I think Meera, kairi-Dhanraj plots were very good to show conflict but they were brought in at the wrong time.. kairi-Dhanraj matter should have been opened up post the bar girl truth during the Karan bulbul track and they could have played the rich boy poor girl classic conflict on imya.. that could have been a solid phase for angst, pining and love realisation.. imlie could have been angry with family and vice versa.. and imya love could have blossomed despite that.. would have been chef’s kiss… huge opportunity miss i thought.. in some ways, they didn’t play up the poor bar girl and the rich guy conflict well especially with the retro and village setting that they had for imlie-Agasthya, would have been a trp hit track.. these old movies had this conflict a lot.. either rich girl poor boy or vice versa..
With Meera, again wrong timing.. and also Agasthya had a proper family bonding with everyone. The mother role was filled by dadi.. and I think the audience connected to Agasthya-dadi. of course dadi ko villain banake in the end, I think they destroyed dadi too badly..
Meera was not really required for Agasthya from an emotional stand point.. with surya, they have fixed that. The foster mother has not given him any love.. so him and Meera can be played well.. also with this Raghu Anna/malti being a point of conflict for imlie-surya, Meera can be a means to bring them together to balance the conflict..
Edited by Lonelythots - 1 years ago