Blast from the Past Thread #25 Extn ** Khushi, I... ** P 119, Ep 274 - Page 107

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indi52 thumbnail
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Posted: 10 years ago

Originally posted by: kizh72

Indu, I'm with you on that towel dance. For me it was more that ASR didn't have to do it. The real Khushi wouldn't have expected him to do something like that. As we all know the characters had been played with a lot by that time. Indi di, you introduced me to that poem. Loved it. Found this reading by Michael Ondaatje himself on Youtube. You probably have watched it. Posting anyway. [YOUTUBE]http://www.youtube.com/watch?v=3A2ekfA8Kn8[/YOUTUBE]

Credit: Youtube/uploader



kizh,

that was lovely. no, i haven't watched it. in fact, i had almost stopped looking for and reading poetry on my own when ipk came along.. then the frustration and so the knock on forum threads. it was while writing in crooner, tat i started going and searching for poetry i had neither any reference to nor imagined existed... i found this poem there. i am quite sure i wrote it for the towel dance episode...



okay, i had to do this... went and found what i had written in crooner.
here's my first reaction in crooner 1.40.

but even down on his knees he looks like the man in command. a.do.ra.ble.

this boy is something else. to actually get to that point where he's dancing alone, no sanaya to hide behind, then with that outrageously funky towel move, his only cover that deadly innocent charm. uff. bless him. may he be all he is meant to be.



and this is what i wrote in crooner 1.41: ishq wala love... page 3

and yes, i did find the poem for this episode


takes cojones (in the strictly english usage of the word) to do what asr did. what barun did.

it "reduced" asr to super cool lover. it signaled barun is indeed that ephemeral thing called star.

shimmy shimmy. one two bend flip. towel two towel four. mujhse shaadi karogi?

i couldn't breathe when he said "love can reduce anyone to anything." there is a strange and dangerous to one's health truth in that statement. and when he started his number with that little sexy pose i was prepared to sit back and enjoy but not leap up and hoot; and collapse into helpless laughter yelling "so cuuute." breathing had become difficult again.

priya, tui theek achish? 😆

this post is devoted to a man in black.

first update.

i came across this poem by michael ondaantje the other day, was reading him for the first time. no knowledge, judgment, nothing, read the poem and the words jolted within me. hit me hard and wouldn't leave. a bit like barun that first time i saw him. some things really can't be explained.

the poem's erotic images kept playing asr and khushi in my mind. i had to share it with you. just waiting for the right reference. then he danced. and the poem said, write me.

"if i were a cinnamon peeler

i would ride your bed

and leave the yellow bark dust

on your pillow.


your breasts and shoulders would reek

you could never walk through markets

without the profession of my fingers

floating over you. the blind would

stumble certain of whom they approached

though you might bathe

under rain gutters, monsoon.


here on the upper thigh

at this smooth pasture

neighbor to your hair

or the crease

that cuts your back. this ankle.

you will be known among strangers

as the cinnamon peeler's wife.


i could hardly glance at you

before marriage

never touch you

-- your keen nosed mother, your rough brothers.

i buried my hands

in saffron, disguised them

over smoking tar,

helped the honey gatherers...


when we swam once

i touched you in water

and our bodies remained free,

you could hold me and be blind of smell.

you climbed the bank and said


this is how you touch other women

the grasscutter's wife, the lime burner's daughter.

and you searched your arms

for the missing perfume.

and knew

what good is it

to be the lime burner's daughter

left with no trace

as if not spoken to in an act of love

as if wounded without the pleasure of scar.


you touched

your belly to my hands

in the dry air and said

i am the cinnamon

peeler's wife. smell me."

he has left the yellow turmeric paste mark on her. he will ride her bed no doubt. but when the hatred descends and the night is bereft, when a thousand dreams break, and there's separation once more, she will know his scent is on her. he makes love to her. and the dance goes on. she is arnav singh raizada's wife.

second update.

great number, that crooner of yours, priya. destroy asr? never. you are so instinctively clear: yesterday took asr to another level. some truths our gut tells us, our brain processes much later, and our heart feels its joy for long afterward.

yes, the fact that he got his girl. got what made her feel good. the fact that he was willing to shed inhibitions, step way out of his comfort zone, because that smile in her heart gave him a high, a spin, a buzz. it mattered more than his hard held ideas. he was willing to cross the line he'd drawn. that took him to another whole new level.

and then there was the execution of this decision. stop stop stop goes the heart, fingers slow down on the keyboard. did he plan it ahead, did he do an impromptu? does it matter? one look at him in his close hugging long jacket and narrow pants, legs endlessly long but planted firmly, face unmoving, except for the glitter in his eyes. you knew asr is here, and he'll make an offer you can't refuse.

it didn't matter i wasn't a salman fan, i'd never seen the towel step, i had no resonance with the song, in fact, had thought it was a pretty ordinary song before this. all that got through was the determined can do-ness of a beautiful man, a bit awkward yet hypnotic, a keenness in his eyes, a trust in his body, even if he didn't know what he was doing, he'd get it better than everybody. and he did.

a friend who'd never seen barun properly before but thought he was good looking in stills was sitting by me watching, she kept laughing and saying: wow, he's so cute, like a kid, so fresh, wow. today she said she hadn't slept much last night, kept on thinking of him. i smiled. happens 😆.

the low angle shots flattered his build and looks no end. his teeth, priya, those front incisors. added something extraordinarily sexy to expressions.

he held out his hand inviting her to join him, then strode over instead to get her on the stage. asr takes command. always.

"will you marry me?" in the language he is comfortable in, but words weren't required, the heat and passion mixed with adoring tenderness, even your utterest sanak can't make you look away from that.

beautiful moments scattered across the episode. the "dream" sequence as he can't help but imagine things, gorgeous. her look into the future that showed his yearning so clearly: could tomorrow be so wondrous that yesterday would stop torturing him? we all have our right to dream, and dream our dream with someone.

they weren't anything like each other. yet they were absolutely alike where it mattered. which is why lines could be, had to be crossed. no need for proof to trust, no need for just my way. all i need is you, khushi, i need nothing else.

1. he took of his shades and turned to the man begging for his attention and said: hai na... chachaji.
2. he walked as though drawn by a force unknown toward her, in control, completely out of it. the water in the pool swirled, lamps glimmered, all thought disappeared.
3. he drove, looked up at the sky, roared ferociously at the elements; at betrayal and the breaking of dreams.
4. he sat with her still body in his arms on a cliff's edge, begging her to return, come back to him. he said his name forty three times, some said 75.
5. he did the towel dance.
five scenes that stir in me; in each, the incredible evolution of asr.

i learnt something yesterday, i had never really known it before.
love can reduce anyone to anything. it can reduce carbon to diamond. it can reduce emotions to epiphany.

mujhse shadi karogi?


more in black:

1. i do have a crib i confess. i am not connecting to khushi as well as i want to. is it the writing that's making her tad too strident and sp bahu? or is it performance? or both? no idea. gut again. khushi kumari gupta is far more than this. i hope the problem corrects soon. asr and kkgsr need the other to be completely themselves.

2. whom can i send flowers to for the three amigos scene? and how many times will the man who never wanted to marry say shadi, now shadi, only left shadi?🤣

3. while it's lovely to show a merging of thoughts an things as side effect of pyaar, the "what the"s and the "relax" repartee from khushi is beginning to feel too pat.

4. kauon ka party. 😆

5. i want lavanya to jump out of a cake and vamp asr. c'mon let's see how devoted our man is. 😉 maybe kkgsr will arrive to make an offer he can't refuse?

6. the necklace scene was beautiful.

7. yeh shyam abhi bhi ajeeb hai, aur dadi ek puri ajeeb dastaan hain.

8. anjali on that towel dance doing her girly one, intolerable.

9. barun sobti is a find.

10. when i was having a minor affair (in my daydreams what else) with harrison ford, my husband bought me a book on him, two turtles called harrison and ford, and the entire indiana jones series. i didn't mind that i was called indi. i reminded him of that just now and he snarked: hah! how fleeting is thy love! 😆 he also said if i wanted to meet barun, he'd arrange it. uff, towel dancer, kahinke.


