Khuda Aur Mohabbat 3 | Discussion Thread #9 - Page 77

I saw episode 11

All the scenes were really good in this episode.

Mahis guilt is growing and we can see some concern for Farhad.

Farhad and Dilawar conversation.

Sajal confession and Farhad rejection scene. I think this scene was to emphasize how shadeed Farhad's mohabbat is for Mahi.

I still dont get how it all happened so quickly though.😆

And the next episode looks even more better! Finally finally that library scene is coming!

Originally posted by: awida

Masjid is for sure a place where you can get spiritual vibes.. it is the place where you pray, learn , and do itikaaf.

Getting spiritual vibes and proper spiritual education are two totally different things.

Human try to reach at the vibe when already they had understood the reason or importance.

No person without knowing the importance of Salah,would enter in Mosque.Mosque is actually for PERFORMING SALAH &Yeah,it brings the vibe but you have to be enough spiritual already to visit there regularly.

Still now people in my family(men) miss Fajr salah due to sleep as they give more importance to it rather than the Mandatory job,so Mosque coudnt do anything here.

Proper knowledge and Love towards Allah has be there.

Pir,Fakir can't be the source of proper islamic knowledge in today's world.

And coming to Majar,They are graveyards nothing else.

No Muslim should visit it except with the intention of praying for the deceaseds.

Originally posted by: Unique.Sheep

I saw episode 11

All the scenes were really good in this episode.

Mahis guilt is growing and we can see some concern for Farhad.

Farhad and Dilawar conversation.

Sajal confession and Farhad rejection scene. I think this scene was to emphasize how shadeed Farhad's mohabbat is for Mahi.

I still dont get how it all happened so quickly though.😆

And the next episode looks even more better! Finally finally that library scene is coming!

I am glad you liked the episode, yes 11th episode Mahi had us all believing that finally the moment was here, but well, kya kehna

Everything is just her guilt, only guilt yaar 🥺

Farhad's rejection was not to emphasize to his shadeed mohabbat, but to emphasize the fact that he did not have shortage of women who would do anything to have him, and he still just believed in the one woman theory. Usually, men who lose their sanity over one girl are mocked by claiming that ek ladki ne pehli baar attention diya so pagal hogaya hai, but in Farhad's case, they established that he got attention from multiple women, not only one, to strengthen the fact that indeed he loved Mahi genuinely and was just not drawn to her because he seeked for attention from the opposite gender.

Also, 11th episode Farhad rejecting Sajal by telling her that 'you deserve better than me because I am not capable enough' and then 12th episode the same Farhad being rejected by Mahi had to hear 'mujhse mohabbat hai toh jagir aur audaa laatey, tumhare useless dil ka kya karu main' was again to establish the fact that even rejection has respect, nobody deserves humiliation just because they made a mistake to fall for someone who did not reciprocate, had Farhad rejected Sajal by equally humiliating her, I would say that he got what he deserved, but well, things are not always fair.

yes, 12th episode is the infamous rejection and baddua, hope you like it, because after that there will be drought of many episodes which will make you feel like na ghaar ka na ghaat ka..😆

Episode 22

It was indeed a good episode, after ages, i mean ages, all focus on leads, minimal rona dhona and establishing the upcoming fireworks of Farhad facing the worst fear of his life, ohh boy, i want to see how he faces Mahi, the moment she tells him on his face that 'I am a widow', please let Mahi be the one to break it to him, his trance of being the 'dhutkara' will elevate to a state of being complete 'guilt' and 'helplessness' . The stage has been set tonight 🥳

Mahi's family had their 3rd ruksaati tonight, matlab KAM3 setting records of Mahi doing ruksaati of her useless family in different days, and humko ye sab jhelna parta hai 🤣. I love how T's amma's expressions are like F OFF you losers, she has my heart I swear. I feel bad for her, her son is no more and yahape the hypocrite gang is busy at making faces and claiming ke dawat nahi diya 🤪

