to everything you said!

he was simply trying to cope.

And now she's standing there doing something as ordinary as fixing his wardrobe again.

The contrast between the enormity of their history and the absolute mundanity of the task is what made it so emotional.

If you see carefully, it’s the mundane, everyday things that have been carrying the story forward. And as you rightly say, that’s exactly what maximizes the effect

Then we get to the sarees, and I genuinely smiled.

Arre even I was smiling widely when i wrote this part - especially tulsi lamenting - Main joker lagoongi, Mihir.

Tulsi being horrified that she's been given fourteen sarees and might apparently become some sort of walking Bandhej advertisement was such a nice release after the heavier scenes. Mihir helping her choose what to take, remembering which sarees she wore months ago, remembering Pari's handmade saree, remembering what colors suit her - all of that tells us something important without ever needing him to say it.

It happens na ki u r already tired, and want to sleep, and think bas i only need to shift these individually wrapped sarees from the carrybag to suitcase, and as you are doing it, you are confronted with an absolute riot of colors you don’t even wear. You get flustered, irritated and angry isiliye you can’t even see agar koi suitable sarees bhi hon. It takes another set of eyes - someone who knows you well amd someone who can calm you down - only Mihir and to an extent Shobha can do that for her.

He notices her.

Even after everything.

Even after six and a half years apart.

He still remembers.

He’s always noticed her even before the separation. But now since she returned, he’s been completely focused on her.

And then we get to the airport.

The economy ticket initially seems like a small comic inconvenience, especially with Mihir getting personally offended on Tulsi's behalf, but it becomes another excuse for him to quietly take care of her.

Yes initially it’s a lighthearted beat but then it changes to his care for her. Especially him trying to exchange her seat with his. But tulsi being tulsi refuses to budge.


The fact that he eventually gives up his business-class seat to sit beside her might be a little outrageous in the funniest Mihir way, but emotionally it makes perfect sense.

That’s classic Mihir behavior na!

He doesn't care about the seat.

He cares about sitting next to her.

He would have been okay alone, if she had agreed to swap the seats with him. But when she didn’t, he decided - okay then at least we can be together

And I loved all the tiny details that follow.

Tulsi knowing exactly what drink he'd want without asking.

Mihir refusing to take the window seat because he knows she wouldn't be comfortable beside a stranger.

Her automatically swapping their food because she knows he likes paneer and she prefers dal.

None of these things are grand romantic gestures.

They're marriage.

Exactly- that’s marriage!! 44 years is a long time. It should reflect in the story. I m glad I am able to show this so effortlessly (although the writing itself isn’t really effortless)

They're the little pieces of knowing someone that survive even when years have passed.

Exactly, they become as ingrained and natural as sleeping or eating or drinking!

And then you bring in Mohabbatein.

That was such a lovely choice because suddenly the present and the past start talking to each other.

Hey so glad you caught this - part and present talking to each other,

The flashback to their first secret movie date was adorable, especially Mihir lying to Savita about the "pooja" and Tulsi realizing halfway through that they weren't going anywhere near a temple.

Savita was initially the saas who’s a nightmare to every bahu. Mihir was caught between the two.. trying to make both happy.

And then the reveal that Baa was actually behind it?

I loved that.

If you remember a bit of baa (I too remember only a bit) this idea and her words Mihir repeated before tulsi now - were quintessential baa!

It also beautifully connects to everything the chapter has been saying about family. Baa understood them. She knew they needed those little moments together. She quietly made space for their love even when the rest of the household might not have.

Exactly baa understood what the needed to survive savita and the 2 chachis as they were then. Plus she was a staunch Tulsi supporter and ultimate TuHir shipper!

And Mihir being jealous of Jugal Hansraj all those decades ago was genuinely funny.

Especially because Tulsi's response in the present is basically, I still like him.

That’s one reason I chose that particular movie - luckily I had watched nadaaniyaan recently so when I googled movies released in later part of 2000, considering their wedding episodes were telecast somewhere in late July or August 2000 - when I saw mohabbatein on the list - it fit the bill perfectly- a Romantic movie released late 2000 and having a lead who’s still around.

The man's facepalm was completely deserved. 😂

lol 🤣🤣 that was so much fun to write.

But beneath all that teasing, there's something incredibly tender about them remembering themselves as young newlyweds.

Yes.. I’m so so glad you caught that nuance.

They've lived through decades together.

They've raised children.

They've lost people.

They've been separated.

They've changed.

And yet they can still sit on a plane and laugh about the same movie they watched together forty-four years ago.

That's the kind of romance I find much more affecting than a grand declaration.

Exactly - I think that’s exactly the kind of romance that’s TuHir brand and suits them perfectly.

And then the chapter gives us the shoulder.

That final sequence was beautiful.

The armrest being folded away.

Their hands gradually finding the space between them.

Tulsi's arm slipping into the crook of his.

Mihir waiting to see whether she'll pull away.

His arm coming around her.

And finally, her head resting on his shoulder.

Nothing is announced.

Nobody says, we're finally okay.

The chapter doesn't need them to.

Her body simply remembers where it feels safe.

That detail about Mihir recognizing her breathing - after six and a half years - was particularly powerful. It's such an intimate kind of recognition. The mind can build walls, memories can become complicated, circumstances can change, but sometimes the body remembers before the heart is brave enough to admit anything.

And then she falls asleep.

On a flight.

When she apparently never sleeps on flights.

That tiny detail made the entire scene for me.

Because Mihir doesn't wake her. He doesn't turn the moment into something bigger. He quietly removes her earphone, switches off the screens, takes off her glasses, and lets her sleep.

This was the scene that required most of my patience and repeated rewrites - it had to look completely natural and v v v slow. - so slow that tulsi probably wouldn’t even realize or if she did, she wouldn’t unnatural about it.

exactly her body knows where safety is, where comfort is.

Yeah, if you see from chapter 1 (where he assumes she will forgive him because nothing happened between him and noina - and that his tulsi plant is proof of his love for her) to here, this chapter- his character has grown like anything aur ek thehraav aaya hai usme.