Edited by indi52 - 10 years ago
indi52 thumbnail
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Posted: 10 years ago
episode 272



it wasn't easy getting here to write my thoughts. despite the rather stirring scenes that opened the episode, the emptiness echoing in me seems to override everything.

this time round i know where all this is headed. which is actually... nowhere. this is extreme timepass while everyone waits for barun to be able to give more time. that was really the pity of the whole thing... if that wild violence and beating up of a man led to a story told well, we might have hit classic drama... i recall seeing the untouchables while in my twenties... blood erupting across the screen, spraying on walls, bodies letting go of life and slumpin, gory, terrible. i remember the godfather and its violence. i must have been 15 or 16 when i saw it... but all of that made perfect sense. stayed logged in the memory cells as, ah that was some movie. so good.

here... it all came to naught. pity is really that. because the actor and the henchman were actually pretty neat. better than many, these henchies, geography teacher like rotund boy included.


then there was the elaborate "reveal" of the boss. ah it is shyam. oh it is shyam. really, it is shyam?

much melodrama to get him out of the dark into light as we are brought into it too. first the hand and bracelet of course... oh, i know that... the felt the first time i'd seeen this i think i'd had a sinking feeling of disappointment. making a villain is no easy task...especially the filmi type villainiya shyam finally was moulded to.

yaadon ki baraat. dharmendra in black. ajit is white. i know and everyone else around that ajit is shakal... the man a boy had seen killing his parents. today the boy is all grown up but he remembers the man wore shoes of different sizes. then at the right moment, the man we all loved to mimic... ajit... his legs go up onto the desk at and the different sizes are instantly noticed by the hero... the truth hits dharmendra hard.

it was quite a scene really... smooth, filmy, unreal yet exciting, and this despite not having several six pack torsos onscreen. in fact, i think the hero wore a wig, the villain certainly did. while amjad's brother imtiaz khan looked slithery in orange...

if you'd like to see the scene, it's here on vimeo: http://vimeo.com/65162961

that shoe reveal is in my memory for years and i think the concept was perhaps gypped from an angreji phillum. somehow the blue turquoise bracelet, also kept alive from the first day we met shyam, just doesn't do it. nor does the rather apt dhaiya ho, also with us since day one of shyam. and that i think is mainly to do with the writing, also directing from a distance and acting that is losing touch.

so yeah, seven odd unnecessary minutes. all of it could have been done in a couple. and who reads a will standing out on the road then loudly wonders about how to kill off someone. surely this is not the clever dude, man in black kidnapper? and what's that rocking chair doing there? now which movie was that filched from? psycho? was there a little joke there and a deep prayer to the movie greats to save this shyam this sham this show?

also what happened to the clause about accidental death then? thank g not too many lawyers were ipk fans. one profession and idea too often profaned here. i will never forget asr saying khushi is his legally wedded wife and that meaning nothing to no one. also if legally wedded, would have been nice if they established it somewhere before the show ended.

anyway... asr's beautiful arms, wanting to reach, to do damage, to unmask the offender, very touching. noticed the whole episode was shown through a lot of hand and arm shots... then there were the feet of khushi... and a head coming to close to the boss's feet.

there were two things that sort of did make an impression. one was the little drama three women in brown suits put up for a girl who missed her suited booted man. little did these ladies realise that now she yearns for him in his vest... she sees him crossing the boundary and walking toward her with only desire, pretty naked, in his eyes... or she sees herself running to him in a filthy godown, throwing herself on his blue shirt chest... yeah he had left in a suit, but alas...


very loving scene by three good actresses. and this family love, which managed to stay not nauseating despite it being a hindi soap, where for quite a while effort was made to build individual characters, not even very predictable ones, and the vibe the actors shared was so good, often gave ipk a great place to escape to when everything was off.

along with khushi i lost myself in the sweetness of it. sometimes fam does do weird stuff to make a loved one happy. here they were really bizarre in brown, but oh i did think of the hot one, especially on the morning he walked down the gh verandah looking at her. maybe that was the intention back of director's mind.

and did you notice, anjali spoke of rain? last year's rain. oooph. she remembered two scenes, the khushi sneezing one did not look right... and pity, khushi did not have a flashback of a man rushing out of nowhere and catching her and spinning away taking her to safety. holding her... it seemed for an eternity... like he'd never let her go.

but even without the flashback, the heart swelled and sighed. ah rain. really, chhotey shuts all windows and sleeps with ac on at high? why is he so d real... why?


the other scene was the patch up with dm. i am not much for mixing religion with entertainment. and so often is it used to make you buy some idea or manipulate you. but the concept of ishta devata, your personal god, or rather your personal take on the eternal is i think quite prevalant in hindu thought. i know too little to comment. but i have had mine, and i still do... and this is a private and personal matter.

to that extent, the way khushi's relationship with dm was handled, i really enjoyed it. yeah, there was a bit of the unreal chunari floating thing, but that is fine with me, a bit of flight is always okay in creative things... and really i too have looked for signs, so if khushi reads them... who am i to make fun of her.

but mainly it was her relationship with dm that i really enjoyed and thought was central to khsuhi's personality... helped us see and read her and connect with her too. an orphan girl always chirpy, trying to make things better. that was her strong and revealed side. but surely therew as vulnerability inside? a feelinng that no one was really her '"own"? a fear even and trepidation? surely she quaked and felt tremors inside, just sometimes?

this is an orphan girl's very deep relatiosnhip, made of her own free will, the only the only relationship perhaps, beside with asr, where she has and happily exercises "haque". her right.

right from day one it is there... she is not scared of dm, never fears dm will desert her. she owns and loves and possesess dm. she feeds her what she wants to, chats with her about everything, requests her to show signs, loves her and wants her love. reaches always for her blessings. and then when her whole world crumbles and she has no one to turn to, she goes to her... dm with her unmoving idol, unblinking eyes...

and she fights with dm.

all her anger, all her frustration... all her hurt... every bit of helplessness... and pain sadness confusion fury, with all of it, she goes to the one over whom she has eternal right.

her god.

her dm.

and raves and rants.

and says, go, won't talk to you... katti.

but now, now that such difficulty is upon her... now that the man who tormented her and whose tormenting she d rather live with than the love of another... now that he is in such terrible trouble... and her heart is breaking, her mind ripping at the memory of the state she saw him.. again.. she can go to no one...

but she can go to the one.

the one who is always hers.

whom she can rave and rant at and love and cajole and who will be there no matter what.

her devi maiyya.

khushi's going to see her, straight after the overwhelming moments with her family wearing suits and her heart immersed in missing him, wanting to get him out of the hell he is in, was significant and poignant.

i liked the way the director showed her hesitation with the halting feet. and i did like the way khushi slipped back into her chatty conversing style with dm... and though she did not do too much of drama, she told dm how badly she needed her man. that the same one who had taken her away from dm, brings her back.. don't let him suffer. let me.

for whatever reason... i do think some people actually talk like that and are as desperate to make the one they love feel okay, make them safe.

sanaya was for a few moments again the khushi i knew. i had really liked her raging at devi maiyya the night of suffocating terror and hurt.
khushi had to show her feelings on something... someone... and she had not been turned into achhi bahu yet, so she could do the anger so beautifully. so need to sweeten the whole thing. thank dm.

and today too she slipped back into her relationship with the ease only the deepest of relationships allow... that say, no need to explain, i need you too... and yes, i like the thought that the divine needs to be told your thoughts, your mind... omniscient is the divine but i as human have been given the ability to have free will, that can be exercised only if i can state what it is that i want in the first place.

and when the chunari came via the purohit i was happy for khushi. she needed something today.

something.

and that only her divine one could give.

it was like a master within had reach out and given direction.

perhaps there is a master like that within all of us. and i hope we all find that one within.


can i please hit shyam sham shambles on his snout and please what's with the hairstyle. uff such a waste of an opportunity to create a full masala villain. every hero needs one really. asr deserved better. and that down there was a ridiculous scene... even when i realised director wants me to connect it to the blood that had fallen on shyam's shoe, didn't make me feel better... at all.


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Posted: 10 years ago
Indi di, you had included that poem in one of your episode takes, will have to go and check which one.
On Thursday, on the rerun it was the episode where he tries to revive her. Have seen it many times before, but there I was watching with tears streaming down my face. Yesterday, they have got back home and the agnipariksha has started. The word why is echoing in my head. Why did they let everything slide to this level. For some reason the raizada man standing quietly while everyone else is having a go at her, doesn't sit well with me. Oh well, there are some gems coming along, so shall wait for that. And for the first time the BDs are really grating on my nerves!
Watching random scenes, buaji is telling her about the nerve that goes straight to the heart and there she is remembering a man putting a bandage on her finger. Oh the sheer magic of those days!
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Posted: 10 years ago

Originally posted by: sohara

Episode-266

nainokibullet:I found this on fb...and it's such a pretty edit! does anyone know where its from? Or if it's theirs?