Mahi, well, I like it how she has mingled so well with the servants, the kids, her Sikka bhai too, matlab Mahi definitely has the aura jo few days mei everyone starts singing her tunes, cough cough, remember Farhad 😆

Very soon, her maa ji will also love her like a daughter and accept that she is Mahi Rani. Also, I can totally see both saas-bahu planning to visit the mazaar together only to find out that Mahi's long lost aashiq is indeed lost his marbles, can that come soon though, I want to see the glow and joy on Mahi's face, when she sees his alive, opposing the horror in his face, that moment shall be as epic as the library and equally powerful. Mahi did her jasusi well too, ek jhatke mei she got Romana's picture, by next episode she will understand that Rom is Sikka bhai's bhikharan aashiq too. This show setting new standards of aashiqi I swear 🤣

RomSik, one thing I do not understand is that, ye Malik Muneer Roma ko dhamki deraha hai, and Sikka is like, I will have a trip and then come and face your aashiq, ye kaisa dynamics hai yaar, should not he be scared?

The entire shot of baba saying 'har tamanna, har chahat ka wasaal hoga', and the moment he sees Farhad he stops, it seemed more like 'Har tamanna puri nahi hoti and we shall accept it', and then Farhad slowly lifts his face up and his whole face is seen, how beautifully significant was that shot though? Brilliant brilliant acting by both the actors, the baba knows that Farhad is distraught after losing something, and the same distraught Farhad over hears that 'Allah fulfills every desire if you only ask for it', how does that make him feel? Dhutkara, not good enough as a God's child, or just the fact that his Dua is not good enough? Also, when the drunk man says 'I want you to pray for me', the other guy asks that why do not you pray for yourself, and the guy responds, kyuki meri dua ka asar hota hi nahi , again signifying to Farhad that 'He thinks his dua has no impact, no value' and the entire scenario building up to Romana asking Farhad for his dua was a master stroke.

Another brilliant lesson to establish Farhad's upcoming tragedy (T's death) was when Baba claimed that we have good and bad blood in our veins, but it is only our choice whom we shall let win, Farhad being the good human he is, never thinking bad about others over hearing the concept of good triumphing over every other problem is what makes me say that may be Hashim Nadeem intentionally wrote this, intentionally wrote the suffering and misery of an otherwise good guy who obviously dared to fall in love and end up cursing his beloved. Yes, curses and prayers could be very trivial for many, but someone like Farhad, with a simple backdrop and a complete white outlook to life, it is a huge thing, his bitter-self took over his innate goodness and he did what he should not have done. I am so glad they have showed the two conversations being over heard by Farhad, it only will have reflection upon his actions in future.

Romana well, I really feel bad for her, but I still hate the fact that she called herself a bhikharan who just wants Sikka's dahleez, to Farhad's shock, she sounded exactly like him, and here I ask Hashim Nadeem again, why make lovers so de-valued that they themselves think that they are beggars and have no place but the beloved's acceptance? Itna mamuli hai kya inke khudki hasiyaat? When Farhad called himself mohabbat ka bhikhari, it was more rooted from Mahi's first rejection, but Romana, well, Sikka is literally having a relationship with her and she is still made to believe that she can only be a doormat? Farhad and Romana trying to woo their beloveds by losing their spine and somewhat begging and then still failing badly is the worst kind of twist I have ever seen in a love saga, Mahi and Sikka are not jannat ke hoors jiske validation ke liye aadmi pagal hojaye, like literally Farhad lost it and Romana now losing it, WTF is this . Also, has Farhad completely forgot his family, what is this? I understand his state, but he abandoned his family for a woman who only insulted him? Farhad's biggest mistake is he abandoned his family, it is worse than his baddua.