Then the turbulence comes.

Her head starts moving toward the window.

And his hand is there before she can even wake.

That was the moment that got me.

Because that's basically their entire relationship distilled into one movement.

She leans. He catches.

No speech required.

No dramatic confession.

Just instinct.

Haan exactly! That’s instinct - of 44 years of love and care.

And after six and a half years of distance, she falls asleep on his shoulder, and he sits there protecting her from the hard edge of the window like he has done some version of that for decades.

Exactly- that’s how long term relationships are. That instinctive trust and care.

In a way, her sleeping on his shoulder completes the healing arc for tulsi.

The final image of him smiling in the dark, at eleven thousand meters, after waiting six and a half years for this closeness to return, was such a quiet emotional payoff.

Thank you for saying this!! I loved this image too.

What I especially appreciate about this chapter is that it doesn't treat reconciliation like a switch being flipped.

They aren't suddenly behaving like nothing ever happened.

There is still distance.

There are still separate rooms.

There are still things neither of them says.

But there is also the wardrobe.

The sarees.

The shared meal.

The movie.

The jokes.

The hand on the armrest.

The shoulder.

And that's what makes it believable.

Exactly, the distance and closeness are both there, with the closeness not automatically canceling the distance

The first half of the chapter shows a family making room for people who could easily have been pushed out.

The second half shows two people slowly making room for each other again.

And somehow those two things feel like the same story.

Loved, loved the way you put it. Even I couldn’t have linked the 2 parts in such a beautiful way dear.

This chapter is about making space.

For Mitali.

For Munni.

For Mama and Mami.

For old memories.

For a marriage that has spent six and a half years learning how to exist without physical closeness.

And finally, for Tulsi's head on Mihir's shoulder.

Honestly, that final image is going to stay with me.

Because after everything this couple has been through, there was no grand speech waiting at the end.

Just a sleeping woman, a tired man, a dark airplane cabin, and a shoulder that had apparently been waiting for her all along.

Wow! So beautifully expressed dear! Space indeed!

That final image is going to be one of my favorites too.

@bold - take a bow for the depth in these words! Thank you dear.

Awaiting the next eagerly!!

Posted it late last night

Thank you dear for this in-depth, breathtakingly beautiful review!! My replies are in red

Edited by ElitePerfumer - 9 hours ago
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Posted: a day ago

Originally posted by: bpatil3

Yesterday while I was reading the last two chapters, I felt Sooraj Barjatya's films, infact i mentioned it in one of my comments i believe.

Coincidentally i found his song suddenly popping up.😂 I swear sometimes things happen the moment we desire or assume. 😜

So here it goes for TuHir:

Yeh prem yeh prem yeh prem mol liya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Churaya nahin ishq chhupaya nahin

Khul ke zamane se bol diya

Dua poori hui rab ki manzoori hui

Peepal pe baandha dhaaga khol diya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Maine girdhar girdhar mol liya

Maine mann basiye ko tatol liya

Mohe laaj sharam na rahi jag ki

Tohe dildar dildar bol diya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Tauba humein maar daalein ye husn walon ke jalwe

Tauba humein maar daalein ye husn walon ke jalwe

Hungama machayein ye husn walon ke jalwe

Churaya nahin ishq chhupaya nahin

Khul ke zamane se bol diya

Dua poori hui rab ki manzoori hui

Peepal pe baandha dhaaga khol diya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Chaaron taraf aaj raunak hai

Shubh ghadiyan jo ye aayi hain

Lakh waari karein hum uska shukr

Ki hum pe mehr barsaayi hai

Mehndi rachi tere naam ki

Hatheli pe taare chamakne lage

Sehra bandha mere naam ka

Subah talak dhol bajne lage

Aaj shamiyana bhi aisa saja

Na kahin khwaabon mein bhi aisi jagah

Sone mein nahin heere moti mein nahin

Dil ke taraazuon mein tol diya

Aaja yahan ab to hai jaana kahan

Dil ka darwaza maine khol diya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Maine girdhar girdhar mol liya

Maine man basiye ko tatol liya

Mohe laaj sharam na rahi jag ki

Tohe dildar dildar bol diya

Piyaji maine prem mol liya

Piyaji maine prem mol liya

Arre pehle I was very confused ki ye kaunsa gaana hai, Rajshri films ka jo mujhe nahi pata. Then I went to YouTube. For someone who’s a big fan, I didn’t even know koi movie hai inki. Main toh zaroor dekhoongi ye. Aapne dekhi kya?

Oh my the song itself is soo soothing and you’re right- it suits TuHir in this current phase - they’re again in love all over again!!

Edited by ElitePerfumer - 8 hours ago
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Note: I'm going by the Tulsi shown in S1 who's very fluent and comfortable in English. Remember the way she used to tell off Gautam and then Ansh in the beginning - when both entered. I don't understand why they showed her sort of uncomfortable in English in the Bill Gates episode.

Chapter 44: My Husband's Suite

Consciousness returned slowly, the way it rarely did for her on a flight - no jolt, no disorientation, just a gradual surfacing into warmth and weight and the low, constant hum of the aircraft around her.

She didn't open her eyes right away.


The first thing she registered was his scent - familiar in a way that predated words, the particular mix of him that she could have picked out of a hundred strangers even now, even after everything. Then the warmth of him beneath her cheek, solid and unmoving. Then his arm, still curved around her, his hand resting where it had apparently spent the last several hours - cupped protectively against the side of her head, holding her away from the window's cold glass.


His breathing was slow and even against her hair, the particular rhythm of someone deeply asleep.


She let her eyes open, just slightly, taking in what she could without shifting - the darkened cabin, a few scattered points of light from other passengers' screens further down the rows, the faint gray suggestion of the morning light beginning to edge the window shade beside her.


She didn't move.


There would be time enough, in a few minutes, for the ordinary business of the day to reassert itself - the descent, the landing, the conference, the version of both of them that the world outside this cabin would expect. But not yet. Not while he was still like this, his face slack and unguarded in sleep, some old tension she hadn't even fully registered in his waking face now smoothed entirely away.


