Gappa Tappa corner thread 17 - general discussions - Page 48

Renuka Shahane and Sachin Khedekar were also popular in another serial Sailab on Zee tv in 90 s...(Ravi Rai ) This was after Imtihan.....

Ninad kamat was pitched opposite to firdaus dadi in Imtihan . Later Ninad and firdaus did not feature much post 2000..…

[/QUOTE

निनाद कामत ने नंतर बरेच छोटे roles केले.

Tv serials, films.

पण दखल घेण्यासारखा असा खास काही नाही केलं.

Chandramukhi review in Times of India :

From metro trains to airplanes, and print to social media, the Chandramukhi fever has taken over the audience of Maharashtra over the last few weeks. Rest assured, expectations on the Prasad Oak directorial have been riding high. But does the film live up to the hype? Let’s find out.

Chandramukhi is based on Vishwas Patil’s novel, the rights to which took quite a long time to come to the film’s team. Those familiar with the book or the film’s trailer have an idea about the story. For those living under a rock, this film is a story of forbidden love and its repercussions. Daulat Deshmane, a sincere politician with a bright future, is on the verge of becoming India's next minister of commerce and industry. However, it just takes one photo to ruin the chances of his ascension to the post. A photo of him and Chandramukhi, a tamasha dancer, who the happily married Daulat has fallen in love with. A flashback opens Pandora’s Box, and the viewer is introduced to Chandra and Daulat’s story. Right from a reluctant meeting to both getting seriously involved with each other, each aspect of the story is explored in detail. But what happens when this affair becomes public knowledge? What effect does it have on the lives of the lovers and their close ones?

An adaptation of a story that originally runs over 300 pages of text is not an easy task, but screenwriter Chinmay Mandlekar manages to capture the essence of the story. However, the final product can be clearly divided into two parts- a painfully slow pre-interval part, and a better post-interval part. Prasad Oak takes ample time to introduce his leads and establish their relationship, and he does this with scenes that just add to the running time, sans much impact. Transitions between some scenes are abrupt and make you wonder why. Then there are the special effects that lack finesse. But it is not all bad. The film manages to recover with an almost slick political drama unfolding in the second half. There are interesting plots, twists, and a much sharper execution here than the love story of the first half.

The film is Amruta Khanvilkar’s first ‘in and as’ performance and she has pumped sweat and blood into this role. She has undergone physical transformation to suit the role of a tamasha dancer and worked on getting the specific dialect right too. A little more rawness in the body language and dance moves would have made her portrayal completely impactful. That said, it is a sincere and committed performance from Amruta. Addinath fits the part and channels the ‘macho persona with a heart of gold’ character well. He slips in a few scenes that require him to channel the angst of the character, but it’s a measured performance overall. Apart from the leads, there are two other characters that stand out in this ensemble cast- Nana Jondhale (Rajendra Shirsatkar) and Battasha (Samir Choughule). Rajendra, a seasoned actor often seen as a police officer onscreen, is so good that you get angry at his character, and that’s a win for the actor. Samir, known for his comic timing otherwise, delivers an impactful performance, making you feel the helplessness of the character. Mrunmayee Deshpande’s portrayal of Dolly is layered and could’ve been explored more.

To cut a long story short, Chandramukhi is a decent watch. With crisper editing, it could’ve been even better. A special mention to Ajay-Atul's music that adds the required rustic touch to the songs and elevates the experience.

Originally posted by: mishkil88

Chandramukhi review in Times of India :

From metro trains to airplanes, and print to social media, the Chandramukhi fever has taken over the audience of Maharashtra over the last few weeks. Rest assured, expectations on the Prasad Oak directorial have been riding high. But does the film live up to the hype? Let’s find out.

Chandramukhi is based on Vishwas Patil’s novel, the rights to which took quite a long time to come to the film’s team. Those familiar with the book or the film’s trailer have an idea about the story. For those living under a rock, this film is a story of forbidden love and its repercussions. Daulat Deshmane, a sincere politician with a bright future, is on the verge of becoming India's next minister of commerce and industry. However, it just takes one photo to ruin the chances of his ascension to the post. A photo of him and Chandramukhi, a tamasha dancer, who the happily married Daulat has fallen in love with. A flashback opens Pandora’s Box, and the viewer is introduced to Chandra and Daulat’s story. Right from a reluctant meeting to both getting seriously involved with each other, each aspect of the story is explored in detail. But what happens when this affair becomes public knowledge? What effect does it have on the lives of the lovers and their close ones?