Farhad mocking his own dua, his own existence, his self worth had me thinking that he was the same guy who was 200 percent confident that he will go to Bahawalpur and win his woman, WOW, what a downfall, and indeed the worst downfall for any male character I have rooted for. I always liked flawed male leads, but never thought that a character's misery will suffocate me this much, more because this guy has been desirable to many women and not only the one who apparently is royal and some fairy tale princess. Romana routing in the same path, well I know this time shayad mohabbat will win over societal norms of class difference, aamir-gareeb, and that might give solace to me who genuinely believed that good people always win and their love is always pure. Kudos to Romana, for empathizing with Farhad, there is at least one bond in the show which is completely platonic, they ain't lovers, ain't friends, ain't siblings, but broken souls connecting with each other over the mockery their fate has been, one was born as a courtesans and the other one as the 'khota sikka' indeed.

I loved how the entire scene played out between FeeRom, the thunderstorm and loud rain, and a helpless woman asking for nothing but only prayers from an equally helpless man, and mind you, even at his distraught state he did not refuse her, that's what Farhad indeed is, it is so easy to convince him with kindness and empathy, he always seeked this, the man who thought rich people were good (just because they smiled at him), the man who thought Dilawar should be saved without fearing Nazim shah's rules, the same man who took the bullet for saving his master because gaddari nahi karni aati, and the same man who accepted a stranger woman's plea, who had humiliated him to be a thief. Hashim Nadeem wants me to believe that he deserves all this shit because he fell in love 👎🏼

An applause for the actors, Hina bayat stole my heart in that one shot of silent tears, it felt like it was physically hurting her, Noor Ul Hassan and Tooba were good as usual, Tooba's make up could be a little less. Feroze, well, this guy's voice modulation deserves an applause, the entire look and his performance, will remain iconic.

I am sorry, every time i try to write less, but I start ranting and my posts become very big, please ignore if it bores you guys.

Originally posted by: Ash_Smash

Maybe something happened on the train station and he is taking blame for it

& i m seriously curious more than mahi farhad meeting😆

Originally posted by: FarhaadkiMahi

kuch toh hua hai feedi is so depressed .

& i m seriously curious more than mahi farhad meeting😆

Feedi’s depression looked like to be rooted from the epic humiliation, he feels completely worthless, I mean his words today made sense, I understand why he feels so distraught, his self respect and the confidence he had in himself has been shattered, this is a good enough reason to be depressed. I will not think that he did something unlikely for otherwise a kind human being he’s. I mean look at him, he’s at his worst and even after that he didn’t refuse Romana, so aisa aadmi kisiko harm nahi karsakta, kabhi nahi yaar. Feedi made me so proud today 😳

Originally posted by: SteFanSalvaTor

Feedi’s depression looked like to be rooted from the epic humiliation, he feels completely worthless, I mean his words today made sense, I understand why he feels so distraught, his self respect and the confidence he had in himself has been shattered, this is a good enough reason to be depressed. I will not think that he did something unlikely for otherwise a kind human being he’s. I mean look at him, he’s at his worst and even after that he didn’t refuse Romana, so aisa aadmi kisiko harm nahi karsakta, kabhi nahi yaar. Feedi made me so proud today 😳

Yes ppl can go inti depressed mode but forget faimly & all is really not worth.

But as u said may be it possible

Hope jo build kar rahe hai feedi ke depression reveal bhi worth watch ho

Originally posted by: SteFanSalvaTor

Episode 22

It was indeed a good episode, after ages, i mean ages, all focus on leads, minimal rona dhona and establishing the upcoming fireworks of Farhad facing the worst fear of his life, ohh boy, i want to see how he faces Mahi, the moment she tells him on his face that 'I am a widow', please let Mahi be the one to break it to him, his trance of being the 'dhutkara' will elevate to a state of being complete 'guilt' and 'helplessness' . The stage has been set tonight 🥳

Mahi's family had their 3rd ruksaati tonight, matlab KAM3 setting records of Mahi doing ruksaati of her useless family in different days, and humko ye sab jhelna parta hai 🤣. I love how T's amma's expressions are like F OFF you losers, she has my heart I swear. I feel bad for her, her son is no more and yahape the hypocrite gang is busy at making faces and claiming ke dawat nahi diya 🤪