*Let him rest*, she thought. *As long as he can.*


So she stayed exactly where she was, matching her own breathing to the quiet, patient stillness of his, watching the light at the window's edge grow by degrees, in no hurry at all to be the one who ended this.


It was perhaps twenty minutes later that she felt him shift - the small, halting movements of someone surfacing from deep sleep, his arm tightening briefly around her before it seemed to register where it was, what it was holding.


She lifted her head then, unhurried, and found him blinking down at her, still half in the fog of sleep.


"Jai Shri Krishna," she said quietly.


"Jai Shri Krishna," he murmured back, his voice rough with disuse, and for a moment neither of them said anything more, the ordinariness of the greeting doing exactly what it was meant to do - folding the last several hours quietly into the shape of an unremarkable morning, nothing that needed announcing, nothing that needed to be anything other than what it already was.


He took out her glasses from his pocket and handed them over. Tulsi put them on and glanced at the small screen still glowing faintly in front of her, checking the distance counter ticking down in the corner.


"Kareeb teen ghante mein land kar jaayenge," she said, straightening slightly, though she made no particular hurry of it. She glanced toward the Toilet queue further down the aisle, already forming with the particular restlessness of a cabin nearing its destination.


"Freshen up ho jaayein? Pehle tum jaoge, ya main?"


"Pehle tum jao," Mihir said, his voice still thick with sleep, making no move yet to get up himself.


Tulsi nodded and reached for her handbag, then paused, holding it out to him instead of taking it with her.


"Yeh sambhalna," she said, lowering her voice slightly. "Saari jewelry isi mein hai."


He took it without question, and then eased himself up to let her out - wincing sharply the moment he put weight on his legs, the stiffness of hours spent folded into an economy seat finally announcing itself. The passenger on the aisle seat stirred too, grumbling faintly under his breath as he stood to let them both pass.


Tulsi caught the wince and paused halfway into the aisle. "Dekha," she said, not quite smiling but close to it. "Maine kaha tha na, itni der iss seat mein baithna theek nahi hoga."


"Main theek hoon," Mihir said, straightening with visible effort, though his hand went briefly to the back of his own knee.


"Suno," she said, as he was lowering himself in his seat once the aisle passenger had settled again. "Thodi der tangein seedhi karke rakho jab tak main aati hoon."


He lowered himself back down clutching her handbag carefully, stretching his legs out slowly into the space she'd vacated, and watched her disappear down the aisle before finally letting his head rest back against the seat, eyes closing again for just a few more minutes of quiet before the day properly began.


-----


The arrivals hall was a small organized chaos of placards and lanyards by the time they emerged, and it took the organizing staff only a moment to sort them into their respective categories - a young man in a conference blazer immediately falling into step beside Mihir with the practiced deference reserved for the biggest name in the room, while a woman with a clipboard approached Tulsi with a considerably more apologetic air.


"Mrs. Virani - representing Bandhej, yes? If you don't mind, we have another participant's flight landing shortly - from France. Would it be all right to wait just a few minutes and share the car? It would help us with the logistics."


Tulsi opened her mouth to agree - it was, after all, a reasonable enough ask, and she'd never been one to make a fuss over small inconveniences.


Mihir's jaw tightened before she'd even answered. He said nothing yet, but something in his stillness was unmistakably close to the outrage from the ticket printout yesterday morning, the same instinct rising in him again - that she was being made to wait, made smaller, while he was swept forward without a second's delay.


He glanced at her.


It was barely anything - a flicker, a question held in his eyes rather than spoken aloud. *Kahoon kuch?* Or, more precisely, underneath that: *Do you want to acknowledge our relationship here?*


Tulsi held his gaze for a moment, and then, almost imperceptibly, nodded.


Something eased in him instantly.


"She doesn't need to wait for anyone," Mihir said, turning to the woman with the clipboard, his tone even but leaving no room for negotiation. "She'll come with me." A brief pause, and then, softer, glancing back at Tulsi. "If she doesn't mind, that is."


The organizer looked between them, faintly puzzled but too well-trained to ask.


Tulsi felt the corner of her mouth lift before she could stop it - at the sight of him, a man who ran boardrooms and cracked whips over billion-rupee decisions without blinking, suddenly uncertain over something as simple as whether he was allowed to claim her in front of strangers.


*Woh confuse ho rahe hain*, she thought, *ki humara rishta yahaan acknowledge karna chahiye ya nahi. Aur main... main toh aaj finally woh step lene wali hoon jo shayad kaafi pehle lena chahiye tha. Pata nahi kyun nahi le paa rahi thi, ghar pe.*


It wasn't a new thought, exactly - it had been forming, quietly, over the last day or two, and had settled into something close to certainty somewhere over the ocean, in the dark of the cabin, with his arm around her and nowhere else in the world demanding her attention. No family watching. No expectant chachis exchanging looks in a doorway. No Shobha biting back a comment. None of her other kids looking everywhere but the two of them. No unspoken pressure sitting in every room she walked into. Just the two of them, a relatively unfamiliar city, and whatever she decided to make of it.


*Aaj sahi din hai*, she thought. *Yahin, ghar se door*.


"No," she said aloud, the word landing with more quiet certainty than the moment strictly required. "I don't mind at all." She had to bite back her smile at the absurdity of the situation.


The car pulled away from the terminal, the driver navigating the early-morning traffic with the practiced ease of someone who'd done this run a hundred times for a hundred equally important passengers.


"Yeh treatment," Mihir said, still visibly unsettled, "mujhe bilkul samajh nahi aata. Invite kiya hai unhone tumhe, phir aise behave kyun kar rahe hain jaise tum koi extra baggage ho?"