Arnav asks Khushi, how she anticipated that he is in danger! khushi recollects his confession. She is about to speak, when they hear a noise of someone coming. Arnav tells Khushi to get down fast.


Rocky is back. He starts to flirt with Khushi, behaving meekly with her. He tells her to leave her anger and eat. Why she is not eating? Did she keep fast? On whose name? He even wants to feed her. He sits down near her and gives her a morsel to eat. Khushi moves a bit from him in disgust. Arnav is fuming like fire. When rocky sees Khushi is not eating he starts to eat her food.

"Hum i kha lete hai, nahi to waste jayega."

Rather getting angry on him, I was laughing to hear his dialogue and to see his attitude. there was something funny in him... though he was disgusting. and yeah, i wanted to laugh and hit him on the face.

He asks her why she was following him. Khushi stands up and tries to find the way to go out. Rocky says her; she won't be able to get out from here. Arnav is trembling in anger, as if any time he will blast. He shuts his eyes to control his anger.

Rocky approaches towards Khushi and makes her walk back. She cowers and gets obstructed by a ladder. She pushes him, but he starts to flirt with her again.

"I hit you, that's why you are still upset with me?"

"Don't you dare touch her."...a blaze of conflagration erupts inside Arnav like lava. He gives Rocky a glacial stare. He wants to throttle him with his bare hands now. An invisible force enters his thin body to invigorate him. . well said, yeah, his anger seemed to unleash his hidden strength... beautifully done and understood this scene.

He now doesn't need any rope to break the grill. His face crumples to get strength and he holds the grill tightly and with a roar, just takes it out by a strong pull. The fire of anger in his eyes daunts Khushi. She admonishes him not to confront by nodding her head. But no force in the world can stop him now, because rocky dared to touch his girl. He jumps from the ventilator and beats Rocky black and blue. khushi is screaming Arnavji Arnavji. But he is inexorable.

"tere himmat kaise huyi?..hpw dare you' he beats him up even more.

He starts to beat him up vehemently, like the way he beaten up the goons in nainital. Today he is fighting with just one, that day he didn't care how many were there. Cause that day his suppressed love for Khushi spurted out involuntarily. Today also he became furious because of his love.


When khushi cries out, "arnavji leave him". He restrains himself. Khushi's tears are flowing from her eyes incessantly. Arnav asks her,

"theek ho tum?...are you alright?"


khushi nods her head in disagreement, like a helpless child. She was not theek without her Arnavji, because he is her oxygen to breath and vice a versa. His absence was deranging her. Hey hey and rabba vey has to enter now.



She runs into his arm and hugs him tightly, literally clinging on his body. Her feet are lifted above the ground. and she embraces him with a bone crushing aerial hug. Arnav slowly lifts his hand to embrace her lissome body and tightens his grip slowly. There is lots of rope mark on his hand what lurched my heart painfully. As he enfolds her trembling body in a tight embrace, his body shudders with pure happiness and she sheds copious tears. A deluge of indecipherable yet powerful emotions wash across their heart.

So many times they collided with each other, so many accidental hug happened between them. But it was their first loving hug. yes, first one and goose bumps are spreading... very nicely written, sohara.


They really came across a long turbulent journey. Now as they are hugging each other after a long separation, the time is congealed and they are not consternating anything, any consequences. After getting each other for so many days, both do not want them to let go, just trying to feel each other with each fiber. A new sense of comfort envelopes them as their bodies perfectly molded against each other and their heart beats in unison. The floodgate opens to let all the bottled up emotions to flow and let all the images to come out that remained imprinted in their mind and heart with heart rending, soul searing clarity.

They hugged each other in the rain,

He bandaged her hand in the mandir, in spite of the acrimony between them.


He tightens his grip around her body more. His eyes are shut with enormous joy and a tender smile glints his face. he was spectacular in this one shot.

More memories encompass their thought,



He took out the broken bangle piece from her wrist.



She bumped with him and her earring got stuck with his shirt.

On a lazy Sunday afternoon, in AR's store room he fell down on top of her.



They hug, imbibing each other's fragrance, as if there is no end of it.

They succumb in more indelible memories, how he extricated her from entangled fairy light and 'he blew the dust away from her eyes,


On the night of diwali, he put the ankles around her ankle so lovingly, what he kept with him as a symbol of her existence. And on the same night he tried to kiss her forgetting everything.

He danced with her intimately on Payash sangeet.


He kissed on her cheek by the poolside made her startled.



In the hospital, when she ran towards him and hugged him, he couldn't hug her back. A strange inhibition bridled him. But today, she is all his; there is no inhibition, no difference when he confessed his love and their breath coalesced and they truly became one.

Their happiness knows no bound today. now the fate has brought them together again, she lost all controls and her tears are streaming down her cheek, but smile is not leaving her face just for a single moment. His head are snuggling close to her hair and shoulder. After confessing his love to her, this was the first time he got her in his arm. So his emotions are flowing redundantly.

Sending a bevy sensation rampaging through her body, scorching her to the very tip of her nerve it seems they have become one. Inhaling her fragrance, he feels her sweetness pervades him and a sense of tranquility takes possession of his weary mind. They are so engrossed in each other, that became oblivion of everything and the smile doesn't leave their face for a while. His eyes are shut. But they had to break the hug, hearing some noise.

They look around, anticipates someone is coming. Fortunately they find a way to escape from that horrible place.


He grasps her hand and starts running. They keep running through a rough road. Some gunned men on jeep chase them. They hide for some moment. Arnav's one eye peeps out to scrutinize if the goons are still chasing them! Then again they keep running and hide. The goons are literally rummaging them like crazy.

To get him near, khushi gets emotional again. She holds his hand lovingly and says,

'lakh lakh shukar hai...million thanks that I found you. You don't know since so many days, how crazy I became in every moment.

"khushi relax"..he tries to assuage her. He wipes her tears. Suddenly khushi's look goes to the wound in his hand and she speaks out loud in agony. Arnav covers her mouth, not to speak. His riveting eyes try to see where are the goons? he becomes aghast to see that they are very near to them and running like hunting dogs.

Arnav's eyes go to some thrown away cartoons and he hides underneath, taking khushi interlaced with him.


Khushi is lying on top of him and her legs are between his legs. Their bodies are implicated with each other and there is no minuscule distance between them. the romantic note of rabba vey plays in the BG to make the moments fervent with passion.

Khushi's face is buried in his shoulder and her eyes are shut tightly. She is clutching on the collar of his shirt in fear and her lips are touching his neck. His robust arm encircles her shoulder. She slowly lifts her head from the crook of his neck. he turns his face more towards her and his lips almost brush her cheek. Their nose also touches gently. They inhale their warn breath, what must be giving them a spine tingling sensation. Though he must not smell good after staying in same clothes and in a dirty warehouse for 4/5 days, but his masculine smell must be igniting her body and cooling her soul from his eternal heat. Looking up at him, she can feel the heat emanating from him, even as the minuscule space between their bodies crackles with something like electricity.

He glances at her passionately with his caramel eyes flickering with a lazy smolder in their depth. uff languid while the whole world around is so frantic, nice word, sohara, lazy. Time stood still as they gaze at each other with their eyes speaking superfluously. Their eyes always are windows of their innermost thoughts. The air shimmers with sensuality and desire. Their heart must be thumping erratically. She becomes inert and completely enamored by his charm. She gazes at him passionately discovering her own joy reflects in his caramel pool.



The air of intimacy grows more pronounced as her eyes veers to his lips and strays there. Her lips quiver a little in desire.

khushi is not a typical SP bahu, who is demur in coy, she is sexy, sometimes a bit bold too, which I just love absolutely.

His gaze is transfixed to her with his breath ragged and his eyes alit with a soft glow, swirling with emotions too deep in love. He still can't believe that his girl is now ensconced in his embrace. He tried so hard not to love her, but his heart vanquished against his mind.