Mahi, well, I like it how she has mingled so well with the servants, the kids, her Sikka bhai too, matlab Mahi definitely has the aura jo few days mei everyone starts singing her tunes, cough cough, remember Farhad 😆

Very soon, her maa ji will also love her like a daughter and accept that she is Mahi Rani. Also, I can totally see both saas-bahu planning to visit the mazaar together only to find out that Mahi's long lost aashiq is indeed lost his marbles, can that come soon though, I want to see the glow and joy on Mahi's face, when she sees his alive, opposing the horror in his face, that moment shall be as epic as the library and equally powerful. Mahi did her jasusi well too, ek jhatke mei she got Romana's picture, by next episode she will understand that Rom is Sikka bhai's bhikharan aashiq too. This show setting new standards of aashiqi I swear 🤣

RomSik, one thing I do not understand is that, ye Malik Muneer Roma ko dhamki deraha hai, and Sikka is like, I will have a trip and then come and face your aashiq, ye kaisa dynamics hai yaar, should not he be scared?

The entire shot of baba saying 'har tamanna, har chahat ka wasaal hoga', and the moment he sees Farhad he stops, it seemed more like 'Har tamanna puri nahi hoti and we shall accept it', and then Farhad slowly lifts his face up and his whole face is seen, how beautifully significant was that shot though? Brilliant brilliant acting by both the actors, the baba knows that Farhad is distraught after losing something, and the same distraught Farhad over hears that 'Allah fulfills every desire if you only ask for it', how does that make him feel? Dhutkara, not good enough as a God's child, or just the fact that his Dua is not good enough? Also, when the drunk man says 'I want you to pray for me', the other guy asks that why do not you pray for yourself, and the guy responds, kyuki meri dua ka asar hota hi nahi , again signifying to Farhad that 'He thinks his dua has no impact, no value' and the entire scenario building up to Romana asking Farhad for his dua was a master stroke.

Another brilliant lesson to establish Farhad's upcoming tragedy (T's death) was when Baba claimed that we have good and bad blood in our veins, but it is only our choice whom we shall let win, Farhad being the good human he is, never thinking bad about others over hearing the concept of good triumphing over every other problem is what makes me say that may be Hashim Nadeem intentionally wrote this, intentionally wrote the suffering and misery of an otherwise good guy who obviously dared to fall in love and end up cursing his beloved. Yes, curses and prayers could be very trivial for many, but someone like Farhad, with a simple backdrop and a complete white outlook to life, it is a huge thing, his bitter-self took over his innate goodness and he did what he should not have done. I am so glad they have showed the two conversations being over heard by Farhad, it only will have reflection upon his actions in future.

Romana well, I really feel bad for her, but I still hate the fact that she called herself a bhikharan who just wants Sikka's dahleez, to Farhad's shock, she sounded exactly like him, and here I ask Hashim Nadeem again, why make lovers so de-valued that they themselves think that they are beggars and have no place but the beloved's acceptance? Itna mamuli hai kya inke khudki hasiyaat? When Farhad called himself mohabbat ka bhikhari, it was more rooted from Mahi's first rejection, but Romana, well, Sikka is literally having a relationship with her and she is still made to believe that she can only be a doormat? Farhad and Romana trying to woo their beloveds by losing their spine and somewhat begging and then still failing badly is the worst kind of twist I have ever seen in a love saga, Mahi and Sikka are not jannat ke hoors jiske validation ke liye aadmi pagal hojaye, like literally Farhad lost it and Romana now losing it, WTF is this . Also, has Farhad completely forgot his family, what is this? I understand his state, but he abandoned his family for a woman who only insulted him? Farhad's biggest mistake is he abandoned his family, it is worse than his baddua.