Tulsi looked out the window, unbothered, watching the relatively unfamiliar skyline slide past. "Sach kahoon toh, mujhe khud abhi tak pata nahi main yahaan hoon kyun." She glanced at him. "Humara koi international collaboration ka plan hi nahi hai abhi, Mihir. Jab invite aaya tha, maine Vaishnavi se saaf keh diya tha - yeh opportunity abhi humare liye nahi hai. Uski aur baaki ladkiyon ki zidd ki wajah se hi main maani thi aane ke liye." She paused. "Mera maqsad sirf itna hai ki humare craft ko, humari workmanship ko thodi pehchaan mile. Bas itna hi."


"Dekho, don't get me started again," Mihir said, frustration still sitting plainly in his voice. "Agar unhone tumhe invite kiya hai, toh unhone Bandhej mein kuch dekha hoga, kuch potential dekha hoga. Lekin ye acceptable nahi hai. Khud invite kiya hai unhone tumhe. Toh phir yeh behaviour kyun - jaise tum koi afterthought ho?"


"Yehi toh tareeka hai iss duniya ka, aur ye mat bhoolo ki Bandhej sirf chhe saal pehle hi shuru hua, bahut hi chhote scale pe, aur hume yeh invite milna hi bahut badi baat hai. VIP treatment expect karna hi galat hai." Tulsi said simply. "Aur yahaan har cheez mein yehi hoga - har session mein, har networking event mein, har jagah. Jitni jaldi tum yeh accept kar loge, utna aasaan hoga."


Mihir looked at her, something in him still wanting to argue the point further, but she continued before he could.


"Bina matlab ke apna BP mat badhao," she said, a faint smile tugging at her mouth now. "Main jaanti hoon kaunsi ladai ladni hai aur kaunsi nahi. Yeh waali ladai ladne layak nahi hai."


He exhaled, some of the tension leaving his shoulders, though not all of it. "Tumhe itni aasaani se kaise chal jaata hai yeh sab?"


"Kyunki mujhe pata hai main yahaan kyun aayi hoon," she said. "Aur woh wajah kisi ke treatment se badi hai. Aur aisa bhi koi bura nahi treat kar rahe hain mujhe agar tum impartial hoke dekho toh."


Mihir couldn't bring himself to agree, but realized there was nothing to argue about as well. So the rest of the drive was mostly silent, unless one of them pointed out a passing landmark, that they'd seen together on their trip to New York decades ago.


The car pulled up beneath a sweeping portico, uniformed staff already moving toward the doors before it had fully stopped. Tulsi leaned slightly toward the window, taking in the sheer scale of the building rising above them.


"Arre," she said, half to herself. "Yeh toh ab bahut zyaada grand ho gaya hai." She frowned slightly, working through the memory. "Main last jab aayi thi tumhare saath - shayad das..." A pause, correcting herself. "Nahi, gyaarah saal pehle. Chicago mein tha tab. Itna grand toh bilkul nahi tha."


"Har saal scale badhta jaa raha hai iska," Mihir said, glancing up at the building himself as they stepped out. "Pehle sirf kuch bade countries participate karte the. Ab dekho - kitna bada ho gaya hai."


Inside, the lobby opened up into something cavernous - soaring ceilings, an enormous chandelier suspended at its center, the low murmur of a dozen languages overlapping near the registration desks. Along one long wall, a row of illuminated panels displayed the names and banners of participating companies and countries, arranged by size and apparent prominence.


Virani Industries' banner sat near the front, large and impossible to miss, flanked by equally prominent displays from established textile houses out of USA, Italy, UK, France, and Japan.


Tulsi scanned the wall, her eyes moving past name after unfamiliar name, searching.


"Wahaan," Mihir said after a moment, nodding toward a smaller panel tucked near the far end of the row - modest, easy to miss unless you were specifically looking for it. Bandhej - India.


Something in Tulsi's face softened at the sight of it, small as it was.


She pulled out her phone, angling it to capture the whole wall - Virani Industries' banner, the international giants beside it, and finally, at the very end, Bandhej's own small, unassuming placard.


"Yeh," she murmured, already recording a slow video of the entire display, "ladkiyon ke liye."


The registration desk was a study in quiet hierarchy - a dedicated attendant already stepping forward the moment Mihir approached, clipboard in hand, practically bowing with deference. "Mr. Virani, welcome. Your suite is ready - 2104, the Presidential Suite. If you'll just-"


"Thank you," Mihir said, then turned slightly, waiting.


Another staff member, younger, less immediately certain of the protocol, turned to Tulsi with a polite but clearly separate script. "And you must be - Mrs. Virani? Representing Bandhej. Your room key is right here, ma'am, room-"


Tulsi took a slow breath, something settling into place behind her eyes. *Yehi woh pal hai*.


"Actually," she said, calm and entirely unhurried, "I know I should have informed beforehand, but I don't need a room. I would like to stay in my husband, Mr. Mihir Virani's, suite."


For a moment, nobody at the desk moved.

Mihir went very still beside her - not surprised, exactly, though it took him a second longer than it should have to fully register what she'd just said, out loud, in the middle of a hotel lobby, to two strangers who had no idea what those words actually carried.


The younger staff member blinked, glanced at her colleague, then back at Tulsi, entirely unbothered beyond the logistical adjustment required. "Oh - of course. We had no idea you were related. I'll update the booking right away."


"Thank you," Tulsi said simply, and turned to look at Mihir, something quiet and steady in her eyes, waiting to see what he'd do with what she'd just handed him.


Mihir didn't say anything at first. He simply looked at her - a long moment, unhurried despite the desk staff already moving on to the next item on their clipboard, unaware they'd just witnessed anything worth pausing over.


Then, quietly, he reached out and took her hand - just for a moment, a brief press of his fingers around hers, nothing performed for the lobby around them, before letting go again just as naturally.


"Chalo," he said, his voice steadier than his face quite managed to be. "Room mein chalte hain."


They walked toward the elevators together, unhurried, the weight of what had just happened sitting comfortably between them rather than needing to be filled with words.


Only once the elevator doors had closed behind just the two of them did Mihir turn towards her properly.


"Tulsi?"


She looked at him casually.


"Aisa nahi karti toh tum din mein das baar aate mere room mein."


Mihir understood immediately.


She was being herself - practical, unbothered, refusing to acknowledge outright that she had finally chosen to share a room with him. So he decided to meet her on her own ground.


