A Sensible Show Riddled With Toxic Dialogues And Theatrics; Is This Go - Page 2

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Jyoti8 thumbnail
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Posted: 8 years ago
#11
Truly said, superb article👏
ankitasen thumbnail
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Posted: 8 years ago
#12
spamdomain used to come up with kickass analytical articles about YHM during its golden period. This new one after a long gap is another gem. I guess the authors of this online site adored this show like we did and are genuinely hurt like us.
I would like to add another reason for the show's downfall based on my observation, that is too much exposure of personal life of the actors. It was much less in the first year of this show and after that it's just too much from all fronts. Mrs Jaffer once said YHM was a success because of Karan, Divyanka and their chemistry as the audience liked the newness in them, the fact that they were missing from the tv screen for a long time worked in their favor because they brought a certain degree of "newness and freshness" in the show. That's why most actors prefer in keeping their personal life personal so that audience interest stays intact.
ankitasen thumbnail
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Posted: 8 years ago
#13
It's telly tadka...not spamdomain. I guess IF 'auto-corrects" their rival sites' name...😆
gargpoo thumbnail
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Posted: 8 years ago
#14
Kudos to the author ..a grt article after so long ..the author has said it all as we all saying since long ..the show and characters have lost the essense ..every character is unrecognizable ..even pre first leap looks bttr even after time changing though nothing can beat 11 pm yhm bt still No one gets any monologue or introspection except villians ..no balance btwn ML n FL ..they get butchered only ..even trp aunties not liking this now ...BT makers don't care .
TFS diksha !!
DikshaN thumbnail
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Posted: 8 years ago
#15

Originally posted by: swa6

Such a lovely article wt facts... Usually we don't get to see this kinda articles wt constructive criticism!

All will be starting wt "starplus popular show xxxyyyzzz never fails to grab the eye balls with it's mind blowing twists n turns..." n whenever I read them...I would be like..."seriously guys, are you even real!!!😲..."😆

Thanks for sharing Diksha😊
Happy Ugadi...(though not sure if u would celebrate it😛)


the writer is quite good and i felt it was worth a read
also telly tadka used to post beautiful analysis of scenes and characters of yhm even in the early days when the show was good by different authors
happy ugadi to u too
we celebrate gudi padwa here
Edited by DikshaN - 8 years ago
mreshma thumbnail
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Posted: 8 years ago
#16
👏...WHO or WHAT can drill it into the brains of the bunch of arrogant makers, that rather than mutilating this show beyond recognisable limits, the remaining viewers will be so so grateful to them , if for once they give a positive track, with a balance between the leads, and end the show on a positive note once n for all...they might not be fed up...but the viewers r fed up beyond limits with the mahaan super intelligent FL n a worthless jaanwar ML...Since the constantly dwindling TRPs r having null effect on them, I seriously wonder WHO or WHAT can do this job of enlightening the show makers???
--QUEEN-- thumbnail
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IshRa's Icons

Posted: 8 years ago
#17
Wonderful👏
I really wish the author takes her time and write about the puke worthy relationship every one in bhallas and iyers maintain with a forever backstabber lije shagun
DikshaN thumbnail
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Posted: 8 years ago
#18

Originally posted by: --QUEEN--

Wonderful👏

I really wish the author takes her time and write about the puke worthy relationship every one in bhallas and iyers maintain with a forever backstabber lije shagun


i wish someone could mail this article to sp and the CVS
and even i hope the author writes about shaguns relationship with the family
DesiShowFanatic thumbnail
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Posted: 8 years ago
#19

I agree to the 7:30 pm change that changed everything but not entirely...22nd Sept 2014 was when YHM started to air twice a day - 7:30 PM and repeat 11:00 PM. It started with the KC-Mani drama, where Raman started feeling something was going on between Ishu and Mani and that Ishu would turn into another Shagun. They had the famous Raman drunk, trying to exert his husband rights on Ishita wala scene- Remember? But then the next day everything was back to normal. He said some gibberish stuff and then they never followed up on it. It was like that sequence didn't even exist. They started arguing about Ruhi, and then there was the Diwali celebrations and Shagun's marriage drama started.

I felt it even then and I believe it even today, that the reason they didn't go with that track, like full blown= guns blazing was because somewhere even they didn't know how to do it. I am questioning the capability of the writers; I just strongly feel that somewhere they too felt that sequence made no creative sense at that point. It looked disjointed and so instead of elaborating on the track without even giving it a proper wrap up, they simple made it disappear as if it never even existed in the first place. Honestly even if out of place, the track would have played out really well, and it would have been within the sphere of the 7:30 Prime Drama SPN is used to dishing out...but I believe that the writers, the creative's whoever was present at that time (maybe they are the same even today) or the working style they exercised during that time didn't permit them to go ahead with the track as it was nothing like the YHM we had then. Today maybe, Yes...but that YHM that aired from 3rd Dec 2013 to 21st Sept 2014 had a certain quality. They had dramatic tracks, they had bits and pieces of the Balaji Theatrics but regardless of everything YHM had a charm that was missing in any of the shows airing from 7:00 to 10:30 PM and it did feel like they wanted to hold on to it.