Farhad mocking his own dua, his own existence, his self worth had me thinking that he was the same guy who was 200 percent confident that he will go to Bahawalpur and win his woman, WOW, what a downfall, and indeed the worst downfall for any male character I have rooted for. I always liked flawed male leads, but never thought that a character's misery will suffocate me this much, more because this guy has been desirable to many women and not only the one who apparently is royal and some fairy tale princess. Romana routing in the same path, well I know this time shayad mohabbat will win over societal norms of class difference, aamir-gareeb, and that might give solace to me who genuinely believed that good people always win and their love is always pure. Kudos to Romana, for empathizing with Farhad, there is at least one bond in the show which is completely platonic, they ain't lovers, ain't friends, ain't siblings, but broken souls connecting with each other over the mockery their fate has been, one was born as a courtesans and the other one as the 'khota sikka' indeed.

I loved how the entire scene played out between FeeRom, the thunderstorm and loud rain, and a helpless woman asking for nothing but only prayers from an equally helpless man, and mind you, even at his distraught state he did not refuse her, that's what Farhad indeed is, it is so easy to convince him with kindness and empathy, he always seeked this, the man who thought rich people were good (just because they smiled at him), the man who thought Dilawar should be saved without fearing Nazim shah's rules, the same man who took the bullet for saving his master because gaddari nahi karni aati, and the same man who accepted a stranger woman's plea, who had humiliated him to be a thief. Hashim Nadeem wants me to believe that he deserves all this shit because he fell in love 👎🏼

An applause for the actors, Hina bayat stole my heart in that one shot of silent tears, it felt like it was physically hurting her, Noor Ul Hassan and Tooba were good as usual, Tooba's make up could be a little less. Feroze, well, this guy's voice modulation deserves an applause, the entire look and his performance, will remain iconic.

I am sorry, every time i try to write less, but I start ranting and my posts become very big, please ignore if it bores you guys.

Today show belong to romna & feedi . Romna indeed farhad female version .& u r right its because of malik muneer she is very tense ki kanhi usko phir se mahphil me aana na pada & entertain men .hope sikka soon saw this danger & dont take it lightly .I also like mahi sikka bond its like sikka lost taimoor & got mahi with whom he can discuss faimly matter like sis bro .hope faimly dont ruin this .I love romna & feedi scene mast Actually i m really worried that baba sai saying it .looks like more than baddua kuch aur ho gaya hai feedi se.but lets wait .

Actually feedi & romna fallin love with king & princess type staus ppl .its wound to feel low & romna is from bazar so shw defo feel low about herself .infact feedi me ye nahi tha he was so confident because he may be poor but still belong to respectable faimly .but after library scene he loose that too.

Originally posted by: SteFanSalvaTor

I am glad you liked the episode, yes 11th episode Mahi had us all believing that finally the moment was here, but well, kya kehna

Everything is just her guilt, only guilt yaar 🥺

Farhad's rejection was not to emphasize to his shadeed mohabbat, but to emphasize the fact that he did not have shortage of women who would do anything to have him, and he still just believed in the one woman theory. Usually, men who lose their sanity over one girl are mocked by claiming that ek ladki ne pehli baar attention diya so pagal hogaya hai, but in Farhad's case, they established that he got attention from multiple women, not only one, to strengthen the fact that indeed he loved Mahi genuinely and was just not drawn to her because he seeked for attention from the opposite gender.

Also, 11th episode Farhad rejecting Sajal by telling her that 'you deserve better than me because I am not capable enough' and then 12th episode the same Farhad being rejected by Mahi had to hear 'mujhse mohabbat hai toh jagir aur audaa laatey, tumhare useless dil ka kya karu main' was again to establish the fact that even rejection has respect, nobody deserves humiliation just because they made a mistake to fall for someone who did not reciprocate, had Farhad rejected Sajal by equally humiliating her, I would say that he got what he deserved, but well, things are not always fair.

yes, 12th episode is the infamous rejection and baddua, hope you like it, because after that there will be drought of many episodes which will make you feel like na ghaar ka na ghaat ka..😆

Forgot to mention Mahis dialogues at the end...what was that all about🤣

I am sure the next episode will be good. And after that he will go gayab I guess with Ts death

Originally posted by: FarhaadkiMahi

i start from last i never bore with ur analysis Yes i just love two mothers today amma & amma sai specially hina bayat she was so good . & seeing amma in this state farhad ke upper gussa aata hai aur curiosity bhi ki akhir kya hua .this reunion willbe worth watch .

