I always feel Imtiaz as a director has a lot to say, and is a great thinker. Where he falters is the execution though. His positives: he always tries something new, avoids the banal, and shows an impeccable display of craft. His negatives: he tries to juggle too many things, and ends up falling flat on his face. Most of his films don't coalesce into holistic products which have consistent virtue, it's like golden moments strewn throughout but no tight screenplay to bring together these golden moments into a well-integrated film (for e.g. Tamasha).
His projects are ambitious, are gorgeously assembled, have heart, but lack smoothness and the tonality is uneven. Also, they lack pace and momentum, and are not consistent.Sometimes, you feel like he has so much to convey but is not able to find the cinematic language to make us on the same page as him.
Also, Love Aaj Kal 2 was his biggest disaster not because the film had nothing to say, but too much to say and the acting was the weakest link. Sara and Kartik just could not display the complexity of their characters with the same elan as Ranbir was able to do in Rockstar and Tamasha, and Alia was partially able in Highway. So the film ended up in a dark space where people just could not make head or tail of the plot, and the weak acting only contributed to the half-baked feel.
I loved his seminal Jab We Met and his first film Socha Na Tha the most. Both these films were pitched perfectly, had terrific chemistry between the leads and unlike his other films, the continuity from scene to scene didn't collapse intermittently.
Personally, I love Rockstar, Tamasha and Highway as well, but these movies didn't work the same magic as Jab We met and Socha Na the because of the reason I highlighted above -- the lag between intent and execution. Where intent is as powerful and all-consuming as Imtiaz's, the execution needs to keep abreast, and when there is a serious discrepancy between intent and execution, the film will end up in no-man's land. That's what I believe happens with his latest films, barring When Harry Met Sejal, which was just bad cinema, and a major blot on his filmography.
Thoughts???
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