Shagun and Ashok's drama or the tracks that had huge quantities of them were those where the writers would go all out into serving the OTT stuff, but it was always counterbalanced well with IshRa or IshRaRu...the Iyers and Bhalla's drama. But this time it changed because Shagun-Ashok marriage fiasco took place, but there was nothing to counter-balance because characters like Mihika started to act and behave different from their usual self just so that drama or should I say prime time drama could be created. The show was still salvageable but unrealistic plots like Ex-wife coming to stay with Ex-Husband and current wife, Subbu track, Raman getting Ishu's signatures without her knowledge for Surrogacy, Surrogate skillfully turning out to be the ex-wife...and the list goes on; is what ruined YHM.

But as a fine arts student I believe that the quality of even the worst of plots can be raised, through good-creative writing. I believe that all of these above mentioned tracks could have been something else even while keeping the idea the same had it been written like how it was being done when it aired at the 11:00 pm slot. For any show, any movie there are several aspects that have to go hand in hand to make it a success but the CORE of it always boils down to good writing. YHM writers strangulated their creative writing to suit the PRIME TIME THEATRICS requirement and I say this because we have seen firsthand what YHM is or should I say was capable of.

I guess I blabbered a lot ... but like the author said it's disheartening to see what YHM has been reduced to.

DikshaN thumbnail
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Posted: 8 years ago
#20

Originally posted by: DD_Maaneet4ever

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif">I agree to the 7:30 pm change that changed everything but not
entirely...22nd Sept 2014 was when YHM started to air twice a day - 7:30
PM and repeat 11:00 PM. It started with the KC-Mani drama, where Raman started
feeling something was going on between Ishu and Mani and that Ishu would turn
into another Shagun. They had the famous Raman drunk, trying to exert his
husband rights on Ishita wala scene- Remember? But then the next day everything
was back to normal. He said some gibberish stuff and then they never followed
up on it. It was like that sequence didn't even exist. They started arguing
about Ruhi, and then there was the Diwali celebrations and Shagun's marriage
drama started.
</font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif">I felt it even
then and I believe it even today, that the reason they didn't go with that
track, like full blown= guns blazing was because somewhere even they didn't
know how to do it. I am questioning the capability of the writers; I just
strongly feel that somewhere they too felt that sequence made no creative sense
at that point. It looked disjointed and so instead of elaborating on the track
without even giving it a proper wrap up, they simple made it disappear as if it
never even existed in the first place. Honestly even if out of place, the track
would have played out really well, and it would have been within the sphere of
the 7:30 Prime Drama SPN is used to dishing out...but I believe that the writers,
the creative's whoever was present at that time (maybe they are the same even
today) or the working style they exercised during that time didn't permit them
to go ahead with the track as it was nothing like the YHM we had then. Today
maybe, Yes...but that YHM that aired from 3rd Dec 2013 to 21st
Sept 2014 had a certain quality. They had dramatic tracks, they had bits and
pieces of the Balaji Theatrics but regardless of everything YHM had a charm
that was missing in any of the shows airing from 7:00 to 10:30 PM and it did
feel like they wanted to hold on to it.
</font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif">Shagun and Ashok's
drama or the tracks that had huge quantities of them were those where the
writers would go all out into serving the OTT stuff, but it was always counterbalanced
well with IshRa or IshRaRu...the Iyers and Bhalla's drama. But this time it
changed because Shagun-Ashok marriage fiasco took place, but there was nothing
to counter-balance because characters like Mihika started to act and behave
different from their usual self just so that drama or should I say prime time
drama could be created. The show was still salvageable but unrealistic plots
like Ex-wife coming to stay with Ex-Husband and current wife, Subbu track,
Raman getting Ishu's signatures without her knowledge for Surrogacy, Surrogate
skillfully turning out to be the ex-wife...and the list goes on; is what ruined
YHM.
</font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif">But as a fine arts
student I believe that the quality of even the worst of plots can be raised,
through good-creative writing. I believe that all of these above mentioned
tracks could have been something else even while keeping the idea the same had
it been written like how it was being done when it aired at the 11:00 pm slot. For
any show, any movie there are several aspects that have to go hand in hand to
make it a success but the CORE of it always boils down to good writing. YHM
writers strangulated their creative writing to suit the PRIME TIME THEATRICS
requirement and I say this because we have seen firsthand what YHM is or should
I say was capable of.
</font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif">I guess I
blabbered a lot ... but like the author said it's disheartening to see what YHM
has been reduced to.
</font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif"></font>

<font size="3" face="Times New Roman, Times, serif">
</font>

<font size="3" face="Times New Roman, Times, serif"></font>

<font size="3" face="Times New Roman, Times, serif">
</font>


correctly said
we all have been saying it time and again that's it's the writers fault had they continued to show the content the way they used to show earlier the show wouldn't have reached this stage and it's very saddening to see yhm like this

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