This type of writing involves providing intricate details during the shooting of a finished script, where both the actors and the director contribute to creating depth. Recall the first face-to-face interaction between Bilal and Sadaf—Sadaf’s gaze reveals everything. She is affected by Bilal, despite her initial prejudices against him. Girls from conservative backgrounds like Sadaf wouldn’t typically give such looks, especially right after her father’s death.
With each meeting, Sadaf’s preconceived notions about Bilal started to break down. Hamsha, by talking to her, indirectly asked, "Do you love him?" Sadaf didn’t respond with a simple yes or no, which revealed that she had feelings for Bilal. However, Hamsha’s remark, "Bilal would do anything to get what he wants," changed Sadaf’s perspective of him.
Later, when Bilal mentioned to Sadaf’s mother that he would ask for her hand in marriage, Sadaf distanced herself emotionally from Bilal. Sadaf is a conflicted girl. Most men tend to lose interest in such girls—those who are indecisive and have reservations. Bilal’s love for Sadaf is entirely due to her being Mirza Sahab’s daughter. Otherwise, there is nothing particularly special about Sadaf. A man like Bilal, with so many women passing through his life, would have experienced countless relationships.
"Bilal knows Sadaf better than Sadaf knows herself... as both the fragment and episode 33 show. Bilal rejects Sadaf's desire to establish a relationship with him. Will this situation push Sadaf back towards Amara? That’s the real question that needs to be asked. Sadaf is an extremely indecisive and stubborn girl. My judgment is that she will never return to Amara... "
Edited by hakanturkey - 10 months ago