"Main? Tumhe kya lagta hai, main itna lovesick hoon ki iss busy conference ke beech, main din mein das baar tumhare room mein aata?"


"Nahi aate?"


He shook his head emphatically. "Main toh pandrah baar aata, minimum."


For a moment, Tulsi simply stared at him.


Then the corner of her mouth lifted. "Achha?"


"Haan."


"Kaam nahi hota tumhara?"


"Tumhare room mein aane ke liye time nikal leta."


The elevator chimed softly, climbing past another floor, and neither of them moved to fill the silence that followed - the banter having done exactly what it was meant to do, letting something enormous settle into the room without either of them having to name it directly.


The suite itself was spacious and quietly luxurious - sitting area, a wall of windows overlooking the skyline, the particular hush of a room designed to make even movement feel deliberate.


Mihir set the room key down on the entry table, and Tulsi walked past him toward the window without any visible hesitation, already taking in the view with the same practical curiosity she brought to most new spaces.


"Achha lag raha hai," she said simply, glancing back at him. "Space bhi kaafi hai."


"Haan," he said, equally unbothered, already loosening his collar. "Kaafi accha hai."


Neither of them lingered on the moment longer than that - no charged glances, no unspoken tension hanging in the air. It simply was what it was now: their room, for the next ten days, and both of them moving through it with the same ease they might have shown settling into any hotel room on any ordinary trip together.


A knock came a minute later. The bellhop wheeled in their luggage - two suitcases, Mihir's suit carrier - setting everything down with practiced efficiency before excusing himself.


He returned again a few minutes after that, this time slightly apologetic, carrying a single branded conference kit.


"My apologies," he said, setting it down on the console table. "This was delivered to your originally assigned room, ma'am. We've brought it up for you."


Tulsi glanced at it as he left, and Mihir came to stand beside her, both of them looking down at the kit's embossed cover.


Mrs. Tulsi Virani

Bandhej, India


Something in her expression flickered at the sight of her own name printed that way - plainly, officially, alongside the label of the business she'd built entirely on her own - and for a moment neither of them said anything, the small, formal card somehow managing to hold both halves of who she'd become in the years apart and the years before them, side by side, in the same two lines.


They'd both stood by the window for a while, taking in the unfamiliar skyline, before the practical matter of jet lag reasserted itself.


"Agar abhi so gaye," Mihir said, glancing at his watch, "toh raat ko bilkul neend nahi aayegi. Aur kal subah se conference shuru ho raha hai."


"Haan," Tulsi agreed. "Behtar hoga thoda fresh ho jaayein, phir bahar walk pe chale jaayein. Car mein baithna abhi bilkul theek nahi lagega - itni der baithe rahe hain already."


"Sahi hai. Thodi der paidal chalna achha rahega."


They took turns showering, and Mihir emerged first, dressed in loose casuals, rolling his shoulders slightly as he crossed the room. Just as Tulsi was heading toward the bathroom herself, she caught him arching his back, a small wince crossing his face.


"Suno, thoda let jaao," she said, stopping in the doorway. "Thoda aaram do apni back ko. Main bhi shayad thodi der letna chahti hoon - fresh hoke."


"Neend aa jaayegi," he said, though he was already sitting on the edge of the bed, clearly not fighting her on it very hard.


"Main jagaa doongi," she said. "Alarm laga loongi."


He hesitated for a moment, something visibly working through his mind - she could see it with his gaze turned toward the sitting area - the small, unspoken calculation of whether he ought to offer the bed to her and take the couch in the sitting area instead, the old formality of it still sitting somewhere in him even now.


She didn't give him the chance to finish the thought. She simply walked over, put a hand lightly on his shoulder, and guided him down onto the bed herself.


"Lete raho," she said, matter-of-fact, already turning back toward the bathroom. "Main abhi aati hoon."


By the time she came out, showered and changed, he was lightly asleep - his breathing slow and even, one arm resting across his chest.


She crossed the room quietly, sat down on the other side of the bed with the same careful stillness he'd once shown her on the flight, and he stirred faintly at the shift in weight, though he purposely didn't move or open his eyes.


She reached up and slowly unpinned her hair, letting it fall loose, then set her glasses down on the bedside table beside her. A moment later, she picked up her phone and set an alarm for thirty minutes, placing it carefully within reach before lying back and pulling the shared duvet over both of them.


She turned to face him, watching him for a while - his face slack with sleep, unguarded in the particular way it only ever was like this - and let her own eyes close, still facing him, something settled and unhurried in the moment.


A few minutes later, Mihir's eyes opened slightly, and he glanced sideways at her without moving his head, careful not to disturb whatever stillness had settled over the room. Seeing her there - asleep, turned toward him, close enough to reach - he shifted slightly himself, turning onto his side to face her properly, watching her for a long, quiet moment with something unguarded in his own expression.


He didn't remember closing his eyes again. It simply happened, somewhere in the middle of looking at her, sleep pulling him under gently, the way it hadn't in longer than he cared to count.


The alarm buzzed softly against the nightstand thirty minutes later. Tulsi's eyes opened first, and for a moment she simply lay there, taking in the sight of him still asleep, facing her, unguarded.


She reached over and silenced the phone before it could wake him too abruptly, then let her hand rest lightly against his forehead instead, smoothing back a strand of hair that had fallen across it.


"Mihir," she said softly. "Uth jao. Warna raat ko phir neend nahi aayegi."


He stirred slowly under her touch, his eyes blinking open - and for a moment, before anything else registered, before the unfamiliar ceiling or the late-afternoon light or the fact of where they even were, there was only this: her hand on his forehead, her face close to his, the small, quiet miracle of waking up beside her after everything that had stood between them for over six years. Something in his chest tightened around the sheer improbability of it, still not fully believed even now, months into her being back.


"Kitna time ho gaya?" he finally managed, voice thick with sleep.


"Bas aadha ghanta," she said, already sitting up. "Chalo, uth jao. Thodi der bahar ghoomne chalte hain, phir dinner ke liye taiyar honge."