Their faces and mouth are so dangerously close to each other that their hot breath must be mingling now. When they were succumbed in each other's eyes, they again hear the footsteps of the goons. Arnav again clutches her body with him as tightly as possible. after a while, Khushi lifts her head tries to see where are theY and Arnav's riveting eyes also do the same. The gunmen are right beside them. Aghast arnav again clutches Khushi's body with him. He is ASR and he will not let any harm happens to his Khushi, who is his life.


When the goon can't see them, they move a little far. Rocky also joins them. He is scared, if they are not found; their boss will not spare them. He gotta phone call and after that he instructs all the other guys to search them. Arnav and khushi hears their convo. When they left they also start to run again and hide beside some trees. There the twig of trees pricks Arnav's back, but he still remains there, because he doesn't want Khushi to get hurt. When he tries to stand up, he almost gets hurt by another twig. But khushi protects him with her hand. The piercing twig bleeds her hand. Arnav says her to move her hand. But she refutes, because she already saw that, to save her from the sharp twig, he is hurting himself. They stare at each other for a while; a strong pensive expression lurks in the depth of his eyes. They recalls, in the rain, how he saved her from running car and when he fainted how she took care of him by waking up for the whole night.


Arnav holds her hand and Khushi also keeps it in uplift position. For a while they are in impediment, just try to speak through their eyes, which always speak more.

pause: I didn't get it why she was still hurting herself, why she didn't get her hand down. Or moreover rather getting hurt, she easily could hold the twig and remove it. I also missed the passion and intensity in their eyes because of the BD. agree, as lightly garbled scene... and body double sis one thing, but the sheer disrepect of continuity, of detail... that is more my problem. i was watching 64 and he slaps a wad of notes down on the table with his left hand. they cut to a close up,, it's that of aright hand with funny long nails... aargh.

Again they start to run and the goons also chase them. it became dark and luckily they find a hut to hide. But before they get in the hut Khushi leaves a blood stain mark beside the door, what will make the goons trace them soon.

Payal and Akash has a tiff. payal is very upset as Akash couldn't make the dinner date. He even forgot about the date and completely denied that he committed for a dinner and watching a film together. When he anticipates Payal's frustration, he apologizes. He now wants to take her to an official lunch with his clients. As they can't find time to spend with each other, it will be a great opportunity to be together.

Later Payal gets worried to go to a business party with Akash. She asks him will there be women also, or what she should wear, saree or salwar suit? For the first time she is going to his office party, so she should look perfect. She is diffident and tizzy, what saree she should wear. Akash says whatever she will wear, she will be the most beautiful girl in the party.


some gifs credit goes to tumblr.


this vm I posted before. Posting it again as it is perfect for episode-266 and my absolute favorite.


credit goes to the maker





love the top edit. that moment... so intimate. so connected. two people who just are so much into each other, without a single word, just staring, and seeking and being one.

sohara, great observations on the details of the two hugs. enjoyed all visuals... and some notes up there in blue. such a beautiful episode, pleasure to read how you read their need and intimacy.

Edited by vijay - 6 years ago
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Posted: 10 years ago
Indi di I don't like sangeet overall because of too much of sweetness I think..
But enjoyed your crooner post a lot. Specially the points to be noted your honour.
And the poetry.. you all have introduced me to this wonderful thing..otherwise I never liked it as much.. now in everything I see poetry.. hahaha.. thank you..
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Posted: 10 years ago

Originally posted by: sohara

Episode-266

nainokibullet:I found this on fb...and it's such a pretty edit! does anyone know where its from? Or if it's theirs?

Arnav asks Khushi, how she anticipated that he is in danger! khushi recollects his confession. She is about to speak, when they hear a noise of someone coming. Arnav tells Khushi to get down fast.


Rocky is back. He starts to flirt with Khushi, behaving meekly with her. He tells her to leave her anger and eat. Why she is not eating? Did she keep fast? On whose name? He even wants to feed her. He sits down near her and gives her a morsel to eat. Khushi moves a bit from him in disgust. Arnav is fuming like fire. When rocky sees Khushi is not eating he starts to eat her food.

"Hum i kha lete hai, nahi to waste jayega."

Rather getting angry on him, I was laughing to hear his dialogue and to see his attitude. me too sohara.. washte ho jayega.. haha..

He asks her why she was following him. Khushi stands up and tries to find the way to go out. Rocky says her; she won't be able to get out from here. Arnav is trembling in anger, as if any time he will blast. He shuts his eyes to control his anger.


Rocky approaches towards Khushi and makes her walk back. She cowers and gets obstructed by a ladder. She pushes him, but he starts to flirt with her again.

"I hit you, that's why you are still upset with me?"

"Don't you dare touch her."...a blaze of conflagration erupts inside Arnav like lava. He gives Rocky a glacial stare. He wants to throttle him with his bare hands now. An invisible force enters his thin body to invigorate him. . He now doesn't need any rope to break the grill. 😆 His face crumples to get strength and he holds the grill tightly and with a roar, just takes it out by a strong pull. The fire of anger in his eyes daunts Khushi. She admonishes him not to confront by nodding her head. But no force in the world can stop him now, because rocky dared to touch his girl. The acting made even this scene convincing for me. He jumps from the ventilator and beats Rocky black and blue. khushi is screaming Arnavji Arnavji. But he is inexorable.

"tere himmat kaise huyi?..hpw dare you' he beats him up even more.

He starts to beat him up vehemently, like the way he beaten up the goons in nainital. Today he is fighting with just one, that day he didn't care how many were there. Cause that day his suppressed love for Khushi spurted out involuntarily. Today also he became furious because of his love. nice observation


When khushi cries out, "arnavji leave him". He restrains himself. Khushi's tears are flowing from her eyes incessantly. Arnav asks her,

"theek ho tum?...are you alright?"


khushi nods her head in disagreement, like a helpless child. She was not theek without her Arnavji, because he is her oxygen to breath and vice a versa. His absence was deranging her. Hey hey and rabba vey has to enter now. wonderfully written Sohara. Loved Sanaya here.



She runs into his arm and hugs him tightly, literally clinging on his body. Her feet are lifted above the ground. and she embraces him with a bone crushing aerial hug. Arnav slowly lifts his hand to embrace her lissome body and tightens his grip slowly. There is lots of rope mark on his hand what lurched my heart painfully. As he enfolds her trembling body in a tight embrace, his body shudders with pure happiness and she sheds copious tears. A deluge of indecipherable yet powerful emotions wash across their heart. ❤️

So many times they collided with each other, so many accidental hug happened between them. But it was their first loving hug.


They really came across a long turbulent journey. Now as they are hugging each other after a long separation, the time is congealed and they are not consternating anything, any consequences. After getting each other for so many days, both do not want them to let go, just trying to feel each other with each fiber. A new sense of comfort envelopes them as their bodies perfectly molded against each other and their heart beats in unison. The floodgate opens to let all the bottled up emotions to flow and let all the images to come out that remained imprinted in their mind and heart with heart rending, soul searing clarity. comfort..surrender..happiness.. this hug was extremely touching.. loved what you say about the past memories imprinted in them..

They hugged each other in the rain, now I am wishing they had a moment in the rain again..

He bandaged her hand in the mandir, in spite of the acrimony between them.


He tightens his grip around her body more. His eyes are shut with enormous joy and a tender smile glints his face.

More memories encompass their thought,



He took out the broken bangle piece from her wrist.



She bumped with him and her earring got stuck with his shirt.

On a lazy Sunday afternoon, in AR's store room he fell down on top of her.



They hug, imbibing each other's fragrance, as if there is no end of it.

They succumb in more indelible memories, how he extricated her from entangled fairy light and 'he blew the dust away from her eyes,


On the night of diwali, he put the ankles around her ankle so lovingly, what he kept with him as a symbol of her existence. And on the same night he tried to kiss her forgetting everything.

He danced with her intimately on Payash sangeet.


He kissed on her cheek by the poolside made her startled.



In the hospital, when she ran towards him and hugged him, he couldn't hug her back. A strange inhibition bridled him. But today, she is all his; there is no inhibition, no difference when he confessed his love and their breath coalesced and they truly became one. she is all his. beautiful precise concise Sohara

Their happiness knows no bound today. now the fate has brought them together again, she lost all controls and her tears are streaming down her cheek, but smile is not leaving her face just for a single moment. His head are snuggling close to her hair and shoulder. After confessing his love to her, this was the first time he got her in his arm. So his emotions are flowing redundantly. I also mentioned this in my take. first time after the I love you they met.. yeaaa.. am feeling so happy reading this take ..

