Originally posted by: Butterfly01
The writing! Oh god! It is everywhere. Individual scenes especially that of Prashiv are written so well, we end up in a giggling and swooning mess, but the overall coherence is extremely lacking.
As @tintedblossom rightly said, this would’ve made more sense after the Prarthana proving herself and before accident 2.0.
I mean Shiv asked for divorce, Prats resisted but saw Shiv with Sonalika that night near the couch, so she proved herself and signed the divorce papers, then if this drama would’ve happed, it would’ve naturally lead to Shiv’s confession, then both plot and throw Sonalika out, then the Smita backstory and reconciliation would’ve happened.
So much potential and time to perfectly wrap up everything yet these writers decided to test our patience…
Ohhh The frustration is so real!
The maddening part is that the building blocks for a gorgeously tight narrative were all right there—the writers had set up angst, betrayal, sacrifice, misunderstandings, and even the perfect timeline for catharsis. But instead of weaving them together, they’ve scattered these emotionally loaded scenes like pearls across the floor… and forgotten to string them into a necklace.
Instead of Clean, impactful, and coherent writing,what we got feels like the writers were so obsessed with “milking moments” that they lost the spine of the story. Scenes of Prashiv are chef’s kiss—we swoon, we giggle, we cry—but they float in isolation, never feeding the bigger arc. Which is why viewers feel jerked around: we’re emotionally invested, but narratively starved..
Cricket
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