He nodded, pushing himself up slowly, and neither of them lingered on the moment any longer than that - the day, and everything still ahead of it, gently reasserting itself around them.


Their walk through the surrounding blocks stretched into a full hour, unhurried, the city's evening noise settling around them as they shared a single-serve stone ice cream from a small parlour Tulsi had spotted on a corner - something she declared, after one bite, "bahut zyaada meetha hai, par achha hai" - before they finally turned back toward the hotel to get ready for dinner.


The dinner was held in one of the hotel's smaller banquet halls - semi-formal, given how many delegates were still arriving through the evening, small clusters of conversation forming around scattered cocktail tables before people began drifting toward assigned seating.


A staff member led them toward the main table, where Mihir's placard sat prominently near the head. She hesitated for a fraction of a second before reaching for a second card further down the table - one marked simply Bandhej - India - glancing between it and Mihir with visible uncertainty, clearly unsure whether to seat Tulsi there, or somewhere closer to him, or whether the question even had a right answer.


Tulsi noticed immediately.


"It's all right," she said, her tone easy, putting the woman at ease before she could even finish stammering out an explanation. "For events like this - informal, semi-formal - you can seat me wherever works best for you. But for the actual conference sessions, panels, anything official - please treat me exactly as Bandhej's representative. Not any differently."


The staff member's relief was almost visible. "Of course, ma'am. Thank you."


She set the second placard down beside Mihir's without further hesitation.


Mihir said nothing through any of it - no surprise crossing his face, no urge to smooth things over on her behalf. This was, after all, exactly the kind of clarity he'd have expected from her; there was nothing here that needed his protection.


They settled into their seats as the room slowly filled around them, the low hum of a dozen languages once again overlapping at nearby tables.


It was only a few minutes into the meal that Tulsi rubbed her arms lightly, glancing up at the vents overhead.


"Mujhe toh khayal hi nahi raha," she murmured to Mihir, "yahaan AC itna tez rakhte hain. Lagta hai kuch woolen khareedna padega - mujhe thand lagne wali hai yahaan."


"Chalo, dinner ke baad dekh lete hain," Mihir said easily. "Shayad koi dukaan khuli mil jaaye, thodi jaldi kha lete hain phir nikal jaayenge." Then, almost as an afterthought, a small, satisfied smile crossing his face. "Waise, main tumhare wardrobe se teen shawls aur thermal wear laaya hoon. Mujhe pata tha yeh hoga."


Tulsi looked at him, faintly exasperated and entirely unsurprised. "Tumhe pehle se pata tha?"


"Mujhe tumhara sab pata hota hai," he said, unbothered, reaching for his water glass.


A while later, Mihir set his fork down, still chewing over her comment about the cold. "Phir bhi tumhe cardigans lene hon toh nikalte hain - Macy's shayad das baje tak khula rehta hai."


"Tum meri shawls aur thermals leke aaye ho na," Tulsi said. "Phir aur woolens ki zaroorat nahi hai."


"Abhi leke aata hoon room se," Mihir said, already half-turning as if to get up.


"Nahi, rehne do," she said, a hand briefly on his arm. "Dinner khatam hone hi wala hai - itni der mein wapas jaake, dhoondhke laana, phir se yahaan aana - koi matlab nahi. Agar tumhe abhi kisi se milna ya networking karna nahi hai toh chalo, aaj jaldi so jaate hain. Kal subah se conference shuru ho raha hai - poori tarah aaram karke jaayenge toh dhyaan bhi poora lagega." A small pause. "Kal toh tumhari keynote address bhi hai. Maine program dekha tha kal ka."


He agreed, and within five minutes they'd finished dinner, both waving off the dessert cart with matching, unspoken efficiency.


They were just making their way toward the exit of the banquet hall when a voice called out from behind them.


"Mihir! Mihir Virani, is that you?"


A tall, silver-haired man in his sixties was making his way toward them, weaving between the scattered cocktail tables with the easy confidence of someone who'd navigated a hundred rooms like this one. His name tag read Richard Hendricks - Hendricks Textile Group.


"Richard!" Mihir's face broke into genuine surprise, clasping the offered hand warmly. "What a surprise. I didn't know Hendricks was here this year."


"Wouldn't miss it," Richard said, and then his gaze moved past Mihir to Tulsi - his first thought, plain on his face, was simply that Mihir's wife had come along for once, the way spouses sometimes trailed into these things for a dinner or two before disappearing back to the hotel room. He gave her a polite, easy nod, the kind reserved for someone else's plus-one.


It was only as he opened his mouth to greet her properly that his eyes caught on the lanyard around her neck, half-turned against the drape of her saree's pallu. He tilted his head slightly, straining to read it.

Tulsi Virani - Bandhej, India.


His expression shifted - surprise resettling into something more attentive. "Mrs. Virani? Is that really you?"


"Richard," Tulsi said, smiling. "Bahut din - I mean, it's been a long time."


"It certainly has." He looked between the two of them, something in his face still working out the shape of it. "Bandhej - that's not one of Virani Industries' lines, is it? I don't recall it from the portfolio."


"She's here in her own right this time," Mihir said, and Tulsi caught the small, unmistakable lift in his voice - pride sitting right at the surface, no effort made to keep it down. "Tulsi runs her own textile business now. Bandhej. She's representing them at the conference."


"Is that so." Richard looked at her again, freshly, the polite nod from a moment ago quietly retired. "Well, tell me - what does Bandhej do?" He pronounced it slightly off.


"Ban-dhej," Tulsi corrected gently, without making anything of it. "We work with mostly traditional bandhani, I mean tie & dye and resist-dye techniques. Small scale, mostly artisan-led - we started six years ago, with a handful of women in Kutch. It's grown some since."


"Some," Richard repeated, glancing at Mihir with a faint, knowing smile, as though he suspected the understatement for exactly what it was. Then, to Tulsi again, his tone softening. "You know, I still remember visiting your home for dinner - must be, what, about eight years ago now? I don't think I've had hospitality like that anywhere else I've traveled. Your family made me feel like I'd known them my whole life."