Sending a bevy sensation rampaging through her body, scorching her to the very tip of her nerve it seems they have become one. Inhaling her fragrance, he feels her sweetness pervades him and a sense of tranquility takes possession of his weary mind. They are so engrossed in each other, that became oblivion of everything and the smile doesn't leave their face for a while. His eyes are shut. But they had to break the hug, hearing some noise.

They look around, anticipates someone is coming. Fortunately they find a way to escape from that horrible place.


He grasps her hand and starts running. They keep running through a rough road. Some gunned men on jeep chase them. They hide for some moment. Arnav's one eye peeps out to scrutinize if the goons are still chasing them! Then again they keep running and hide. The goons are literally rummaging them like crazy.

To get him near, khushi gets emotional again. She holds his hand lovingly and says,

'lakh lakh shukar hai...million thanks that I found you. You don't know since so many days, how crazy I became in every moment.

"khushi relax"..he tries to assuage her. He wipes her tears. Suddenly khushi's look goes to the wound in his hand and she speaks out loud in agony. Arnav covers her mouth, not to speak. His riveting eyes try to see where are the goons? he becomes aghast to see that they are very near to them and running like hunting dogs.

Arnav's eyes go to some thrown away cartoons and he hides underneath, taking khushi interlaced with him.


Khushi is lying on top of him and her legs are between his legs. Their bodies are implicated with each other and there is no minuscule distance between them. the romantic note of rabba vey plays in the BG to make the moments fervent with passion.

Khushi's face is buried in his shoulder and her eyes are shut tightly. She is clutching on the collar of his shirt in fear and her lips are touching his neck. His robust arm encircles her shoulder. She slowly lifts her head from the crook of his neck. he turns his face more towards her and his lips almost brush her cheek. Their nose also touches gently. They inhale their warn breath, what must be giving them a spine tingling sensation. Though he must not smell good after staying in same clothes and in a dirty warehouse for 4/5 days, hahaha you had time to think of this? hey devi maiyya but his masculine smell must be igniting her body and cooling her soul from his eternal heat. Looking up at him, she can feel the heat emanating from him, even as the minuscule space between their bodies crackles with something like electricity.

He glances at her passionately with his caramel eyes flickering with a lazy smolder in their depth. Time stood still as they gaze at each other with their eyes speaking superfluously. Their eyes always are windows of their innermost thoughts. The air shimmers with sensuality and desire. Their heart must be thumping erratically. She becomes inert and completely enamored by his charm. She gazes at him passionately discovering her own joy reflects in his caramel pool. beautiful choice of words



The air of intimacy grows more pronounced as her eyes veers to his lips and strays there. Her lips quiver a little in desire. yes that is what it felt like.. their own private space..

khushi is not a typical SP bahu, who is demur in coy, she is sexy, sometimes a bit bold too, which I just love absolutely.

His gaze is transfixed to her with his breath ragged and his eyes alit with a soft glow, swirling with emotions too deep in love. He still can't believe that his girl is now ensconced in his embrace. He tried so hard not to love her, but his heart vanquished against his mind.

Their faces and mouth are so dangerously close to each other that their hot breath must be mingling now. When they were succumbed in each other's eyes, they again hear the footsteps of the goons. Arnav again clutches her body with him as tightly as possible. after a while, Khushi lifts her head tries to see where are theY and Arnav's riveting eyes also do the same. The gunmen are right beside them. Aghast arnav again clutches Khushi's body with him. He is ASR and he will not let any harm happens to his Khushi, who is his life. ❤️


When the goon can't see them, they move a little far. Rocky also joins them. He is scared, if they are not found; their boss will not spare them. He gotta phone call and after that he instructs all the other guys to search them. Arnav and khushi hears their convo. When they left they also start to run again and hide beside some trees. There the twig of trees pricks Arnav's back, but he still remains there, because he doesn't want Khushi to get hurt. When he tries to stand up, he almost gets hurt by another twig. But khushi protects him with her hand. The piercing twig bleeds her hand. Arnav says her to move her hand. But she refutes, because she already saw that, to save her from the sharp twig, he is hurting himself. They stare at each other for a while; a strong pensive expression lurks in the depth of his eyes. They recalls, in the rain, how he saved her from running car and when he fainted how she took care of him by waking up for the whole night.


Arnav holds her hand and Khushi also keeps it in uplift position. For a while they are in impediment, just try to speak through their eyes, which always speak more.

pause: I didn't get it why she was still hurting herself, why she didn't get her hand down. Or moreover rather getting hurt, she easily could hold the twig and remove it. I also missed the passion and intensity in their eyes because of the BD. yes after the two hugs this scene did not feel as perfect somehow to me too.

Again they start to run and the goons also chase them. it became dark and luckily they find a hut to hide. But before they get in the hut Khushi leaves a blood stain mark beside the door, what will make the goons trace them soon. wish this had not happened.. 😔

Payal and Akash has a tiff. payal is very upset as Akash couldn't make the dinner date. He even forgot about the date and completely denied that he committed for a dinner and watching a film together. When he anticipates Payal's frustration, he apologizes. He now wants to take her to an official lunch with his clients. As they can't find time to spend with each other, it will be a great opportunity to be together.

Later Payal gets worried to go to a business party with Akash. She asks him will there be women also, or what she should wear, saree or salwar suit? For the first time she is going to his office party, so she should look perfect. She is diffident and tizzy, what saree she should wear. Akash says whatever she will wear, she will be the most beautiful girl in the party.


some gifs credit goes to tumblr.


this vm I posted before. Posting it again as it is perfect for episode-266 and my absolute favorite.


credit goes to the maker


In case I forget to mention afterwards so strating with this.. I love the song in the VM.. I think I have seen it when you shared before, but still loved watching it.

Sohara the edits and gifs.. I couldn't take my eyes away from it.. ❤️

And really lovely take. You turn poetic whenever these two are close.. beautiful descriptions and words. Barun and Sanaya made me forget I was watching a show. It felt real. Swept me off my feet. Your take transported me right back to the wonderful world of IPK..
Edited by vijay - 6 years ago
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Posted: 10 years ago
rhea,

on a normal day, that sangeet would have me doing fairly unmentionable things... but this was in the middle of getting denser barbadi and i tried to see whatever i could in a positive light.

remembered the endless smarminess of my wedding. aunts and great aunts behaving in fairly crazy vein... embarrassing... we bongs have something called bashor ghor... time to unleash the ai ai yo in you. i think after about two hours of trying to withstand the onslaught of high pitched singing and constant badgering to hear some awful poem or the other by yet another father's aunt's sister's sister in law's son's wife or whoever, i finally did my asr thing.

said, i had had enough and ran off to a quieter place with just my friends.

no doubt i hurt many many people.

this sangeet was perhaps their revenge. 😆 not only did i sit through it. i actually tried to like things. 😕

but i was rewarded... ah the towel dancer. even now dhakdhak,

and poetry... hard to not do that once you have started looking into certain eyes... 😆 soon i will start sounding like the poets of my bashor ghor. poor chocolate brown eyed one.
Edited by indi52 - 10 years ago
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Posted: 10 years ago

Originally posted by: indi52

episode 272



it wasn't easy getting here to write my thoughts. despite the rather stirring scenes that opened the episode, the emptiness echoing in me seems to override everything. I am watching all these episode, but every time I watch an episode I realize why I skipped all the in my first watch.

this time round i know where all this is headed. which is actually... nowhere. this is extreme timepass while everyone waits for barun to be able to give more time. maybe it is that we have too high an expectation. Still these episodes I found plain boring. Even when they tried to create suspense most of it felt contrived and artificial. that was really the pity of the whole thing... if that wild violence and beating up of a man led to a story told well, we might have hit classic drama... i recall seeing the untouchables while in my twenties... blood erupting across the screen, spraying on walls, bodies letting go of life and slumpin, gory, terrible. i remember the godfather and its violence. i must have been 15 or 16 when i saw it... but all of that made perfect sense. stayed logged in the memory cells as, ah that was some movie. so good.

here... it all came to naught. pity is really that. because the actor and the henchman were actually pretty neat. better than many, these henchies, geography teacher like rotund boy included. 😆 I remember him in the scene wirh Sanaya. Was he here also?


then there was the elaborate "reveal" of the boss. ah it is shyam. oh it is shyam. really, it is shyam?