An adaptation of a story that originally runs over 300 pages of text is not an easy task, but screenwriter Chinmay Mandlekar manages to capture the essence of the story. However, the final product can be clearly divided into two parts- a painfully slow pre-interval part, and a better post-interval part. Prasad Oak takes ample time to introduce his leads and establish their relationship, and he does this with scenes that just add to the running time, sans much impact. Transitions between some scenes are abrupt and make you wonder why. Then there are the special effects that lack finesse. But it is not all bad. The film manages to recover with an almost slick political drama unfolding in the second half. There are interesting plots, twists, and a much sharper execution here than the love story of the first half.

The film is Amruta Khanvilkar’s first ‘in and as’ performance and she has pumped sweat and blood into this role. She has undergone physical transformation to suit the role of a tamasha dancer and worked on getting the specific dialect right too. A little more rawness in the body language and dance moves would have made her portrayal completely impactful. That said, it is a sincere and committed performance from Amruta. Addinath fits the part and channels the ‘macho persona with a heart of gold’ character well. He slips in a few scenes that require him to channel the angst of the character, but it’s a measured performance overall. Apart from the leads, there are two other characters that stand out in this ensemble cast- Nana Jondhale (Rajendra Shirsatkar) and Battasha (Samir Choughule). Rajendra, a seasoned actor often seen as a police officer onscreen, is so good that you get angry at his character, and that’s a win for the actor. Samir, known for his comic timing otherwise, delivers an impactful performance, making you feel the helplessness of the character. Mrunmayee Deshpande’s portrayal of Dolly is layered and could’ve been explored more.

To cut a long story short, Chandramukhi is a decent watch. With crisper editing, it could’ve been even better. A special mention to Ajay-Atul's music that adds the required rustic touch to the songs and elevates the experience.

पुन्हा एकदा गोड गोड review with थोडासा एकदम थोडासा कडू point.

Originally posted by: iluvusakshi

पुन्हा एकदा गोड गोड review with थोडासा एकदम थोडासा कडू point.

Originally posted by: mishkil88

rating given is 3/5. Apan 2/5 ghyaycha 😆.

It doesn't have many other movies; Hindi or regional, to compete. If they've released in many theaters then it should make good business irrespective of any negative reviews.

Originally posted by: mishkil88

rating given is 3/5. Apan 2/5 ghyaycha 😆. First half dead slow ani 2nd speedy . Kahi scenes abruptly cut kelet. Shivay music kahi khaas nasava.

Ho actually,songs suruvatila startla chan ahet pan mhnaje mukhada changala ahe.pan antara evadha khas nahi

Natarangchi tar sar nahi.

Kothare baba kahi scenes madhe chakka dull ahet asa kahisa review varun disat ahe.

Ekandarit,amrutachi chandi ahe.ticha picture ahe.ani tine 100% dil ahe.

Originally posted by: Arjunwagle

Subah and chunauti were primarily based on college life and drugs . Imtihan was based on struggle and fight back of a woman (renuka shahane and firdaus dadi as her sister ) ...😀 I think Imtihan was telecast on DD metro and directed by Imtiaz Ali if i m not mistaken...

IMO " Ek doon teen char "was telecast on Sunday morning after Rajani serial...though lot of people say it was telecast on Saturday afternoon...

You are right, but I am referring to the third serial in the trilogy, I think Inkar is it's name. I know Imtihaan is that Renuka shahane show, I was thinking there might be two shows of the same name.

Chunauti is more recognized probably because it had names like Mohan Bhandari(Khandaan), Arif Zakaria, Vaishali Dandekar, Suchitra Krishnamurti and quite few of upcoming stars who became famous later on.

Subah was made by Bharat Rangachari.

Originally posted by: iluvusakshi

Imtihan सिरीयल सुरुवातीला छान होती.

रेणुका शहाणे चा love interest (बहुतेक) सचिन खेडेकर होता.

अलोक नाथ रेणुका आणि firdaus चे पपा असतात आणि त्यांचा मित्र/business partner अनंत नाग असतात.

नंतर मात्र firdaus dadi रेणुका च्या विरुद्ध जाते, मै उसको बरबाद कर dungi वगैरे अशा type चा काहीतरी story झाली होती. भरकटली एकदम नंतर.

मग मी सोडून दिली ती सिरीयल बघायची.

रेणुका अजून एक सिरीयल मध्ये होती.