"That's very kind of you to remember," Tulsi said. "You must come again - next time you're in India, please, you and your wife both, you should visit us for dinner."


"Oh, I was just waiting for someone to say that." Richard's eyes glinted, and he turned to Mihir with the air of a man about to enjoy himself. "Because the last two times I was in Mumbai, this husband of yours took me to some very fine restaurants - very fine - but not once back to that house."


Something flickered between Mihir and Tulsi, quick and wordless.


"Well," Tulsi said, recovering first, her tone easy, unhurried. "Consider this a standing invitation, then, Richard. Whenever you're in India - even once, even for a single dinner - please, come to us."


They talked a few minutes more - Richard asking after Gautam, whom he vaguely remembered as "the lawyer son," Mihir filling in the gaps about Ritik's upcoming wedding with visible enthusiasm, when Richard inquired if he was also attending with Mihir this time - before the room around them began visibly thinning, delegates drifting toward the exits in twos and threes.


"Well, I should let you go," Richard said finally, glancing toward the doors himself.


Then, just as they were turning to leave, he added, "So - Ban-dhej?" This time he said it carefully, and nearly got it right. "Well. I'll be keeping an eye out for any session that covers it."


"I'd like that," Tulsi said, something quietly pleased crossing her face at the correction landing right this time. "Please do attend, if your schedule allows."


They said their goodnights, and Mihir's hand found the small of her back, unthinking, as they turned toward the elevators.


Back in the suite, Tulsi went straight for her suitcase, kneeling beside it to sort through what she'd need for the night and the day or two ahead - a night saree set aside, then a mental division beginning to take shape between what needed dry-cleaning and what could simply be hung. The rest, she decided, could wait; there'd be pockets of free time over the next couple of days to finish properly.


"Yeh," she said, holding up the small pouch of jewelry she'd worn that evening, "safe mein rakh dete hain."


She also started to take out all her jewelry from her handbag to put everything into the safe.


Mihir was already crossing to the closet, sliding open the panel that revealed the room's safe set discreetly into the back wall. He took all the jewelry from her, along with his own cufflinks and watch from the dresser, punched in a code of his choosing, and shut it with a soft, definitive click. He told her the code to which she simply nodded. Easy to remember since it was Gautam's birthdate.


It was only once Tulsi had turned back to her suitcase, absorbed again in folding something into the closet, that Mihir crossed quietly to his own bag and drew out a small box from beneath a fold of shirts - unremarkable enough that it could have passed for a tie clip or a spare set of studs.


He opened it briefly, just to himself, angled away from her.


A 5-carat sapphire ring sat inside, catching what little light reached that corner of the room.


He closed it again, and for a moment stood there simply holding it, some private calculation working behind his face. Then he crossed to the safe, entered the code again, and set the box inside next to the jewelry pouch.


His hand rested on the safe's door for a second too long.


He opened it again, took the box back out, and instead tucked it beneath a stack of his own folded shirts on the closet shelf - out of sight, but not behind a code, not somewhere that would need explaining if either of them opened it looking for something else.


He shut the closet without a word, and if Tulsi noticed the small detour, she gave no sign of it, still occupied with her own half of the room.


They changed for the night in easy, practiced silence - she into her night saree, he into his kurta-pyjama - and by the time she came to sit on her side of the bed, he was already lying back against the headboard, watching her without quite seeming to.


She reached up and began unpinning her hair, working through it with the unhurried efficiency of habit, until it came loose all at once and settled over one shoulder in a dark, heavy fall.


He didn't say anything - before the separation, this would have been thoughtless, a husband's hand finding his wife's hair the way it might find her shoulder or her hand, needing no permission because none had ever been required. Six and a half years had taken that certainty from him along with everything else. Even now, months into her being back, he hadn't quite let himself reach for her that freely again - some old caution still sitting between the wanting and the doing, unwilling to presume he'd earned back what he once hadn't had to think twice about.


Still sitting up, Tulsi glanced over at him. "Subah saat baje jagaaun na tumhe?"

She said it the way she always did - practical, already reaching for her phone to set her own alarm at six, the question more habit than anything requiring real thought.


He could have told her the truth - that he hadn't slept a full night through in longer than he cared to count, that some part of him had never quite recovered the trick of it since she'd left, that even now, months into her being back, his body still woke at odd hours expecting an empty room. He didn't say any of that.


"Haan," he said instead, simply, already sliding down to lie flat, harboring the quiet hope that tonight, at least, he might sleep long enough to wake to her hand on his forehead instead of the dark alone.


Tulsi set her alarm, then slid down beside him, turning briefly to the other side to set her glasses and phone on the nightstand.

It was only a second - her back half-turned, her attention entirely on the table, the room dim enough that even a careful look wouldn't have caught it.


Mihir's hand moved before he'd properly decided it should, reaching over to touch her hair once, lightly - and then withdrew just as quickly, tucked back at his side, entirely still, by the time she turned back around.


*Usne dekha toh nahi?*


Just in case, he didn't wait to find out. He decided to divert her attention. "AC ka temperature comfortable hai?" he asked, his voice perfectly even.


"Haan, mujhe toh theek hi lag raha hai," she said, settling back against her pillow.


He reached for the switch on the night lamp. "Light off kar doon?"


She was already fighting back a yawn. "Haan, kar do."


Just as he switched off the light, Tulsi's voice came through the dark, already half-drowsy. "BP ki dawai le li thi?"



"Haan," Mihir said, the single word carrying more than its length should have - her concern for him doing what it always did, some old ache in his chest loosening slightly just at being asked. "Le li thi."


"Good night," she murmured.


"Good night," he said back, and the room went dark and quiet around them.


Sleep took her almost immediately, the way it usually did now, her breathing settling into something slow and even within minutes.


It didn't come as easily for him. It rarely did.


He drifted for a while in that thin, restless place just short of sleep, and when his eyes opened properly again, the room was dark and unfamiliar, and for one disoriented moment his body braced itself for what it had learned to expect on nights like this - the particular, hollow weight of the other side of the bed, empty, cold, six and a half years of waking to exactly that.