much melodrama to get him out of the dark into light as we are brought into it too. Truthfully ASR yelling into the night and crumpling alongside his SUV is also melodramatic, but that never ever in the slightest felt that way. The creators knew how to handle it right, but even their creativity has gone off on a holiday these days. first the hand and bracelet of course... oh, i know that... the felt the first time i'd seeen this i think i'd had a sinking feeling of disappointment. making a villain is no easy task...especially the filmi type villainiya shyam finally was moulded to.

yaadon ki baraat. dharmendra in black. ajit is white. i know and everyone else around that ajit is shakal... the man a boy had seen killing his parents. today the boy is all grown up but he remembers the man wore shoes of different sizes. then at the right moment, the man we all loved to mimic... ajit... his legs go up onto the desk at and the different sizes are instantly noticed by the hero... the truth hits dharmendra hard. haha I have watched it as a kid. I remember the mismatch shoes. I also likes the songs in the film.

it was quite a scene really... smooth, filmy, unreal yet exciting, and this despite not having several six pack torsos onscreen. in fact, i think the hero wore a wig, the villain certainly did. while amjad's brother imtiaz khan looked slithery in orange...

if you'd like to see the scene, it's here on vimeo: http://vimeo.com/65162961

that shoe reveal is in my memory for years and i think the concept was perhaps gypped from an angreji phillum. somehow the blue turquoise bracelet, also kept alive from the first day we met shyam, just doesn't do it. nor does the rather apt dhaiya ho, also with us since day one of shyam. and that i think is mainly to do with the writing, also directing from a distance and acting that is losing touch.

so yeah, seven odd unnecessary minutes. all of it could have been done in a couple. and who reads a will standing out on the road then loudly wonders about how to kill off someone. surely this is not the clever dude, man in black kidnapper? and what's that rocking chair doing there? 😕now which movie was that filched from? psycho? was there a little joke there and a deep prayer to the movie greats to save this shyam this sham this show?

also what happened to the clause about accidental death then? thank g not too many lawyers were ipk fans. one profession and idea too often profaned here. i will never forget asr saying khushi is his legally wedded wife and that meaning nothing to no one. also if legally wedded, would have been nice if they established it somewhere before the show ended. I want to hug you for mentioning this. I remember sitting with my ipad watching IPK well into the night and being absolutely outraged when he did not produce some legal paper or anything. That whole contract marriage was swept away under the carpet and I guess people hopes we just forgot all about it or something. How dare they call it anything, but a real marriage? Even with swami and ott attack it was always real.

anyway... asr's beautiful arms, wanting to reach, to do damage, to unmask the offender, very touching. noticed the whole episode was shown through a lot of hand and arm shots... then there were the feet of khushi... and a head coming to close to the boss's feet. that fight scene. again so convincing Indi di. It was painful to watch. We had talked earlier that I had thought he might have tried other tactics to get to discover this 'boss', but still whatever he did was and the violence.. I had to time and again avert my eyes.

there were two things that sort of did make an impression. one was the little drama three women in brown suits put up for a girl who missed her suited booted man. little did these ladies realise that now she yearns for him in his vest... she sees him crossing the boundary and walking toward her with only desire, pretty naked, in his eyes... or she sees herself running to him in a filthy godown, throwing herself on his blue shirt chest... yeah he had left in a suit, but alas... boo hoo.. I miss the suit. bas.


very loving scene by three good actresses. and this family love, which managed to stay not nauseating despite it being a hindi soap, where for quite a while effort was made to build individual characters, not even very predictable ones, and the vibe the actors shared was so good, often gave ipk a great place to escape to when everything was off.

along with khushi i lost myself in the sweetness of it. sometimes fam does do weird stuff to make a loved one happy. here they were really bizarre in brown, but oh i did think of the hot one, especially on the morning he walked down the gh verandah looking at her. maybe that was the intention back of director's mind. I liked the thought, but the poetry irritated me.

and did you notice, anjali spoke of rain? last year's rain. oooph. she remembered two scenes, the khushi sneezing one did not look right... and pity, khushi did not have a flashback of a man rushing out of nowhere and catching her and spinning away taking her to safety. holding her... it seemed for an eternity... like he'd never let her go. sigh .. oh I wrote this then saw your heart was also swelling and sighing right below..

but even without the flashback, the heart swelled and sighed. ah rain. really, chhotey shuts all windows and sleeps with ac on at high? why is he so d real... why?

lovely. Sanaya has beautiful feet.

the other scene was the patch up with dm. i am not much for mixing religion with entertainment. and so often is it used to make you buy some idea or manipulate you. but the concept of ishta devata, your personal god, or rather your personal take on the eternal is i think quite prevalant in hindu thought. i know too little to comment. but i have had mine, and i still do... and this is a private and personal matter.

to that extent, the way khushi's relationship with dm was handled, i really enjoyed it. yeah, there was a bit of the unreal chunari floating thing, but that is fine with me, a bit of flight is always okay in creative things... and really i too have looked for signs, so if khushi reads them... who am i to make fun of her. exactly 😊

but mainly it was her relationship with dm that i really enjoyed and thought was central to khsuhi's personality... helped us see and read her and connect with her too. an orphan girl always chirpy, trying to make things better. that was her strong and revealed side. but surely therew as vulnerability inside? a feelinng that no one was really her '"own"? a fear even and trepidation? surely she quaked and felt tremors inside, just sometimes?

this is an orphan girl's very deep relatiosnhip, made of her own free will, the only the only relationship perhaps, beside with asr, where she has and happily exercises "haque". her right. well said Indi di. This sense of right is so difficult to get. In a world where you are thrust right into family, almost forced into being social and making 'friends' to feel comfortable enough to do anything around someone..demand.. give up..just be yourself.. that is extremely rare and priceless.

right from day one it is there... she is not scared of dm, never fears dm will desert her. she owns and loves and possesess dm. she feeds her what she wants to, chats with her about everything, requests her to show signs, loves her and wants her love. reaches always for her blessings. and then when her whole world crumbles and she has no one to turn to, she goes to her... dm with her unmoving idol, unblinking eyes...

and she fights with dm.

all her anger, all her frustration... all her hurt... every bit of helplessness... and pain sadness confusion fury, with all of it, she goes to the one over whom she has eternal right.

her god.

her dm.

and raves and rants.

and says, go, won't talk to you... katti.

but now, now that such difficulty is upon her... now that the man who tormented her and whose tormenting she d rather live with than the love of another... now that he is in such terrible trouble... and her heart is breaking, her mind ripping at the memory of the state she saw him.. again.. she can go to no one...

but she can go to the one.

the one who is always hers.
you know Indi di.. reading the last few lines am smiling.. how your words touch a cord when you are touched..

whom she can rave and rant at and love and cajole and who will be there no matter what.

her devi maiyya.

khushi's going to see her, straight after the overwhelming moments with her family wearing suits and her heart immersed in missing him, wanting to get him out of the hell he is in, was significant and poignant.

i liked the way the director showed her hesitation with the halting feet. and i did like the way khushi slipped back into her chatty conversing style with dm... and though she did not do too much of drama, she told dm how badly she needed her man. that the same one who had taken her away from dm, brings her back.. don't let him suffer. let me.

for whatever reason... i do think some people actually talk like that and are as desperate to make the one they love feel okay, make them safe.

sanaya was for a few moments again the khushi i knew. i had really liked her raging at devi maiyya the night of suffocating terror and hurt.
khushi had to show her feelings on something... someone... and she had not been turned into achhi bahu yet, so she could do the anger so beautifully. so need to sweeten the whole thing. thank dm.

and today too she slipped back into her relationship with the ease only the deepest of relationships allow... that say, no need to explain, i need you too... and yes, i like the thought that the divine needs to be told your thoughts, your mind... omniscient is the divine but i as human have been given the ability to have free will, that can be exercised only if i can state what it is that i want in the first place. interesting thought..

and when the chunari came via the purohit i was happy for khushi. she needed something today.

something.

and that only her divine one could give.

it was like a master within had reach out and given direction.

perhaps there is a master like that within all of us. and i hope we all find that one within.


can i please hit shyam sham shambles on his snout and please what's with the hairstyle. uff such a waste of an opportunity to create a full masala villain. every hero needs one really. asr deserved better. in my opinion he deserved a lot of things better. and that down there was a ridiculous scene... even when i realised director wants me to connect it to the blood that had fallen on shyam's shoe, didn't make me feel better... at all.