कोरा कागज..बहुतेक स्टार plus वर होती.

उत्तरा बावकर तिची सासू असते, सलील अकोला तिचा दिर असतो.नवरा मात्र रेणुका ला आपली बायको म्हणून कधीच accept करत नाही कारण त्याच already बाहेर कोणीतरी असत.

मग सलील आणि रेणुका प्रेमात पडतात..असा कथानक होतं.

मला वाटतं त्या सुमारास स्त्री पात्रांभोवती फिरणाऱ्या अनेक मालिका होत्या पण त्या सर्वांची सुरवात नीना गुप्ताच्या दर्द ने केली होती. त्यानंतर आल्या तारा , अस्तित्व साँस आणि अनेक अशा मालिका . दर्द मध्ये मनोहर सिंग होते . काय जबरदस्त अभिनेता होता हा माणूस .

तो अरुण कौल च्या दीक्षा मध्ये होता , त्याच्या बरोबर नाना पाटेकर, K.K . रैना, सुलभा आर्य असे एकापेक्षा एक सर्रास नट होते दीक्षा मध्ये. दीक्षा, घटश्राद्ध ह्या U R Anantmurtinchya कादंबरीवर बेतला होता .

Here is a scene from Diksha.

https://www.youtube.com/watch?v=QC3jvdZxRGI

Originally posted by: mishkil88

Chandramukhi review in Times of India :

From metro trains to airplanes, and print to social media, the Chandramukhi fever has taken over the audience of Maharashtra over the last few weeks. Rest assured, expectations on the Prasad Oak directorial have been riding high. But does the film live up to the hype? Let’s find out.

Chandramukhi is based on Vishwas Patil’s novel, the rights to which took quite a long time to come to the film’s team. Those familiar with the book or the film’s trailer have an idea about the story. For those living under a rock, this film is a story of forbidden love and its repercussions. Daulat Deshmane, a sincere politician with a bright future, is on the verge of becoming India's next minister of commerce and industry. However, it just takes one photo to ruin the chances of his ascension to the post. A photo of him and Chandramukhi, a tamasha dancer, who the happily married Daulat has fallen in love with. A flashback opens Pandora’s Box, and the viewer is introduced to Chandra and Daulat’s story. Right from a reluctant meeting to both getting seriously involved with each other, each aspect of the story is explored in detail. But what happens when this affair becomes public knowledge? What effect does it have on the lives of the lovers and their close ones?

An adaptation of a story that originally runs over 300 pages of text is not an easy task, but screenwriter Chinmay Mandlekar manages to capture the essence of the story. However, the final product can be clearly divided into two parts- a painfully slow pre-interval part, and a better post-interval part. Prasad Oak takes ample time to introduce his leads and establish their relationship, and he does this with scenes that just add to the running time, sans much impact. Transitions between some scenes are abrupt and make you wonder why. Then there are the special effects that lack finesse. But it is not all bad. The film manages to recover with an almost slick political drama unfolding in the second half. There are interesting plots, twists, and a much sharper execution here than the love story of the first half.

The film is Amruta Khanvilkar’s first ‘in and as’ performance and she has pumped sweat and blood into this role. She has undergone physical transformation to suit the role of a tamasha dancer and worked on getting the specific dialect right too. A little more rawness in the body language and dance moves would have made her portrayal completely impactful. That said, it is a sincere and committed performance from Amruta. Addinath fits the part and channels the ‘macho persona with a heart of gold’ character well. He slips in a few scenes that require him to channel the angst of the character, but it’s a measured performance overall. Apart from the leads, there are two other characters that stand out in this ensemble cast- Nana Jondhale (Rajendra Shirsatkar) and Battasha (Samir Choughule). Rajendra, a seasoned actor often seen as a police officer onscreen, is so good that you get angry at his character, and that’s a win for the actor. Samir, known for his comic timing otherwise, delivers an impactful performance, making you feel the helplessness of the character. Mrunmayee Deshpande’s portrayal of Dolly is layered and could’ve been explored more.

To cut a long story short, Chandramukhi is a decent watch. With crisper editing, it could’ve been even better. A special mention to Ajay-Atul's music that adds the required rustic touch to the songs and elevates the experience.

शाल जोडीतून हाणलंय .

Originally posted by: NerdyMukta

It doesn't have many other movies; Hindi or regional, to compete. If they've released in many theaters then it should make good business irrespective of any negative reviews.