Then his eyes adjusted, and he remembered.


Tulsi was there. Facing him, her hair loose across the pillow, one hand curled near her chin, sleeping with the kind of soft, unguarded stillness she rarely allowed herself awake.


The bracing he'd done a second ago had nowhere to go. It simply dissolved, and in its place came something so quiet and complete that it took him a moment to recognize it as peace - an actual, physical loosening in his chest, the kind he hadn't felt reliably in years, not even in all the months since her return, not like this, not in the dark, with no one watching and nothing to perform.


*This is my home*, he thought, watching her breathe. *Jahan bhi yeh so rahi hai - wohi mera ghar hai.*


He thought of everything it had taken to arrive at this - her six and a half years away, her return to Shantiniketan only as a mother and daughter-in-law, the media circus orchestrated by Noina, her tea offer, his chamomile offer, the confession night, the single rose petal, the jasmines, the phone call questioning her self respect in accepting him back, the Dhuleti ritual, the pillar jab, the fight over Ritik's reassignment, the argument over the conference paperwork, the long nights of not knowing if any of it would ever be enough, if he even deserved for it to be enough.


He thought of how close he'd come to losing her permanently, more than once, through failures that had been entirely his own to own. And here she was, sleeping three feet from him in a hotel room on the other side of the world, having chosen - again, still, after everything - to be here.


He didn't decide to cry. He simply became aware, several seconds too late, of the wetness on his own face, silent and unhurried, the kind of crying that asked nothing of him and demanded no sound.


*Shukar hai*, he thought, the words forming and reforming without any real shape. *Thank you Tulsi, mere paas wapas aane ke liye.*


He reached up and wiped his face with the back of his hand, slow and careful, still not looking away from her.


Tulsi stirred faintly - a small shift of her shoulder, her head turning a fraction against the pillow - and Mihir's eyes shut instantly, his breathing arranging itself into something even and unremarkable, the practiced stillness of a man who had spent a lifetime learning not to be caught looking.


She didn't wake. Her breathing settled again within a few seconds, and after a moment, cautiously, he let his eyes open just enough to confirm it.


He didn't watch her again after that, not directly - some line crossed once already tonight without her knowledge felt like enough - and eventually, sometime in the drifting dark, sleep found him again too.


Tulsi woke on her own a little after three, the way she often did, some internal clock from years of early mornings never quite switching off even here. She turned her head slightly and found him asleep beside her, undisturbed, his face slack in a way it rarely was awake.


She smiled to herself - small, private, needing no audience - and eased herself up with careful, economical movements, reaching for the water glass on her nightstand and drinking slowly, quietly, before setting it back down without a sound. She lay back down facing him again, moving as little as the mattress would allow, and was asleep again within minutes. She felt a contentment in her sleep that she'd not felt in over seven years now.


Mihir woke once more near four-thirty, some old habit stirring him awake out of nowhere the way it always did these days. He reached for his own glass, drank, and set it down.


He didn't remember falling back asleep. It simply happened - quick, uneventful, complete - in a way it hadn't in longer than he could easily place.


For the rest of the night, neither of them stirred again.


Author's Note:

Hi everyone! 💛

This chapter's been sitting in my heart for a while now, so I'm genuinely nervous and excited to finally put it out there. Getting to write Tulsi say those words in the lobby — "I would like to stay in my husband's suite" — felt like such a long time coming, and I hope it landed for you the way it did for me while writing it.

I also loved writing Richard in — sometimes it's the outside world, someone who has no idea what these two have been through, that ends up reflecting back to us (and to Mihir!) just how far Tulsi has come. Watching Mihir get to say "she's here in her own right" out loud, to someone from his own world, meant a lot to write.

And that quiet 1:45 am scene… I won't say much more, except that I think Mihir needed that moment as much as we did.

There's a little something tucked away in a closet shelf that I'm not going to talk about yet 👀 — but I promise it'll matter, in time.

As always, this story lives and breathes because of you all — every comment, every theory, every "finally!!" in the reviews genuinely keeps me going through the slower drafting weeks. So please, if you have a few minutes, do drop your thoughts below. I read every single one, more than once.

Thank you for staying with Tulsi and Mihir this far. New York's only just beginning for them.

Lots of love, ElitePerfumer 🌿

Edited by ElitePerfumer - 8 hours ago
ElitePerfumer thumbnail
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Posted: 8 hours ago

I just added the author's note to chapter 44.

also responded to all reviews and comments. Please do let me know if I missed any.

Now will start writing the next chapter while waiting for your reviews for this one

bpatil3 thumbnail
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Posted: 8 hours ago

Originally posted by: ElitePerfumer

Arre pehle I was very confused ki ye kaunsa gaana hai, Rajshri films ka jo mujhe nahi pata. Then I went to YouTube. For someone who's a big fan, I didn't even know koi movie hai inki. Main toh zaroor dekhoongi ye. Aapne dekhi kya?

Oh my the song itself is soo soothing and you're right- it suits TuHir in this current phase - they're again in love all over again!!

Nope not yet, OTT me dekh lungi.

Par mujhe kya hai Rajshri movies ke liye Ayushman mujhe kuch khaas nhi laga. Prem ki chavi alag hi hai unki movies me. Fir bhi dekhte hai when it is released in OTT.

Bilkul brand new gaana hai...

ElitePerfumer thumbnail
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Posted: 7 hours ago

Originally posted by: bpatil3

Nope not yet, OTT me dekh lungi.

Par mujhe kya hai Rajshri movies ke liye Ayushman mujhe kuch khaas nhi laga. Prem ki chavi alag hi hai unki movies me. Fir bhi dekhte hai when it is released in OTT.

Bilkul brand new gaana hai...

Haan mujhe bhi yehi lagta hai - Ayushman aur rajshri is mismatched - phir bhi dekhte hain. Haan ab toh perhaps I will watch on ott too. As not well enough to go to multiplex.

the song though is beautiful

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