Feels good to read your take Indi di. Wanted to fast forward the episode, but still want to talk about it with you all.. hai re nand kisore.. what you wrote about Khushi and her relationship with devi maiyya.. very touching.. I absolutely agree.. ASR deserved all sorts of things, some materialistic and some in thoughts of the people around him.. And never showing the 'legal' side of this marriage.. the man who liked to play 'business business'.. whose wife wrote him IOU's.. he not draw out a legal document.. I refuse to believe.

More talking above.
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Posted: 10 years ago
👏👏👏

Originally posted by: indi52

episode 267





i have never seen such heady love making on the screen. actually anywhere.
Same here.

there were flaws, but what i left with was so intoxicating and beautiful, i overlooked the glitches.

when two people love each other, the sensual domain is theirs to own. theirs to express their emotion through, enjoy it, seep right in. from completely carnal sex to sublime union, the entire spectrum is theirs to have and explore. in fact, between lovers the physical intimacy and contact their relationship nurtures, is often a means of communication... with each other... sometimes even the eternal.
very beautifully said. Or moreover when the lovers are like Arnav and Khushi, whose love is so deep, so visceral.

the intensity of one's emotion drives this exploration and gives it variegated colour. one can write a book or a library on this... but how does one create it before a camera? between people who are not really lovers.
Barun and Sanya together ignite the screen on fire.

there are so many preconceived notions about what is sexy what is not, how lovers should or shouldn't make love, and in our image inundated world, stereotypes are thick and heavy. say love making and a bunch of cliched images flash.

nothing seems fresh, nothing touches. certainly nothing ignites... that's been the case with me.

but while seeing 267 when i forgot everything and just watched trying to hold onto my breath... i realised i was seeing something which is all of those. and definitely much more.

for me this episode is about director, barun, and sainyaa... that aaraam. i wish khushi had been thought through a bit more.
Good observation. I also thought so.

and while i loved the choice of song, there were parts where i felt nothing but the visual was required. it created all the other layers and you could almost hear and feel the picture. to find out if i was correct, made a vm with my most favorite parts, and no goons. please do see, i will be back tomorrow morning with the rest.

update





"fireflies," he said.

"jugnu!" she concurred delighted.


light played on her face, on his... his eyes were all you could see and in them, another light... that of his devotion to her. his incandescent love that even the darkest night could not snuff out.

the firefly... only one suddenly, i have seen a version where there were three... left its little pitcher and flew away, its phosphorescence lighting up the trail it flew and out of the hut it went, leaving darkness behind. but not quite. what had been lit remained so.

he looked at her worried, almost pained by the thought of her feeling afraid. but she said, she was no longer afraid.

were the fireflies really a metophor, i wondered. they had lain lit but carefully shut in a rounded little pitcher, a secret chamber as it were, its shape reminiscent of the womb, the kumbh from which nectar flowed... till she opened the lid and they flew right out.

desire. were they telling the story of desire that had lain bright and refulgent in two hearts, never set free and allowed to fly... but tonight they would?
so deep is your perception.

the day had been spent running, running to escape from danger that wouldn't be thwarted. two lovers, hand in hand, thrown into a strange flight and did they finally reach a place where at last the real fears we have can be shed?

as if on cue, she said, she was no longer afraid... no longer afraid of what? the darkness without or her apprehensions within?

from the moment the hut was sighted, we seemed to shift to an alterante reality. the hard harsh world of the day melting into a magic hut somewhere far away, yet where no one really knows. it appeared in the middle of a wooded area, replete with hay on the floor, lantern on a pole, shamrock on the wall, and the raiment of a nubile virgin... white chiffon touched with sparkling badla, but along with it, the touch of the temptress in a red revealing blouse with a tie to hold it in place.
Loved the description of the ambiance of the hut. It was perfect for lovers to make love.😉

in this fairytale cocoon one thing was throbbingly real. a man's feeling for a woman. a complete feeling that had range depth veracity.

close your eyes and count till ten, said a gentle, father like protector husband to a scared childlike wife. all arnav singh raizada cared about was her safety and comfort... something terribly beautiful about a man simply accepting his role and defining it his way.

captive or not, tired or not, worn out or not... khushi is always his responsibility... he owns this duty, it is a precious asset almost. even when he has disbelieved her he has protected her...
except the night on their wedding, when he threw her out from his room and made her sleep on the stone called floor. But one thing, he made sure that she stays in front of his eyes, protected.

for her too, only he was of importance, nothing else really. she saw the cut on his cheek and reached out to soothe. i could see the hand was not correct, nor the hair... it was not sanaya who dabbed at barun's cheek. but just as i had done the first time i saw this episode i carefully shifted focus and concentrated on what mattered, did not allow the presence of not well chosen doubles to mar my enjoyment of the beautiful portrayal before me.
It was difficult to see the BD. Though Sanaya's BD is tolerable, she is tall and fair and pretty also. But I just hate Barun's BD. There is no resemblance with him with the BD. I was watching the post kidnapping track in the rerun. And believe me Barun's BD just spoiled the mood.


in the dimmed light, the intimacy of a secluded hut, desires began to murmur once fear had abated. this was the first time they were meeting after what took so long to say was said, and heard, and held dear in their hearts.

he sat on the hay while she changed; his shirt he had taken off for it must have been grimy and filthy after the ordeal of the past days and he just wore his not too pristine undershirt as he waited for her.

the gesture itself curiously intimate, that of removing the outerwear and being completely at home in a vest before a woman... quite husband like.
hmmm. I wish if they would've maintained this intimacy later. they used to sleep literally drawing a bridge in between them. My dream to see Khushi and Arnav sleep snuggling close to each other never fulfilled.

he murmured vaguely about what intimated her to his plight... a question he had asked before. arnav singh raizada was speaking not in clipped sentences but with a slightly lost curious lilt to his voice. maybe he wanted to know if she could feel him as intensely as he could sense her...

she answered in little mumbles about woh, that... what he had said...

yeah that... woh... did asr just mumble back?

oh they both were feeling the fireflies' call...

he had pulled a makeshift red curtain on a line for her, to give her privacy.


and then inadvertantly, as things often happen, his eyes fell on a shadow... of her donning her clothes, he could see the silhouette move alluringly, her hands were behind her back, she was tying the dori of her blouse clearly...

one long look, and arnav singh raizada could no longer mask the naked passion stirring in his gut, released... refusing to be put back into a quiet dark place, instead rising and seeking to be free.
Loved this para.

a simple lantern juxtaposed against a lean expressive face with glittering jewel like eyes and a poetry started getting written about longing, sensual yearning, love and beyond.

as he watched her, then got up to lower the flame of the lantern so that even he may not in any way disrespect her form, her being, every frame seemed like a still life, but dynamic, quivering with desire... the wellspring of which was not mere flesh. of course, the flesh sought its pleasure but what compelled it was a sublime emotion.

this was really not about sex. and certainly not about a generic man woman thing. this was arnav singh's specific particular desire for khushi kumari. for no one else has he felt such things... not in this way or so i felt... to no one else has he wanted to give so much of himself.
Your thought gave me goose bumps. They are not ordinary lovers, they are ASR and Khushi. I'm sure, ASR never looked at anybody with such loving and yearning gaze.

quietly he stares at shadows, his eyes saying a million things, most important, he is struggling with a growing arousal... he looks away, he swallows and tries to calm himself

and then just as he is about to succeed in quelling the overwhelming feelings, she draws aside the red curtain... it had to be red of course, right from that first day when he had reacted to her beauty without meaning to... it was always red. isn't it the colour of blood? of passion? of heat? of sindoor?


and before his eyes stands a virginal maiden in white, little silver sparkles across her flowing garment, her hair is open and down to her hips, diaphanous sheer is her saree, hugging her sensuous curves, a dash of red on her body, and a strange wariness in her eyes... that question about how she knew, that reminder of his phone call, and in her perhaps a surging too.

as i watched her, i could see she knew what he was thinking of... perhaps she longed too... but oh i did so wish someone had thought about what khushi would feel at such a moment with a bit more depth...


