Originally posted by: sadiltl
I dont how malla can selflessly aimlessly live in that mansion without any biological urges nor fulfillment of any type. Even between the leads, who are supposed to be in love, usually the angst is shown to convey the "longing" to be together. That longing makes them do things in haste or uncover things...not sit and dillydally. There should be some urgency on one side or both to uncover things. If they accepted the other is moved on, why waste time again on showing longing looks? How does that serve the purpose of the story. It is not like they are going to involve in EMA.
What I am trying to say is that iff they still love and want to be with each other, they should proceed aggressively no matter what...asking questions etc. If they have some clue, they should not stop. If they are stopping, that means they accepted their fate. Then any amount of scenes showing longing, trip and fall etc will not help the story. What are they going to convey with that?
I hope this Dua's truth is a new slate and they(writers) should start afresh. Both the leads made peace with their past and ready to move on! Can we accept that...then the audience also will have chance to start with fresh pov, without bringing the past nonsense they weaved.
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