Today show belong to romna & feedi . Romna indeed farhad female version .& u r right its because of malik muneer she is very tense ki kanhi usko phir se mahphil me aana na pada & entertain men .hope sikka soon saw this danger & dont take it lightly .I also like mahi sikka bond its like sikka lost taimoor & got mahi with whom he can discuss faimly matter like sis bro .hope faimly dont ruin this .I love romna & feedi scene mast Actually i m really worried that baba sai saying it .looks like more than baddua kuch aur ho gaya hai feedi se.but lets wait .

Actually feedi & romna fallin love with king & princess type staus ppl .its wound to feel low & romna is from bazar so shw defo feel low about herself .infact feedi me ye nahi tha he was so confident because he may be poor but still belong to respectable faimly .but after library scene he loose that too.

Yes, Hina bayat's shot was so good, heart breaking indeed. I like how they have shown 3 mothers in KAM3, Mahi's mom, T's mom and Feedi's mom, and for some reason all the mom's are pining in judaai of their beloved 'younger' kids, KAM3 is so heart breaking at times, that I feel like all the characters, leave the leads, every character deserve their own happiness, a reunion of Feedi with his amma is very much the only thing that I root for, I wnat to see how Feedi explains his mom about his own barbadi and decision to forget his previous life.

Roma makes me sadder than Farhad did, because Roma's case, it is 2 sided love and she still has to pine for him so badly and infact downgrade herself to the status of a bhikharan, Farhad's case worsened when his delusion broke, but Roma is not even deluded, but writer's version of female Farhad, I really loved how Farhad repeatedly told her that 'kaha main aur kaha meri dua' and 'Main khud hi dhutkari huyi dua hu', clearly indicating that he has zero trust on his own dua, so dusro ko kya dua dega.

Roma is from a bazaar, is it her fault? Farhad is from worker class, is it his fault? If Roma is so much invaluable then why did Sikka even decide to have a relationship with her, why did not he think about his jagirdari before? Similarly, if Farhad was so useless, why fool him to be good enough to be a friend or whatever that was, just so that baad mei he can be said that 'dil takke se bikte hai'? I do not like how, in this show they had rubbed off the prank or whatever that was in Lahore by syaing 'chota sa mazak', seriously? What if Farhad would do this same 'chota sa mazak' with any girl thinking that she is dumb head and 4 din baad kisko fikar hogi? Both Sikka and Mahi are shown to be all strong and moving on easily, whereas Farhad ko bhikhari banadiya, and Roma ko bhi bhikhari bana rahe hai, kyu?

I do not understand, that ye kaisi mohabbat hai, Mahi mocked Farhad's love, given he was adamant, given he was wrong, given his curse was wrong, but what she did was not right, infact she triggered his worst behavior, and the writer is still making Farhad ruin himself over her? He could be depressed, but why not give him a second chance? It is obvious, Mahi will never love Farhad, or even if she does, it does not matter anymore, with all the flaws he have, he still was an innocent good hearted boy with lots of dreams and hope in his eyes, he deserved better than this, writer could have just given him a second chance, but he did not. Mahi's guilt, maafi, his dua, everything will be fine, I know that, but I am still very salty about the way Hashim Nadeem has shown the class difference here, and with Romana's case, the theory just prevails, the show was never about consent or one sided ishq, it was more about how class difference ruins every hope of true love and may be only Allah can be a savior.