once he saw her, he could deny it no more. astounding expressions on barun's face, his eyes, the language of his entire body. she stood there transfixed, then his head tilted to one side as if he couldn't believe what it was his eyes beheld.
Barun's expression was arousing me.😳

the breath by breath understanding and delineation of sexual desire burgeoning was exhilarating and gratifying really. the director had seen this whole thing in his mind with such clarity... it was as if he painted a canvas, stroke upon stroke.
The creative did a great job. But I would rather give the credit to the actors more.

asr looked at khushi for a timeless moment and then you saw a decision come into his eyes... that is when he moved... flowed really..
how graceful and ballet like were the next few minutes... he came to her, the motion had been slowed, the lighting was perfect, she stood there shy, uncertain, a little out of her depth. the two of them stood apart, a ray of light falling between them, an improvised clothesline with a sense of limit separated them, the lakshman rekha as it were. she watched transfixed, he approached, he seemed mesmerised... as he had been that day of the first rabba vey, as he had been on diwali night... but this time he knew why he was here and it no longer threw him that such an overwhelming need propelled him.
His yearning was same on that day, but today there is no inhibition, after they came to know about their love for each other.


when he reached the rope... an inflection point. he lifted his hand and pushed the rope up, ducking under it, eyes on her he came to her side as it were. in his gaze was a determination now. he was here. he had decided to hear the call of the fireflies.👏

she backed away then, the look in his slightly glazed yet focussed brown eyes sent tremors through her it seemed. maybe it was the magnitude of his desire that shook her... had she ever felt such guiltless vast passion directed at her... caused in fact by her?


did it scare her a little? though it sparked a desire too in good measure.

he came closer still, now with a faintly predatory air, seeking her, and her alone. she walked back straight into the wall... so reminiscent of diwali this whole moment... he leaned over as he had done then, his eyes muddling and wanting the mayhem of love... this time he is sure. there will be no denial afterwards.
oh yes, he is too sure to make her his own completely.

she watched as feelings ran amok and tried to escape the onslaught, but he would not let her... a swift and graceful lunge to the right blocking her path.

he bent down to kiss her, she attempted escape again...

but his downcast head managed to communicate unyielding resolution, a swift hand caught her wrist, obstructing flight... no, jonaki, tonight you won't fly away... bangles moved and danced, a touch of red by a carefully crafting director... in it: frenzy, fear, and maybe a note of wanton love.
Uff just beautiful!

asr pulled her back and came over close, she looked on helpless now, her eyes large, irises a little glassy... caught between the scary tumult of sensations in her and in him... perhaps still just a bit afraid.

i noted that both were dressed in white and red. he wore his basic white vest and that devastatingly exciting cut on left cheek, with a streak of blood.
wow great observation.

red and white... were these colours too telling stories about the two and this evening like no other evening?


he did kiss her shoulder and then knowing the fight had left her, that she wanted him as much as he her, he bent and did what he had done so many times before... so after the signature advance retreat, now it was time to pick her up in his arms.

only this time he would lay her gently, tenderly on a bed of hay and make love to her, his wife.

while outside men with guns looked for them, inside the hut, lovers prepared to surrender, for something had found its mark. and that is when the song rose... rustic gritty alleviating... saiyaan.

kailash kher and a sufi interpretation of love, words that speak of the nature of love the lover seeks... and what that love does. enchanting melody. words that can make you blush or die with pleasure... no need for guns.


I'm not a Kailash Kher fan. whe he sings it sounds an old man is singing. But this song saiyan is just too sensuous.

tu jo chhoonley pyaar se aaram se mar jaaoon.

if you should touch me with love, i will die of the comfort, the pleasure.


isn't that arnav singh's longing there? for years there has been no aaraam in his life, no comfort, no pleasure really... now she... all he needs is to be touched by her... that is all.
Good interpretation. can't agree more.

aaraam, a difficult to translate word i feel... nuances of the purely physical and also emotion in it.

saiyaan... saiyaan... lover... oh my lover.

she lay on the hay as he reached down to claim her to be claimed by her.


just as he was about to kiss her lips at last, she moved with alacrity, away... no... she was shy... not ready... and out flowed a beautiful long slim arm, minutely and perfectly etched with muscles... sinuous, strong, rising from a beautiful shoulder...

he stopped her... then ever so slowly his hand moved, his fingers trailed the skin on her back and went to her dori... fingers began to untie the knot. she was carried away on the sensations awakened... his eyes looked intoxicated...
He has been after her dori since he met her. You know where my dirty mind is veering to.😆

in the intensity if this night, in its pure and complete call, i suddenly found a reflection of another terrifically concentrated night... after the terrace... on a quiet road, the scream of a man betrayed, a man who loves and wants to be loved. the helplessness of that night seemed to come and find bliss here and merged with it, losing itself, letting it flow away, becoming strong again... that chot of his got its aaraam. that night he had screamed, tonight he said barely anything and whatever he did was in the opposite decibel direction... whispers... yet his eyes spoke, his body sang, his hands screamed...
well said. He finally found his sukoon or succor you can say.

and of course, the goons found them just then.

there is a beauty in these scenes that my words will never be able to capture. and barun... this really was his episode. how terribly detailed and precise are his expressions... his body language is really rare... he is predator and protector... there is a male aggressiveness and a ballet like grace in his movements... something hums and murmurs all the time... it envelops him.. it's in his look, his voice, all around... and really i have never seen male physique that looks as though someone had painted it, no sculpted it... giving it the most fluid angles and lines, lifting a muscle here, drawing a sinew there, detailing with infinite care. collar bones, shoulders, the clavicle, the ridges and grooves... how can such things look so beautiful...
yes yes, yes, Barun was outstanding. He is too sexy, so looks perfect in love making scene.😳


pulchritude, my mind said. this is what that word means. this type of beauty.

the moment he knew the outside world had intruded... asr, shatir, problem solving, in command, and no nonsense returned... he spoke in his clear sentences, a mix of hindi and english, an economy of words...

first thought... her safety. unlogo ko mujhse matlab hai... if i go out, they won't come in... ok?

no! she won't let him go. neither can bear the thought of the other being hurt.

they argued... he spoke of risk, she said let's jump out through the window... he through clenched teeth said, just lemme go, khushi...

i wondered how long i could remain sane.😆

and then some muddle headed writing bludgeoned the night on the head.

but there had been such beauty here by then, nothing could dull that.

right in the beginning before everything started, he had taken a second, stolen it from the hour in fact to look at her as she counted till ten with her eyes closed as he had asked her to...

the tenderness that invaded his eyes at that point... infinite love there... it was perhaps that look which made the one in his eyes when he crossed the clothesline... that stalking devouring hunger... look perfectly wonderful... not lascivious and if so, in the best possible way.



heerey moti main na chahoon, main toh chahoon sangam tera...

diamonds and pearls i don't desire... i desire union with you.


even before the song said it, barun sobti spoke it with his eyes, his bent of head, his gliding, slow walk, his air of being unstoppable... 👍🏼

barun sobti was doing double shifts at this point... shooting for mamr at the same time. i have a feeling he was enjoying his role a lot... and that somehow got reflected in his kidnap days acting in ipk. absolutely inspired is all i can say... i yearn to see acting of this nature. and i hope that some day soon mamr releases... because he so wanted to do it.
I also hope so, cause it was his first movie. He had so many dreams with this. Though I can stand the heroine who acted opposite him. But I will tolearte her for the sake of my love.




did you see the look in his eyes
infinite

planets perhaps shifted
when he lunged

was there ever in truth a line to be
crossed

if there was, a crossing would be
done

love dictated, desired, demanded
that

the lover and the beloved stand
forever

in a hut in the gloam between here and
somewhere else

beauty and truth their indelible tie
illumine
👏👏👏
awesome poem.






soon after watching this episode when it first aired, i wrote this:
tonight was bs's night wasn't it.

also:
par mera asr aaj perfect tha, smoulder in his eyes, desire on his lips, love in his heart, passion in every pore. and banian on his breathtaking torso 😉 aur kuch hi din baad woh lautega, with all those things you speak of. but after tonight, there's no guarantee i'll live that long. he's the real dangerous one not that bichara sanskaari goonda. tan dan dan...




it was absolutely wonderful.
In my word fantabulous.
I said so many things above.(in purple).
All the lines in blue are my favorite.
The poem is too deep, perfectly depicted Barun's brilliant acting.
Edited by vijay - 6 years ago
soni19sweet thumbnail
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Posted: 10 years ago
thanks for pm me thread 26
will come soon 😛

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