|A Slow Dance With Misery and Displeasure|PreRish/KaRica AT #16 - Page 70

Originally posted by: MisHumptyDumpty

I liked that she got tired 🤣

🤣

Originally posted by: MisHumptyDumpty

i had seen this coming 🤣

Originally posted by: saps.156

today, I couldn't see anything else sanely except how RB calls out "Prerna" once he returns.

there was a right of the husband, the concern for a new wife who is in distress in a new country, the remorse of not being able to come sooner when she called up earlier and the willingness to make up for it.

Simply Loved it!

Didn’t even watch that part FFed it in curiosity for the confrontation, will watch it now, can someone tell me the timing?

Originally posted by: saps.156

actually both of u r right...Sanya means accident wala bus on a person, while u r talking about onboarding the bus.

but thanks for the much needed laugh I had with this confusion!

Originally posted by: nailah_AnuPre

We still have the kidnapping track right?

Originally posted by: MR21

🤣

Originally posted by: fitoori_kudi

. U know me so well 🤣

Originally posted by: nailah_AnuPre

Oh he called her Prerna and not Mrs bajaj?

yep the first time after marriage and 2nd time in the show I think! do watch it. it was mesmerizing. She was not in the room, her bad luck. but otherwise, also I doubt she would have read anything into it.

he calls her Mrs. Bajaj also after that when they are face to face.

BTW Nailah, what's ur take on P today? I want to justify her, but not able to in the PreRish scene at all. I liked her one moment when NIVI tells her that she married RB for money. She gives a defeated look, as she didn't expect her to be accused of this and then just lost interest in any further hope of understanding or justifying.

Originally posted by: nailah_AnuPre

We still have the kidnapping track right?

Yes. They showed it in saas bahu aur suspense today.

Originally posted by: nailah_AnuPre

We still have the kidnapping track right?

i forgot about that. but I don't have any hopes. lets hope i am wrong.